Relevant bibliographies by topics / Jackson Pollock

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Jackson Pollock'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Jackson Pollock"

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Muller, Toni, and Louise Stroud. "IDENTITY FORMATION AND ITS ROLE IN OPTIMAL HUMAN DEVELOPMENT: A PSYCHOBIOGRAPHICAL STUDY OF ARTIST JACKSON POLLOCK." New Voices in Psychology 10, no. 1 (2017): 3–15. http://dx.doi.org/10.25159/1812-6371/3410.

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Celebrated artist Jackson Pollock challenged the concept of art by moving beyond paintbrush and easel to throwing paint across canvasses laid out on the floor, and using his entire body to create an abstract image. However, despite this capacity for originality, Pollock’s life was bracketed by severe binge drinking, alcoholism, and emotional instability. The importance of identity formation for healthy development is illustrated by a psychobiographical study of Jackson Pollock. Pollock’s difficulties in establishing a stable identity seemed to play an integral part in impeding a positive l
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Polcari, Stephen, Ellen Landau, Steven Naifeh, and Gregory White Smith. "Jackson Pollock." Art Journal 50, no. 1 (1991): 98. http://dx.doi.org/10.2307/777097.

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Munn, A. "John Jackson Pollock." BMJ 326, no. 7386 (2003): 450f—450. http://dx.doi.org/10.1136/bmj.326.7386.450/f.

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Spence, S. A. "Exhibition: Jackson Pollock." BMJ 318, no. 7186 (1999): 816. http://dx.doi.org/10.1136/bmj.318.7186.816.

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Langhorne, Elizabeth L. "Self-Betrayal or Self-Deception? The Case of Jackson Pollock." Arts 12, no. 2 (2023): 54. http://dx.doi.org/10.3390/arts12020054.

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Clement Greenberg interpreted the rise of authentic modern art as a rejection of kitsch and “half-baked” religiosity and celebrated Jackson Pollock as representing what he called for. However, his presentation of Pollock as a leading modernist fails to do justice to his lifelong spiritual quest and to his desire to reach a broad public, which led him to open his art and person to the popular media of photography and film. Following Greenberg, Donald Kuspit would have us understand Pollock’s embrace of and by the public as a self-betrayal, transforming his great abstractions into decorative kit
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Hilsabeck, Burke. "Frank Tashlin's Jackson Pollock." Modernist Cultures 11, no. 2 (2016): 243–67. http://dx.doi.org/10.3366/mod.2016.0137.

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This paper situates Frank Tashlin's Paramount-produced Artists and Models (1955) alongside a genealogy of modernist painting. Beginning with the observation that the opening sequence of Tashlin's film burlesques Abstract Expressionist painting and Jackson Pollock in particular, it puts Artists and Models in conversation with Clement Greenberg's paint-on-a-flat-canvas modernism (and Greenberg's interest in articulating this modernism through the figure of Pollock) with a distinct account of cinematic specificity. The essay then places Tashlin's film and the figure of Jerry-Lewis-as-Jackson-Poll
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Taylor, Richard. "Personal reflections on Jackson Pollock's fractal paintings." História, Ciências, Saúde-Manguinhos 13, suppl (2006): 109–23. http://dx.doi.org/10.1590/s0104-59702006000500007.

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The art world changed forever when Jackson Pollock picked up a can and poured paint onto a vast canvas rolled across the floor of his windswept barn. Fifty years on, art theorists recognize his patterns as being a revolutionary approach to aesthetics. A significant step forward in understanding Pollock's aesthetics occurred in 1999 when my scientific analysis showed that his paintings are fractal. Fractals consist of patterns that recur at finer and finer magnifications, building up shapes of immense complexity. Significantly, many natural patterns (for example, lightning, clouds, mountains, a
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Fung, Kai-hung. "Ode to Jackson Pollock." RadioGraphics 32, no. 1 (2012): 70. http://dx.doi.org/10.1148/rg.321110590.

