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Books on the topic 'J. Butler'

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Published: 4 June 2021
Last updated: 11 February 2022

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1

Wright, J. Butler. Witness to revolution: The Russian Revolution diary and letters of J. Butler Wright. Westport, Conn: Praeger, 2002.

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2

Adams, John H. Griswolds, Fullers, Brownells, & Butlers: New England's pioneer families move west, a genealogy of Solomon J. Griswold and Jeanette Dorcus Butler. United States: John H. Adams, Sr., 2009.

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3

Butler, Irene Linda Lather. Comme je trouve =: I take things as I find them : the surgical life of Dr. William J. Butler. Tucson, AZ: Pepper Pub., 1987.

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4

PB&J hooray! New York, NY: AV2 by Weigl, 2016.

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5

Schnackertz, Hermann Josef. Darwinismus und literarischer Diskurs: Der Dialog mit der Evolutionsbiologie in der englischen und amerikanischen Literatur : E. Bulwer-Lytton, S. Butler, J. Conrad, Ch. Darwin, Th. Dreiser, G. Gissing, H. Spencer, K. Vonnegut, H.G. Wells. München: W. Fink, 1992.

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6

Nolan, Janet. PB & J hooray!: Your sandwich's amazing journey from farm to table. Chicago, Illinois: Albert Whitman & Company, 2014.

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7

Walter, Pfeiffer, ed. The Precious Moments story: The life and work of Samuel J. Butcher. Huntington, N.Y: Portfolio Press Corp., 1986.

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8

The politics of identity in Irish drama: W.B. Yeats, Augusta Gregory and J.M. Synge. New York: Routledge, 2009.

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9

United States. Congress. Senate. Committee on Armed Services. Nominations before the Senate Armed Services Committee, second session, 105th Congress: Hearings before the Committee on Armed Services, United States Senate, One Hundred Fifth Congress, second session, on nominations of Gen. Joseph W. Ralston, David R. Oliver; Dr. Sue Bailey; Paul J. Hoeper; Dr. Hans Mark; Dr. Joseph W. Westphal; Mahlon Apgar IV; Louis E. Caldera; Daryl L. Jones; Gen. Richard B. Myers; Vice Adm. Richard W. Mies; Lt. Gen. Charles T. Butler DeMESME; James M. Bodner; Dennis C. Blair; Richard J. Danzig; Bernard D. Rostker; Stephen W. Preston; Herbert L. Buchanan III; Jeh C. Johnson, February 4, 5; March 17; June 2, 16, 23; July 16, 22, 23; September 15, 22, 1998. Washington: U.S. G.P.O., 1999.

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10

Lloyd, Moya. Performativity and Performance. Edited by Lisa Disch and Mary Hawkesworth. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199328581.013.30.

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This chapter explores the concepts of performativity and performance in feminist theory. It begins by examining the idea of gender performativity in the work of Judith Butler, tracing its development from her earliest writings through Gender Trouble and Bodies That Matter, and showing how Butler’s initial argument draws from phenomenology and from performance studies (where acts are understood in theatrical terms). This is followed by a discussion of gender understood ethnomethodologically as a type of routine performance or form of “doing.” The second half of the chapter focuses on linguistic theories of performativity, derived from J. L. Austin and Jacques Derrida, and how they have been used by feminists, such as Catharine MacKinnon, Rae Langton, and Judith Butler, to illustrate pornography and hate speech. After a discussion of the performativity of pornography, the focus turns to citationality, resignification, and “talking back.”
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11

Witness to Revolution: The Russian Revolution Diary and Letters of J. Butler Wright (Praeger Studies in Diplomacy and Strategic Thought). Praeger Publishers, 2002.

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12

Smith, Anna Marie. Subjectivity and Subjectivation. Edited by Lisa Disch and Mary Hawkesworth. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199328581.013.46.

