Academic literature on the topic 'J-horror'

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Journal articles on the topic "J-horror"

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Wada-Marciano, Mitsuyo. "J-Horror: New Media's Impact on Contemporary Japanese Horror Cinema." Canadian Journal of Film Studies 16, no. 2 (2007): 23–48. http://dx.doi.org/10.3138/cjfs.16.2.23.

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Cánepa, Laura Loguercio, and Rogério Ferraraz. "Espetáculos do medo: o horror como atração no cinema japonês." Revista Contracampo, no. 25 (January 20, 2013): 4. http://dx.doi.org/10.22409/contracampo.v0i25.285.

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Dentro da variada gama de filmes vindos da Ásia oriental, uma das mais influentes contribuições é a do cinema de horror desenvolvido no Japão a partir da segunda metade dos anos 1990, cuja inserção internacional fez com que, no Ocidente, fosse criado um “selo” para designá-lo: o “J-Horror”. Porém, o alcance dessa produção vai muito além de um simples selo ou abreviatura. Este artigo pretende traçar algumas reflexões sobre o horror cinematográfico contemporâneo a partir da experiência japonesa, colocando em destaque o caráter espetacular e de atração do gênero, notório nessa produção enraizada
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Lee, Hogeol. "Postmodern Fear: Historical Implications of ‘J-horror’." Comparative Literature 92 (February 28, 2024): 363–94. http://dx.doi.org/10.21720/complit92.12.

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Pavlov, Alexander. "Are New Approaches to Horror Really New? Review of the Book Edited by E. Falvy, J. Hickinbottom and J. Wroot." Philosophy. Journal of the Higher School of Economics VII, no. 1 (2023): 397–406. http://dx.doi.org/10.17323/2587-8719-2023-1-397-406.

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Vasilev, M. F. "Representation of the world as other’s play in the cosmic horror literature." Philology and Culture, no. 1 (April 6, 2024): 72–80. http://dx.doi.org/10.26907/2782-4756-2024-75-1-72-80.

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Cosmic horror is a type of horror literature concerning itself with anthropocentrism rejection and depicting the universe as unknowable, indifferent and epistemologically anomalous. In the context of cosmic horror, man is often described as a plaything of unknown forces, which may seem a contradiction: the concept of play in itself is arguably all-to-human; moreover, a playful attitude is by no means indifferent and thus not exactly compatible with cosmic horror. Nevertheless, according to evolutionary biology, the evidence of play behaviour is not restricted to humans – accordingly, such beha
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Vasilev, Mikhail F. "Fear, disgust, laughter. Forms of grotesque in D. Wong’s novel." Vestnik of Saint Petersburg University. Language and Literature 21, no. 1 (2024): 4–19. http://dx.doi.org/10.21638/spbu09.2024.101.

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In contemporary scientific paradigm, horror literature is often interpreted on the basis of disgust and/or abjection, mainly due to the influential works by J. Kristeva and N. Carroll, inspired by M. Douglas. However, phenomenological approach as well as cognitive studies clearly show the fundamental difference between fear and disgust. The three theorists’ common understanding of disgust as a categorical anomaly has much in common with a wider concept of grotesque. Drawing on the works by M. M. Bakhtin, A. Kolnai and S. Asma it is possible to demonstrate how grotesque images can induce not on
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Mata, Antonio Cândido Silva da. "Horror Biomórfico: o corpo gótico na obra de J. G. Ballard." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 78, no. 1 (2025): 1–16. https://doi.org/10.5007/2175-8026.2025.e104989.

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Com esse artigo, gostaríamos de ilustrar como o corpo e suas extensões tecnológicas são concebidas na obra de ficção científica do autor inglês J. G. Ballard. Para tanto, iremos analisar duas de suas principais obras: The Atrocity Exhibition (2014) e Crash (2007). Nossa hipótese de leitura é a de que, no alvorecer do neoliberalismo (período que Jameson se presta a chamar também de Capitalismo Tardio), Ballard (de)compõe um tipo de discurso corpóreo destinado a construir um corpo gótico – um corpo que se desviaria das idealizações de integração aos circuitos tecnológicos contemporâneos. Como, a
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DiRoberto, Kyle. "Corrupting the Curriculum: The Abject in J-Horror, Shakespeare, and Digital Games." Shakespeare Bulletin 38, no. 2 (2020): 225–40. http://dx.doi.org/10.1353/shb.2020.0021.

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Taylor, Ryan. "Demon(ized) women: Female punishment in the ‘pink film’ and J-Horror." Asian Cinema 23, no. 2 (2012): 199–216. http://dx.doi.org/10.1386/ac.23.2.199_1.