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Hartz, Lisa Beech. "Mural, Jackson Pollock, 1943." Pleiades: Literature in Context 40, no. 1 (2020): 141–42. http://dx.doi.org/10.1353/plc.2020.0030.

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Yaseen, Omar Ali Ahmed. "The Nihilism and Its Reflections in the Works of Jackson Pollock." South Asian Research Journal of Arts, Language and Literature 6, no. 04 (2024): 453–53. http://dx.doi.org/10.36346/sarjall.2024.v06i04.001.

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The current research addresses Nihilism in the Works of Jackson Pollock, exploring the concept of nihilism in philosophical thought. The research consists of four chapters. The first chapter focuses on the methodological framework, which includes the research problem formulated in response to the following question: 1. Did nihilism influence Jackson Pollock's works? The first chapter also outlines the research objective: 1. To reveal the reflections of nihilism in Jackson Pollock's paintings. The research scope is limited to studying the concept of nihilism in Pollock's paintings and analyzing
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Dissertations / Theses on the topic "Jackson Pollock"

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RAPOSO, KADIANA MENDES DE MEDEIROS. "JACKSON POLLOCK: DAEDALUS S WAY." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2010. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=17072@1.

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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>A obra pictórica de Jackson Pollock está geralmente associada à invenção do all over e das drip paintings na segunda metade da década de quarenta em Nova Iorque. De fato, tal é o momento de maestria da força poética de Pollock que, depois de anos de insistente busca da sua verdade, finalmente dá o salto que irá repotencializar toda a aventura plástica moderna, que naquele momento vivia um impasse. Esta dissertação propõe repensar o estudo da pintura de Pollock, seguindo pari passu o desenvolvimento do artista, desde o início nos a
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Kazepis, Tony. "From Jackson Pollock to theatre." Thesis, Federation University Australia, 2004. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/164863.

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Müller, Toni. "A psychobiography of Paul Jackson Pollock." Thesis, Nelson Mandela Metropolitan University, 2010. http://hdl.handle.net/10948/1554.

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While the value of psychobiographical research continues to be debated, interest in this area is growing on an international basis. From the ever increasing number of studies being conducted in connection with academic institutions in South Africa, the vitality and worthiness of studying lives lived in conjunction with the applicability of psychological theories is showing itself to be an exciting world in which to participate. This particular research study aimed to explore and describe the developmental life stages of Paul Jackson Pollock. Pollock was, and continues to be, a controversial fi
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Roncone, Natalie Maria. "Jackson Pollock, 1930-1955 : the influence of the Old Masters." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/3048.

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The imagery in Jackson Pollock's three extant sketchbooks which date from c.1934-1939 is dependent on that of other artists, especially El Greco, Rubens and Tintoretto. By 1947 however, the painter achieved a mature synthesis, distinctly his, which influenced contemporary painting, and was seminal for the work of a number of artists of the succeeding era. This dissertation is an attempt to document the phases of Pollock's artistic style from the early 1930s through to the middle 1950s, and to investigate the forces which may have catalyzed his temperament and precipitated his late style. The e
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Hardman, Andrew. "Studio habits : Francis Bacon, Lee Krasner, Jackson Pollock and Agnes Martin." Thesis, University of Manchester, 2014. https://www.research.manchester.ac.uk/portal/en/theses/studio-habits-francis-bacon-lee-krasner-jackson-pollock-and-agnes-martin(972d3759-4ecf-48d5-9995-beae9229348c).html.

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This thesis is about studio habits. Specifically, it considers what happens in practice in the artist's studio and ways in which creative acts have been visualised and disseminated. The chapters of this thesis are organised around views of the studios of four twentieth century painters: Francis Bacon (1908-1994), Lee Krasner (1909-1984), Jackson Pollock (1912-1956) and Agnes Martin (1913-2005). Each of these artists' studio habits has been fundamental to their respective mythologies and the studios they occupied in their lifetimes have inflected discussion of their work. Drawing on critical th
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Tão, Sofia Inês Soares Fernandes. "Arte labiríntica e poética do caos: À volta do caos ordenado de Jackson Pollock." Master's thesis, ISPA - Instituto Universitário, 2012. http://hdl.handle.net/10400.12/2328.