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A chapter addressing the formation of the subject, and the rejection of the assumption that gender and sex are simply given, in various feminist theory paradigms. The project of advancing gender justice requires close attention to the ways in which categories of biological sex and gender, in intersectional relations with race, ethnicity, nationality, class and so on, are historically constructed and deployed to bring subjects into being, even as these same categories are resisted and re-negotiated at the same time in an always agonistic field of social relations. Special reference is made to three pairs of theoretical paradigms and practitioners: liberal feminism and Nancy J. Hirschmann; antiracist socialist feminism and Angela Davis; Derridean-Foucauldian theory and Judith Butler.
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13

Johnson, Samuel. Cowley. Denham. Milton. Butler. Rochester. Roscommon. Otway. Waller. Pomfret. Dorset. Stepney. J. Philips. Walsh. Dryden. Smith. Duke. King. Sprat. Halifax. Parnell. Garth. Rowe. Addison. Hughes. Sheffield, Duke of Buckinghamshire. HardPress, 2020.

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14

Otto, Bismarck. Bismarck: the Man and the Statesman: Being the reflections and reminiscences of Otto, Prince von Bismarck, written and dictated by himself after his retirement ... the supervision of A. J. Butler. Volume 2. Adamant Media Corporation, 2000.

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15

Otto, Bismarck. Bismarck: the Man and the Statesman: Being the reflections and reminiscences of Otto, Prince von Bismarck, written and dictated by himself after his retirement ... the supervision of A. J. Butler. Volume 1. Adamant Media Corporation, 2000.

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16

Sumner, Rachael. Writing from the Margins of Europe: The Application of Postcolonial Theories to Selected Works by William Butler Yeats, John Millington Synge and James Joyce. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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17

Sumner, Rachael. Writing from the Margins of Europe: The Application of Postcolonial Theories to Selected Works by William Butler Yeats, John Millington Synge and James Joyce. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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18

Writing from the Margins of Europe: The Application of Postcolonial Theories to Selected Works by William Butler Yeats, John Millington Synge and James Joyce. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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19

Sumner, Rachael. Writing from the Margins of Europe: The Application of Postcolonial Theories to Selected Works by William Butler Yeats, John Millington Synge and James Joyce. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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20

Fermor, Una Mary Ellis. Irish Dramatic Movement: An Interpretation. Taylor & Francis Group, 2013.

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21

Fermor, Una Mary Ellis. Irish Dramatic Movement: An Interpretation. Taylor & Francis Group, 2012.

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22

Cusack, George. The Politics of Identity in Irish Drama. Routledge, 2011.

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23

Pieter de Hooch: A Woman Preparing Bread and Butter for a Boy (Getty Museum Studies on Art). Getty Trust Publications: J. Paul Getty Museum, 2007.

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24

Cassin, Barbara, ed. Dictionary of Untranslatables: A Philosophical Lexicon. Princeton University Press, 2017. http://dx.doi.org/10.1093/acref/9780190681166.001.0001.

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This is an encyclopedic dictionary covering hundreds of important philosophical, literary, and political terms and concepts that defy easy--or any--translation from one language and culture to another. Drawn from more than a dozen languages, terms such as Dasein (German), pravda (Russian), saudade (Portuguese), and stato (Italian) are thoroughly examined in all their cross-linguistic and cross-cultural complexities. Spanning the classical, medieval, early modern, modern, and contemporary periods, these are terms that influence thinking across the humanities. The entries, written by more than 150 distinguished scholars, describe the origins and meanings of each term, the history and context of its usage, its translations into other languages, and its use in notable texts. The dictionary also includes essays on the special characteristics of particular languages--English, French, German, Greek, Italian, Portuguese, Russian, and Spanish.Originally published in French, this one-of-a-kind reference work is now available in English, with new contributions from Judith Butler, Daniel Heller-Roazen, Ben Kafka, Kevin McLaughlin, Kenneth Reinhard, Stella Sandford, Gayatri Chakravorty Spivak, Jane Tylus, Anthony Vidler, Susan Wolfson, Robert J. C. Young, and many more. The result is an invaluable reference for students, scholars, and general readers interested in the multilingual lives of some of our most influential words and ideas.
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25

Scholar, John. Henry James and the Art of Impressions. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198853510.001.0001.

