Books on the topic 'Ivory carving'

Mes. Franck Lombrail et Jean-Pierre Teucquam (Firm). Collection d'un amateur et à divers, importants okimonos en ivoire du Japon XIX siècle. Paris: Lombrail-Teucquam, 2004.

Mehendale, Sanjyot. Begram: New perspectives on the ivory and bone carvings. Ann Arbor, MI: UMI, 1997.

Stevens, Jim. Scrimshaw techniques: With gallery of contemporary artists. Atglen, Pa: Schiffer Pub., 2008.

Stevens, Jim. Scrimshaw techniques: With gallery of contemporary artists. Atglen, Pa: Schiffer Pub., 2008.

Eisenhofer, Stefan. Höfische Elfenbeinschnitzerei im Reich Benin: Kontinuität oder Kontinuitätspostulat? München: Akademischer Verlag, 1993.

author, Shirokov I͡U A., and Gosudarstvennyĭ muzeĭ Vostoka (Russia), eds. Reznai︠a︡ kostʹ I︠A︡kutii i Taĭmyra iz sobranii︠a︡ Gosudarstvennogo muzei︠a︡ Vostoka: Katalog kollekt︠s︡ii = Ivory carving from Yakutia and Taymyr in the State Museum of Oriental Art : catalogue of the collection. Moskva: GMV, 2014.

Hui, Chen, ed. Zhu mu ya jiao. Beijing Shi: Zhongguo shui li shui dian chu ban she, 2005.

Museum, Jane Voorhees Zimmerli Art. The carver's art: Medieval sculpture in ivory, bone, and horn. New Brunswick, N. J. (Rutgers, State University of New Jersey): Jane Voorhees Zimmerli Art Museum, 1989.

Chodyński, Antoni Romuald. Artystyczne wyroby z kości słoniowej w zbiorach polskich. Malbork: Muzeum Zamkowe w Malborku, 1989.

Hegemann, Hans Werner. Das Elfenbein in Kunst und Kultur Europas: Ein Überblick von der Antike bis zur Gegenwart. Mainz: P. von Zabern, 1988.

Nūai ʻAnurak Singwǣtlō̜m Sinlapakam Thō̜ngthin Čhangwat Nakhō̜n Sawan (Thailand), ed. Ngān kǣsalak ngā chāng ʻAmphœ̄ Phayuhakhīrī, Čhangwat Nakhō̜n Sawan. Nakhō̜n Sawan: Nūai ʻAnurak Singwǣtlō̜m Sinlapakam Thō̜ngthin Čhangwat Nakhō̜n Sawan, 1998.

Rajeev, Sharat Sunder. The king's craftsmen: History of the ivory carvers of Thiruvananthapuram. Thiruvananthapuram: Kerala Council for Historical Research, 2016.

Haagen, Birte. Tupilaks: Magical figures from Greenland. Virum: Tinok, 2014.

Ivory and Bone Artefacts from the Mediterranean to the Caspian Sea from Antiquity to the Middle Ages (2018 Università degli studi di Roma "La Sapienza") International Conference Sharing Material Culture. Sharing material culture: Ivory and bone artefacts from the Mediterranean to the Caspian sea from antiquity to the Middle Ages. Roma: Sapienza Università di Roma, 2019.

Labirinto della Masone (Fontanellato, Italy), ed. Tesori d'Oriente: La Camera delle meraviglie di Garcia de Orta (ca. 1500-1568). Fontanellato, Parma: Franco Maria Ricci, 2018.

Congo Basin Art History Research Center, Musée royal de l'Afrique centrale, and Tribal Arts (Firm), eds. White gold, black hands: Ivory sculpture in Congo. Qiquhar, Heilungkiang, China: Gemini Sun, 2010.

Archer, St Clair, McLachlan Elizabeth Parker 1938-, and Jane Voorhees Zimmerli Art Museum., eds. The Carver's art: Medieval sculpture in ivory, bone, and horn : September 10-November 21, 1989, the Jane Voorhees Zimmerli Art Museum, Rutgers, the State University of New Jersey. New Brunswick, N.J: The Museum, 1989.

Marchand, David Le. David le Marchand 1674-1726: An ingenious man for carving in ivory. London: Trustees of the British Museum, 1996.

Phatak, H. Shankaraganapathi. Ec. Veṅkappa. Beṅgaḷūru: Karnāṭaka Lalitakalā Akāḍemi, 1994.

Paulsen, Åshild. Magnus Berg, 1666-1739: En kunstner ved kongens hoff = the ivory sculptor at the Danish/Norwegian court : his life and works. Oslo: Dreyer, 1989.

Hennl, Maria. Die Elfenbeinsammlung der Markgrafen von Brandenburg-Ansbach. Ansbach: Selbstverlag des Historischen Vereins für Mittelfranken, 2017.

Stevens, Jim. Advanced scrimshaw techniques. Atglen, Pa: Schiffer Pub., Ltd., 2008.

Wegher, Alessandro. Nero e bianco: Tarsie e intagli in ebano e avorio tra Cinquecento e Ottocento. Milano: InOpera Italian Arts S.r.l., 2021.

Dreyfus, Renée. A purely Assyrian art: Ivories carved in the `Assyrian style'. Ann Arbor, MI: Bell & Howell Information and Learning Company, 2001.

