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Journal articles on the topic 'J. K. Rowling'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Puspitawati, Poppy Dewi, Emzir Emzir, and Sabarti Akhadiah. "CHARACTER EDUCATIONAL VALUE IN NOVEL-NOVEL "HARRY POTTER"J. K. ROWLING WORKS." IJLECR - INTERNATIONAL JOURNAL OF LANGUAGE EDUCATION AND CULTURE REVIEW 3, no. 2 (2017): 43–61. http://dx.doi.org/10.21009/ijlecr.032.04.

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The purpose of this research is to gain a deep understanding: 1) The novel structure consisting of theme elements, plot, background, characterization and the message contained in J.K. Harry Potter novels Rowling. 2) The values of character education that include mindset, behavior, attitude, creativity and interest in J.K. Harry Potter's novels Rowling. And 3) The values of character education are viewed from the structural angle of hermeneutics contained in J.K. Harry Potter's novels. Rowling. This research uses qualitative approach with content analysis method, through hermeneutic study based

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Gwenffrewi, Gina. "J. K. Rowling and the Echo Chamber of Secrets." TSQ: Transgender Studies Quarterly 9, no. 3 (2022): 507–16. http://dx.doi.org/10.1215/23289252-9836176.

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Abstract This autoethnographic article attempts to capture the distress of a trans woman in Scotland at the transphobia in the legacy media's coverage of the J. K. Rowling furore in June 2020. Through the use of a frame narrative, the article analyses some of the transphobic elements of Rowling's essay published on June 10, 2020, originally titled “TERF Wars,” which prompted an online backlash and a subsequent cycle of negative legacy media coverage against trans people. The article deconstructs two opinion pieces in the Scotsman and the National that depict Rowling as a victim and trans women

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Lahutik, Anastasiia, and Tetiana Korolova. "AUTHOR'S STYLE OF J. K. ROWLING." Naukovy Visnyk of South Ukrainian National Pedagogical University named after K. D. Ushynsky: Linguistic Sciences 2020, no. 31 (2020): 247–63. http://dx.doi.org/10.24195/2616-5317-2020-31-16.

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The article is devoted to the study of the author’s style of Joan Rowling. The relevance of the study lies in the fact that despite the large number of studies on the analysis of the author’s style of Joan Rowling, relatively few scientific works are devoted, which determines the relevance of the study. The purpose of the study is to analyze the idiosyncrasy of Joan Rowling, the task of the study is to analyze the theoretical foundations of the concept of the author’s individual style, to consider the linguistic means of its expression. Research methods include analysis, synthesis, generalizat

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Quealy-Gainer, Kate. "The Ickabog by J. K. Rowling." Bulletin of the Center for Children's Books 74, no. 5 (2020): 231. http://dx.doi.org/10.1353/bcc.2020.0950.

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Vasylenko, Oksana, and Liudmyla Vozniuk. "LINGUISTIC FEATURES OF AUTHOR’S NEOLOGISMS IN J. K. ROWLING’S NOVEL “HARRY POTTER AND THE PHILOSOPHER’S STONE”." Scientific Journal of Polonia University 64, no. 3 (2024): 127–37. http://dx.doi.org/10.23856/6416.

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The article deals with the neologisms of J. Rowling who is famous for her creation of Harry Potter series and she is also known for her clever use of language, including the invention of new words and phrases. These neologisms add depth and richness to the wizarding world she has created. There are several ways of creating author’s neologisms, among which syntactic (word-forming derivation), semantic (changes in the meaning of a word, its reinterpretation) and borrowing prevail. It is revealed that J. Rowling formed neologisms using word-forming derivation (suffixing, word formation and abbrev

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6

Copes, Jane Snell. "The Chemical Wizardry of J. K. Rowling." Journal of Chemical Education 83, no. 10 (2006): 1479. http://dx.doi.org/10.1021/ed083p1479.

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Jumaah, Saif Ali Abbas. "Contemporary Themes in J. K. Rowling's Harry Potter Fantasy Universe." International Journal of Linguistics 16, no. 2 (2024): 61. http://dx.doi.org/10.5296/ijl.v16i2.21860.