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Dissertação de Mestrado apresentada ao ISPA - Instituto Universitário, na especialidade de Psicologia Clínica<br>A presente dissertação constitui-se como um exercício de Psicanálise Aplicada, sendo objecto do nosso estudo a análise e interpretação das obras clássicas de Pollock (1912/1956), pintor inserido na corrente do expressionismo abstracto. Partimos de um paradigma interpretativo psicanalítico visando inferir as forças e dialécticas subjacentes à Arte Labiríntica e Poética do Caos, desvelando indirectamente as dinâmicas internas do autor. Tendo por base a revisão de literatura e as
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LEVA, SHANNON ARMSTRONG. "JACKSON POLLOCK'S 1942 PAINTINGS: DEPICTIONS OF HERMAPHRODITIC UNION." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1195578410.

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Mori-leite, Thiago. "Linguagem - intensidade - performance." Universidade Presbiteriana Mackenzie, 2011. http://tede.mackenzie.br/jspui/handle/tede/1820.

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Made available in DSpace on 2016-03-15T19:42:06Z (GMT). No. of bitstreams: 1 Thiago Mori Leite.pdf: 2813630 bytes, checksum: 8ada9b1b61f043ea38d9e00285d1ab89 (MD5) Previous issue date: 2011-06-21<br>Fundo Mackenzie de Pesquisa<br>This paper presents an investigation regarding how the artistic languages of music and painting can share and exchange aesthetic elements related to the organization (or even, sometimes, the disruption) of language structures, executed by the artists during their creating process. Right after the Second World War, New York City was made home by artists who expressed
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Kim, Hwa-Ja. "L'élaboration de la perception esthétique à partir des oeuvres de Maurice Merleau-Ponty et de Mikel Dufrenne : devant les tableaux all-over de Jackson Pollock." Paris 10, 2000. http://www.theses.fr/2000PA100165.

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L'art abstrait qui refuse toute figuration est considere comme le retour a la subjectivite solipsiste d'un individu. Nous avons elabore la perception esthetique a partir de la perception phenomenologique de maurice merieau-ponty et de mikel dufrenne, parce que merleau-ponty a bien eclaire l'aspect prereflexif de la perception a travers la relation intentionnelle du corps et de l'objet, et que dufrenne a bien montre la fonction du sentiment a la fois epistemologique et phenomenologique a travers l'interpretation ontologique sur l'a priori qui permet au recepteur l'intuition esthetique, pour dem
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Lynch, Regina. "Corporeal Modernity: Shared Concepts in the Work of Jackson Pollock, Martha Graham, and Merce Cunningham." Master's thesis, Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/197560.

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Art History<br>M.A.<br>Although working in two different mediums, Jackson Pollock, Martha Graham, and Merce Cunningham created works during the 1940s and 1950s that share several analogous formal characteristics, as well as a body-centered process that reminded viewers of both the corporeality of the artists and of themselves. My thesis identifies and interprets the formal analogies evident in each the artists' approach to asymmetry, repetition, gravity, and space. I argue that the common aspects among the works of the three artists resulted from their participation in a shared modernist disco
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Books on the topic "Jackson Pollock"

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Oliver, Clare. Jackson Pollock. Franklin Watts, 2005.

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1912-1956, Pollock Jackson, and ACA Galleries, eds. Jackson Pollock. ACA Galleries, 1993.

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Venezia, Mike. Jackson Pollock. Childrens Press, 1994.

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Matteo, Gabriele Di. Jackson Pollock. Charta, 2009.

