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Dissertations / Theses on the topic 'Jackson Pollock'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

RAPOSO, KADIANA MENDES DE MEDEIROS. "JACKSON POLLOCK: DAEDALUS S WAY." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2010. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=17072@1.

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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>A obra pictórica de Jackson Pollock está geralmente associada à invenção do all over e das drip paintings na segunda metade da década de quarenta em Nova Iorque. De fato, tal é o momento de maestria da força poética de Pollock que, depois de anos de insistente busca da sua verdade, finalmente dá o salto que irá repotencializar toda a aventura plástica moderna, que naquele momento vivia um impasse. Esta dissertação propõe repensar o estudo da pintura de Pollock, seguindo pari passu o desenvolvimento do artista, desde o início nos a

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Kazepis, Tony. "From Jackson Pollock to theatre." Thesis, Federation University Australia, 2004. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/164863.

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3

Müller, Toni. "A psychobiography of Paul Jackson Pollock." Thesis, Nelson Mandela Metropolitan University, 2010. http://hdl.handle.net/10948/1554.

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While the value of psychobiographical research continues to be debated, interest in this area is growing on an international basis. From the ever increasing number of studies being conducted in connection with academic institutions in South Africa, the vitality and worthiness of studying lives lived in conjunction with the applicability of psychological theories is showing itself to be an exciting world in which to participate. This particular research study aimed to explore and describe the developmental life stages of Paul Jackson Pollock. Pollock was, and continues to be, a controversial fi

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4

Roncone, Natalie Maria. "Jackson Pollock, 1930-1955 : the influence of the Old Masters." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/3048.

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The imagery in Jackson Pollock's three extant sketchbooks which date from c.1934-1939 is dependent on that of other artists, especially El Greco, Rubens and Tintoretto. By 1947 however, the painter achieved a mature synthesis, distinctly his, which influenced contemporary painting, and was seminal for the work of a number of artists of the succeeding era. This dissertation is an attempt to document the phases of Pollock's artistic style from the early 1930s through to the middle 1950s, and to investigate the forces which may have catalyzed his temperament and precipitated his late style. The e

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Hardman, Andrew. "Studio habits : Francis Bacon, Lee Krasner, Jackson Pollock and Agnes Martin." Thesis, University of Manchester, 2014. https://www.research.manchester.ac.uk/portal/en/theses/studio-habits-francis-bacon-lee-krasner-jackson-pollock-and-agnes-martin(972d3759-4ecf-48d5-9995-beae9229348c).html.

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This thesis is about studio habits. Specifically, it considers what happens in practice in the artist's studio and ways in which creative acts have been visualised and disseminated. The chapters of this thesis are organised around views of the studios of four twentieth century painters: Francis Bacon (1908-1994), Lee Krasner (1909-1984), Jackson Pollock (1912-1956) and Agnes Martin (1913-2005). Each of these artists' studio habits has been fundamental to their respective mythologies and the studios they occupied in their lifetimes have inflected discussion of their work. Drawing on critical th

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Tão, Sofia Inês Soares Fernandes. "Arte labiríntica e poética do caos: À volta do caos ordenado de Jackson Pollock." Master's thesis, ISPA - Instituto Universitário, 2012. http://hdl.handle.net/10400.12/2328.

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Dissertação de Mestrado apresentada ao ISPA - Instituto Universitário, na especialidade de Psicologia Clínica<br>A presente dissertação constitui-se como um exercício de Psicanálise Aplicada, sendo objecto do nosso estudo a análise e interpretação das obras clássicas de Pollock (1912/1956), pintor inserido na corrente do expressionismo abstracto. Partimos de um paradigma interpretativo psicanalítico visando inferir as forças e dialécticas subjacentes à Arte Labiríntica e Poética do Caos, desvelando indirectamente as dinâmicas internas do autor. Tendo por base a revisão de literatura e as

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LEVA, SHANNON ARMSTRONG. "JACKSON POLLOCK'S 1942 PAINTINGS: DEPICTIONS OF HERMAPHRODITIC UNION." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1195578410.

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8

Mori-leite, Thiago. "Linguagem - intensidade - performance." Universidade Presbiteriana Mackenzie, 2011. http://tede.mackenzie.br/jspui/handle/tede/1820.