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Harry Potter is considered a fantasy literature series written by J.K. Rowling, comprising seven books, with the first released in 1997. It narrates the life of an orphan boy who loses his parents at one year old, victim of a dark wizard’s deeds. This research delves into the elements that have contributed to Harry Potter’s status as a contemporary cultural icon in the fantasy world. It conducts a literary examination of the Series as a notable contemporary fantasy work, particularly significant in the two decades before this paper. The study analyzes critical aspects like settings, characters

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Lisaev, Tsvetelin. "Women as witches: the transformation of the stereotype in J.K. Rowling’s Harry Potter and Terry Pratchett’s Wyrd Sisters." Proglas 31, no. 1 (2022): 97–100. http://dx.doi.org/10.54664/uqyy3998.

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This article explores some of the aspects of the ‘women-as-witches’ stereotype in the literary works of J. K. Rowling and Terry Pratchett, while focusing on both the subversion of the stereotype and its reinforcement. The focus of my work is on the depiction of this type of gender profiling in a fantastic setting and imagined societies, while drawing a parallel with the real world. I first focus on a brief outline of the historical and cultural significance of the stereotype, followed by a discussion of its literary aspects in J. K. Rowling’s Harry Potter series and Terry Pratchett’s Wyrd Sist

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Hendricks, Jacquelyn. "A "Ful Vicious" Author: Examining J. K. Rowling's Transphobia through Her Framing of Chaucer's "Pardoner's Tale"." Children's Literature Association Quarterly 49, no. 2 (2024): 127–49. https://doi.org/10.1353/chq.2024.a945156.

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Abstract: When J. K. Rowling uses Chaucer's "Pardoner's Tale" as her source text for "The Tale of the Three Brothers," she also incorporates Chaucer's frame, which questions whether a "vicious" storyteller can tell a moral tale. Rowling's use of this frame both signals that her characters may not be trustworthy and gives readers a lens for analyzing her transphobic messaging. Moreover, since the Pardoner is a queer (and possibly trans) character, embedding him within her text ultimately undermines her public transphobic statements. Additionally, we should look to the trans and nonbinary commun

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Downes, Daragh. "Harry Potter and the Deathly Hollowness: A Narratological and Ideological Critique of J. K. Rowling's Magical System." International Research in Children's Literature 3, no. 2 (2010): 162–75. http://dx.doi.org/10.3366/ircl.2010.0105.

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Despite its phenomenal success, and in some cases because of it, J. K. Rowling's Harry Potter series has provoked unease in some readers on both aesthetic and ideological grounds. This essay seeks to supplement the important contribution of scholars like John Pennington, Suman Gupta, Elizabeth Teare, Jack Zipes, Elaine Ostry and Michael Ostling by foregrounding what I see as a still under-examined issue: Rowling's decision not to install her wizards and witches in a distinct secondary world. I argue for a systematic connection between this key narratological option and Rowling's conflicted ide

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Sriyatmoko, Agus, Purwadi Purwadi, and Raheni Suhita. "KESANTUNAN TINDAKTUTUR DIREKTIF DALAM NOVEL TERJEMAHAN HARRY POTTER TAHUN 1 DAN 2 KARYA J. K. ROWLING SERTA RELEVANSINYA SEBAGAI BAHAN AJAR DI SMP." Basastra: Jurnal Bahasa, Sastra, dan Pengajarannya 6, no. 2 (2019): 10. http://dx.doi.org/10.20961/basastra.v6i2.37661.

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<em>The purpose of this study is to describe (1) the form of directive speech acts in JK Rowling's Harry Potter novels year 1 and 2, (2) the form of language politeness, (3) the relevance of the Harry Potter novelsyear 1 and 2 in Indonesian language learning to students in middle school. The data collection technique used in this study was purposive sampling and data analysis used an interactive analysis model. The results of this study indicate that the form of directive speech acts and compliance with the principles of politeness contained in the Harry Potter novels year 1 and 2 by J.

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Nemickienė, Živilė, and Dovilė Vengalienė. "Secondary World in Fantasy Tradition after J. K. Rowling." Respectus Philologicus, no. 43 (48) (April 17, 2023): 86–97. http://dx.doi.org/10.15388/respectus.2023.43.48.111.