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Dumas, Raechel. "“She Was Raised on Blood”." English Language Notes 59, no. 2 (2021): 121–35. http://dx.doi.org/10.1215/00138282-9277315.

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Abstract Contemporary Japan has been widely identified as a scene of crisis marked by the breakdown of established sociocultural institutions and the subordination of identity and desire to ever-evolving technocapitalist whims. Japanese-horror (J-horror) media of this period reveals a collective concern with these cultural themes, routinely employing haunted technologies to elaborate the perils and possibilities of existence in a world of incertitude. This article examines Shimizu Takashi’s 2004 Marebito with attention to how the film develops a critique of the estranging forces of late capita
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Dissertations / Theses on the topic "J-horror"

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Ng, Hei Tung. "The representation of the mothers in J-horror." HKBU Institutional Repository, 2007. http://repository.hkbu.edu.hk/etd_ra/836.

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Damm, Andreas. "Japansk skräckfilm – en kontemplativ succé?" Thesis, Karlstad University, Faculty of Arts and Education, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-806.

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<p>Japanese horror film has since the late 1990: ies been extremely successful. The success could probably, at least partly, be due to the Japanese narrative style (which in my own opinion is quite suitable and effective in horror films). In what way does the Japanese narrative tradition work in matter of expression? My results point towards a narrative discrepancy between J-horror and American horror film, possibly due to the Japanese narrative tradition – a narrative tradition under the influence of various forms of ancient Japanese theatre and general Japanese culture.</p>
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Maciel, Filipe Tavares Falcão. "Fronteiras do medo: semelhanças produtivas e diferenças culturais em Ringu e o Chamado." Universidade Federal da Paraí­ba, 2014. http://tede.biblioteca.ufpb.br:8080/handle/tede/4487.

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Made available in DSpace on 2015-05-07T14:46:45Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 3360568 bytes, checksum: 1c01f6b8c73ab099752603932d52c725 (MD5) Previous issue date: 2014-02-27<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Since the release of the film Ringu, in 1998, the Japanese contemporary horror cinema, or J Horror, became a filmic addressing form for the West. These Japanese horror movies have created a way of production that was soon "discovered" and exported by Hollywood through remakes for international audiences. The fact that the production of a r
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Parrish, Jordan G. "The Undead Subject of Lost Decade Japanese Horror Cinema." Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1502193416130062.

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Petty, John E. "Stage and Scream: The Influence of Traditional Japanese Theater, Culture, and Aesthetics on Japan's Cinema of the Fantastic." Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc68031/.

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Although widely viewed in the West, Japanese films are often misunderstood, as they are built on cultural, theatrical, and aesthetic traditions entirely foreign to Western audiences. Particularly in regards to Japan's "fantastic" cinema - including giant monster pictures, ghost stories, and "J-Horror" films - what is often perceived as "cheap" or "cheesy" is merely an expression of these unique cultural roots. By observing and exploring such cultural artifacts as kabuki, noh, and bunraku - the traditional theatrical forms of Japan - long-standing literary traditions, deeply embedded philosophi
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Montaño, Muñoz José A. "La reescritura del cine japonés contemporáneo en la crítica española: observaciones desde los márgenes del polisistema cinematográfico." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/392627.

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Tomando como referencia la teoría de los polisistemas y con la idea de reescritura como concepto central, esta tesis estudia la recepción de la cinematografía japonesa contemporánea en España. Originado en una cultura que es vista como una alteridad, el cine japonés queda relegado a una posición periférica en el discurso crítico hegemónico. Sobre esta cinematografía se maneja un limitado catálogo, en el que son recurrentes algunos aspectos como el concepto de autor; las películas de ambientación histórica; las de terror; y las de animación. También nos hemos ocupado de otros dos aspectos gener
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Kaiste, Jaana. "Das eigensinnige Kind : Schrecken in pädagogischen Warnmärchen der Aufklärung und der Romantik." Doctoral thesis, Uppsala University, Department of Modern Languages, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-6023.

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<p>This dissertation deals with how didactic fiction and writers of child literature of the 18<sup>th</sup> and 19<sup>th</sup> centuries tried to strike terror into their young listeners to make them obedient to the social and moral norms of adults. Particular attention is devoted to texts where children themselves function as protagonists. Fairy-tales by the brothers Jacob and Wilhelm Grimm but also by Ludwig Bechstein and Charles Perrault are taken into consideration as are examples of child literature by Johann Baptist Strobl, a less famous didactic philanthropist at the end of the Enlight
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Hjelm, Zara Luna. "Mirror, Mirror : Embodying the sexed posthuman body of becoming in Sion Sono’s Antiporno (アンチポルノ, 2016) and Mika Ninagawa’s Helter Skelter (ヘルタースケルター, 2012)". Thesis, Linköpings universitet, Tema Genus, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-177284.

