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Journal articles on the topic 'Ivanovia'
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1
Torres, Andrew M. "Ivanovia tebagaensis was a cyathiform Permian codiacean membranous alga with dimorphic cortices." Journal of Paleontology 69, no. 2 (March 1995): 381–87. http://dx.doi.org/10.1017/s0022336000034703.
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Species of Ivanovia (Codiaceae or Udoteaceae, Chlorophyta) have traditionally been characterized as phylloid or leaf-like. Extraordinarily well preserved specimens of I. tebagaensis in limestone from the Upper Permian of southern Tunisia indicate that the thallus was cyathiform or cup-shaped, similar to the broadly conical codiacean Calcipatera and to living Udotea cyathiformis. Ivanovia also shared with Calcipatera the same general membrane structure consisting of bilateral cortices with palisades of utricles, now filled with micrite, and a medulla of tubular coenocytes, now filled with sparry calcite mosaic. A cyathiform thallus would have had an inner and an outer cortex and those of I. tebagaensis were dimorphic. The utricular structure as usually seen in thin sections using transmitted light is much clearer when viewed on polished surfaces of hand specimens using reflected light. Commonly occurring fused membranes suggest that the thalli reproduced vegetatively by budding. The complexity and regularity of the I. tebagaensis membrane structure strongly suggest that a model which proposes that Ivanovia is simply a diagenetic stage in the fossilization of the red alga, Archeolithophyllum, is invalid.
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TORRES, ANDREW M. "Sexual reproductive structures in the green alga Ivanovia triassica." Lethaia 36, no. 1 (January 1, 2003): 33–40. http://dx.doi.org/10.1080/00241160310001236.
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Torres, Andrew M., Andrew M. Christensen, Timothy E. Masters, and Richard A. Ketcham. "From CT scans of embedded Ivanovia to models using rapid prototyping." Palaeontology 46, no. 4 (July 2003): 839–43. http://dx.doi.org/10.1111/1475-4983.00321.
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Torres, Andrew M. "A three-dimensional CT (CAT) scan through a rock with Permian alga Ivanovia tebagaensis." Journal of Paleontology 73, no. 1 (January 1999): 154–58. http://dx.doi.org/10.1017/s002233600002761x.
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Embedded thalli of Permian Ivanovia tebagaensis, a calcified, cyathiform, codiacean, Chlorophyta, were X-rayed with a medical CT (computed tomography) scanner. The two-dimensional digital X-ray image files were copied to floppy disks and transferred to an IBM-compatible personal computer. The images were cropped, and built into a data volume with a commercial three-dimensional software program. The data were color edited so that only the algae were visible. The data volume was then systematically manipulated to visualize some hitherto unknown details of the structure of the utricles, and of a vegetative propagule, a developing bud.
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Corrochano, Diego, and Daniel Vachard. "Remarks on the Cortical Structure of Late Paleozoic “Phylloid Algae”." Journal of Paleontology 88, no. 5 (September 2014): 1019–30. http://dx.doi.org/10.1017/s0022336000057620.
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The cortical structure of the green anchicodiacean alga Anchicodium in the Pennsylvanian Dueñas Formation of the Cantabrian Zone (northwestern Spain) is described and illustrated. Anchicodium is characterized by a broad phylloid or leaflike calcified thallus, consisting of a bilateral cortex and a poorly calcified central medulla. The organization and morphology of the cortical system have been revealed with great detail using cathodoluminescence microscopy. Anchicodium cortex is composed of up to three (four?) orders of dichotomized branched cortical siphons that are usually swollen at the center; primary siphons are bulbous and are followed by elongate cylindrical siphons. Cortical siphons are preserved as dull-bright luminescent molds filled with micrite or microsparite, and contrast sharply with the surrounding non-luminescent calcite infilling the intersiphonal spaces, originally occupied by aragonite. Anchicodium in the Dueñas Formation exhibits a variety of preservational stages. Through a compilation of the taxonomic nomenclature and morphologic re-interpretations, it is concluded that some late Paleozoic anchicodiacean algae might represent diagenetic stages of Anchicodium or Eugonophyllum without any taxonomic significance. This conclusion is suggested particularly for the taphotaxon Ivanovia.
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Velmezova, Ekaterina, and Kalevi Kull. "Interview with Vyacheslav V. Ivanov about semiotics, the languages of the brain and history of ideas." Sign Systems Studies 39, no. 2/4 (December 1, 2011): 290–313. http://dx.doi.org/10.12697/sss.2011.39.2-4.12.
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The interview with one of the founders of the Tartu–Moscow school, semiotician Vyacheslav Vsevolodovich Ivanov (b. 1929) from August 2010, describes V. V. Ivanov’s opinions of several scholars and their work (including Evgenij Polivanov, Mikhail Bakhtin, Andrej Kolmogorov, Nikolaj Marr etc.), his relationships with his father Vsevolod Ivanov, as well as V. V. Ivanov’s views on the past and future of semiotics, with some emphasis on neurosemiotics, zoosemiotics, semiotics of culture, cybernetics, history of linguistics, study and protection of small languages. The interview also deals with V. V. Ivanov’s book Even and Odd.
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Doronina, A. A. "Vyacheslav Ivanov on Slavic Idea." Philosophical Letters. Russian and European Dialogue 3, no. 4 (December 2020): 158–66. http://dx.doi.org/10.17323/2658-5413-2020-3-4-158-166.
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The article considers the conceptualization of the Slavic idea by Vyacheslav Ivanov and reveals the main criteria for Ivanov’s understanding of slavism. An attempt is made to show the philosophical nature of the concept of Slavic idea and to find the basis for the philosophical interpretation of this concept by Ivanov. Special attention is paid to the peculiarities of Ivanov’s understanding of the Slavic brotherhood, the discrepancies between his positions and those of the neo-Slavophiles. The article also discusses some of the thinker’s methodological approaches and demonstrates the inclusion of the concept of Slavic idea in Ivanov’s cultural and philosophical system.
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Velmezova, E. V., and K. Kull. "Vyacheslav Vsevolodovich Ivanov about Semiotics, Languages of the Brain and History of Ideas." Critique and Semiotics 38, no. 2 (2020): 9–33. http://dx.doi.org/10.25205/2307-1737-2020-2-9-33.
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The interviews with one of the founders of the Moscow-Tartu school, Vyacheslav Vsevolodovich Ivanov (1929–2017) from August 2010 and from October 2012, describe V. V. Ivanov’s opinions on several scholars (Evgenij Polivanov, Mikhail Bakhtin, Andrej Kolmogorov, Nikolaj Marr etc.) and their work, on his relationships with his father Vsevolod Ivanov, as well as V. V. Ivanov’s views on the past and future of sciences, with some emphasis on neurosemiotics, zoosemiotics, semiotics of culture, cybernetics, history of linguistics, study and protection of small languages. The first interview also deals with V. V. Ivanov’s book Even and Odd; the second interview discusses the key notions of semiotics: sign, the very definition of semiotics, its connections with other disciplines, as well as V. V. Ivanov’s main achievements in the field of semiotics.