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The aim is to evaluate Rowling’s world of fairy tales and its adherence to the criteria of a fantasy secondary world according to the frameworks proposed by T. Todorov (1973), R. Jackson (1981), and F. Mendlesohn (2008). The secondary world in the Harry Potter series, the wizarding world, is open to the real world and shares its geography, yet hidden from non-magical people. It is consistently described with its own culture, customs, traditions, and social norms. The central conflict is between Good and Evil for domination, with Evil aiming to extend its power to both the magic world and the r

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Mik, Anna, and Maciej Skowera. "(Nie tylko) kolonialne "zaklęcia" i jak je znaleźć. Magia w Ameryce Północnej według J. K. Rowling [(Not only) Colonial "Spells" and how to Find them. Magic in North America According to J. K. Rowling]." "Czy/Tam/Czy/Tu" 1 (January 1, 2017): 52–77. https://doi.org/10.5281/zenodo.2598362.

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The aim of this paper is to analyse pieces of information on North America appearing on <em>Pottermore,</em> in David Yates's <em>Fantastic Beasts and Where to Find Them </em>movie, as well as in Joanne K. Rowling's novel cycle and its companion books. Discussion on the texts is interspersed with presentation of relationships between real problems concerning North America and selected aspects of the fantastic universe. Moreover, there is thesis that Rowling departs from character-centered and story-centered narrative in favor of transmedia world-centered narrative. Also,

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Dr., M. Rajeshwari. "Women's Independence as a Source from Within." Literary Druid 7, no. 1 (2025): 7–11. https://doi.org/10.5281/zenodo.15245571.

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<em>This article traces the empowerment of women through self-study and inner independence. It argues that right empowerment comes from internal strength and explains the substantiation of social change. The paper highlights that self-reliance and self-appraisal play key roles in a woman's quest to achieve independence. By studying the life story of the renowned British author J.K. Rowling and in comparison to the lead women characters of the Tamil film “Magalir Mattum” (2017), the article explores the complex nature of women's empowerment. The paper studies Rowling's legacy from p

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Llompart Pons, Auba. "THE NEXT GREAT ADVENTURE: REPRESENTATIONS OF DEATH IN J. K. ROWLING’S HARRY POTTER SERIES." AILIJ. Anuario de Investigación en Literatura Infantil y Juvenil, no. 19 (December 24, 2021): 63–78. http://dx.doi.org/10.35869/ailij.v0i19.3715.

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In line with previous studies about the importance of breaking with taboos surrounding death in children’s and YA literature, this article examines how this topic is treated in J. K. Rowling’s Harry Potter series. Whereas other critical works have focused on Rowling’s excessive representations of violent deaths, I concentrate on the more benign portrayals of this reality that can also be found in her novels. I contend that the series ultimately renders and treats death as a complex issue. On one hand, Rowling embraces the pedagogy of death with her explicit didactic message that death is not e

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Prisco Salcedo, Daniel. "J. K. Rowling y Severus Snape: dos caras de la misma moneda. Una comparación de las organizaciones de significado personal de la autora y un personaje de la octología de Harry Potter." Poiésis 1, no. 34 (2018): 9. http://dx.doi.org/10.21501/16920945.2784.

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La presente investigación, tiene como objetivo la realización de un perfil psicológicode J.k Rowling y de Severus Snape, personaje de la heptalogía de libros de Harry Potter, de la autoría de Rowling. Este perfil se basa en la revisión del material cinematográfico, de la octología basada en los libros ya mencionados y en la película Magic Beyond Words,basada en la vida de J.K Rowling, además de la perspectiva de la psicología cognitiva-postracional. Dentro de los principales resultados encontrados, está el hecho que J.K. Rowling y Severus Snape tienen el mismo patrón de apego, pero no la misma

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Gagliardi, Lucas. "Escritores que dibujan. J. K. Rowling y su proyecto creador." Boletín de Arte, no. 21 (April 28, 2021): e029. http://dx.doi.org/10.24215/23142502e029.

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Si bien existen numerosos artistas que han cultivado obras literarias y plásticas en paralelo, poco se ha estudiado el modo en que sus producciones visuales se vinculan con la literaria y viceversa. En este artículo se analiza la relación entre los dibujos y la escritura de J. K. Rowling. Utilizamos elementos de la crítica genética y los estudios comparados para pensar lo que se dicen mutuamente las producciones visuales y literarias de esta autora sobre el universo ficcional de Harry Potter.