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Henry James and the Art of Impressions examines the concept of the ‘impression’ in the essays and late novels of Henry James. Although Henry James criticized the impressionism which was revolutionizing French painting and French fiction, and satirized the British aesthetic movement which championed impressionist criticism, he placed the impression at the heart of his own aesthetic project, as well as his narrative representation of consciousness. This book tries to understand the anomaly that James represents in the wider history of the impression. To do this it charts an intellectual and cultural history of the ‘impression’ from the seventeenth century to the twentieth, drawing in painting, philosophy (John Locke, David Hume, Immanuel Kant, J.L Austin), psychology (James Mill, J.S. Mill, William James, Ernst Mach, Franz Brentano), literature (William Wordsworth, Samuel Taylor Coleridge, Walter Pater, Oscar Wilde), and modern critical theory (Jacques Derrida, Paul de Man, Judith Butler, J. Hillis Miller). It then offers close readings of James’s non-fictional and fictional treatments of the impression in his early criticism and travel writing (1872–88), his prefaces to the New York Edition (1907–9), and the three novels of his major phase, The Ambassadors (1903), The Wings of the Dove (1902), and The Golden Bowl (1904). It concludes that the term ‘impression’ crystallizes James’s main theme of the struggle between life and art. Coherent philosophical meanings of the Jamesian impression emerge when it is comprehended as a family of related ideas about perception, imagination, and aesthetics—bound together by James’s attempt to reconcile the novel’s value as a mimetic form and its value as a transformative creative activity.
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26

Hegland, Frode, ed. The Future of Text. Future Text Publishing, 2020. http://dx.doi.org/10.48197/fot2020a.

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This book is the first anthology of perspectives on the future of text, one of our most important mediums for thinking and communicating, with a Foreword by the co-inventor of the Internet, Vint. Cerf and a Postscript by the founder of the modern Library of Alexandria, Ismail Serageldin. In a time with astounding developments in computer special effects in movies and the emergence of powerful AI, text has developed little beyond spellcheck and blue links. In this work we look at myriads of perspectives to inspire a rich future of text through contributions from academia, the arts, business and technology. We hope you will be as inspired as we are as to the potential power of text truly unleashed. Contributions by Adam Cheyer • Adam Kampff • Alan Kay • Alessio Antonini • Alex Holcombe • Amaranth Borsuk • Amira Hanafi • Amos Paul Kennedy Jr. • Anastasia Salter • Andy Matuschak & Michael Nielsen • Ann Bessemans & María Pérez Mena • Andries Van Dam • Anne-Laure Le Cunff • Anthon Botha • Azlen Ezla • Barbara Beeton • Belinda Barnet • Ben Shneiderman • Bernard Vatant • Bob Frankston • Bob Horn • Bob Stein • Catherine C. Marshall • Charles Bernstein • Chris Gebhardt • Chris Messina • Christian Bök • Christopher Gutteridge • Claus Atzenbeck • Daniel Russel • Danila Medvedev • Danny Snelson • Daveed Benjamin • Dave King • Dave Winer • David De Roure • David Jablonowski • David Johnson • David Lebow • David M. Durant • David Millard • David Owen Norris • David Price • David Weinberger • Dene Grigar • Denise Schmandt-Besserat • Derek Beaulieu • Doc Searls • Don Norman • Douglas Crockford • Duke Crawford • Ed Leahy • Elaine Treharne • Élika Ortega • Esther Dyson • Esther Wojcicki • Ewan Clayton • Fiona Ross • Fred Benenson & Tyler Shoemaker • Galfromdownunder, aka Lynette Chiang • Garrett Stewart • Gyuri Lajos • Harold Thimbleby • Howard Oakley • Howard Rheingold • Ian Cooke • Iian Neil • Jack Park • Jakob Voß • James Baker • James O’Sullivan • Jamie Blustein • Jane Yellowlees Douglas • Jay David Bolter • Jeremy Helm • Jesse Grosjean • Jessica Rubart • Joe Corneli • Joel Swanson • Johanna Drucker • Johannah Rodgers • John Armstrong • John Cayle • John-Paul Davidson • Joris J. van Zundert • Judy Malloy • Kari Kraus & Matthew Kirschenbaum • Katie Baynes • Keith Houston • Keith Martin • Kenny Hemphill • Ken Perlin • Leigh Nash • Leslie Carr • Lesia Tkacz • Leslie Lamport • Livia Polanyi • Lori Emerson • Luc Beaudoin & Daniel Jomphe • Lynette Chiang • Manuela González • Marc-Antoine Parent • Marc Canter • Mark Anderson • Mark Baker • Mark Bernstein • Martin Kemp • Martin Tiefenthaler • Maryanne Wolf • Matt Mullenweg • Michael Joyce • Mike Zender • Naomi S. Baron • Nasser Hussain • Neil Jefferies • Niels Ole Finnemann • Nick Montfort • Panda Mery • Patrick Lichty • Paul Smart • Peter Cho • Peter Flynn • Peter Jenson & Melissa Morocco • Peter J. Wasilko • Phil Gooch • Pip Willcox • Rafael Nepô • Raine Revere • Richard A. Carter • Richard Price • Richard Saul Wurman • Rollo Carpenter • Sage Jenson & Kit Kuksenok • Shane Gibson • Simon J. Buckingham Shum • Sam Brooker • Sarah Walton • Scott Rettberg • Sofie Beier • Sonja Knecht • Stephan Kreutzer • Stephanie Strickland • Stephen Lekson • Stevan Harnad • Steve Newcomb • Stuart Moulthrop • Ted Nelson • Teodora Petkova • Tiago Forte • Timothy Donaldson • Tim Ingold • Timur Schukin & Irina Antonova • Todd A. Carpenter • Tom Butler-Bowdon • Tom Standage • Tor Nørretranders • Valentina Moressa • Ward Cunningham • Dame Wendy Hall • Zuzana Husárová. Student Competition Winner Niko A. Grupen, and competition runner ups Catherine Brislane, Corrie Kim, Mesut Yilmaz, Elizabeth Train-Brown, Thomas John Moore, Zakaria Aden, Yahye Aden, Ibrahim Yahie, Arushi Jain, Shuby Deshpande, Aishwarya Mudaliar, Finbarr Condon-English, Charlotte Gray, Aditeya Das, Wesley Finck, Jordan Morrison, Duncan Reid, Emma Brodey, Gage Nott, Aditeya Das and Kamil Przespolewski. Edited by Frode Hegland.
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27