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Sautkin, Alexander. "THE CONCEPT OF “IMPOSSIBLE COMMUNITIES“ IN THE PERSPECTIVE OF EXPENDITURE AND ECSTASY / „NEĮMANOMŲ BENDRUOMENIŲ“ SAMPRATA ŠVAISTYMO IR EKSTAZĖS PERSPEKTYVOJE." CREATIVITY STUDIES 5, no. 2 (December 9, 2012): 145–53. http://dx.doi.org/10.3846/20297475.2012.702692.
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The article is devoted to the analysis of “impossible community”. The author describes some variants of this socially-philosophical model, in particular, heterogeneous society of Georges Bataille, Vyacheslav Ivanovich Ivanov's mysterial community and imaginary community of the zombies (as an image of pop culture). The article considers orientation of modern philosophy on “direct communication” which resists discourse, language, rationality, production. Life in an “impossible society” is impossible, however, some thinkers persistently design it as radical alternative to work, utility and calculation. It is a question of paradoxical communities, from which the objectivization mechanisms (first of all, language and production) are eliminated. Santrauka Straipsnis skirtas „neįmanomos bendruomenės“ analizei. Autorius aprašo tam tikrus šio socialiai filosofinio modelio variantus, ypač George'o Bataille'aus heterogenišką visuomenę, Vyacheslavo Ivanovichiaus Ivanovo misterinę bendruomenę ir įsivaizduojamą zombių bendruomenę (kaip popkultūros įvaizdį). Straipsnyje nagrinėjama moderniosios filosofijos orientacija į „tiesioginę komunikaciją“, besipriešinančią diskursui, kalbai, racionalumui, gamybai. Nors gyvenimas „neįmanomoje visuomenėje” yra neįmanomas, tačiau, kad ir kaip būtų, kai kurie mąstytojai atkakliai projektuoja jį kaip radikalią alternatyvą darbui, naudai ir kalkuliacijai. Tai paradoksalių bendruomenių, kuriose panaikinti objektyvizacijos mechanizmai (visų pirma kalba ir gamyba), klausimas.
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ИПАТОВ, В. С., М. Ю. ТИХОДЕЕВА, and В. X. ЛЕБЕДЕВА. "СУМИНА ОЛЬГА ИВАНОВНА (К 60-ЛЕТИЮ СО ДНЯ РОЖДЕНИЯ), "БОТАНИЧЕСКИЙ ЖУРНАЛ"." Ботанический журнал, no. 10 (2012): 1370–72. http://dx.doi.org/10.1134/s1234567812100138.
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Olga Ivanovna Sumina, the head of the Department of Geobotany and Plant Ecology of St. Petersburg State University, has celebrated her anniversary. Her scientific interests include research of vegetation formation processes on technogenic habitats of the northern territories of Russia. Colleagues, post-graduate students and students pass their sincere greetings on Olga Ivanovnas anniversary.
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Titarenko, Svetlana Dmitriyevna. "VYACHESLAV IVANOV AND JAKOB BÖHME (RELIGIOUS SYMBOLISM THEORY AND ACTUALIZATION OF THE GERMAN MYSTIC’S HERITAGE)." Russkaya literatura 2 (2021): 173–83. http://dx.doi.org/10.31860/0131-6095-2021-2-173-183.
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The article outlines the insuffi ciently studied issue «Vyacheslav Ivanov and Jakob Böhme». The goal of the research is to defi ne the sources that infl uenced Vyach. Ivanov’s theory of religious realistic symbolism. The philosophy of Vyach. Ivanov’s art is analyzed, and the contingencies between his theory and the mystic learning of Böhme and his followers concerning symbolic correspondences are highlighted. It is shown that, postulating his principles of religious symbolism, Ivanov relied on Böhme’s principles of symbolic nature of reality, that were connected to the traditions of the Medieval Christian Neoplatonism.
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Fedotova, S. "The historical and supertemporal in Vyacheslav Ivanov’s work: A collection to mark the 150th birth anniversary of V. Ivanov." Voprosy literatury, no. 4 (October 2, 2018): 392–95. http://dx.doi.org/10.31425/0042-8795-2018-4-392-395.
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Emelyanov, D. V., and I. I. Nazarov. "Transport Culture of the Population of Gornaya Shoria in the Early 20th Century Based on Photographs by G.I. Ivanov." Izvestiya of Altai State University, no. 5(115) (November 30, 2020): 75–84. http://dx.doi.org/10.14258/izvasu(2020)5-11.
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The publication analyzes a collection of photographs by Grigory Ivanovich Ivanov (1876-1930), which is kept in the Altai State Museum of Local Lore in the city of Barnaul. The photographs were taken by Ivanov in 1913 during his expedition to the remote areas of Gornaya Shoria. The introduction of these photographs into scientific circulation became possible only at the end of the 20th century. The photographs show the traditional culture of the indigenous inhabitants of this area - the Shors, who at the time of Ivanov's expedition still retained the traditional features of their ethnic culture. The photographs show the traditional material culture of the Shors, their traditional means of transportation and transport. The most developed among the Shors at that time were winter means of transportation and transport (skis, sledges, scraps), which ensured hunting. Water vehicles (boats, rafts, ferries), which made it possible to move people and goods along mountain rivers were equally important. In the early 20th century horses were used by the Shors for horseback riding, as well as for horse and goose transport of goods. The horse equipment used in this case was distinguished by great archaism. In remote mountainous areas, the local population also used archaic methods of transporting goods by hand. However, the photographs also show more developed forms of vehicles and transport, which the population of Gornaya Shoria began to use in the early 20th century under the influence of the Russian population.
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Pogorelskaia, E. I. "“On the Edge of Siberia with Ivanov”. An Article in the Newspaper “L’Humanité”." Studies in Theory of Literary Plot and Narratology 15, no. 2 (2020): 53–62. http://dx.doi.org/10.25205/2410-7883-2020-2-53-62.
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Since May of 1926 and till December of 1928, Leon Bazalgette (1873–1928), French writer, translator, and literary critic who was a close friend of Stefan Zweig, wrote the weekly column Foreign literature in the French Communist party newspaper L’Humanité. Among the materials published in the newspaper there are articles about Soviet writers and their most famous works. The article dedicated to Vsevolod Ivanov was published on March 14, 1928, after the publication of materials about Boris Pilnyak, Lidia Seifullina, Konstantin Fedin, and before the publication of an article about Isaac Babel. In this paper we publish a translation from French of Bazalgette’s article about Ivanov. This article provides a brief outline of Ivanov's biography, which is based on his Autobiography, written for the VOX Bulletin in 1927, before his trip abroad, to France and Germany. This part of the article deals with several stages of his youth, his work in the printing house and performances in the circus, his participation in the revolutionary events in Siberia and the beginning of his writing career. To introduce the French reader to the work of Ivanov, Bazalgette chose the works of the writer of the early 1920s, united by the theme of Civil war and partisan struggle: the novella Armored Train 14-69, which was well known in Russia and was published by that time in Paris in French translation, the stories Bull of times and Child. Bazalgette highlights the main problem raised by Ivanov in these works – the cruelty and devaluation of human life in the conditions of class struggle. Analyzing the three named works of Ivanov, the author of the ar- ticle characterizes the features of his style, says about the saturation of his texts with convex, strong, unexpected and vividly outlined images. At the same time, as the author of the article notes, these three works reflect only the stage of Ivanov’s creativity, which went far ahead in his stories and novellas written by him in the middle of 1920s. The notes to the translation of Bazalgette’s article comment on the realities mentioned in the article and correct the mistakes and inaccuracies made in this article.
