Relevant bibliographies by topics / J. Butler

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'J. Butler'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "J. Butler"

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Cameron, Paula. "Curriculum Vitae: Embodied Ethics at the Seams of Intelligibility." Hypatia 27, no. 2 (2012): 423–39. http://dx.doi.org/10.1111/j.1527-2001.2011.01232.x.

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Sites of embodied disruption challenge academics to engage with power at its seams. In this article I consider an ethics of embodiment, situating it within questions raised by Judith Butler in her articles, “Doing Justice to Someone” (Butler 2001a) and “Giving an Account of Oneself” (Butler 2001b). In “Giving an Account,” Butler claims that gaps in knowledge and representation are germane to ethical practice, that brave inadequacies and creative approximations are the best we can do for others and ourselves. In “Doing Justice,” Butler enacts this stance, recounting the story of David Reimer, a child who in 1965 was offered up to science after his penis was severed in a botched circumcision. She seizes upon, through narrative fragments, a body whose sexual indeterminacy became the site and occasion for particularly brutal regimes of interpretation. Butler situates this patchwork narrative within the academic industry that reappropriates David's story for its own purposes. Taking Butler's ideas to heart, I carefully trace the nuances of her argument and highlight the (necessary) silences and foreclosures of her account. I propose “seamfulness” as a possible ethical‐aesthetic strategy for embodying Butler's ethical concerns. I close by briefly introducing some implications for arts‐informed representations in academic work.
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Ponzio, Julia. "Linguistic violence and the “body to come”: The performativity of hate speech in J. Derrida and J. Butler." Semiotica 2018, no. 225 (November 6, 2018): 229–44. http://dx.doi.org/10.1515/sem-2017-0012.

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AbstractThis text analyzes the question of linguistic violence in J. Derrida and in J. Butler and shows how this question implies a consideration of the relation between language and body. The starting point is Derrida’s critic of Austin’s theory of speech acts. Through this critic Derrida establishes a relation between speech acts and writing. This connection brings to the fore the importance of the iterability as a structural feature of speech acts. The iterability becomes fundamental in Butler’s analysis of hate speech in Excitable Speech. In this book the iterability is interpreted as the ritual character of the hate speech, which reveals its political dimension. Comparing Butler and Derrida’s ideas of speech act, I try in this text to make emerge the idea of a textual body as the possibility of the resistance to the linguistic violence.
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Rodrigues, Carla. "Performance, gênero, linguagem e alteridade: J. Butler leitora de J. Derrida." Sexualidad, Salud y Sociedad (Rio de Janeiro), no. 10 (April 2012): 140–64. http://dx.doi.org/10.1590/s1984-64872012000400007.

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Este artigo se propõe a uma discussão teórica sobre duas proposições da filósofa Judith Butler: gênero como performance e gênero como paródia. Para isso, recupera o pensamento do filósofo Jacques Derrida e apresenta hipóteses de articulação entre os dois autores, articulações estas que contribuiriam para a compreensão dos argumentos de Butler não "contra" o feminismo, mas como uma problematização dos termos em que as reivindicações emancipatórias da política identitária se instituíram.
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Barbeau, Edward J. "G. J. Butler: Summers on Olympus." Rocky Mountain Journal of Mathematics 20, no. 4 (December 1990): 809–19. http://dx.doi.org/10.1216/rmjm/1181073043.

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Ayala, Alberto G. "Tribute to James J. Butler, MD." American Journal of Surgical Pathology 29, no. 1 (January 2005): 115–16. http://dx.doi.org/10.1097/01.pas.0000146016.01184.ba.

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Chambers, Samuel A. "‘An Incalculable Effect’ : Subversions of Heteronormativity." Political Studies 55, no. 3 (October 2007): 656–79. http://dx.doi.org/10.1111/j.1467-9248.2007.00654.x.

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The writings of Judith Butler are now canonised in the fields of feminist and queer theory, yet her contribution to politics and her role in the field of political theory remain uncertain. I argue, perhaps uncontroversially, that Butler's is a politics of subversion; I also contend, perhaps more contentiously, that Butler's understanding of subversion only takes clear shape in light of her implicit theory of heteronormativity. Butler's work calls for the subversion of heteronormativity; in so doing her writings both illuminate the general problem of normativity for politics and offer a robust response to that problem. Butler resists the tendency to treat norms as merely agreed-upon standards, and she rebuts those easy dismissals of theorists who would take seriously the power of norms thought in terms of normativity and normalisation. Butler's contribution to political theory emerges in the form of her painstaking unfolding of subversion. This unfolding produces an account of the politics of norms that is needed desperately by both political theory and politics. Thus, I conclude that political theory cannot afford to ignore either the theory of heteronormativity or the politics of its subversion.
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Hotson, Ian. "Richard ('Dick') Butler." Australian Veterinary Journal 78, no. 12 (December 2000): 842. http://dx.doi.org/10.1111/j.1751-0813.2000.tb10505.x.