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Pepe, Karmel, Pollock Jackson 1912-1956, Museum of Modern Art (New York, N.Y.), and Tate Gallery, eds. Jackson Pollock. Museum of Modern Art, 1998.

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Oliver, Clare. Jackson Pollock. Franklin Watts, 2003.

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1912-1956, Pollock Jackson, ed. Jackson Pollock. Yale University Press, 2012.

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York, Metropolitan Museum New, ed. Jackson Pollock: Zeichnungen. Gerd Hatje, 1990.

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1946-, Varnedoe Kirk, Karmel Pepe, and Museum of Modern Art (New York, N.Y.), eds. Jackson Pollock: New approaches. Museum of Modern Art, 1999.

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1912-1956, Pollock Jackson, Duke University. Museum of Art., Princeton University Art Museum, and San Francisco Museum of Modern Art., eds. Jackson Pollock, "psychoanalytic" drawings. Duke University Press in association with the Duke University Museum of Art, 1992.

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Book chapters on the topic "Jackson Pollock"

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Cernuschi, Claude. "Pollock and Abstract Expressionism." In Jackson Pollock. Routledge, 2021. http://dx.doi.org/10.4324/9780429034862-9.

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Cernuschi, Claude. "Surrealism." In Jackson Pollock. Routledge, 2021. http://dx.doi.org/10.4324/9780429034862-4.

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Cernuschi, Claude. "Formative Work." In Jackson Pollock. Routledge, 2021. http://dx.doi.org/10.4324/9780429034862-3.

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Cernuschi, Claude. "Pollock and Primitivism*." In Jackson Pollock. Routledge, 2021. http://dx.doi.org/10.4324/9780429034862-8.

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Cernuschi, Claude. "The Black Pourings and After." In Jackson Pollock. Routledge, 2021. http://dx.doi.org/10.4324/9780429034862-6.

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Cernuschi, Claude. "Conclusion." In Jackson Pollock. Routledge, 2021. http://dx.doi.org/10.4324/9780429034862-11.

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Cernuschi, Claude. "The Poured Paintings." In Jackson Pollock. Routledge, 2021. http://dx.doi.org/10.4324/9780429034862-5.

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Cernuschi, Claude. "Pollock's Influence." In Jackson Pollock. Routledge, 2021. http://dx.doi.org/10.4324/9780429034862-10.

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Cernuschi, Claude. "Introduction." In Jackson Pollock. Routledge, 2021. http://dx.doi.org/10.4324/9780429034862-1.

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Lukes, Timothy J. "Reconstructing Beauty: Edward Hopper, Jackson Pollock, and Ornette Coleman." In Politics and Beauty in America. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-02090-1_8.

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Conference papers on the topic "Jackson Pollock"

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Raposo, Kadiana. "A gênese de Jackson Pollock." In Encontro de História da Arte. Universidade Estadual de Campinas, 2009. http://dx.doi.org/10.20396/eha.5.2009.4029.

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A força que irradia de uma tela como o One (1950), de Jackson Pollock, faz o espírito sensível à pintura sofrer um nocaute para depois, ainda cambaleante, sentir a potência do universo fino e convulsivo de sua pintura. Aqui, a aventura moderna, esse salto no desconhecido, vibra mais uma vez, agora sob a inteligência feroz do artista norteamericano que na segunda metade do século XX, em Nova Iorque, cria uma nova forma de pensar a pintura. Pollock tem o espírito do homem moderno mas com o pathos inelutável de um artista formado na cena social, política e cultural americana, dos anos 30 aos anos
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Coddington, Jim, John Elton, Daniel Rockmore, and Yang Wang. "Multifractal analysis and authentication of Jackson Pollock paintings." In Electronic Imaging 2008, edited by David G. Stork and Jim Coddington. SPIE, 2008. http://dx.doi.org/10.1117/12.765015.