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Coats, Karen. "Harry Potter and the Cursed Child by J. K. Rowling." Bulletin of the Center for Children's Books 70, no. 3 (2016): 146. http://dx.doi.org/10.1353/bcc.2016.0921.

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Klein, Autumn. "Time is Making Fools of Us Again (J. K. Rowling)." Seminars in Neurology 31, no. 04 (2011): 359–60. http://dx.doi.org/10.1055/s-0031-1293534.

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20

Quatrini, Amerigo. "On J. K. Rowling's Discourse on Transsexual Issues, An Analysis of the Language Used on Rowling's Twitter and the Sociolinguistic Implication of Hate Speech." International Journal of Languages, Literature and Linguistics 8, no. 2 (2022): 89–99. http://dx.doi.org/10.18178/ijlll.2022.8.2.328.

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2019 Maya Forstater against transgender women rights have left the online community shocked, especially when renowned author J. K. Rowling have shown support for the case. In this paper it will be analyzed how author J. K. Rowling’s opinions on the matter have caused a social uprising against the very author, who has been loved for over two decades by millions. Her words will be analyzed to find out what she has really meant and what the public has understood. The main purpose of this analysis is to understand whether Rowling has or has not a position of power over her followers and whether he

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Koch, Catarina Zica, and Edilson Alves de Souza. "Representação animal na série Harry Potter." Revista Coralina (ISSN 2675-1399) 3, no. 2 (2021): 46–66. http://dx.doi.org/10.31668/coralina.v3i2.12679.

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O presente artigo tem o objetivo de analisar a representação animal na série Harry Potter, de J. K. Rowling. Ao longo da história, o homem desenvolveu diferentes formas de relação com a natureza e com os seres não humanos. Uma delas está fundamentada no simbolismo animal, que alimentou uma vasta tradição literária que permeou diversas culturas. Os livros Harry Potter dão continuidade a essa tendência por meio de um intricado diálogo que converge distintos sistemas de simbolização, como aqueles concernentes a mitologia greco-romana. É diante disso que propomos uma leitura do dialogismo intercul

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Georgiana-Silvia, LEOTESCU. "A Possible-World Approach Towards the Internal Structure of J. K. Rowling's Harry Potter Novels." International Journal of Arts, Humanities and Social Studies 3, no. 6 (2021): 306–11. https://doi.org/10.5281/zenodo.5811964.

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At the close of the twentieth century, J. K. Rowling published what was about to become an integral part of our popular culture and academic discourses. The phenomenal book series soon transformed into a powerful form of social text, as the British writer’s heptalogy undoubtedly contained thought-provoking themes in addition to representations of cultural normalcy. Scholars began to acknowledge that the <em>Harry Potter</em> novels were worthy of serious critical attention especially since their infiltration in the readers’ lives and imaginations gradually, but firmly, reached an i

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Ibrahim, Wesam Mohamed Abdelkhalek. "Stereotypical and Multilayered Representations of Masculinity and Femininity in the Harry Potter Series: A Corpus-assisted Content Analysis." AJELP: The Asian Journal of English Language and Pedagogy 10, no. 2 (2022): 1–29. http://dx.doi.org/10.37134/ajelp.vol10.2.1.2022.

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Gender can be defined as the social and cultural production and reproduction of female and male identities and behaviours, separate from the biological differences between men and women (Flanagan, 2010). The aim of this paper is to probe the question of gender representation in J. K. Rowling’s Harry Potter series using a corpus-assisted approach to content analysis. To fulfil this aim, two research questions were tackled: 1) To what extent is J. K. Rowling balanced/imbalanced in selecting male and female characters and in distributing the major and minor roles between them? and 2) To what exte

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Bopry *, Jeanette, and John G. Hedberg. "Designing encounters for meaningful experience, with lessons from J. K. Rowling." Educational Media International 42, no. 1 (2005): 91–105. http://dx.doi.org/10.1080/09523980500116696.

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WORTHINGTON, MARTIN. "On Names and Artistic Unity in the Standard Version of the Babylonian Gilgamesh Epic." Journal of the Royal Asiatic Society 21, no. 4 (2011): 403–20. http://dx.doi.org/10.1017/s1356186311000423.

