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Journal articles on the topic 'Jackson Pollock'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Muller, Toni, and Louise Stroud. "IDENTITY FORMATION AND ITS ROLE IN OPTIMAL HUMAN DEVELOPMENT: A PSYCHOBIOGRAPHICAL STUDY OF ARTIST JACKSON POLLOCK." New Voices in Psychology 10, no. 1 (2017): 3–15. http://dx.doi.org/10.25159/1812-6371/3410.

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Celebrated artist Jackson Pollock challenged the concept of art by moving beyond paintbrush and easel to throwing paint across canvasses laid out on the floor, and using his entire body to create an abstract image. However, despite this capacity for originality, Pollockâ€™s life was bracketed by severe binge drinking, alcoholism, and emotional instability. The importance of identity formation for healthy development is illustrated by a psychobiographical study of Jackson Pollock. Pollockâ€™s difficulties in establishing a stable identity seemed to play an integral part in impeding a positive l

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2

Polcari, Stephen, Ellen Landau, Steven Naifeh, and Gregory White Smith. "Jackson Pollock." Art Journal 50, no. 1 (1991): 98. http://dx.doi.org/10.2307/777097.

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3

Munn, A. "John Jackson Pollock." BMJ 326, no. 7386 (2003): 450f—450. http://dx.doi.org/10.1136/bmj.326.7386.450/f.

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4

Spence, S. A. "Exhibition: Jackson Pollock." BMJ 318, no. 7186 (1999): 816. http://dx.doi.org/10.1136/bmj.318.7186.816.

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5

Langhorne, Elizabeth L. "Self-Betrayal or Self-Deception? The Case of Jackson Pollock." Arts 12, no. 2 (2023): 54. http://dx.doi.org/10.3390/arts12020054.

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Clement Greenberg interpreted the rise of authentic modern art as a rejection of kitsch and “half-baked” religiosity and celebrated Jackson Pollock as representing what he called for. However, his presentation of Pollock as a leading modernist fails to do justice to his lifelong spiritual quest and to his desire to reach a broad public, which led him to open his art and person to the popular media of photography and film. Following Greenberg, Donald Kuspit would have us understand Pollock’s embrace of and by the public as a self-betrayal, transforming his great abstractions into decorative kit

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6

Hilsabeck, Burke. "Frank Tashlin's Jackson Pollock." Modernist Cultures 11, no. 2 (2016): 243–67. http://dx.doi.org/10.3366/mod.2016.0137.

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This paper situates Frank Tashlin's Paramount-produced Artists and Models (1955) alongside a genealogy of modernist painting. Beginning with the observation that the opening sequence of Tashlin's film burlesques Abstract Expressionist painting and Jackson Pollock in particular, it puts Artists and Models in conversation with Clement Greenberg's paint-on-a-flat-canvas modernism (and Greenberg's interest in articulating this modernism through the figure of Pollock) with a distinct account of cinematic specificity. The essay then places Tashlin's film and the figure of Jerry-Lewis-as-Jackson-Poll

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7

Taylor, Richard. "Personal reflections on Jackson Pollock's fractal paintings." História, Ciências, Saúde-Manguinhos 13, suppl (2006): 109–23. http://dx.doi.org/10.1590/s0104-59702006000500007.

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The art world changed forever when Jackson Pollock picked up a can and poured paint onto a vast canvas rolled across the floor of his windswept barn. Fifty years on, art theorists recognize his patterns as being a revolutionary approach to aesthetics. A significant step forward in understanding Pollock's aesthetics occurred in 1999 when my scientific analysis showed that his paintings are fractal. Fractals consist of patterns that recur at finer and finer magnifications, building up shapes of immense complexity. Significantly, many natural patterns (for example, lightning, clouds, mountains, a

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8

Fung, Kai-hung. "Ode to Jackson Pollock." RadioGraphics 32, no. 1 (2012): 70. http://dx.doi.org/10.1148/rg.321110590.

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9

Hartz, Lisa Beech. "Mural, Jackson Pollock, 1943." Pleiades: Literature in Context 40, no. 1 (2020): 141–42. http://dx.doi.org/10.1353/plc.2020.0030.