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Kõvamees, Anneli. "Found in Translation: The Reception of Andrei Ivanov’s Prose in Estonia." Interlitteraria 21, no. 1 (July 4, 2016): 95. http://dx.doi.org/10.12697/il.2016.21.1.8.
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Andrei Ivanov (b. 1971) is the most well known Estonian Russianlanguage writer who has won many literary awards in Estonia and Russia. His prose and position in the literary field of Estonia has initiated the discussion about the exact definition of Estonian literature and the status of the Estonian Russian-language literature. Due to Ivanov’s prose, the world of Estonian Russians has become more visible for the Estonian audience. He also gives a piercing look into the modern society and offers a different perspective on the world; these are some of the reasons of his popularity. The article focuses on the analysis of the reception of Ivanov’s prose published in Estonian. The vast majority of Ivanov’s prose has been translated into Estonian: Путешествие Ханумана на Лолланд, Харбинские мотыльки, Бизар, Исповедь лунатика, Горсть праха, Печатный шар Расмуса Хансена, Мой датский дядюшка and Зола. The author has entered the Estonian cultural field through translations, it may be said that he has been found in translations. Ivanov’s books are bestsellers and widely discussed in newspapers, blogs and in the literary magazines. The position of Estonian Russian literature has shifted from the periphery into the spotlight and the works by Ivanov have played a decisive role in that process. The article focuses on the analysis of the reception of Ivanov’s prose published in Estonian. The articles published in the Estonian language and concentrating on his prose (both in newspapers and in the literary magazines) are under observation. What topics have been discussed? Which aspects of Ivanov’s prose have attracted the attention of the critics?
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Timofeev, A. N. "On the way to Tobol." Voprosy literatury, no. 3 (July 29, 2020): 75–101. http://dx.doi.org/10.31425/0042-8795-2020-3-75-101.
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A. Timofeev takes a close look at the works of A. Ivanov, from his early novel Dorm-on-the-Blood [Obshchaga-na-Krovi] (1992), both simplistic and bearing marks of apprenticeship, to Stormy Weather [Nenastie] (2015), the writer’s most popular book, along with The Geographer Drank His Globe Away [Geograf globus propil] (1995), all the better known thanks to their film versions. The critic finds that, rather than a gallery of accomplished works, Ivanov’s writing represents an agonizing search, his path characterized by alternating moments of success and failure and his ambitious preconceptions hindering his development and forcing his artistic intuition to overcome them. Speaking of Ivanov’s undeniable triumphs, A. Timofeev mentions The Heart of Parma [Serdtse Parmy] and the later novel Tobol, whereas Ivanov’s ‘transitional’ novel Bluda and MUDO [Bluda i MUDO], the ‘network’ duology Dog-Heads [Psoglavtsy] and Community [Kommiuniti], and even the cult novel Rebels’ Gold [Zoloto bunta] are presented as flops. Nonetheless, Timofeev rates Ivanov as one of the best writers of the 2000s–2010s.
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Kayanidi, Leonid. "Vyacheslav Ivanov’s Tragedy «Prometheus» and Heraclitus." Izvestia of Smolensk State University, no. 4 (52) (December 16, 2020): 5–24. http://dx.doi.org/10.35785/2072-9464-2020-52-4-5-24.
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The tragedy «Prometheus» (1919) is one of the most complex literary works by Vyacheslav Ivanov (1866–1949), a Russian symbolic poet. It contains numerous references to mythology, ritual practices, ancient and modern European literature
and philosophy. In the article the author analyzes a Heraclitian layer of Ivanov’s tragedy and relies primarily on the sources contained in the poet’s personal library. Heraclitus is one of the most beloved and highly sought philosophers by
Ivanov. The poet repeatedly quotes or mentions individual fragments or ideas of the pre-Socratic philosopher in his lyrics, philosophical and aesthetic articles, and scientific
works. Heraclitus’ philosophy is essential for revealing the Prometheus-Dionysian mythologeme that is the basis of Ivanov’s tragedy. The symbolism of the material elements (fire, water and earth) is reflected in the composition scheme of
the work preceded by the text of the tragedy. Like Heraclitus’ fire, Ivanov’s one takes on a cosmogonic and anthropogenic significance. Heraclitus’ fire is identified by Ivanov with Dionysus-Zagreus and primordial Zeus (the transcendent-divine
principle) which is opposed to Zeus-Kronid (the immanent-divine principle). Ivanov follows Heraclitus in understanding the human spirit as fire seeds, combining Christian, Eleusinian, stoic, and Heraclitian semantics in a complex way. One of the leitmotivs of the tragedy, based on Heraclitus, is understanding of
war as the essence of the cosmogonic, metaphysical and historical-cultural process. This leitmotiv permeates the key scenes of the tragedy: creation of Pandora, the first crime, the first sacrifice. Special attention is paid to the demonstration of deep
mythological connections between Prometheus, fire and war and the Christianization of Heraclitian philosophical mythologemes.
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Lerner, Vladimir, and Eliezer Witztum. "The Appearance of the Artist to the People: The Creativity, Personality and Malady of Alexander Ivanov (1806–58)." Journal of Medical Biography 13, no. 1 (February 2005): 49–57. http://dx.doi.org/10.1177/096777200501300111.
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Alexander Ivanov was an outstanding Russian painter who lived in the middle of the nineteenth century, during the romantic period. He did not accept romanticism but instead tried to create his own original style, an ambitious combination of spiritual profundity and a manner of execution unparalleled in Western European art. Ivanov's intention and style are best reflected in his major work The Appearance of Christ to the People, a picture on which he worked for over 20 years. He painted more than 400 sketches of the picture while attempting to bring his masterpiece to perfection. At the end of his life Ivanov became disillusioned, renounced his strong religious conviction and became suspicious. This study examines the influence of his background, life story and personality on the creative process. From a diagnostic perspective, Ivanov's personality featured obsessive, narcissistic and schizoid traits. In his final years he suffered from a delusional disorder.
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Jain, M. K., T. E. Thompson, E. Conway De Macario, and J. G. Zeikus. "Speciation of Methanobacterium strain Ivanov as Methanobacterium ivanovii, sp. nov." Systematic and Applied Microbiology 9, no. 1-2 (February 1987): 77–82. http://dx.doi.org/10.1016/s0723-2020(87)80059-0.