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Fuchs, L., and E. Monari-Martinez. "Butler Modules Over Valuation Domains." Canadian Journal of Mathematics 43, no. 1 (February 1, 1991): 48–60. http://dx.doi.org/10.4153/cjm-1991-004-x.

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Let R be a commutative domain with 1, Q its field of quotients, and M a torsion-free R module. By a balanced submodule of M is meant an RD-submodule N [i.e. rN = N ∩ rM for each r ∈ R] such that, for every R-submodule J of Q, every homomorphism η : J → M/N can be lifted to a homomorphism χ:J → M. This definition extends the notion of balancedness as introduced in abelian groups (see e.g. [10, p. 113]). The balanced-projective R-modules can be characterized as summands of completely decomposable R-modules (i.e. summands of direct sums of submodules of Q). If R is a valuation domain, then such summands are again completely decomposable; see [12, p. 275].
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Lakeland, Paul. "Belonging: One Catholic's Journey by Frank J. Butler." American Catholic Studies 132, no. 2 (2021): 112–14. http://dx.doi.org/10.1353/acs.2021.0032.

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Golding, Jean. "Neville Butler 1920?2007." Paediatric and Perinatal Epidemiology 21, no. 4 (July 2007): 292. http://dx.doi.org/10.1111/j.1365-3016.2007.00843.x.

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Dissertations / Theses on the topic "J. Butler"

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Magnuson, Markus Amalthea. "Frihet, jämlikhet, cyborgskap : Drömmen om den mänskligare människan." Thesis, Stockholms universitet, Filmvetenskapliga institutionen, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-179043.

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This thesis explores the metaphoric cyborg concept, based on the classic essay "A Cyborg Manifesto" by Donna J. Haraway, through Claudia Springer and her analysis of cyborgs in popular culture, and in relation to Judith Butler and queer theory. By extending the cyborg term to include contemporary forms of cyborgship such as our internet lives and personas, I advocate discussion of philosophical matters concering man/machine-compounds today rather than tomorrow. The main purpose is to restore the cyborg concept as a meaningful analytic and philosophic tool for studying man/machine-relations, in a world where other theories concerning nature/culture, man/machine/animal, subject/object, and similar dichotomies, partly lack a technological perspective. Hopefully, this thesis manages to connect three decades of cyborg reflections from several points of view, posing interesting questions about our dealings and feelings towards our dear friends – the machines.
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Schmincke, Imke. "Körper." Universität Leipzig, 2018. https://ul.qucosa.de/id/qucosa%3A31226.

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Der Körper wird von der kultur-, sozial- und geisteswissenschaftlichen Körperforschung und der Geschlechterforschung gleichermaßen als historisch geworden, kulturell spezifisch und sozial gerahmt verstanden und untersucht. Dabei gerät der menschliche Körper im Spannungsfeld von Natur und Kultur in den Blick. Geschlecht und Körper sind vielfach aufeinander bezogen. Die Naturalisierung des Geschlechtskörpers diente unter anderem dem Ausschluss von Frauen aus der öffentlichen Sphäre.
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Poinsot, Claire. ""Poussières de Mnémosyne". Les pathologies de la mémoire collective et individuelle dans le théâtre de W. B. Yeats et J. M. Synge (1892-1939)." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA119.