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Parkinson, Kailee, Afsaneh Minaie, and Reza Sanati-Mehrizy. "Recognizing Fractal Behavior in Jackson Pollock Artwork through Computer Vision." In 2020 Intermountain Engineering, Technology and Computing (IETC). IEEE, 2020. http://dx.doi.org/10.1109/ietc47856.2020.9249100.

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Güner, Serdar Ş. "Visual Semiotic Games and IR Theories." In 8th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2025. https://doi.org/10.62422/978-81-981590-2-1-008.

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Visual semiotic games (VGSs) constitute a form of strategic communication between players who are IR theorists. Communication represents a game equivalent to strategic interdependence where players cannot determine the outcome of their interaction alone; each has to think about the choice of the other in taking an action. The interaction is about interchange of meanings players generate about Kenneth Waltz’s structural realism and Alexander Wendt’s constructivism through structural abstract paintings by Mark Rothko and Jackson Pollock, respectively. Players’ interpretations of Waltz’s proposit
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Babkin, K. V. "CRISES OF PERSONAL IDENTITY OF JACKSON POLLOCK AND THE BIRTH OF THE METHOD OF PAINTING ACTION." In ПСИХОЛОГИЯ ТВОРЧЕСТВА И ОДАРЕННОСТИ. Ассоциация технических университетов, 2021. http://dx.doi.org/10.53677/9785919160472_163_167.

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Campanella, Renzo, and Flavia Dragoni. "ART AND SCIENCE PARALLEL PATHS IN THE DEVELOPMENT OF THE HUMAN THOUGHT. IS ART AN ANTICIPATION OF THE SCIENTIFIC DISCOVERIES?" In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/vs07.08.

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Both in art and in science one can identify paths of development that lead in the same direction. This parallel development can be proposed on the basis of a comparison between the evolution of painting and the development of the theories of physics, recognizing, for example, a conceptual parallelism between the birth of perspective and the Galilean scientific method, as well as between impressionism and quantum mechanics. Another case in which it is evident that art and science move in the same direction is the drastic change in the perception of space-time operated simultaneously with the re
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Ishihara, Shigekazu, Rueikai Kuo, and Keiko Ishihara. "AI image generation boosts Kansei engineering design process." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1002988.

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Methods of Kansei engineering help the design process by surveying users’ latent Kansei, then reflecting it on product and service development and continuous elaborations of them (Nagamachi, 1991, 2012). Through our applications of Kansei engineering to product development, we have learned that there are several common difficulties. 1. Evaluation samples’ lack of variety: products in the market have limitations in design. 2. Everyone is encouraged to participate in the design process with Kansei engineering: non-designers participation greatly contributes to successful products. 3. Designers a
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Al-Ayyoub, Mahmoud, Mohammad T. Irfan, and David G. Stork. "Boosting multi-feature visual texture classiffiers for the authentication of Jackson Pollock's drip paintings." In IS&T/SPIE Electronic Imaging. SPIE, 2011. http://dx.doi.org/10.1117/12.873142.

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Irfan, Mohammad, and David G. Stork. "Multiple visual features for the computer authentication of Jackson Pollock's drip paintings: beyond box counting and fractals." In IS&T/SPIE Electronic Imaging, edited by Kurt S. Niel and David Fofi. SPIE, 2009. http://dx.doi.org/10.1117/12.806245.

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Lee, Eun-Mi, and Kang-Hee Lee. "Proposal on Modified Jackson Pollock’s Art Therapy for Depression based on Center for Epidemiologic Studies Depression Scale." In Interdisciplinary Research Theory and Technology 2016. Science & Engineering Research Support soCiety, 2016. http://dx.doi.org/10.14257/astl.2016.122.25.

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Reports on the topic "Jackson Pollock"

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Galenson, David. Was Jackson Pollock the Greatest Modern American Painter? A Quantitative Investigation. National Bureau of Economic Research, 2002. http://dx.doi.org/10.3386/w8830.

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