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Karlovsky, Igor. "Maximilian Voloshin's classical metres." Sign Systems Studies 40, no. 1/2 (September 1, 2012): 211–30. http://dx.doi.org/10.12697/sss.2012.1-2.11.
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Maximilian Voloshin turned to classical metres after he moved to Crimea that in his consciousness had associations with Hellas. Also, his friendship with Vyacheslav Ivanov became an important stimulus. Initially, Voloshin used the same metres that can be found in Ivanov's collection of poems Кормчие звезды. However, their form shows that Voloshin was well familiar with classical poetry.
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Medovarov, Maxim V. "The New Scientific Biography of Vladimir Purishkevich." Almanac “Essays on Conservatism” 65 (March 1, 2020): 505–9. http://dx.doi.org/10.24030/24092517-2020-0-4-505-509.
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The article is devoted to the new scientific biography of Vladimir Purishkevich written by Andey Ivanov. The author demonstrates its place in the historiography of the problem and analyzes the peculiarities of the approach in accordance with the chapters of the book. The author also considers Andrey Ivanov’s assessment of the ambiguous activities and personality of Purishkevich.
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Khrenov, Nikolai Andreyevich. "Eisenstein’s Aesthetics in Semiotic Perspective." Journal of Flm Arts and Film Studies 7, no. 2 (June 15, 2015): 8–19. http://dx.doi.org/10.17816/vgik728-19.
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The article is devoted to the semiotic interpretation of the theoretic heritage of the film director Sergey Eisenstein by Vyacheslav Ivanov whose jubilee has been recently celebrated. Sergey Eisenstein foresaw the structural methodology that became so popular after the 60s. Vyacheslav Ivanov is known for his vast range of academic interests. The present article is focused on his interest in cinema, in particular - the theoretic heritage of Eisenstein. This interest may be explained by Vyacheslav Ivanovs assertion, that Eisenstein tended to see cinema as a language or, more specifically, a sign system. This fact couldnt escape Vyacheslav Ivanovs notice, since the formation of semiotic methodology in Russia is closely connected with Eisenstein. So it is quite natural that Vyacheslav Ivanov reflects on the prehistory of semiotics too. As for cinema, prehistory in question is closely connected with Sergey Eisensteins aesthetics. The author of the present article also touches upon applying semiotic methodology to cinema as a sign system in general. Due to this purpose, the author refers to the period, when Russian cinema theorists were involved in semiological analysis introduced with the influence of structuralist and post-modernist studies in humanities. Some theoreticians attacked semiotic approaches in favor of philosophical and, in particular, phenomenological one. Nevertheless though these approaches are appropriate and efficient, they do not replace the semiotic one. The author argues, that such attempts to refuse from the semiotic approach in the cinema field were ill-timed and superficial. Vyacheslav Ivanovs semiotic works on cinema, especially his book Eisensteins Aesthetics, simultaneously affirm a philosophical approach to this topic. Interpreting the meaning of the title, the author of the present article argues, that the concept of semiotics was already created at the initial stage of the development of aesthetics as a branch of philosophy.
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Solntseva, Natalia. "Georgy Ivanov on the “Vial of Poison” by Konstantin Leontiev." Stephanos Peer reviewed multilanguage scientific journal 45, no. 1 (January 31, 2021): 16–22. http://dx.doi.org/10.24249/2309-9917-2021-45-1-16-22.
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The article is devoted to the analysis of G. Ivanov’s judgments about K. Leontiev. The sharpness of Ivanov’s statements is explained by the similarity of Leontiev’s views with the ideology of a new generation of emigrants, including members of the fairly mass party of “mladorosses” (young Russians). From the point of view of Ivanov, Leontiev’s political convictions in many ways contain a danger for the formation of the worldview of contemporaries. Leontiev’s idea that liberal-egalitarian progress would lead to the collapse of the Empire was combined with his belief in the possibility of protective socialism in Russia and a socialist monarch, blessed by the Church. The “mladorosses” were social monarchists who believed that with the older generation of Bolsheviks leaving the political arena, Bolshevism would come to an end; they saw the Soviets without the Bolsheviks as a promising form of self-government. In the political activization of the younger generation of emigrants, their way of thinking, Ivanov was not satisfied with the opposition to the ideals of the old emigration. He considered the ideas of the “new Russian people” contradictory and illusory, and expressed his beliefs in a number of articles. The deceptive hope of emigrants for the Soviets without the Bolsheviks is the motif of the famous poem “The way is Free under Thermopylae...” Ivanov created a complex, contradictory portrait of Leontiev; he is partly close to the opinion of N. Berdyaev, S. Bulgakov, V. Rozanov in his assessments of Leontiev’s human qualities and judgments.
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Yakimova, Svetlana I. "Vsevolod Ivanov’s Portrait Essay of the 1920s – Early 1930s in the Context of the Events of the Era." Vestnik Tomskogo gosudarstvennogo universiteta, no. 464 (2021): 51–59. http://dx.doi.org/10.17223/15617793/464/6.
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The aim of this article is to determine the features of the genre and the moral-philosophical perspective of Vsevolod Ivanov’s portrait essays of the 1920s – early 1930s published in Vladivostok non-Bolshevik newspapers (Russkiy krai, Russkaya armiya, Vechernyaya gazeta), in Harbin émigré periodicals (newspapers Svet, Gun-Bao, the magazine Rubezh). To achieve this aim, using a semantic-cognitive approach, the author of the article studied archival materials of periodicals of the Russian Far East and Far Eastern emigration and introduced into academic discourse new unexplored factual material contributing to filling gaps in the history of Russian literature and journalism of the 20th century. Ivanov’s portrait essays are analyzed in the context of the sociopolitical and cultural life of the Far Eastern Republic (FER) that existed in the Russian Far East and the large-scale emigration of Russians to China. The author considers the dynamics of Ivanov’s portrait essay genre development. It acquires elements of the memorial and obituary essay, the genre of the literary portrait as a reflection of the progress of the national historical-literary process in the mother country and in the diaspora caused by the spiritual-moral confrontation of the political forces of Russia, the ideological split in the national culture of Russia due to the events of October 1917. The author of the article relies on historically significant material: the memorial essay with the conceptual title “Justified Avvakum” actualizes the problem of a reasonable and balanced attitude to changes, the correlation of evolutionary and revolutionary principles in the development of society. Ivanov raises the question of personal, moral, and civil responsibility for the fate of his country in the essay “The Blood of the Tsar”, which recreates the tragic events of the execution of the family of the Russian Tsar Nicholas II by Bolsheviks. In the analysis of obituary portrait essays about the tragic losses of Russian literature of the Silver Age (“Conversant with Secret (In Memory of A. Blok)”, “In Petrograd the Bolsheviks shot the poet Nikolay Gumilev”), the author of the article concludes about the originality of the creative potential of Ivanov, who, using elements of the genre of the literary portrait, demonstrates the synthesis of scientific, literary, and journalistic writing. The portrait essays of Ivanov’s prominent contemporaries, figures of politics and culture (“Admiral Kolchak”, “Semenovshchina “, “Prof. D.V. Boldyrev”, “Vasiliy Fedorovich Ivanov”) complement the complex picture of the sociocultural context of the era with relevant axiological aspects identified in the essays. The author of the article considers Ivanov’s reference to the iconic figures of the turning epochs in the fate of Russia as a peculiarity of his journalistic position in relation to history as a criterion of truth and moral value of a person.