Toward an Aesthetics of Blindness: An Interdisciplinary Response to Synge, Yeats, And Friel (New Studies in Aesthetics). Peter Lang Publishing, 2007.

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28

(Editor), Rudolf Rieks, ed. Sedecias: Die Lateinische Tragodie Von Luis Da Cruz S. J. Eingeleitet, Herausgegeben Und Ubersetzt Von Matthias Buttner (Classica Et Neolatina). Peter Lang Publishing, 2004.

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29

Lamberti, Edward. Performing Ethics Through Film Style. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474444002.001.0001.

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Emmanuel Levinas’s ethical philosophy has had a significant influence on film theory in recent years. This book proposes a relationship between Levinasian ethics and film style. It argues that films can convey Levinasian ethics not just through their subject matter but also through their use of style. The book brings this relationship between ethics and style into a productive dialogue with theories of performativity, such as J. L. Austin’s speech-act theory, Jacques Derrida’s notion of originary performativity and Judith Butler’s reconfiguration of performativity within the socio-political sphere. It explores Levinas’s influence on film through the study of three directorial bodies of work: those of the Dardenne brothers, Barbet Schroeder and Paul Schrader. The book focuses on a range of films, including the Dardennes’ Je Pense à Vous (1992), La Promesse (1996), Le Fils (2002) and The Kid with a Bike (2011), Schroeder’s Maîtresse (1975), Reversal of Fortune (1990), Terror’s Advocate (2007) and Our Lady of the Assassins (2000) and Schrader’s American Gigolo (1980), Mishima: A Life in Four Chapters (1985), The Comfort of Strangers (1990), Dominion: Prequel to the Exorcist (2005) and Adam Resurrected (2008). In doing so, it demonstrates how films can perform a Levinasian ethics through different styles.
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