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Great is the importance of names in literature. For modern audiences, good names are an important and enjoyable part of the experience of reading, and many authors have delighted their readers with new creations or especially apposite matches – one could cite examples as varied as J. K. Rowling (Malfoy, Dumbledore, Snape), Aldous Huxley (Tantamount, Burlap, Spandrill), Charles Dickens (Pickwick, Sweedlepipe, Honeythunder), Andrea Camilleri (Catarella, Montalbano, Boneti-Alderighi), or Franz Kafka (K.).

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Vareshin, Nikita Vladimirovich. "TRANSFORMATION OF DETECTIVE GENRE IN NOVELS BY G. K. CHESTERTON AND J. K. ROWLING." Philological Sciences. Issues of Theory and Practice, no. 12 (December 2019): 90–96. http://dx.doi.org/10.30853/filnauki.2019.12.19.

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CVEK, Dina. "SPIRITUALITY AND MAGIC AS SOMETHING ‘UNSPEAKABLE’ IN THE WORLD OF HARRY POTTERDOES HARRY POTTER HAVE ANYTHING TO DO WITH CHRISTIANITY?" Lingua Montenegrina 25, no. 1 (2020): 309–17. https://doi.org/10.46584/lm.v25i1.776.

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Harry Potter is a series of seven novels written by J. K. Rowling. The novels address the issue of spirituality which critics often compare with Christianity. The issue of spirituality in Harry Potter is not essentially related to religion but certain elements such as soul, life after death and morality are often critised in terms of Christian symbolism. The same motives when it comes to this novel, mainly written for children, are often considered as taboos. But, the concept of soul in Harry Potter is controled solely by the character's decision because magicians in the story can control the

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Butler, David, and Rebecca R. Butler. "Nominative Determinism: Classically Derived Names in the Potter Saga." Journal of Classics Teaching 17, no. 33 (2016): 54–57. http://dx.doi.org/10.1017/s2058631016000143.

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Nominative determinism occurs when a person's name reflects what that person does or is, for instance Mr Baker making bread or Ms Taylor making dresses. In the Potter saga J. K. Rowling seems to have a particular fondness for nominative determinism. In her case the names often derive from Latin and Greek language and tradition.

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Oziewicz, Marek. "Representations of Eastern Europe in Philip Pullman's His Dark Materials, Jonathan Stroud's The Bartimaeus Trilogy, and J. K. Rowling's Harry Potter Series." International Research in Children's Literature 3, no. 1 (2010): 1–14. http://dx.doi.org/10.3366/ircl.2010.0002.

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This essay examines the cultural maps of Eastern European nations drawn by Philip Pullman in His Dark Materials trilogy, Jonathan Stroud in The Bartimaeus Trilogy and J. K. Rowling in the Harry Potter series. I argue that each of those authors, in subtle and unintentional ways, perpetuates Western politico-cultural superiority in regard to Eastern Europeans. One reason for this may be that Pullman, Stroud and Rowling share a specifically British cultural attitude of regarding the continent as alien and incomprehensible. This perspective is part of a fuzzy cluster of notions, seemingly widespre

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Shemuda, Maryna. "THEMES OF AUTHOR’S NEOLOGISMS IN HARRY POTTER SERIES BY J. K. ROWLING." Germanic Philology Journal of Yuriy Fedkovych Chernivtsi National University, no. 831-832 (2021): 308–17. http://dx.doi.org/10.31861/gph2021.831-832.308-317.

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One of the current issues in modern linguistics is the study of authorial neologisms, because language is considered to be a living dynamic system that is constantly evolving, changing, and the language of fiction is a rich source that serves as a basis for studying these changes. Our work is based on the definition proposed by O. O. Selivanova, according to which a neologism is a word or compound used by language in a certain period to denote a new or existing concept or in a new meaning and are perceived as such by native speakers. Neologisms belong to the passive vocabulary of the language,

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Măcineanu, Laura. "Impressive Women in the Latest Productions Set in J. K. Rowling’s Wizarding World." Gender Studies 16, no. 1 (2017): 8–17. http://dx.doi.org/10.2478/genst-2018-0002.