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Allenov, Mikhail. "The Appearance of Christ before the People in 1858 as a Symbol and Symptom of a Historical Period." Experiment 23, no. 1 (October 11, 2017): 37–44. http://dx.doi.org/10.1163/2211730x-12341298.
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Abstract Aleksandr Ivanov visited Alexander Herzen in London in 1857. By that year, Alexander ii’s plans to abolish serfdom had been already announced, prompting Herzen to call the tsar a “liberator” in one of his articles of 1858. In this context, Ivanov’s painting The Appearance of Christ before the People mirrored, to some degree, the current situation, and this influenced the artist’s decision to bring the painting to Russia.
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Papkova, E. A. "PROBLEMS OF CULTURE IN THE WORKS OF VSEVOLOD IVANOV." Siberian Philological Forum 14, no. 2 (May 30, 2021): 80–91. http://dx.doi.org/10.25146/2587-7844-2021-14-2-80.
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Statement of the problem. The article is a continuation of our work devoted to the problems of the history of culture in the creative work of Vsevolod Ivanov in the 1940s–1960s. A new stage in the formulation of the problem, which makes it possible to trace the origins of the theme of culture in Ivanov’s creative work, became possible thanks to the publication of unknown texts by the writer of his early Siberian period. The purpose of the article is to analyze the theme of culture in Ivanov’s early work, to examine the evolution of the writer’s views. Methodology. The article uses comparative historical textual methods, the method of historical and cultural commentary. Research results. The theme of culture is considered for the first time on the material of Ivanov’s works of the 1910s, the evolution of his views is traced, which were formed in a dialogue with re- gional ideas and the concept of the East and West by A.M. Gorky. It is noted that the early works of the writer reflected anxiety for the fate of cultural values in the modern world. Particular attention is paid to the spiritual values of the culture of the East, understood by Ivanov in his own way and found embodiment in his work. The analysis of the story “The Return of the Buddha” and the third the edition of the novel “The Edessa Shrine” shows how the writer’s attitude to the East changed. Conclusions. The analysis of Ivanov’s works devoted to the theme of culture shows that this problem interested the writer from the very beginning of his creative path. Reflecting on the fate of the outgoing culture of Siberia in early works, dreaming of the possibility of the influence of the ancient East cultures on the historical choice of Russia and Europe in the 1920s, in the story “The Return of the Buddha”, the writer, by the end of the 1950s, obviously, comes to the conclusion that it is impossible for the forces of culture to resist the development of civilization.
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Khrenov, Nikolai Andreyevich. "S.M. Eisenstein’s Aesthetics in Semiotic Perspective." Journal of Flm Arts and Film Studies 7, no. 1 (March 15, 2015): 8–25. http://dx.doi.org/10.17816/vgik718-25.
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The article is devoted to the semiotic interpretation of the theoretical heritage of S.M. Eisenstein, the film maker who anticipated the structuralist approach which has been so popular from the 1960s. Back in the 1960s, Eisensteins heritage attracted the attention of Academician Vyacheslav Ivanov because he found there he found a trend for understanding cinema as a language or, to be more precise, as a semiotic system. Vyacheslav Ivanov could not but notice it, as the formation of semiotics methodology in Russia is associated with his name. No wonder that he would reflect on the background of art semiotics which in the sphere of motion pictures is associating with the name of S.M. Eisenstein. While trying to appreciate the significance of Vyacheslav Ivanovs research of Eisensteins aesthetics, the author is contemplates on the application of semiotics methodology to the cinema as a semiotic system. In this regard the article is reproducing the aura of devotion to semiotics of domestic film scholars. When explaining the meaning of the title of Ivanovs book on S. Eisenstein, the author argues that the concept of semiotics was initially developed on the stage of the formation of aesthetics as a philosophical science.
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Wachtel, Michael. "The Philosophical Subtext of a Scandal (Viacheslav Ivanov, Eduard von Hartman, and ‘Universal Co-crucifixion’)." Literary Fact, no. 19 (2021): 286–96. http://dx.doi.org/10.22455/2541-8297-2021-19-286-296.
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The essay examines the notorious sacrificial rite that took place in Nikolay Minsky’s apartment in May of 1905. The event is viewed as a direct reflection of the philosophical and religious convictions of Viacheslav Ivanov. Ivanov’s “scandalous” behavior, which so shocked and repulsed his contemporaries, fits in neatly with his general understanding of the world, which is clearly expressed in his essays, scholarly work, and poetry of that time. Special attention is given to the concept of “universal co-crucifixion,” which is derived from the New Testament through the mediation of the philosopher Eduard von Hartman. At the end of the essay the question is raised about the potential application of the same concept to the personal relationship of Ivanov and his wife, Lidia Dmitrievna Zinov’eva-Annibal.
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Lechowska, Marta. "Perverse heroism. Vyacheslav Ivanov’s dialogue with Nietzsche." Vestnik of Saint Petersburg University. Philosophy and Conflict Studies 36, no. 2 (2020): 254–63. http://dx.doi.org/10.21638/spbu17.2020.204.
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The aim of the paper is to analyse the theoretical base of tragic culture in the writings of F. Nietzsche and V. I. Ivanov. The result of the proposed analysis is the comparison of similarities and differences concerning the cultural role of tragedy in the philosophy of mentioned authors. The philosophers — Nietzsche, the implacable enemy of the historical Christianity and Ivanov, the Christian philosopher of culture, philologist and translator — both postulate creating and preserving tragic culture. According to both authors, the main task of culture is to confront the human being with the most terrible aspects of life. This ruthless requirement allows us to claim that perverse heroism is a general mood and the most important imperative of Nietzsche’s and Ivanov’s philosophy of culture. The imperative to preserve the tragic principle in culture is in fact an imperative to become a superhuman. The starting point of the analysis is the theorem of Nietzsche who defines a tragic worldview as the opposite of a theoretical one. The essence of the theoretical approach is an overlooking of the tragic dimension of life, which allows man to establish a coherent, justified and safe picture of the world. The tragic approach, emphasizing the inevitability of suffering and the lack of metaphysical foundation, opposes the optimism of the theoretical one. Ivanov, as Nietzsche, was fascinated with Dionysian idea but he interpreted it quite differently. The Russian author accepted Dionysus not as the opposite, but as a prefiguration of Christ. Thus, he drew attention to the presence of the tragic moment in Christianity. The height of Ivanov’s dispute with Nietzsche is a completely different interpretation of the idea of superhuman, which presents a totally different understanding of self-transgression and vastly different value systems.