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This thesis examines the embodiment of the sexed body and the struggle of fitting into the narrow frames of what a woman is supposed to behave and look like in Japanese cinema. Using the medium of film, I, therefore, seek to produce knowledge regarding the internalized gaze of the oppressor, and self-objectification, caused by the capitalist heteropatriarchy. Thus, I am drawing from cyborg feminism, and the second wave of sexual difference theory’s concept of becoming, expanded upon by the Italian-Australian philosopher Rosi Braidotti. I further use the French sociologist Pierre Bourdieu’s not
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DeCarvalho, Lauren J. Jordan Matthew F. "Horror global, horror local a cross-cultural analysis of torture porn, J-horror, and giallo as contemporary manifestations of the horror genre /." 2009. http://etda.libraries.psu.edu/theses/approved/PSUonlyIndex/ETD-4333/index.html.

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Books on the topic "J-horror"

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(Firm), Guernsey's. Science-fiction fantasy horror: The world of Forrest J. Ackerman at auction : the Puck Building, New York City, December 12 & 13, 1987. Guernsey's, 1987.

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1954-, Uchiyama Kazuki, ed. Kaiki to gensō e no kairo: Kaidan kara J horā e. Shinwasha, 2008.

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1964-, Toro Guillermo del, Bayona J. A, and Sánchez Sergio G, eds. El orfanato: Una película de J. A. Bayona : la película y sus creadores. Telecinco Cinema, 2007.

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Burks. Horror Stories - Arthur J. Burks. Dreamscape Media, LLC, 2016.

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Burks. Horror Stories - Arthur J. Burks. Dreamscape Media, LLC, 2016.

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Falkner, J. Meade. The Lost Stradivarius . By : J. Meade Falkner: Horror novel. CreateSpace Independent Publishing Platform, 2017.

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American Horror Show: Election 2016 and the Ascent of Donald J. Trump. SensePublishers, 2017.

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Kellner, Douglas. American Horror Show: Election 2016 and the Ascent of Donald J. Trump. BRILL, 2017.

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Kalat, David. J-Horror: The Definitive Guide to The Ring, The Grudge and Beyond. Vertical, 2007.

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Kellner, Douglas. American Horror Show: Election 2016 and the Ascent of Donald J. Trump. BRILL, 2017.

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Book chapters on the topic "J-horror"

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Dorman, Andrew. "Concealing Japan in J Horror." In Paradoxical Japaneseness. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-55160-3_4.

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Pechmann, Max. "J-Horror und K-Horror oder das Andere im asiatischen Horrorkino." In Vergemeinschaftung in Zeiten der Zombie-Apokalypse. Springer Fachmedien Wiesbaden, 2014. http://dx.doi.org/10.1007/978-3-658-01722-4_14.

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Kinnia, Yau Shuk-ting. "A “Horrible” Legacy: Noh and J-horror." In East Asian Cinema and Cultural Heritage. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230339507_5.

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Lee, Vivian P. Y. "J-Horror and Kimchi Western: Mobile Genres in East Asian Cinemas." In East Asian Cinemas. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230307186_7.

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Kellner, Douglas. "Donald J. Trump: Useful Idiot or Putin’s Poodle?" In American Horror Show. SensePublishers, 2017. http://dx.doi.org/10.1007/978-94-6300-974-4_12.

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Chez, Keridiana W. "The Mandrake’s Lethal Cry: Homuncular Plants in J. K. Rowling’s Harry Potter and the Chamber of Secrets." In Plant Horror. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-57063-5_4.

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Wada-Marciano, Mitsuyo. "J-horror:." In Horror to the Extreme. Hong Kong University Press, 2009. http://dx.doi.org/10.5790/hongkong/9789622099722.003.0001.

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Rodríguez, Fátima M. Castro. "J-HORROR:." In Cultura visual en Japón. El Colegio de México, 2009. http://dx.doi.org/10.2307/j.ctv3f8nwk.16.

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"J-horror, n." In Oxford English Dictionary, 3rd ed. Oxford University Press, 2025. https://doi.org/10.1093/oed/9774237073.

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Nieto, Javier Acevedo. "J-HORROR Y ESTÉTICA VHS EN EL ANALOG HORROR DE YOUTUBE." In Philip Marlowe en la Universidad. Estudios sobre género negro. Dykinson, 2023. http://dx.doi.org/10.2307/jj.5076212.58.

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Conference papers on the topic "J-horror"

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Panchenko, O. I. "Horror effect creation in the novels by J. Rowling in the original and translation." In THE LATEST DEVELOPMENT TRENDS IN PHILOLOGICAL SCIENCE AND EDUCATION. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-404-7-42.

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