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Abstract As J.K. Rowling continues to develop the fictional universe that has brought her fame, an already extensive gallery of female characters has been enriched with the portraits of some memorable and complex women. Her most recent heroines hold positions of power previously held only by men in the Harry Potter series or prove to be quite a match for their male counterparts. This paper proposes an analysis of the most important female characters in Harry Potter and the Cursed Child (July 2016) and Fantastic Beasts and Where to Find Them (November 2016).

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Motoret, Laurence. "Les orphelins dans le cycle romanesque Harry Potter de J. K. Rowling." Sigila N° 22, no. 2 (2008): 123–35. https://doi.org/10.3917/sigila.022.0123.

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Farda, Shalih Dzakiyyah. "Cultural Hegemony in J. K. Rowling’s Harry Potter Series." Vivid Journal of Language and Literature 7, no. 2 (2019): 57. http://dx.doi.org/10.25077/vj.7.2.57-62.2018.

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This article discusses the issue of politics and hegemony in Harry Potter, a fantasy series by British author J. K. Rowling. The work is apparently coded with class systems and hierarchy in its society, and how it can be seen as a reflection of real-life society. It explores how the ruling group tries to keep the power only on the hands of the few by inserting their views and ideologies to their people, and thus resulting into a certain status quo that the ruling group finds desirable. The seven novels of Harry Potter are analysed through Marxist perspective using Antonio Gramsci’s theory of C

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Magnis-Suseno, Franz. "Voldemort dan Monoteisme." Dekonstruksi 9, no. 02 (2023): 6–8. http://dx.doi.org/10.54154/dekonstruksi.v9i02.138.

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Menurut Jan Assmann monoteisme adalah biangkeladi eksklusivisme, intoleransi dan kekerasan antar agama-agama. Sebaliknya, dunia sihir J. K. Rowling dalam ceritera-ceritera tentang Harry Potter adalah dunia tanpa Allah. Dan karena itu dunia tanpa harapan. Para kurban Voldemort mati untuk selamanya. Sedangkan Allah menjanjikan bahwa segala-galanya akan menjadi baik. Yang tidak diperhatikan Assmann adalah unsur kunci: bahwa Allah Musa, Yesus dan Muhammad adalah Allah kasih.

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Kosiuha, Oleksandra O. "VERBAL MEANS OF CREATING ARTISTIC TIME IN AN ENGLISH-LANGUAGE NARRATIVE (BASED ON THE MATERIAL OF J. K. ROWLING’S WORK “HARRY POTTER AND THE GOBLET OF FIRE” IN THE ORIGINAL LANGUAGE AND THE UKRAINIAN TRANSLATION BY V. MOROZOV AND S. ANDRUKHOVYCH)." Мова, no. 40 (November 14, 2023): 77–83. http://dx.doi.org/10.18524/2307-4558.2023.40.300481.

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The object of research is the verbal means of creating artistic time in the English-language fantasy narrative. The purpose of this article is to consider the methods of using techniques and means of creating artistic time in the narrative text (analepsis, prolepsis, anachrony, achrony and others, according to G. Genette) on the material of the fourth part of the septology of Harry Potter adventures “Harry Potter and the Goblet of Fire” by J. K. Rowling. Special attention is paid to the use of verbal and non-verbal means with temporal meanings. Research methods: identification and analysis of

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Gevel Olga, O. E., and N. S. Shalimova. "NOVELS BY D. TARTT AND J.K. ROWLING: POETICS, PRAGMATICS, AND CONTEXT." Siberian Philological Forum 20, no. 3 (2022): 78–89. http://dx.doi.org/10.25146/2587-7844-2022-20-3-126.

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Statement of the problem. The article is devoted to a comparative study of the works by D. Tartt and J.K. Rowling. We investigate genre, narrative, receptive identity, structural and typological connection of D. Tartt’s works and stories of J.K. Rowling about Harry Potter. Similar narrative constitutions of the novels by D. Tartt and J.K. Rowling are chronotope, character system, poetics of details, genre constants. Purpose of the article. The theoretical vector of the study is associated with the identification of semantics of the plot of growing up, functioning of motifs, themes and plots. R

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RUZMATOVA, Nigora. "DEVELOPMENT OF LINGUISTIC COMPLEXITY IN J. K. ROWLING’S HARRY POTTER NOVELS." UzMU xabarlari 1, no. 1.9 (2024): 304–6. https://doi.org/10.69617/nuuz.v1i1.9.4013.