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Depuis les débuts de W. B. Yeats en tant que dramaturge dans les années 1890, le personnage de théâtre irlandais semble pris dans une tempête de mémoire, chavirant entre deux écueils également mortifères, l’impossibilité d’oublier (hypermnésie) et celle de se souvenir (amnésie). Cette crise de la mémoire et par conséquent de l’identité entraîne une prolifération de troubles mentaux chez les personnages et une utilisation métaphorique croissante et peut-être inconsciente de la maladie mentale par les dramaturges comme théâtralisation des bouleversements de la société contemporaine. W. B. Yeats (1865-1939) et J. M. Synge (1871-1909) font de la mémoire dysfonctionnelle non seulement l’un des thèmes centraux de leur œuvre théâtrale, mais plus encore la matière même de leur écriture, alors que la mémoire désacralisée et déstabilisée est réécrite, remodelée par une prolifération de récits mensongers et contradictoires (paramnésie). Ce travail veut alors définir le rapport entre mémoire, maladie mentale et Modernisme sur une période relativement longue (1892-1939) afin d’observer l’évolution des modes d’inscription de la mémoire à l’intérieur du texte en se centrant sur les trois troubles de la mémoire identifiés à l’époque et à la lumière desquels seront étudiées successivement les pièces. Il s’agit de faire un aller-retour entre la perception intuitive de la mémoire par la littérature et les théories psychiatriques contemporaines, l’hypothèse centrale étant que le texte théâtral intègre certaines notions cliniques dans l’étude de la mémoire, ce qui permettrait de voir dans cette relation entre texte médical et texte théâtral l’un des éléments d’un (pré-)Modernisme irlandais
Ever since Yeats started writing plays in the 1890s, the Irish character seems to be struggling between two opposite pitfalls of memory: on the one hand an impossibility for him to forget, and the other hand an impossibility to retain memories. This memory crisis, which entails an identity crisis, leads to an increasing staging of mental disorders by the playwrights to represent, perhaps involuntarily, a destabilised contemporary society. W. B. Yeats (1865-1939) and J. M. Synge (1871-1909) use mental disorder not only as a theme, but also as a literary ploy as memories in their plays are relived and reconstructed in misleading and contradictory tales. This work focuses on the relationship between memory, mental disorder and Modernism in a long period (1892-1939) in order to underline the evolutions of the representation of dysfunctional memory in the texts. It successively examines the plays in the light of the three major memory disorders identified by psychiatrists at the time: amnesia, hypermnesia and paramnesia. This work relies on a parallel reading of the intuitive perception of memory by literature and the contemporary psychiatric theories, the underlying hypothesis being that some clinical notions of memory dysfunctions have been integrated to the theatrical corpus, which could be a feature of an Irish (early) Modernism
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Marechal, Dominique. "Virgile et Michel Butor : de l'épopée mythique au roman épique." Rennes 2, 1993. http://www.theses.fr/1994REN20001.

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L'épopée conventionnelle dont l'Eneide de Virgile est le modèle se décrit à partir de constantes parmi lesquelles on peut isoler le héros défini par sa mission et l'univers dans lequel se déroule un parcours mythique. Cette description peut également s'appliquer au roman et particulièrement a l'emploi du temps et a la modification de Michel Butor, d'autant que le second s'inspire directement de la descente aux enfers du sixième livre de l'Eneide. On constate dans chacun des textes un décalage entre la finalité affirmée de la mission épique et sa remise en cause latente sensible dans l'expression même du narrateur. Ce hiatus appelle une interprétation des textes qui détermine le thème moteur de chacun, la violence dans l' Eneide, la névrose dans l'Emploi du temps, le renoncement mythique dans la Modification. Une nouvelle approche de l'épopée est ensuite tentée à partir structures temporelles du récit dans les trois textes. Une ouverture herméneutique est alors proposée après constatation de l'échec du procès symbolique, qui explique pourquoi Virgile voulait détruire son oeuvre et pourquoi l'emploi du temps s'enfonce dans une impasse, alors que la Modification propose au contraire une victoire existentielle sensible a la présence d'un régime métaphorique de la narration. L'épopée, en dernière analyse, est celle de l'auteur
The conventional epic poem, taking Virgil’s Aeneid as the model, is described in terms of constants. Among these are the hero, defined by his quest, and the world in witch his mythic tale unfolds. Such a description can also be applied to the novel, and in particular to Michel Butor's Emploi du temps and Modification, especially given that the latter is directly inspired by the descent into the underworld in the sixth book of the Aeneid. In each of these works the writer distinguishes a mismatch between the affirmed finality of the epic quest, and the underlying doubt thrown on this quest, apparent in the narrator's style itself. This hiatus leads to an interpretation of the texts which pinpoints a motive theme in each of them : violence in the Aeneid, neurosis in l'Emploi du temps and mythical renunciation in La Modification. The writer then undertakes a new approach to the epic poem, based on the narrative time structures in these three texts. Having identified the failure of the symbolic process, he goes on to propound a hermeneutic approach which explains why Virgil wanted to destroy his work, and why l'Emploi du temps leads to an impasse while la modification on the other hand posits an existential victory identifiable in the use of a metaphorical mode of expression. In the final analysis, the epic is that of the author
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Sander, Johanna. "New Style in Sitcom : exploring genre terms of contemporary American comedy TV series through their utilization of documentary style." Thesis, Linköpings universitet, Institutionen för studier av samhällsutveckling och kultur, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-108470.