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Made available in DSpace on 2016-03-15T19:42:06Z (GMT). No. of bitstreams: 1 Thiago Mori Leite.pdf: 2813630 bytes, checksum: 8ada9b1b61f043ea38d9e00285d1ab89 (MD5) Previous issue date: 2011-06-21<br>Fundo Mackenzie de Pesquisa<br>This paper presents an investigation regarding how the artistic languages of music and painting can share and exchange aesthetic elements related to the organization (or even, sometimes, the disruption) of language structures, executed by the artists during their creating process. Right after the Second World War, New York City was made home by artists who expressed

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Kim, Hwa-Ja. "L'élaboration de la perception esthétique à partir des oeuvres de Maurice Merleau-Ponty et de Mikel Dufrenne : devant les tableaux all-over de Jackson Pollock." Paris 10, 2000. http://www.theses.fr/2000PA100165.

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L'art abstrait qui refuse toute figuration est considere comme le retour a la subjectivite solipsiste d'un individu. Nous avons elabore la perception esthetique a partir de la perception phenomenologique de maurice merieau-ponty et de mikel dufrenne, parce que merleau-ponty a bien eclaire l'aspect prereflexif de la perception a travers la relation intentionnelle du corps et de l'objet, et que dufrenne a bien montre la fonction du sentiment a la fois epistemologique et phenomenologique a travers l'interpretation ontologique sur l'a priori qui permet au recepteur l'intuition esthetique, pour dem

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Lynch, Regina. "Corporeal Modernity: Shared Concepts in the Work of Jackson Pollock, Martha Graham, and Merce Cunningham." Master's thesis, Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/197560.

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Art History<br>M.A.<br>Although working in two different mediums, Jackson Pollock, Martha Graham, and Merce Cunningham created works during the 1940s and 1950s that share several analogous formal characteristics, as well as a body-centered process that reminded viewers of both the corporeality of the artists and of themselves. My thesis identifies and interprets the formal analogies evident in each the artists' approach to asymmetry, repetition, gravity, and space. I argue that the common aspects among the works of the three artists resulted from their participation in a shared modernist disco

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11

Berger, Doris. "Projizierte Kunstgeschichte Mythen und Images in den Filmbiografien über Jackson Pollock und Jean-Michel Basquiat." Bielefeld Transcript, 2007. http://d-nb.info/991632486/04.

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Sondag, Gérard. "Poétique de l'expressionnisme abstrait : Pollock, Rothko, Newman." Paris 1, 1986. http://www.theses.fr/1986PA010580.

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La partie historique relate la genèse de l'expressionnisme abstrait. La partie théorique définit les concepts et méthodes utilisés dans la troisième partie : nature et buts de l'activité artistique du peintre, avec une analyse appliquée des effets de rétroaction dans la recherche de nouvelles voies artistiques; étiologie de l'œuvre d'art, avec un examen particulier de la relation d'expression, philosophiquement redéfinie; méthode d'analyse des qualités plastiques; méthode d'étude des rapports entre fins artistiques et œuvres. La partie critique étudie l'œuvre peinte de Pollock, Rothko, Newman.

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Molyneux, Joan. "Chance and Serendipity: Locating the Sublime." Thesis, Griffith University, 2010. http://hdl.handle.net/10072/366126.

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This exegesis examines the differences between chance and serendipity in contemporary art, with particular reference to the sublime. I use two major qualitative research strategies to clarify these differences: (1) Fine and Deegan’s (1996) methodology which emphasises the importance of serendipity in research and; (2) case studies with the artists Jackson Pollock and Rebecca Horn, analysed in light of several authors such as Kant and Burke. Data on these themes of chance, serendipity and the sublime has not only been collected from books, archives, published reports, reviews and interviews, bu

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14

Arcan, Zeyno. "Empreinte, emprunt et impression : vers une peinture scéno-graphique, sur les traces de Pollock, Klein et Bacon." Paris 8, 2006. http://www.theses.fr/2006PA082670.

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Ma peinture scéno-graphique est née au début des années 1990 dans un contexte de crise de l’art contemporain. Elle reflète des influences de Pollock, Klein et Bacon, que je ne revendiquais pourtant pas. Mes recherches ont donc pour but de mettre en lumière la nature des relations entre ces trois peintres et ma peinture. En croisant des regards critiques, historiques, humanistes et philosophiques sur Pollock, Klein et Bacon et osant l’application d’une analyse transactionnelle à ma peinture j’avance l’hypothèse d’un maintien inconscient de l’artiste dans l’« état de crise » par la relation stér

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15

Lee, Sook-Kyung. "The changing conceptions of the artist in the age of authorial demise : a study of Jackson Pollock and Andy Warhol." Thesis, University of Essex, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.437827.