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J.K. Rowling created his famous book series about Harry Potter. The first book is about the main character who is only eleven years old and this book is written as a children’s book. According to the stories the main character Harry grows older, and in the last book he is seventeen years old. At this point, the book is not only for children but rather for readers with parallel age to the main character, changing the target audience from being around the age of eleven to the age of seventeen. This development is clearly described in the themes and topics of the books, with a great amount of vio

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Larson, Kristine. "Harry Potter and the Upcoming Venus-Jupiter Conjunction: A Unique Outreach Opportunity." Communicating Astronomy with the Public 2, no. 3 (2008): 16–17. https://doi.org/10.5281/zenodo.14862868.

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As we prepare for the International Year of Astronomy 2009 (IYA2009), we should be on the lookout for celestial events which we can use not only to popularise the IYA2009 and practise our outreach skills, but which also have natural connections to popular culture. The Venus–Jupiter conjunction this autumn is such an opportunity, given several direct connections to the use of astronomy in J. K. Rowling’s famous Harry Potter universe.

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С. В. ВОЛКОВА and А. В. ЛУЧИНСЬКА. "TYPES OF TRANSFORMATIONS IN UKRAINIAN TRANSLATION OF J.K. ROWLING'S “HARRY POTTER AND THE PHILOSOPHER'S STONE”: LINGUOSEMIOTIC ASPECT." MESSENGER of Kyiv National Linguistic University. Series Philology 22, no. 2 (2019): 202–14. http://dx.doi.org/10.32589/2311-0821.2.2019.192007.

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Introduction. The study focuses on the translation transformations in reproducing the linguosemiotics of the image of the character in Ukrainian translation of “Harry Potter and the Philosopher’s Stone” by J. K. Rowling. The understanding of such concepts as “image”, “literary image”, and “character image” in linguistics and translation studies’ works is specified.The paper analyzes the translation studies investigations of the text of “Harry Potter and the Philosopher’s Stone”. The literary image of Harry Potter, the main character of “Harry Potter and the Philosopher’s Stone”, is considered

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Marchuk, О. V. "Lexical matrix of the English-language novel "Harry Potter" by J. K. Rowling." Science and Education a New Dimension VI(176), no. 51 (2018): 45–49. http://dx.doi.org/10.31174/send-ph2018-176vi51-10.

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Lelet, I. O. "MEANS OF NONSE WORDS FORMATION IN HARRY POTTER NOVELS BY J. K. ROWLING." Тrаnscarpathian Philological Studies 2, no. 28 (2023): 73–76. http://dx.doi.org/10.32782/tps2663-4880/2023.28.2.12.

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Mik, Anna. "Magizoology: the magical creatures studies J. K. Rowling's postulates on animals in "Fantastic Beasts and Where to Find Them" on examples from Graeco-Roman mythology." MASKA. Anthropology Sociology Culture 33/2017 (April 30, 2017): 21–33. https://doi.org/10.5281/zenodo.1253747.

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The Harry Potter universe is constructed of symbols and images that have their roots in many different cultural traditions – among others in Greek and Roman mythology. J.K. Rowling, as a classicist, has exploited these traditions in a consequent way to create a specific, yet still vividly mythological representation of the magical creatures. These creatures primarily are: Centaurs, Merpeople (Sirens), a Phoenix, and a Cerberus. I analyze these figures in the context of animal studies, focusing on the matter of naming them either &bdquo;beasts”, &bdquo;pets” or &bdquo;beings&r

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Dickinson, Renée. "Harry Potter Pedagogy: What We Learn about Teaching and Learning from J. K. Rowling." Clearing House: A Journal of Educational Strategies, Issues and Ideas 79, no. 6 (2006): 240–44. http://dx.doi.org/10.3200/tchs.79.6.240-244.

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Волкова, Наталия Александровна. "HARRY POTTER AND TRANSLATION STRATEGIES: THE PROBLEM OF RENDERING PSEUDO-REFERENT VOCABULARY." Вестник Тверского государственного университета. Серия: Филология, no. 4(67) (November 24, 2020): 169–79. http://dx.doi.org/10.26456/vtfilol/2020.4.169.