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Through exploring the use of documentary style in a selection of contemporary American comedy series, this thesis closes in on the question whether texts that stylistically differ from traditional sitcom can still be regarded as part of the sitcom genre. The contemporary American TV series that are being analyzed are The Office, Arrested Development, Modern Family, Parks and Recreation, Brooklyn Nine-Nine and The Michael J. Fox Show. As the series’ place within sitcom becomes apparent, the analysis ultimately leads to a critical investigation of the term “comedy verite.” Questioning the concepts applicability for the American series and their development leads to the investigation of new definitions. This analysis of contemporary televisual styles reveals a myriad of deeper issues and elucidates how stylistic developments point towards broader developments of the TV medium – towards a medium more and more defined by, or even drenched in, “reality.”
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Folkers, Andreas, and Malaika Rödel. "Biopolitik / Biomacht." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-219523.

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In den gender studies verweist der Begriff Biopolitik zumeist auf die Arbeiten von Michel Foucault, in denen er untersucht, wie in der Moderne die Organisation von und die Sorge um Leben sowie der menschliche Individualkörper ins Zentrum der Politik rücken. Ergänzend bestimmt er Biomacht als im Gegensatz zu früherer, repressiver Macht, produktiv und auf Lebenssteigerung ausgelegt. Entsprechend impliziert Biopolitik eine ambivalente, ebenso fürsorgliche wie kontrollierende Form der Machtausübung.
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Eisenhuth, Nicole Juliana [Verfasser], Christian J. [Gutachter] Janzen, Klaus [Gutachter] Brehm, and Falk [Gutachter] Butter. "Novel and conserved roles of the histone methyltransferase DOT1B in trypanosomatid parasites / Nicole Juliana Eisenhuth ; Gutachter: Christian J. Janzen, Klaus Brehm, Falk Butter." Würzburg : Universität Würzburg, 2021. http://d-nb.info/1225296048/34.

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Folkers, Andreas, and Malaika Rödel. "Biopolitik / Biomacht." Universität Leipzig, 2015. https://ul.qucosa.de/id/qucosa%3A15357.

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In den gender studies verweist der Begriff Biopolitik zumeist auf die Arbeiten von Michel Foucault, in denen er untersucht, wie in der Moderne die Organisation von und die Sorge um Leben sowie der menschliche Individualkörper ins Zentrum der Politik rücken. Ergänzend bestimmt er Biomacht als im Gegensatz zu früherer, repressiver Macht, produktiv und auf Lebenssteigerung ausgelegt. Entsprechend impliziert Biopolitik eine ambivalente, ebenso fürsorgliche wie kontrollierende Form der Machtausübung.
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Choi, Hyeran. "Discours romanesque et exploration des lacunes discursives : perspectives théoriques et études du nouveau roman (M. Butor, J. Ricardou, A. Robbe-Grillet, N. Sarraute)." Paris 3, 1995. http://www.theses.fr/1995PA030089.

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Le nouveau roman est un discours romanesque conscient de la nature imparfaite de la communication que vise tout acte de langage. Ce discours romanesque lucide ne dissimule pas l'imparfection de son langage par une construction coherente de l'enchainement verbal suivant la logique causaliste du recit, mais il explore a son profit les lacunes discursives qui perturbent l'acte de sens et, en meme temps, permettent la diversite du sens. L'entreprise du nouveau roman consiste a provoquer une lecture creative qui, au lieu d'essayer de suivre le sens suppose que l'auteur aurait voulu donner a son oeuvre, formule librement l'hypothese du sens possible dans laquelle l'affect du lecteur joue le role directeur, tandis que l'intellect du lecteur se confronte avec l'aporie semantique sans pouvoir la surmonter. Au fond, le nouveau roman developpe un langage qui combine la liberte de l'ecriture et la liberte de la lecture dans leur conflit, et qui demeure detache et irresponsable a l'egard du sens que decouvrent ces deux instances de communication chacune a sa maniere
The nouveau roman develops a language that becomes aware of the imperfect communication in the acts of language. This kind of language does not conceal its own imperfection by means of a coherent construction according to the logical chain of events, but explores the defects of communication which perturb meaning and allow its diversity. The nouveau roman shows the gap between talker and listener as well as the disjunction between language and its referentiel world. The nouveau roman wants to cause a creative reading which does not try to discover the meaning supposedly wanted by the author, but formulates free hypothesis of meaning. This creative reading mainly relies on the reader's affect, while the reader's intellect confronts a deadlock of meaning and cannot overcome it. Finally, the language of the nouveau roman combines both author's and reader's freedom through their conflit ; it remains separated and independant from both
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Maxwell, Joyce Annette. "The Paradox of /ˈnɪɡə/: Ex·cite·able Acts, Ex·cess·able Moments." Thesis, 2021. https://doi.org/10.7916/d8-ntd0-tr24.