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10

Yaseen, Omar Ali Ahmed. "The Nihilism and Its Reflections in the Works of Jackson Pollock." South Asian Research Journal of Arts, Language and Literature 6, no. 04 (2024): 453–53. http://dx.doi.org/10.36346/sarjall.2024.v06i04.001.

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The current research addresses Nihilism in the Works of Jackson Pollock, exploring the concept of nihilism in philosophical thought. The research consists of four chapters. The first chapter focuses on the methodological framework, which includes the research problem formulated in response to the following question: 1. Did nihilism influence Jackson Pollock's works? The first chapter also outlines the research objective: 1. To reveal the reflections of nihilism in Jackson Pollock's paintings. The research scope is limited to studying the concept of nihilism in Pollock's paintings and analyzing

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11

Cernuschi, Claude. "Jackson Pollock at MoMA: On the Surface and under the RugJackson Pollock. Kirk Varnedoe , Pepe Karmel , Jackson Pollock." Archives of American Art Journal 38, no. 3/4 (1998): 30–38. http://dx.doi.org/10.1086/aaa.38.3_4.1557780.

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12

Maruéjouls-Koch. "Tennessee Williams and Jackson Pollock." Tennessee Williams Annual Review, no. 14 (2014): 22. http://dx.doi.org/10.2307/48614950.

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13

Leja, Michael. "JACKSON POLLOCK: REPRESENTING THE UNCONSCIOUS." Art History 13, no. 4 (1990): 542–65. http://dx.doi.org/10.1111/j.1467-8365.1990.tb00415.x.

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14

Stephen, Ann. "Jackson Pollock for Australia only." Australian Journal of Art 14, no. 2 (1999): 1–26. http://dx.doi.org/10.1080/03146464.1999.11432861.

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15

KAYA, RABİA, and SERPİL AKDAĞLI. "İçsel Dinamizmin Görüntüsü: Jackson Pollock." İçsel Dinamizmin Görüntüsü: Jackson Pollock 7, no. 2 (2023): 1–10. https://doi.org/10.5281/zenodo.11583236.

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İkinci Dünya Savaşı ardından ileri dönemde Amerika’da değişen sanat ortamı, geçmiş akımların birikimlerini ve etkisini yapısal anlamda içerisinde bulundururken, sanatçılar da kendine özgü bir yeni sanat dilleri geliştirmiş, kompozisyon, teknik ve var olan plastik değerlerin dışına çıkarak somutlaşmış biçimciliği yıkmışlardır. Oluşum çerçevesinde Amerikan kültüründe gerçekleşmiş sanat tarihinde önemli bir yer edinen Soyut Dışavurumculuk akımı resim sanatının ve günlük hayatı

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16

Lueder, Christoph. "Thinking between diagram and image: the ergonomics of abstraction and imitation." Architectural Research Quarterly 15, no. 1 (2011): 57–67. http://dx.doi.org/10.1017/s1359135511000364.

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The work of the American painter Jackson Pollock speaks to us not only through exhibitions of paintings hung on gallery walls, but also through the films and photographs [1] of Hans Namuth which exposed Pollock's phased working process to the public. In the first of two distinct phases Pollock is seen immersed in, and in intimate interaction with, a large horizontal canvas. This records traces of his movement and expressive gestures in heterogeneous media. A second phase is then triggered by a pivotal operation: the horizontal recording and working surface is transposed to a vertical viewing p

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17

Morrissette, Debbi Ann, Stephen M. Stahl, and Jon A. Gates. "Do Images in Jackson Pollock’s Paintings - Polloglyphs – Arise From His Conscious and Unconscious, Or Are They All in The Viewer’s Mind?" CNS Spectrums 29, no. 5 (2024): 491. https://doi.org/10.1017/s1092852924001470.

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Was Jackson Pollock “Jack the dripper” with paintings “that a dog or cat could have done better,” or did Pollock insert Polloglyphs – images that are encrypted that tell a story about Pollock’s inner being - into his paintings and then disguise them with drippings? On the one hand, some - especially art critics - have emphasized the formal elements of Pollock’s work, arguing that no images are present and the viewer can find whatever they are looking for because such images are artefacts of the “fractal” fuzzy edges to the drippings and are just fooling the eyes. Thus, maybe Pollock’s painting

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18

Smith, Julian H., Caleb Holt, Nickolaus H. Smith, and Richard P. Taylor. "Using machine learning to distinguish between authentic and imitation Jackson Pollock poured paintings: A tile-driven approach to computer vision." PLOS ONE 19, no. 6 (2024): e0302962. http://dx.doi.org/10.1371/journal.pone.0302962.