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Alvarez, Andrea. "Art Criticism, Scholarly Interpretation, and Curatorial Intent: A Reassessment of the 1998 Jackson Pollock Retrospective at the Museum of Modern Art." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/439.

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In 1998, the Museum of Modern Art held a retrospective exhibition of artworks by Jackson Pollock. Curators Kirk Varnedoe and Pepe Karmel worked in an art historical context that had been significantly shaped by the early critical writings by Clement Greenberg and Harold Rosenberg. The curators’ stated intention for the exhibition installation was to provide “a fresh chance for new generations of artists to come to terms with a legendary figure” and to enable “the broader public to reassess a quintessentially American artist in light of three decades of new scholarship,” without “ hewing to any

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Crignon, Cyril. "Le "dripping" de Jackson Pollock et le "zip" de Barnett Newman : les deux pôles de construction du lieu dans la peinture "à l'américaine" : pour une approche philosophique de la question." Paris 1, 2013. http://www.theses.fr/2013PA010521.

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Pour mieux cerner l'optique en laquelle la grande peinture américaine fut élaborée après la Seconde Guerre mondiale , cette étude élargit la focale par l'examen conjoint des œuvres de Barnett Newman et de Jackson Pollock. Sous des aspects contraires, les deux veulent en effet créer chez le spectateur un sens du lieu et lui rendre sensible la constitution de l'espace au lieu de lui en donner des représentations. Rouvrant le débat sur le modernisme entamé par Clément Greenberg, la thèse admet que cette peinture tient sa spécificité de ses réponses à la crise du tableau de chevalet diagnostiquée

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Roy, André. "LE «DRAME HUMAIN» CHEZ POLLOCK ET ROTHKO Authenticité, subjectivité et quête existentielle dans la peinture abstraite américaine du milieu du 20e siècle." Thesis, Université Laval, 2010. http://www.theses.ulaval.ca/2010/27846/27846.pdf.

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19

Leva, Shannon Armstrong. "Jackson Pollock's 1942 paintings depictions of hermaphroditic union /." Cincinnati, Ohio : University of Cincinnati, 2007. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1195578410.

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Thesis (M.A.)--University of Cincinnati, 2007.<br>Advisor: Kimberly Paice. Title from electronic thesis title page (viewed Feb. 5, 2008). Includes abstract. Keywords: Jackson Pollock; Abstract Expressionism; Figurative Paintings. Includes bibliographical references.

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Riepma, Lindsy. "Mor' better, mor' worse : the effects of marriage on the valuing of art." Honors in the Major Thesis, University of Central Florida, 1998. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/49.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Sciences<br>Art History

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Dalirian, Zohreh. "Alienation in Edward Hopper’s and Jackson Pollock’s paintings: A comparison and contrast." Thesis, Wichita State University, 2010. http://hdl.handle.net/10057/3301.

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In this thesis I study alienation in Edward Hopper’s and Jackson Pollack’s paintings. Each of these American painters expressed alienation in his art in a distinctive way. The source of their alienation is different, too, yet they share some personality traits. While alienation in Pollock’s paintings is mainly derived from his psychological characteristics, the source of alienation in Hopper’s paintings is mostly sociological. The alienation in Hopper’s paintings is the manifestation of man’s new status in the world, which is defined by Modernity. He is warning about the situation, in which de

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Barnett, Patricia Jan. "An investigation into painting's transformation and regeneration through post-photographic intervention in the digital archive." Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/61909/2/Trish_Barnett_Thesis.pdf.

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This PhD practice-led research inquiry sets out to examine and describe how the fluid interactions between memory and time can be rendered via the remediation of my painting and the construction of a digital image archive. My abstract digital art and handcrafted practice is informed by Deleuze and Guattari’s rhizomics of becoming. I aim to show that the technological mobility of my creative strategies produce new conditions of artistic possibility through the mobile principles of rhizomic interconnection, multiplicity and diversity. Subsequently through the ongoing modification of past paintin

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af, Malmborg Solith. "Research: ROTHKO : - ett arbete om att lära känna sig själv genom någon annan." Thesis, Linköpings universitet, Malmstens Linköpings universitet, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-146095.