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As a historically racialized utterance, nigger has been a contested and despised word since the late 17th Century. Now, in the 21st Century, nigga is still considered one of the most impactful words in the English lexicon. This dissertation provides one situated and contingent analysis of nigga as a moment of excess in the Higher Education classroom. I wed Judith Butler’s theorizing of ex-citable speech via her analyses of J.L. Austin’s influential conceptualizations of speech acts and Louis Althusser’s interpellation to Henry Louis Gates’ theory of Signifyin(g) in order to interrogate the multitudinous articulations and appropriations of nigga as a Signifyin(g) performative. Through my theorizing of nigger-nigga as a Signifyin(g) performative, I interrogate the continuity and discontinuity of use specific to the English Composition and Literature classroom, as well as within multiple Higher Education classrooms and discussions. I interrogate use through the methodology of what I classify as Foucauldian-lite Discourse Analysis, in order to examine nigger and nigga as ex-citable speech. My intention is to interrogate how these utterances inflect and influence constructions of multiply conflicting and complimentary histories, identities, subjectivities and power relationships of professors and students in visible and invisible ways. The Untitled Supplemental Image is a metaphor for my methodology. The image is of my mother’s hands, which a woven throughout the dissertation, symbolically represents my memory of the first time I heard the utterance nigger.
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Books on the topic "J. Butler"

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Wright, J. Butler. Witness to revolution: The Russian Revolution diary and letters of J. Butler Wright. Westport, Conn: Praeger, 2002.

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Adams, John H. Griswolds, Fullers, Brownells, & Butlers: New England's pioneer families move west, a genealogy of Solomon J. Griswold and Jeanette Dorcus Butler. United States: John H. Adams, Sr., 2009.

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Butler, Irene Linda Lather. Comme je trouve =: I take things as I find them : the surgical life of Dr. William J. Butler. Tucson, AZ: Pepper Pub., 1987.

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PB&J hooray! New York, NY: AV2 by Weigl, 2016.

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Schnackertz, Hermann Josef. Darwinismus und literarischer Diskurs: Der Dialog mit der Evolutionsbiologie in der englischen und amerikanischen Literatur : E. Bulwer-Lytton, S. Butler, J. Conrad, Ch. Darwin, Th. Dreiser, G. Gissing, H. Spencer, K. Vonnegut, H.G. Wells. München: W. Fink, 1992.

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Nolan, Janet. PB & J hooray!: Your sandwich's amazing journey from farm to table. Chicago, Illinois: Albert Whitman & Company, 2014.

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Walter, Pfeiffer, ed. The Precious Moments story: The life and work of Samuel J. Butcher. Huntington, N.Y: Portfolio Press Corp., 1986.

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The politics of identity in Irish drama: W.B. Yeats, Augusta Gregory and J.M. Synge. New York: Routledge, 2009.

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United States. Congress. Senate. Committee on Armed Services. Nominations before the Senate Armed Services Committee, second session, 105th Congress: Hearings before the Committee on Armed Services, United States Senate, One Hundred Fifth Congress, second session, on nominations of Gen. Joseph W. Ralston, David R. Oliver; Dr. Sue Bailey; Paul J. Hoeper; Dr. Hans Mark; Dr. Joseph W. Westphal; Mahlon Apgar IV; Louis E. Caldera; Daryl L. Jones; Gen. Richard B. Myers; Vice Adm. Richard W. Mies; Lt. Gen. Charles T. Butler DeMESME; James M. Bodner; Dennis C. Blair; Richard J. Danzig; Bernard D. Rostker; Stephen W. Preston; Herbert L. Buchanan III; Jeh C. Johnson, February 4, 5; March 17; June 2, 16, 23; July 16, 22, 23; September 15, 22, 1998. Washington: U.S. G.P.O., 1999.

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Lloyd, Moya. Performativity and Performance. Edited by Lisa Disch and Mary Hawkesworth. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199328581.013.30.

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This chapter explores the concepts of performativity and performance in feminist theory. It begins by examining the idea of gender performativity in the work of Judith Butler, tracing its development from her earliest writings through Gender Trouble and Bodies That Matter, and showing how Butler’s initial argument draws from phenomenology and from performance studies (where acts are understood in theatrical terms). This is followed by a discussion of gender understood ethnomethodologically as a type of routine performance or form of “doing.” The second half of the chapter focuses on linguistic theories of performativity, derived from J. L. Austin and Jacques Derrida, and how they have been used by feminists, such as Catharine MacKinnon, Rae Langton, and Judith Butler, to illustrate pornography and hate speech. After a discussion of the performativity of pornography, the focus turns to citationality, resignification, and “talking back.”
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Book chapters on the topic "J. Butler"

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"From Weeden J. Butler." In The Letters and Diaries of John Henry Newman, Vol. 9: Littlemore and the Parting of Friends: May 1842–October 1843, edited by Francis J. McGrath and Gerard Tracey, 588. Oxford University Press, 2006. http://dx.doi.org/10.1093/oseo/instance.00140769.