Stevens, Jim. Advanced scrimshaw techniques. Atglen, Pa: Schiffer Pub., Ltd., 2008.

INCENTIVS, ed. Elfenbein und Archäologie: INCENTIVS-Tagungsbeiträge 2004-2007 = Ivory and archaeology : proceedings of INCENTIVS-meetings 2004-2007. Mainz: Verlag des Römisch-Germanischen Zentralmuseums, 2011.

Silva, Noemi Álvarez da. La talla de marfil en la España del siglo XI. León: Universidad de León, Área de Publicaciones, Instituto de Estudios Medievales, 2015.

Floriano, Grimaldi, Mascii Massimo, and Cappellina Rossa (Chiesa di San Firenze (Church : Florence, Italy)), eds. Alessandro Algardi: Sul crocifisso Borghese. Lavis (TN) [i.e. Trento, Italy]: Arca, 2011.

Rietberg, Museum, and Musée Dapper, eds. Cuillers-sculptures. Paris: Musée Dapper, 1991.

Stucki, Rosmarie. Alte Schnitzkunst: Ein Kunsthandwerk als Hobby mit Knochen, Holz, Plexiglas und Speckstein = Sculpture ancienne : sur os, bois, plexiglas et steatite. [Zweisimmen]: R. Stucki, 1997.

Ehmer, Angelika. Die Maucher: Eine Kunsthandwerkerfamilie des 17. Jahrhunderts aus Schwäbisch Gmünd. Schwäbisch Gmünd: Einhorn-Verlag Eduard Dientenberger, 1992.

1598-1654, Algardi Alessandro, and Mascii Massimo, eds. Alessandro Algardi: Il Crocifisso Borghese. [Italy]: Gruppo Enotria, 2011.

P, Biebuyck Daniel. La sculpture des Lega. Paris: Galerie Hélène & Philippe Leloup, 1994.

Jose, Regalado Trota. Images of faith: Religious ivory carvings from the Philippines. Pasadena: Pacific Asia Museum, 1990.

Steinl, Matthias. Kaiserliches Elfenbein: Matthias Steinl, 1643/44-1727 in der Kunstkammer des Kunsthistorischen Museums. Wien: Kunsthistorisches Museum, 2007.

Vilsteren, V. T. van. Het benen tijdperk: Gebruiksvoorwerpen van been, gewei, hoorn en ivoor 10.000 jaar geleden tot heden. Assen: Drents Museum, 1987.

Laue, Georg. Gedrehte Kostbarkeiten =: Turned treasuries. München: Kunstkammer Georg Laue, 2004.

Liebieghaus and Kunsthistorisches Museum Wien, eds. Elfenbein: Barocke Pracht am Wiener Hof. Frankfurt am Main: Liebieghaus Skulpturensammlung, 2011.

1674-1726, Le Marchand David, National Gallery of Scotland, British Museum, and Leeds (England). City Art Gallery., eds. David Le Marchand 1674-1726: An ingenious man for carving in ivory. London: Lund Humphries, 1996.

L, Blackmore Howard, Wilson G. M. 1950-, and Royal Armouries (Great Britain), eds. The H L Visser collection of ivory stocked pistols. [London: Royal Armouries, 1988.

1930-, Li Jiufang, ed. Zhu mu ya jiao diao ke. Shanghai: Shanghai ke xue ji shu chu ban she, 2001.

Skulpturengalerie, (Berlin Germany :. West). Die Bildwerke in Elfenbein des 16.-19. Jahrhunderts. Berlin: Mann, 1986.

(Firm), Musica per Roma. Il volto d'avorio: L'eccezionale recupero di un'opera trafugata. Roma: L'Erma di Bretschneider, 2003.

Liu, Xiaoyan. Guan cang ya diao ji Ming Qing tong lu te zhan: Rekishi Hakubutsukan korekushon zōge chōkoku oyobi Min Shin dōro shōrai tokuten. Taibei Shi: Guo li li shi bo wu guan, 1997.

Mei-chʻing, Kao, and Chinese University of Hong Kong. Art Gallery., eds. Kuan shih so tsʻang Chung-kuo ya tiao =: Chinese ivories from the Kwan collection : 28 July to 14 October 1990, Art Gallery, the Chinese University of Hong Kong. [Hong Kong]: Hsiang-kang Chung wen ta hsüeh wen wu kuan, 1990.

author, Mascii Massimo, Grimaldi Floriano, Grimaldi Floriano, Giambologna 1529-1608, and Algardi Alessandro 1598-1654, eds. Mannerism and Baroque: Manierismo e Barocco : Giambologna - Algardi. Firenze: Ostolani, 2019.

Havill, Juanita. Sato and the elephants. New York: Lothrop, Lee, Shepard Books, 1993.

Chi, Jo-hsin. Uncanny ingenuity and celestial feats: The carvings of Ming and Qing dynasties. Taipei: National Palace Museum, 2010.

1908-, Himmelheber Hans, and Himmelheber Ulrike, eds. Guro: Masks, performances, and master carvers in Ivory Coast. Munich: Museum Rietberg, 2008.

Dieppe, Château-Musée de. La vie du Christ ivoire. [Dieppe]: Château-Musée de Dieppe, 2007.