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This thesis project examines both inner and outer circumstances of knowledge in an attempt to emphasize the importance of personal reflection. I search for answers on how to communicate feelings through colour and form by studying Mark Rothko and the abstract expressionism. A personal reflection is made parallelly to expand my own understanding of the subject and my own role in relation to it. I also explore painting as amethod of deepening my understanding of Rothko. Mark Rothko is both subject of study and tutor as I give myself the task of translating his art into my own design. The result

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Coetzee, Michelle. "The artist as a visionary : a consideration of Jackson Pollock, Joseph Beuys and Jackson Hlungwani as visionary artists." Thesis, 1996. http://hdl.handle.net/10413/5984.

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This study is a consideration of the notion of the artist as a visionary. This perception of the artist is explored in relation to the work and ideas of three twentieth century artists; the American painter Jackson Pollock (1912-1952), the German artist Joseph Beuys (1921-1983) and the South African artist Jackson Hlungwani (1918 -). The work and ideas of these artists is discussed primarily in terms of the similarities and differences between their art and ideas and those encountered in traditional shamanism and the visionary aspects of Romantic and Gothic art and culture as represented by th

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Sedivi, Amy Elizabeth. "Unveiling the unconscious : the influence of Jungian psychology on Jackson Pollock and Marth Rothko /." 2009. http://hdl.handle.net/10288/1205.

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Edwards, Katie Robinson. "Jackson Pollock in the cultural context of America, 1943-1956: class, "mess," and unamerican activities." Thesis, 2006. http://hdl.handle.net/2152/2527.

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27

Kiparski, Edith von [Verfasser]. "Symbol, Mythos und das Dämonische im Werk von Jackson Pollock : unter besonderer Berücksichtigung der Rezeption indianischer Kunst und Kultur / [Edith von Kiparski]." 2003. http://d-nb.info/967506603/34.

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28

Almeida, Marta Filipa Marques de 1978. "Corpo do conflito." Master's thesis, 2012. http://hdl.handle.net/10451/6618.

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Tese de mestrado, Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2012<br>From the Conflicted Body - is a practice oriented research thesis on painting that explores the conflict both inside and conveyed by the body. This practice oriented research covers the worlds of Art and Drugs on their intersections. This research establishes links between drug abuse and their personal effects. Such dialogues are often found as a focus for artistic expressions. The written part of this thesis focuses on the review of previous literature on drugs and their relation to artists. This is a group w

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Costello, Eileen Elizabeth. "Beyond the easel : the dissolution of abstract expressionist painting into the realm of architecture." 2010. http://hdl.handle.net/2152/19840.

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A defining feature of American abstract expressionist painting is its enormous size and scale. Heroic ambition, the vast American landscape, and the sense of "something big" happening in American painting are often cited as determining factors in this phenomenon. This dissertation examines how Jackson Pollock, Barnett Newman, and Mark Rothko not only painted large-scale canvases but, following trends in modern architecture, shifted their painting towards the construction of architectural environments, thus promoting the transformation of painting from a window in the wall to a wall without a w

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Cheng, Huei-Hua, and 鄭慧華. "Jackson Polllock''s Painting: Style and Meaning." Thesis, 1996. http://ndltd.ncl.edu.tw/handle/35455498433725897380.

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31

Gantes, Manuel. "Desenho nos séculos XX e XXI:imagem, espaço e tempo." Doctoral thesis, 2013. http://hdl.handle.net/10451/8949.

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Tese de doutoramento, Belas-Artes (Desenho), Universidade de Lisboa, Faculdade de Belas-Artes, 2013<br>Esta tese teórico-prática debruça-se sobre transformações ocorridas no campo do desenho ao longo do século XX e início do XXI, com importantes implicações para o presente desta área central da prática artística. Desde a prática bidimensional do desenho até à conquista efectiva do espaço e do tempo, estudam-se obras que se entendem como paradigmáticas nesse percurso. Num primeiro momento a tese incide sobre aspectos das obras de Pablo Picasso, Alberto Giacometti e Pierre Bonnard, que contribuí

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Mücková, Kristýna. "Organická kompozice v abstraktním malířství, literatuře a hudbě 20. století." Master's thesis, 2010. http://www.nusl.cz/ntk/nusl-296693.

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The Diploma thesis Organic composition in 20th century abstract Art, Music and Literature aims to explain the gradual process of liberalization of expressive means in Arts, Music and Literature during the 20th century. It describes the picture's emancipation from the dependence on objective reality, particularly V. Kandinsky's way towards abstract expressionism. In Music it traces A. Schonberg's development of the free atonality, and the stream of consciousness technique of J. Joyce in literature. The thesis' second part will be dealing with various manifestations of the organic composition af

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