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"BUTCHER, William see Boutcher, W. BUTE, John, 3rd Earl of see Stuart, J. BUTLER, Sir Edwin John (1874–1943)." In Dictionary Of British And Irish Botantists And Horticulturalists Including plant collectors, flower painters and garden designers, 583–84. CRC Press, 2002. http://dx.doi.org/10.1201/b12560-307.

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Popa, Bogdan. "How to do Queer Genealogy with J. S. Mill." In Shame. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474419826.003.0002.

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In this chapter I show that queer genealogy helps us rethink nineteenth-century feminist activism. By drawing on Judith Butler and Jacques Rancière’s ideas, I develop a conception of queer genealogy that mobilizes the performativity of shame to identify practices that challenge the police. The method of queer genealogy illuminates Mill’s unconventional relationship with Harriet Taylor as a creative intervention that disrupted Victorian sexual norms. In developing a genealogical method, I draw on Mill’s concept of experiments in living, which points to the sexual and affective value of relationships that take place outside marriage. Also, I investigate Mill’s use of silence as a politician and his deployment of humiliating language to resignify the shame associated with his sexual and political transgressions.
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Simaika, Samir, and Nevine Henein. "A Crumbling Heritage." In Marcus Simaika. American University in Cairo Press, 2017. http://dx.doi.org/10.5743/cairo/9789774168239.003.0014.

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This chapter discusses Marcus Simaika's efforts to preserve the ancient Coptic churches that had been subjected to destruction and damage. In the preface to his book A Brief Guide to the Coptic Museum and to the Principal Ancient Churches of Cairo, Simaika addressed the importance of Coptic antiquities. He divided Coptic art into two main periods: the first spanned the era from the fourth to the tenth centuries, and the second period extended from the tenth century. During his stay at Alfred J. Butler's house in Oxford in the fall of 1890, Simaika warned both Butler and Somers Clarke of the danger to the ancient Coptic churches from well-meaning but misguided benefactors who wanted to replace these priceless monuments with Italian marbled structures in the Greek style. Simaika proposed that these churches be placed under the control of the “Committee for the Preservation of Arab Art.”
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"Forest owners and wood supply for energy BRETT J . BUTLER AND SATU M. LANTIAINEN." In Wood Energy in Developed Economies, 95–112. Routledge, 2014. http://dx.doi.org/10.4324/9781315884417-11.

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Scholar, John. "Contexts (II)." In Henry James and the Art of Impressions, 95–132. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198853510.003.0004.

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Chapter 3, continuing Chapter 2’s intellectual history of the impression, begins by exploring British aestheticism and its roots in Kant and romanticism (Walter Pater, Oscar Wilde, Immanuel Kant, Samuel Taylor Coleridge, William Wordsworth). It then turns to twentieth-century theories of performativity, which, it argues, combine elements of the empiricist and the aesthetic (J. L. Austin, Jacques Derrida, Paul de Man, Judith Butler, J. Hillis Miller). James followed Pater in resurrecting the ‘impression’. Pater found in Hume’s impression a role for the imagination at the heart of consciousness. But the interpretive excesses of James’s protagonists’ cognitive impressions must also be understood alongside the more flamboyant aestheticism of Pater’s disciple Wilde, and his ‘critic as artist’. The most active of James’s impressions, however, are performative: they are impressions made, not received. Performativity helps frame an account of the impression that encompasses both the receiving and making of impressions, and the confusion between the two.
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Schweitzer, George K., and Lester L. Pesterfield. "E–pH Diagrams." In The Aqueous Chemistry of the Elements. Oxford University Press, 2010. http://dx.doi.org/10.1093/oso/9780195393354.003.0003.