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Jackson Pollock’s abstract poured paintings are celebrated for their striking aesthetic qualities. They are also among the most financially valued and imitated artworks, making them vulnerable to high-profile controversies involving Pollock-like paintings of unknown origin. Given the increased employment of artificial intelligence applications across society, we investigate whether established machine learning techniques can be adopted by the art world to help detect imitation Pollocks. The low number of images compared to typical artificial intelligence projects presents a potential limitatio

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19

Taylor, Richard P., Adam P. Micolich, and David Jonas. "The Construction of Jackson Pollock's Fractal Drip Paintings." Leonardo 35, no. 2 (2002): 203–7. http://dx.doi.org/10.1162/00240940252940603.

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Between 1943 and 1952, Jackson Pollock created patterns by dripping paint onto horizontal canvases. In 1999 the authors identified the patterns as fractal. Ending 50 years of debate over the content of his paintings, the results raised the more general question of how a human being could create fractals. The authors, by analyzing film that recorded the evolution of Pollock's patterns as a function of time, show that the fractals resulted from a systematic construction process involving multiple layers of painted patterns. These results are interpreted within the context of recent visual percep

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20

Fajnwaks, Fabian. "Jackson Pollock, le dripping comme sinthome." La Cause Du Désir N° 82, no. 3 (2012): 111. http://dx.doi.org/10.3917/lcdd.082.0111.

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21

Gullickson, Terri. "Review of Jackson Pollock: "Psychoanalytic" Drawings." Contemporary Psychology: A Journal of Reviews 38, no. 8 (1993): 872. http://dx.doi.org/10.1037/033655.

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22

Kılıç, Ahmet Göktuğ, and Bayram Dede. "Unlimited freedom in art: Jackson Pollock." Journal for the Interdisciplinary Art and Education 5, no. 1 (2024): 67–76. https://doi.org/10.5281/zenodo.10848120.

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23

Bernard-Nouraud, Paul. "Le visuel à la limite du visible. Sur l’avènement de traits indiscernables dans l’art moderne et contemporain." Histoire de l'art 89, no. 1 (2022): 153–60. https://doi.org/10.3406/hista.2022.4011.

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24

Dossin, Catherine. "Jackson Pollock and the Pierre Matisse Gallery." MODOS: Revista de História da Arte 8, no. 3 (2024): 330–56. https://doi.org/10.20396/modos.v8i3.8676313.

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Partindo da tentativa de Jackson Pollock de ingressar na Galeria Pierre Matisse em 1951, este artigo questiona por que o símbolo da arte triunfante americana, no auge de sua carreira, desejou ser representado por uma galeria tão intimamente ligada a Paris. Considera-se como esta anedota complica a nossa visão da geopolítica do mundo da arte ocidental do pós-guerra e convida-nos a reescrever a história do período através de conexões e circulações, em vez de oposições e fronteiras nacionais. À medida que a narrativa do envolvimento de Pollock com os artistas parisienses de Matisse se desenrola,

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25

Golan, Jenna, Tefera Belachew, Abonesh Taye Kumsa, Getu Gizaw, and John Hoddinott. "Development and Validation of Skinfold-Thickness Equations for Predicting Body Fatness in Ethiopian Adults." Current Developments in Nutrition 4, Supplement_2 (2020): 833. http://dx.doi.org/10.1093/cdn/nzaa053_038.

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Abstract Objectives Both body fat and lean body mass have important roles in health and wellbeing. It is crucial that researchers and clinicians can accurately measure them, especially in nutritionally vulnerable populations such as people living in rural areas of Ethiopia. Skinfold thickness measurements are one of the few methods to measure % body fat outside of a clinical setting. The validity of the measurements is dependent upon age, sex, and ethnicity. The existing skinfold thickness equations are derived from populations of European descent. This study will demonstrate that existing equ

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26

Dominiczak, Marek H. "Emotions: From Jackson Pollock to Contemporary Science." Clinical Chemistry 62, no. 6 (2016): 903–4. http://dx.doi.org/10.1373/clinchem.2015.253096.