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Pogorelaya, Elena A. "On two 2018 novels in the context of the coming-of-age problem." Voprosy literatury, no. 6 (December 20, 2019): 104–16. http://dx.doi.org/10.31425/0042-8795-2019-6-104-116.
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E. Pogorelaya discusses two contemporary books with the children theme: A. Ivanov’s Food Unit [ Pishcheblok ] and X. Buksha’s Opens In [ Otkryvayetsya vnutr ]. Both focus on the problem of children’s relationship with grown-ups, as well as coming of age and the discovery of a mature self, shown as a trial that the characters must undergo. In his novel that breaks away from the logic of classic Soviet young-adult literature, Ivanov depicts the ordeal as a fight against the vampires who have taken to frequenting a children’s summer camp and use it as their ‘food unit’, while Buksha’s collected stories are about children deprived of adult help and care. Buksha and Ivanov could not be more different: they have different stylistic methods and philosophy; their work is based on dissimilar experiences and character backgrounds. Both writers, nonetheless, maintain that only through internal maturity one can overcome existing threats to personality and family. The possibility for a person to reconcile their inner adult and child selves is the problem that Buksha and Ivanov are trying to resolve. In addition to the coming-of-age stories, their books centre on rebuilding a child’s relationship with the outside world.
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Vaganova, Natalia A. ""DIONYSIAN RELIGION" OF VYACHESLAV IVANOV AS A SUBJECT OF THE STUDY OF RELIGION: SETTING OF THE PROBLEM." Study of Religion, no. 2 (2018): 162–69. http://dx.doi.org/10.22250/2072-8662.2018.2.162-169.
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This article presents an attempt to reconstruct the so-called “Dionysian religion” of Vyacheslav Ivanov. Some original pre-religia, which was designated by Ivanov as a primitive “female monotheism” or telimonotheism, in its cult aspect, represents “female orgiasm” or the worship of an “invariably-residing female deity”. In the process of its historical evolution, it requires a “male correlate in the face of a periodically born and dying God” - and eventually finds it in the person of Dionysus, i.e., in the building up the Dionysian religion, which in its essence is still determined by the archetypal feminine principle. It is important that Ivanov's work is built on extremely extensive factual material, including a vast arsenal of documentary evidence and interpretive principles. At the same time, his innovation consisted in the rejection of positivistic methods and in the search for a way of more adequate penetration into the ancient religious consciousness. At the end of the proposed excursion it is noted that the Dionysian theory of Ivanov, already sufficiently well studied by philosophers and philologists, has not yet been awarded by the attention of religious scholars and historians of religion, and the more so theologians...
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Kozlov, A. E. "Pragmatics of the Secondary Text: Vlas Doroshevich as Mr. Ivan Ivanovich Ivanov." Studies in Theory of Literary Plot and Narratology 15, no. 1 (2020): 63–72. http://dx.doi.org/10.25205/2410-7883-2020-1-63-72.
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The article analyzes the behavioral patterns (gestures, roles, scripts) and texts of Vlas Doroshevich (in particular, articles and essays by Doroshevich written him about V. P. Burenin, A. I. Herzen, D. L. Mordovtsev). One of the most famous books during the life of the writer “The Way of the Cross” (1915) is almost forgotten today. However, historians and literary historians still study his book “Sakhalin. Hard Labour” (1903). Being a contemporary of A. P. Chekhov, Vlas Doroshevich, who lived after him for almost 20 years, repeatedly turned to the life history of his contemporary, recognized as a genius during his lifetime. In such an appeal, one can see not only the performance of newspaper and journal work due to the commercialization of literary work, but also life-creating practices. One of the most obvious practices is a trip to Sakhalin and a description of travel experiences in a book. On the material of essays, feuilletons, memories that were written by Doroshevich for the Sutin’s ‘Russian word’ this patterns are investigated. Firstly, it’s self-representation as Famous Other (often Genius). So Doroshevich wrote about Chekhov, however, most of the information is not related to the life and work of Chekhov, but closely connected to the life and work of Doroshevich. Secondly journalistic fiction filled the voids. The automatism of this type of writing is already exposed at the level of headings, among which the majority are built according to the unified model of ‘Chekhov and X’: Chekhov and Maupassant, Chekhov and criticism, Chekhov and Sakhalin, Chekhov and Suvorin, Chekhov and the title of writer, Chekhov and Marx, Chekhov and the stage, Chekhov, Tolstoy and Gorky. The last text, replicating the narrative model, chosen in the feuilleton Chekhov and Suvorin: X was very fond of Y, as Y was very fond of X. Thirdly, Doroshevich has not only parodied contemporaries, but also parodied himself. Thus “Memories of Chekhov” deceive the expectations of readers. The narrator Ivan Ivanovich Ivanov writes his text as Doroshevich himself wrote about Chekvov several years before. Lastly, pragmatics of Doroshevich'es texts is conceptualized in the pattern Simeon, who did not live to see the Christ. Doroshevich used this idiom when he's speaking about forgotten Russian writer Daniil Mordovtsev. Mordovtsev was so-called ‘little man’ of Russian literature. Doroshevich did not want to be the same, so Chekhov’s symbolic capital needed him as a way to change his own life, endow it with new, albeit secondary, meanings.
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Barmak, Jonathan Ariel, and Elias Gabriel Minian. "A new test for asphericity and diagrammatic reducibility of group presentations." Proceedings of the Royal Society of Edinburgh: Section A Mathematics 150, no. 2 (January 26, 2019): 871–95. http://dx.doi.org/10.1017/prm.2018.126.
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AbstractWe present a new test for studying asphericity and diagrammatic reducibility of group presentations. Our test can be applied to prove diagrammatic reducibility in cases where the classical weight test fails. We use this criterion to generalize results of J. Howie and S.M. Gersten on asphericity of LOTs and of Adian presentations, and derive new results on solvability of equations over groups. We also use our methods to investigate a conjecture of S.V. Ivanov related to Kaplansky's problem on zero divisors: we strengthen Ivanov's result for locally indicable groups and prove a weak version of the conjecture.
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Elena Yu., Kulikova. "“And Again, the Skald Will Add Someone Else’s Song”: “Marine”, “Scottish”, “May” and Other Ballad Stylizations by Georgy Ivanov." Humanitarian Vector 15, no. 5 (October 2020): 16–27. http://dx.doi.org/10.21209/1996-7853-2020-15-5-16-27.