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Данная статья посвящена анализу особенностей перевода псевдореферентной лексики произведений современной британской писательницы Дж. К. Роулинг. Рассматриваются характеристики псевдореферентной лексики, подлежащие учету при переводе, а также эффективность переводческих позиций, использованных при ее передаче на русский язык. The article deals with the various features of pseudo-referent vocabulary that has been created by the modern British writer J. K. Rowling to describe a possible world. The main aim of the article is to analyse what translation strategies and techniques are to be used when

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Živković, Miloš P. "HOGWARTS LEGACY AND THE WORLD OF HARRY POTTER." Detinjstvo L, no. 4 (2024): 20–34. https://doi.org/10.46793/childhood24.4.20z.

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Hogwarts Legacy (2023) is an action role-playing game set in the world of Harry Potter, developed by Ava lan che Soft wa re and Port key Ga mes, owned by Warner Bros. and based on the work of J. K. Rowling. This paper examines the relation between corporate and individual authorship. It analyzes how a corporatereative team has reinterpreted and expanded upon the established magical universe. The paper focuses on two key implicit strategies employed by the corporate author: the emphasizing of subjectivity and the neutralization of the original author’s vision.

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Matiychak, Aliona, and Oksana Marchuk. "Parareality as a Structural and Semantic Component of Fantasy Genre Texts." Pitannâ lìteraturoznavstva, no. 109 (June 28, 2024): 58–73. http://dx.doi.org/10.31861/pytlit2024.109.058.

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The paper is motivated by new perspectives in expanding the boundaries of the fantasy text analysis in the aspect of its structural and semantic components. Since the thematic context of fantasy is extremely broad, the research is predominantly focused on the plane of parareality, as a variable of the space-time continuum. The article delves into the specificity of pararealities in the texts by J. K. Rowling and S. Clarke. The common textual characteristic of the authors’ fantasy is the creation of parallel realities with the eternal confrontation between good and evil. However, J. K. Rowling

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Nakagome, Patrícia Trindade. "Mário de Andrade, Eça de Queiroz, J. K. Rowling: qual a ligação entre esses autores?" Opiniães 3, no. 4-5 (2016): 70. http://dx.doi.org/10.11606/issn.2525-8133.opiniaes.2014.114875.

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Neste artigo, refletimos sobre o distanciamento existente entre o leitor empírico e a crítica literária, questionando o fato de que, por vezes, a avaliação sobre a qualidade de uma obra termina por se refletir num julgamento do próprio leitor e de sua experiência no ato da leitura. Discutimos que a crítica poderia desempenhar um papel importante na formação de novos leitores, caso se envolvesse num processo de (re)conhecimento do repertório desses sujeitos, com o cuidado de não filtrar o que está no âmbito da “paixão” ao preferir o critério de “valor”.

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Martin, Susan K., and Kylie Mirmohamadi. "Harry Potter's Secret: The Rise of Publishing Sensations from Mary Braddon to J. K. Rowling." English Studies 95, no. 2 (2014): 131–48. http://dx.doi.org/10.1080/0013838x.2014.882126.

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Maras, Melisa. "Egzotyzacja i domestykacja w polskim tłumaczeniu powieści „Harry Potter i Kamień Filozoficzny” J. K. Rowling." Forum Filologiczne Ateneum, no. 1(6)2018 (December 31, 2018): 87–99. http://dx.doi.org/10.36575/2353-2912/1(6)2018.087.

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The aim of the paper is to answer the question what was the Andrzej Polkowski’s intent of using domestication and foreignisation strategies in indigenous Harry Potter series translation. Selected fragments of the novel are referring to the widely understood ‘food’ category and are compared in terms of language and culture. It is known that the Polish translator extends (but does he always domesticate?) the world presented in the novel to the reader’s country. However, it is really ambigious, how these extensions affect the interpretation of Polish recipient.

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Du, Lanlan. "Women’s writing in the atlas of world literature: a case study of J. K. Rowling." Neohelicon 38, no. 2 (2011): 427–36. http://dx.doi.org/10.1007/s11059-011-0117-6.

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