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27

Doyon-Bernard, Suzette. "Jackson Pollock: A Twentieth-Century Chavín Shaman." American Art 11, no. 3 (1997): 9–31. http://dx.doi.org/10.1086/424302.

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28

Roazen, Paul. "Reflections on psychoanalysis, creativity, and Jackson pollock." American Journal of Psychoanalysis 55, no. 1 (1995): 41–51. http://dx.doi.org/10.1007/bf02741951.

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29

Regitz, Hartmut. "getanzt wie gemalt." tanz 16, no. 1 (2025): 12–15. https://doi.org/10.5771/1869-7720-2025-1-012.

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30

Gervais, D. "Review: Jackson Pollock at the Tate Gallery, March-June 1999: Jackson Pollock at the Tate Gallery, March-June 1999." Cambridge Quarterly 30, no. 1 (2001): 77–81. http://dx.doi.org/10.1093/camqtly/30.1.77.

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31

Reed, David. "Jackson Pollock and Piero della Francesca Ride Lonesome." Journal of Contemporary Painting 1, no. 1 (2015): 41–53. http://dx.doi.org/10.1386/jcp.1.1.41_1.

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32

Salcman, Michael. "Number 8, 1949, by Jackson Pollock (1912–1956)." Neurosurgery 51, no. 3 (2002): 838–39. http://dx.doi.org/10.1227/00006123-200209000-00047.

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33

Buchanan, Mark. "Jackson Pollock fractals painted in a new light." New Scientist 196, no. 2629 (2007): 11. http://dx.doi.org/10.1016/s0262-4079(07)62817-6.

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34

Salcman, Michael. "Number 8, 1949, by Jackson Pollock (1912???1956)." Neurosurgery 51, no. 3 (2002): 838–39. http://dx.doi.org/10.1097/00006123-200209000-00047.

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35

Caputo Jaffe, Alessandra Francesca. "El Malestar de Jackson Pollock: Un síntoma artístico de la modernidad." Anales de Historia del Arte 33 (September 14, 2023): 165–85. http://dx.doi.org/10.5209/anha.85404.

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El presente artículo aporta un estudio sobre la vida y obra del célebre pintor norteamericano Jackson Pollock desde una perspectiva que analiza su arte como una sintomatología de un malestar cultural. Se retomarán las críticas que le hicieron influyentes autores como Clement Greenberg o Rosalind Krauss (y en cierta medida, el mismo Pollock) al ver una involución o retroceso en su proceso creativo de sus últimas pinturas de la década de los cincuenta, caracterizadas por volver a una suerte de figuración. Nos preguntamos entonces si esa necesidad de reconocer constantemente un progreso y una aut

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36

Silva, Sara Gomes da. "Jackson Pollock e a descoberta do inconsciente na arte americana do pós-guerra." ARS (São Paulo) 12, no. 24 (2014): 21. http://dx.doi.org/10.11606/issn.2178-0447.ars.2014.96736.

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Este artigo situa Jackson Pollock, uma das figuras mais importantes do Expressionismo Abstrato, no quadro do debate, caraterístico dos anos 1950 e 1960, sobre a relação entre arte e vida. Analiso, nesse contexto, os limites da crítica face a um pintor que nos deixou inúmeros testemunhos sobre o papel do inconsciente no seu processo criativo. Qual o lugar reservado pela crítica, à época, para essa via de interpretação? Procurando responder a essa questão, o artigo põe em confronto as diversas perspectivas dos críticos e relaciona-as com a reflexão de Pollock sobre si mesmo.

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37

Chaulagain, Yashoda. "Visual Position and Juxtaposition: An Analytical Study of Liberty Leading the People and Moon-Woman Cuts the Circle." Tribhuvan University Journal 32, no. 2 (2018): 191–202. http://dx.doi.org/10.3126/tuj.v32i2.24715.

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This paper explores the idea of romantic and modern painting with the reference of Delacroix’s painting “Liberty Leading the People” and Jackson Pollock’s painting “Moon Woman Cuts the Circle”. Both painters representing different era, portray different styles, background, color, tempo, and textures in their painting. Delacroix’s painting expresses inner emotions and realistic world. His painting is emotional, it seems to be natural and exotic. He has used arches, sculptures, and gray color dominantly. In contrast to Delacroix, Pollock’s painting is experimental. It has abstraction and two-dim

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38

Fonseca, Paulo Henrique Santos da, João Carlos Bouzas Marins, and Alexandre Tavares da Silva. "Validação de equações antropométricas que estimam a densidade corporal em atletas profissionais de futebol." Revista Brasileira de Medicina do Esporte 13, no. 3 (2007): 153–56. http://dx.doi.org/10.1590/s1517-86922007000300005.