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This volume is intended to employ E–pH diagrams to describe the inorganic solution chemistry of the chemical elements. Such diagrams are very useful in numerous fields of investigation, including electrochemistry, analytical chemistry, inorganic chemistry, geochemistry, environmental chemistry, corrosion chemistry, hydrometallurgy, water chemistry, agricultural chemistry, toxicology, biochemistry, chemical engineering, materials science, health physics, and nutrition. It is assumed that the reader is acquainted with the following major topics which are treated in elementary chemistry: stoichiometry, equilibrium, acid–base phenomena, solubility, complexation, elementary thermodynamics, and electrochemistry. In 1923, W. M. Clark and B. Cohen published a paper in which they introduced the idea of plotting the electromotive force as referred to the hydrogen electrode E against the pH for several chemical systems. In 1928, Clark continued to develop this graphical presentation in his text on the determination of pH. The utility of the method was further extended by numerous other investigators such as M. Pourbaix, G. Valensi, G. Charlot, T. P. Hoar, R. M. Garrels, N. de Zoubov, J. Van Muylder, E. Deltombe, C. Vanleugenhaghe, J. Schmets, M. Maraghini, P. Van Rysselberghe, A. Moussard, J. Brenet, F. Jolas, K. Schwabe, J. Besson, W. Kunz, A. L. Pitman, J. N. Butler, P. Delahay, H. Freiser, H. A. Laitinen, L. G. Sillen, P. L. Cloke, and others. In 1963, M. Pourbaix in collaboration with N. de Zoubov published Atlas d’equilibres electrochimiques, a collection of E–pH diagrams for 90 chemical elements. This volume was translated into English in 1966 by J. A. Franklin and published as Atlas of Electrochemical Equilibria in Aqueous Solutions. Subsequently other investigators published computer programs for constructing the diagrams: L. Santoma; B. G. Williams, and W. H. Patrick; P. B. Linkson, B. D. Phillips, and C. D. Rowles; K. Osseo-Asare, A. W. Asihene, T. Xue, and V. S. T. Ciminellie; D. R. Drewes; M. Mao and E. Peters; H-H. Huang and C. A. Young; J. P. Birk and Laura L. Tayer; G. P. Glasby and H. D. Schulz; and Q. Feng, Y. Ma, and Y. Lu.
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Müller, Timo. "The Sonnet and Black Transnationalism in the 1930s." In The African American Sonnet, 57–74. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496817839.003.0004.

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While the transnational dimensions of the Harlem Renaissance are widely acknowledged, scholarly accounts often suggest that the Great Depression narrowed the scope of African American writing to localized concerns such as social improvement and folk expression. The chapter complicates this assumption by drawing attention to the little-known sonnets Claude McKay and Countee Cullen wrote in the 1930s, some of which remained unpublished until the early twenty-first century. These sonnets show that African American poetry sustained a range of transnational conversations throughout the 1930s. The chapter examines two such conversations: the negotiation of black travel around the Atlantic and the Mediterranean, and the Pan-Africanism incited by the Italo-Ethiopian War of 1935/36. Besides McKay and Cullen, the chapter considers sonnets by the neglected poets J. Harvey L. Baxter, Alpheus Butler, and Marcus Bruce Christian.
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Armond, Kate. "Baroque Europe." In Modernism and the Theatre of the Baroque. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474419628.003.0002.

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This chapter aims to offer an overview of those resurgences of the baroque that are most significant for my study – Germany’s rediscovery of the Trauerspiel and allegory, the colourful legacy of the Italian commedia dell ‘arte and the monist philosophy of Baruch Spinoza that informs Ernst Haeckel’s evolutionary science at the turn of the century. Anglo-American modernism’s debt to the baroque has already been discussed in some detail in the context of English metaphysical poetry, and this interest stemmed from T. S. Eliot’s essay ‘The Metaphysical Poets’ (1921). The essay is a review of Herbert J. C. Grierson’s anthology Metaphysical Lyrics and Poems of the Seventeenth Century: Donne to Butler (1921), and between them the two works were responsible for a reappraisal of the poetry of John Donne, George Herbert, Andrew Marvell, Richard Crashaw, Henry Vaughan and Abraham Cowley during the 1920’s and 1930s.
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"31 January John Grayson-Carey, Charles A. Henry, and W. J. E. Butler, to John Sydney de Bourg." In The Marcus Garvey and Universal Negro Improvement Association Papers, Volume XIII, 232–34. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822374282-123.

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Conference papers on the topic "J. Butler"

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Tagirov, Philipp. "Subject of Sexuality in a Contemporary Disciplinary Society: What We Learn from M. Foulcault and J. Butler about Ourselves." In 3rd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/iccessh-18.2018.13.

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Nemoto, Fumiya, Norifumi L. Yamada, Fumi Takabatake, and Hideki Seto. "Installation of a Rheometer on Neutron Reflectometer SOFIA at J-PARC toward Rheo-NR and Observation of the Crystallization Behavior of Cocoa Butter in Chocolate." In Proceedings of the 3rd J-PARC Symposium (J-PARC2019). Journal of the Physical Society of Japan, 2021. http://dx.doi.org/10.7566/jpscp.33.011077.

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Broussard, John E., E. Stephen Hunt, and Glenn A. White. "FEA Welding Residual Stress and Fracture Mechanics Model for Nozzles With J-Groove Attachment Welds: Methodology and Application." In ASME/JSME 2004 Pressure Vessels and Piping Conference. ASMEDC, 2004. http://dx.doi.org/10.1115/pvp2004-2557.