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The thematic justification involves demand for detecting and identifying patterns of transformation and modification of ballads by poets of the Silver Age. The twentieth century loved poetry experiments, a game with form, and there are a variety of genres: sonnets, rondos, gazella, pantoons, ballads in the works of symbolists and especially those of the Acmeists. Acmeist ballads reveal a part of the early twentieth century poetic world and contain both the traditional elements of the genre and the features of modernism. The works by Georgy Ivanov, the so-called “youngest acmeist”, who was a member of the Petrograd “Workshop of poets”, presents a variety of lyrical genres. The purpose of our study is to consider the ballads and ballad stylization of G. Ivanov. The purpose of the work determines its methodological basis, which includes the historical and literary, phenomenological, typological and comparative approaches. The stylization which is inherent in all of Ivanov’s ballads (“Song of the Pirate Ola”, “May Ballad”, “Scottish Ballad”, “Ballad about the Publisher”) and his ballad poems, allows to see the genre in a new aspect. The poet observes ballad rules – a tragic plot, romantic “vagueness” of narration, ballad motifs (ominous raven, night stories, turning into the past, etc.). However, these rules are distorted and stylized. Traditional ballad plots are so intensified that forcing the features creates a comic or ironic effect, the combination of motives turns out to be multilayer. G. Ivanov creates a parody in some cases and in some cases, a stylized ballad. The game and the love of stylization which characterize G. Ivanov throughout his creative life open up a new genre that he practically created by himself. Keywords: ballad genre, G. Ivanov, stylization, parody, motive, lyrical plot
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Sukhikh, O. S., and I. S. Yukhnova. "Motives of Story “Queen of Spades” by Alexan der Pushkin in Novel “Bad Weather” by Alexander Ivanov." Nauchnyi dialog, no. 6 (June 24, 2021): 240–50. http://dx.doi.org/10.24224/2227-1295-2021-6-240-250.
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The novel by A. Pushkin “The Queen of Spades” and the novel by A. V. Ivanov “Bad weather” from the point of view of literary relationships is examined in the article, the method of intertextual analysis is used. The aim of the study is to identify parallels in the problematic, motivational structure and systems of images of these works. The article analyzes the relationship between the work of A. Ivanov and directly with the text of “The Queen of Spades”, and with the epigraph to it. The results of the research allow us to conclude that the image of bad weather as a background for the development of action connects the Pushkin story and the novel by A. V. Ivanov. It is noted that in both works the theme of the change of epochs is artistically realized, and the past is interpreted as a time much brighter and more meaningful than the present. The studied works are also united by the plot-forming motive of playing with fate, which, in turn, is associated with the theme of passion for money. In addi tion, commonality can be noted in the nature of the characters and the principles of their representation; to a certain extent, the fates and nature of women characters of the works are similar. Comparison with Pushkin's story helps to see deep philosophical problems in A. Ivanov’s novel “Bad Weather”.
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Ivanova, Alyona, Ekaterina Stefanenko, and Sergey Enikolopov. "Russian attitudes towards humour and laughter." European Journal of Humour Research 5, no. 2 (July 4, 2017): 80. http://dx.doi.org/10.7592/ejhr2017.5.2.ivanova.
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Different phenomena related to humour and laughter, such as humour styles, gelotophobia, gelotophilia and katagelasticism, were investigated in a series of psychological studies in Russia. As far as the samples were rather heterogeneous in regard with age, gender, region of Russia, and included besides big cities also small towns and villages, the data allows to discuss not only psychological, but also a certain cultural perspective. It is concluded that self-defeating humour style plays an important role in the structure of Russian cultural attitude towards humour and laughter. The most adaptive affiliative humour style is highly connected with self-defeating and aggressive styles. Similar pattern was shown for humour and laughter perception: a fear of being laughed at paradoxically provokes active involvement into exchange of jokes. A comparison between the two Russian capitals and regional sample revealed more similarities of Moscow and Saint Petersburg with western data than with the regional Russian sample which is supposed to reflect more of traditional national character.
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Ivanova, Alyona. "Hospital Clowning as a Way to Overcome Trauma." Folklore: Electronic Journal of Folklore 83 (August 2021): 207–34. http://dx.doi.org/10.7592/fejf2021.83.ivanova.
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Hospital clowning is a relatively new social practice for patients under prolonged medical treatment by means of play, fantasy, and humor. Opposed to circus or theater, hospital clowning is based on an individual, personal contact with a patient. It is not accidental that this social practice plays an important role not only in clinical context, but also as a wider social phenomenon. In the modern world with its tendencies of globalization, virtualization, standardization, isolation, and specialization the value of intimate face-to-face communication is gradually increasing. The study aimed at exploring the relationship between hospital clowning and trauma: 1) trauma of the patient; 2) trauma of the clown; 3) meeting of the two traumas in the interaction within hospital clowning; and 4) hospital clowning as a social movement in the traumatized modern society. In order to reach such a complex goal, a combination of a literature review, empirical study, and single observations was applied. The empirical study was conducted in cooperation with a Russian organization “Doctor Clown”, and included 19 semi-structured interviews with working clowns. The results revealed three kinds of trauma related to hospital clowning. First, the trauma of the patient, a victim of the modern medicine. Second, the trauma of the clown, which may lead them to practicing clowning. Hospital clowning may have a healing and developing impact not only for the patients, but also for the clowns themselves. Third, the collective trauma in the modern society, which is being treated by clowning in the most general sense. Based on the modern concept of coexisting positive and negative aspects of trauma, such as post-traumatic growth and post-traumatic depreciation, some practical implications, such as professional selection of the clowns, are discussed.
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Lechowska, Marta. "“Kenotic” messianism. About the Russian Idea by Vyacheslav Ivanov." Świat i Słowo 35, no. 2 (November 26, 2020): 183–94. http://dx.doi.org/10.5604/01.3001.0014.5471.
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The paper presents the key theses of Vyacheslav Ivanov’s concept of the national idea, both in a general (concerning every nation) and a specific (concerning the Russian nation) perspective. The starting point are the youthful intuitions of the philosopher, who from the very beginning was not able to accept nationalist views of the great minds of his times. This rejection of nationalism (understood as national egoism) becomes the basis for formulating the religious national idea (for every nation); against this background Ivanov perceives Russia as an exceptional country at the beginning of 20th century. The philosopher claims that Russia has an extraordinary historical mission, but he also sees potential obstacles in realizing this mission.
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Dimitrov, E. "PERSONALITY AND CULTURE. VYACHESLAV V. IVANOV INTERVIEWED BY EMIL DIMITROV." Voprosy literatury, no. 2 (September 30, 2018): 272–93. http://dx.doi.org/10.31425/0042-8795-2018-2-272-293.
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This hitherto unpublished conversation between the famous Bulgarian philologist Emil Dimitrov and Vyacheslav Ivanov deals with fundamental philological problems, such as Slavonic culture, language development, artistic translation, etc. The two scholars are particularly interested in culture: its experience and perception, involvement in it, and various ways for its scholarly study. The interview is prefaced by E. Dimitrov, who shares the story behind his acquaintance with the interviewee and his first impressions of him. Dimitrov insists that only a scholar with a strong personality can achieve cultural prominence. It was for the purpose of revealing such scholarly personality that Dimitrov structured his interview as a lively and exciting commentary to Vyacheslav Ivanov’s major research.
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Geychenko, Oleksandr. "The Church, Kingdom and Society in the Writings of Vasilii V. Ivanov (1846–1919): towards a Public Theology for Post-Soviet Baptists." International Journal of Public Theology 14, no. 3 (October 14, 2020): 319–35. http://dx.doi.org/10.1163/15697320-12341622.