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O objetivo deste estudo foi validar equações que estimam a densidade corporal em atletas profissionais de futebol. Foram avaliados 25 atletas profissionais de futebol, com idade de 22,7 ± 4,4 anos, massa corporal de 73,9 ± 6,6kg e estatura de 177,8 ± 5,5cm que disputavam o campeonato estadual da Federação Gaúcha de Futebol no ano de 2004. Analisou-se a validade de 11 equações antropométricas através dos procedimentos estatísticos: correlação de Pearson (r), teste t dependente, erro constante (EC), erro total (ET) e erro padrão estimado (EPE), tendo como técnica gold standard a pesagem hidrostá

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39

Harshkant Gharote, Kumar Pushpanshu, Rachna Kaushik, and Radhika Gharote. "Estimation of Body Fat Percentage in Oral Squamous Cell Carcinoma." International Healthcare Research Journal 2, no. 11 (2019): 291–96. http://dx.doi.org/10.26440/ihrj.v2i11.207.

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BACKGROUND: The purpose of this study was to calculate the body fat percentage and learn its relationship with body mass index in oral squamous cell carcinoma. MATERIALS AND METHOD: the study comprised of 31 oral squamous cell carcinoma patients and 28 controls. Body mass index was calculated for each individual by recording the height (in meters) and weight (in Kilograms). Prediction equations given by Deurenberg, Gallagher and Jackson-Pollock were used to calculate body fat percentage. RESULTS: Definite correlation between body fat percent and body mass index was found in oral sq

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40

Pašić, Goran, Goran Grahovac, and Milomir Trivun. "COMPARISON OF METHODS FOR DETERMINING PERCENTAGE OF BODY FAT ON A SAMPLE OF KAYAKERS AND CANOEISTS – IN SLALOM." Sportlogia 16, no. 1 (2020): 91–109. http://dx.doi.org/10.5550/sgia.201601.en.pgt.

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Determining body structure in physical culture, sports, but also in sports recreation is one of the ways to check effectiveness of certain training programs and their impact on a percentage of subcutaneous fat and fat-free components. This study was conducted on a sample of 49 kayakers and slalom canoeists (aged 19.9 ± 1.7 years), and the aim was to compare validity of methods for estimating percentage of body fat based on the skinfold measurement method in relation to the bioelectrical impedance method for application in diagnostics within a training process of slalom kayakers and slalom cano

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41

Aristizabal, Juan C., Alejandro Estrada Restrepo, and Argenis Giraldo García. "Development and validation of anthropometric equations to estimate body composition in adult women." Colombia Médica 49, no. 2 (2018): 154–59. http://dx.doi.org/10.25100/cm.v49i2.3643.

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Objective: To develop anthropometric equations to predict body fat percentage (BF%) in adult women. Methods: In 151 women (aged 18-59) BF% was obtained by hydrodensitometry with simultaneous measurement of lung volumes. Body weight, height, eight- skinfold thickness (STs) and six- circumference (CIs) measurements were obtained from all participants. Subjects data were randomly divided in two groups, equation-building group (n=106) and validation group (n=45). The equation-building group was used to run multiple linear regression models using anthropometric measurements as predictors to find th

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42

Avila, Isabel, and Cristina Castro. "Short Communication: A novel hypopigmentation for southeast Pacific humpback whales." J. Cetacean Res. Manage. 25 (July 17, 2024): 71–77. http://dx.doi.org/10.47536/jcrm.v25i1.933.

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Southeast Pacific humpback whales (Megaptera novaeangliae) migrate annually to breeding grounds in Machalilla, Ecuador, and Uramba Bahía Málaga, Colombia. This species usually displays a black/ grey body colouration with its dorsal and caudal fins exposed above water. Between 2005 and 2023, whales in these regions were studied and photographed on 1,627 days. Results indicated that 29 whales have novel body markings, including white spots, irregular circles and sinuous lines, which resemble the paintings of 20th Century artist Jackson Pollock. While this novel ‘Pollock‐style’ pigmentation does

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43

Salcman, Michael. "Composition with Pouring II, by Jackson Pollock (1912–1956)." Neurosurgery 50, no. 4 (2002): 921–22. http://dx.doi.org/10.1097/00006123-200204000-00056.