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Residual stresses due to welding in reactor pressure vessel (RPV) top head nozzle penetrations have been predicted using finite element analysis since the early 1990s. While the analyses were originally targeted at calculating nozzle stresses, the finite element methods have been extended to model a number of different aspects of RPV head penetrations. Both top and bottom head penetrations have been modeled, and the effects of J-groove butter weld deposition and subsequent thermal stress relief of the top head are now included in the analytical model. Development work has recently been completed to integrate a fracture mechanics model into the welding residual stress model. This has allowed for the prediction of crack tip stress intensity factors in the presence of welding residual stresses that include the effects of stress redistribution due to the presence of the crack. This paper presents some of the modeling techniques used in these recent analyses, and some key results obtained.
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Vargas, Pedro M. "Tensile Strength of a Girth Weld With a Low-Strength AWSR45 Buttering Layer." In ASME 2005 Pressure Vessels and Piping Conference. ASMEDC, 2005. http://dx.doi.org/10.1115/pvp2005-71507.

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A four-metal connection, in which a carbon steel pipe is welded to duplex stainless steel pipe, is analyzed. The four metals are shown in Table 1. A106B and 2205 Duplex are the two different pipe materials, 2209 is the weld filler material, and AWSR45 is the buttering layer that is used to control the cracking susceptibility of the welded girth joint. (Butter and buttering refer to the welding of a layer of low strength material, AWSR45 in this case, and are commonly used terms within the welding community). Due to the lower strength of the AWSR45 material, the question arises whether this joint performance would affect pressure containment capacity and meet the B31.3 code (and API 1104) tensile strength requirements. Nonlinear FEA [1] was used to determine the girth weld joint pressure containment capacity and evaluate tensile strength requirements. This study found that: 1. The butter layer has no effect on burst capacity for typical weld dimensions.2. The acceptable butter layer may approach approximately 70% of the wall thickness for approximated real material properties. However, a full pipe cross-section test will be required to show that the weld joint has the necessary strength.3. If this is impractical, a lower butter limit of 25% of wall thickness would be necessary for the API-1104 recommended 1-inch wide tensile specimen to show that the weld joint has the necessary strength assuming approximated real material properties.4. Strains exceeding 50% in the soft AWRS45 layer are possible in the root, face or side bend test. This may cause tearing making the code requirements difficult to meet.5. The AWRS45 material must exhibit a smooth continuously increasing hardening behavior. If the soft AWRS45 layer exhibits lu¨der-band type tensile instabilities, the recommendations in this study may need to be revisited. In this study analyses is limited to the single-slope bevel and the double-slope bevel geometries recommended in [2] (See Figure 1). Any significant deviation from the specific materials and geometry may justify follow-up FEA analyses efforts prior to weld qualification. In particular, it may be possible to increase the allowable butter length for different weld geometries (e.g. J-bevel) than the two explored in this study. Also, for the full cross-section tensile case, additional 3-dimensional analyses may be needed to ensure that all possible modes of strain localization (e.g. non-axisymmetric deformation modes) have been addressd.
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Bennetch, J. I., G. E. Modzelewski, L. L. Spain, and G. V. Rao. "Root Cause Evaluation and Repair of Alloy 82/182 J-Groove Weld Cracking of Reactor Vessel Head Penetrations at North Anna Unit 2." In ASME 2002 Pressure Vessels and Piping Conference. ASMEDC, 2002. http://dx.doi.org/10.1115/pvp2002-1189.

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In the fall of 2001, North Anna Unit 2 conducted a visual inspection of the outer surface of its reactor vessel head (RVH), looking for evidence of leakage. Three of 69 control rod drive mechanism (CRDM) penetrations were identified as suspect, based on the presence of boric acid crystals encircling the three penetrations. Supplemental inspections from underneath the ferritic steel RVH revealed crack-like indications in the vicinity of the J-groove weld/butter region of each of the three penetration attachment welds. To characterize the flaws, a representative portion of one of the welds was removed for metallographic analysis. The results of the analysis formed the technical basis for a root cause evaluation (RCE), conducted to determine the origin of cracking. This report summarizes the findings of that RCE. It also briefly discusses the inspection/repair strategy implemented by Dominion to comply with US Nuclear Regulatory Commission Bulletin 2001–01.
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Reports on the topic "J. Butler"

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Evans, David L. Mg (Ret) Benjamin J. Butler: A Historical Perspective of Leadership on the Battlefield. Fort Belvoir, VA: Defense Technical Information Center, April 1998. http://dx.doi.org/10.21236/ada345612.

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