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Abstract With the collapse of the USSR in 1991 evangelicals received unprecedented opportunity to raise their voices in the public arena. However, as the events during the Revolution of Dignity (2013–2014) in Ukraine demonstrated, most evangelicals could not formulate their attitude towards these events. Instead they assumed existing positions which sometimes were fundamentally opposite to the Christian narrative. This article seeks to explore perspectives of the one of the pioneers of Baptism in the Russian Empire, Vasilii V. Ivanov-Klyshnikov (1846–1919), on the church, Kingdom of God and society with the view to find elements for a public theology. Ivanov’s perspectives are expanded through the concept of the church as visible and political.
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Anisimov, Evgenii Viktorovich. "Anna Ivanovna." Russian Studies in History 32, no. 4 (April 1994): 8–36. http://dx.doi.org/10.2753/rsh1061-198332048.
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Corrado-Kazanski, Florance. "Sobornost’ and Humanism: Cultural-Philosophical Analysis of V. Ivanov Essay “Legion and Sobornost’ ”." RUDN Journal of Philosophy 24, no. 2 (December 15, 2020): 187–200. http://dx.doi.org/10.22363/2313-2302-2020-24-2-187-200.
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This paper addresses the philosophical and cultural significance of the concept of «sobornost’» both in the cultural context of Silver Age and in the historical context of World War I. The analysis of Ivanov’s thought is based on a philological approach of his essay «Legion and Sobornost’» (1916), in which the author explains his understanding of such terms as organisation, cooperation, collectivism in order to clarify his own idea of collegiality and the ontological opposition of the title. The opposition between legion and collegiality duplicates the confrontation between Germany and Russia. Vyach. Ivanov first conducts a cultural analysis of such a confrontation, and criticizes Nietzscheanism in German culture at the turn of the 19th and 20th centuries. He proves the false understanding of the organization in modern German culture. In his opinion, the main values of freedom and personhood are the measure of lies or truth. In the last chapter of his essay, Vyach. Ivanov gives his own definition of collegiality, not referring to Russian thinkers, but quoting the two cities of St. Augustine’s thought. The author of the article shows that the culturological perspective is overcome by the Christian anthropological and mystical perspective, which proclaims humanism and Christocentrism. Therefore, accordind to Vyach. Ivanov, the word “sobornost” is a “universal word”, which mentions that the true social union has Christ as its center. In this sense, the concept of collegiality signifies the same mystical reality that the City of God of St. Augustine.
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Shuneyko, Alexander A., and Olga V. Chibisova. "Dialogue of two individual styles: G. V. Ivanov and L. N. Tolstoy." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 60 (2021): 161–73. http://dx.doi.org/10.37816/2073-9567-2021-60-161-173.
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G. V. Ivanov’s works are evaluated in different ways, but no matter what place analysts give him in the poetic hierarchy, two characteristics remain unchangeable. He is one of the most significant Russian poets. His poetic language is often focused on reconsidering the experience of his predecessors, which produces a large number of intertextual connections, which represent a constant of poetic language, one of the codes that allow people to see its true depth and pragmatic overtones. The essay introduces a large body of analytical works on G. V. Ivanov focusing on his similarities and differences with various writers, which often reveal controversies with their worldview and interpretations of creativity. For all the variety of works of this type, so far no one has paid attention to the interaction of G. V. Ivanov and L. N. Tolstoy. The second part of the essay proves that the poem “Kak vy kogda-to razborchivy byli…” (How picky once you were...) contains at least six direct textual and structural links with the story by L. N. Tolstoy “After the Ball” and his model of world outlook. These connections capture the complex nature of ambivalent assessment of Tolstoy’s position, associated with common stereotyping behavior of the nobility. As the semantic analysis reveals, the lyrical hero of G. V. Ivanov is not only in conceptual relationship with the character of L. N. Tolstoy, but he declares similar stereotypes, characterized by axiological similarity and a single archaic coordinate system.
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Burki, Talha Khan. "Mihaela Ivanova." Lancet Child & Adolescent Health 4, no. 8 (August 2020): 569. http://dx.doi.org/10.1016/s2352-4642(20)30203-0.
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Renault-Miskovsky, Josette. "Irina Ivanova." Bulletin de l'Association française pour l'étude du quaternaire 25, no. 1 (1988): 3–4. http://dx.doi.org/10.3406/quate.1988.1856.
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Ammendolia, M. G., F. Superti, L. Bertuccini, F. Chiarini, M. P. Conte, D. Cipriani, L. Seganti, and C. Longhi. "Invasive Pathway of Listeria Ivanovii in Human Amnion-Derived Wish Cells." International Journal of Immunopathology and Pharmacology 20, no. 3 (July 2007): 509–18. http://dx.doi.org/10.1177/039463200702000309.
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Among Listeria genus, only two species, Listeria ivanovii and Listeria monocytogenes, are pathogenic. L. ivanovii is almost only associated with infections in animals, mainly sheep and cattle, and has rarely been associated with human infections, whereas L. monocytogenes causes severe illnesses in both humans and animals. To further investigate the pathogenetic features of L. ivanovii in humans, we undertook a study in which the intracellular behaviour of this pathogen was analysed in WISH cells, a cell line derived from human amniotic tissue, and compared to that of L. monocytogenes. Using microbiological, biochemical, and ultrastructural approaches, we demonstrate that L. ivanovii can adhere to and invade human amniotic cells, lyse the phagosomal membrane, polymerize host cell actin, and spread from cell to cell more efficiently than L. monocytogenes. However, although L. ivanovii is capable of specifically infecting and replicating in human amnion cells, its survival in cytoplasm is limited compared to that of L. monocytogenes.
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Zakharov, K. M. "Adelaida Ivanovna Krugel." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 16, no. 1 (March 20, 2016): 60–62. http://dx.doi.org/10.18500/1817-7115-2016-16-1-60-62.
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Lessing, M. P. A., G. D. W. Curtis, and I. C. J. Bowler. "Listeria ivanovii infection." Journal of Infection 29, no. 2 (September 1994): 230–31. http://dx.doi.org/10.1016/s0163-4453(94)90914-8.
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Chekisheva, T. A. "TATIANA IVANOVNA ALEKSEYEVA." Archaeology, Ethnology and Anthropology of Eurasia 36, no. 4 (December 2008): 153–55. http://dx.doi.org/10.1016/j.aeae.2009.03.016.
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Molodin, V. I., L. N. Mylnikova, V. P. Mylnikov, S. P. Nesterov, A. V. Tabarev, V. D. Kubarev, N. V. Polosmak, A. I. Soloviev, and Y. S. Hudiakov. "EUGENIA IVANOVNA DEREVIANKO." Archaeology, Ethnology and Anthropology of Eurasia 36, no. 4 (December 2008): 156–57. http://dx.doi.org/10.1016/j.aeae.2009.03.018.
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