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44

Schreyach, M. "Intention and Interpretation in Hans Namuth's Film, Jackson Pollock." Forum for Modern Language Studies 48, no. 4 (2012): 437–52. http://dx.doi.org/10.1093/fmls/cqs026.

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45

Schreyach, Michael. "Pre-objective Depth in Merleau-Ponty and Jackson Pollock." Research in Phenomenology 43, no. 1 (2013): 49–70. http://dx.doi.org/10.1163/15691640-12341243.

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Abstract Pollock’s drip technique generated certain unconventional representational possibilities, including the possibility of expressing the pre-reflective involvement of an embodied, intentional subject in a perceptual world. Consequently, Pollock’s art can be understood to explore or investigate the pre-objective conditions of reflective and intellectual consciousness. His painting—here I consider Number 1, 1949—motivates viewers to consider the relationship between intention and meaning as it appears in both primordial and reflective dimensions of experience. The account proceeds in three

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46

Carvalho, Nuno. "Estética e teoria da melancolia: o caso Jackson Pollock." Kairos. Journal of Philosophy & Science 4 (May 2012): 105–16. http://dx.doi.org/10.56526/10451/59882.

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47

Kedl, Justin. "Cowboys: Abstract Expressionism, Hollywood Westerns, and American Progress." Arts 12, no. 1 (2023): 33. http://dx.doi.org/10.3390/arts12010033.

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Abstract Expressionism has been influenced heavily by the popular theory of America’s undying, progressive spirit, originally conceived by Frederick Jackson Turner and given its most potent form in Western films. Turner’s “Frontier Thesis” was embodied in stories of John Wayne and other cowboy heroes taming the supposed edges of civilization. The mythic West as constructed by Turner and these films cemented American identity as one of exploration and innovation, with the notable condition of Indigenous Americans ceding their sovereignty. While Abstract Expressionism was commonly connected to t

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48

Stahl, Stephen M., Debbi Morrissette, and John Gates. "Did Bipolar Disorder Enhance Jackson Pollock’s Ability to Communicate Through Conscious and Unconscious Images (Polloglyphs)?" CNS Spectrums 29, no. 5 (2024): 528. https://doi.org/10.1017/s1092852924002128.

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Experts have been fascinated with Jackson Pollock (born 1912, died 1956) and his famous “drip paintings” ever since he began producing them in the 1940s. It is well documented that Pollock began to have mood swings as a child, with symptoms of social anxiety relieved by alcoholic binges from his teen years until his death. He received psychoanalytic psychotherapy, psychiatric hospitalization and some psychopharmacologic treatments from age 23 until his death at age 44. Most of his treatment was by psychiatrists trained in Jungian or Freudian psychoanalysis. Pollock was first hospitalized at Ne

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49

Aliyevna, Choriyeva Madina. "EXISTENTIALISM AND ITS FUNCTION." Journal of Social Sciences and Humanities Research Fundamentals 3, no. 12 (2023): 9–11. http://dx.doi.org/10.55640/jsshrf-03-12-03.

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In this article, the author presented his research resultson the function of existentialism. Existentialism has become a significant phenomenon in Western culture. This philosophy greatly influenced the work of artists Alberto Giacometti and Jackson Pollock, as well as film directors Jean-Luc Godard and Ingmar Bergman. This concept still plays a significant role in the intellectual world today

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liyevna, Choriyeva Madina. "AESTHETICS IN THE WORK OF ABULKASIM FIRDAVS." European International Journal of Pedagogics 3, no. 12 (2023): 42–44. http://dx.doi.org/10.55640/eijp-03-12-11.

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In this article, the author presented his research results on the function of existentialism. Existentialism has become a significant phenomenon in Western culture. This philosophy greatly influenced the work of artists Alberto Giacometti and Jackson Pollock, as well as film directors Jean-Luc Godard and Ingmar Bergman. This concept still plays a significant role in the intellectual world today

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