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Journal articles on the topic 'Jacob A. Riis'

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Published: 4 June 2021

Last updated: 5 February 2022

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1

Dougherty, James. "JACOB RIIS: CITIZENSHIP AND ART." Canadian Review of American Studies 22, no. 3 (1991): 551–66. http://dx.doi.org/10.3138/cras-022-03-16.

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2

Roelsgaard, Natascha Toft. "The Lectures of Jacob A. Riis." Journalism History 44, no. 1 (2018): 25–30. http://dx.doi.org/10.1080/00947679.2018.12059189.

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3

Stange, Maren. "Jacob Riis and Urban Visual Culture." Journal of Urban History 15, no. 3 (1989): 274–303. http://dx.doi.org/10.1177/009614428901500303.

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4

Hug, Bill. "Jacob Riis and Double Consciousness: The Documentary/Ethnic “I” in How the Other Half Lives." Ethnic Studies Review 33, no. 1 (2010): 130–57. http://dx.doi.org/10.1525/esr.2010.33.1.130.

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“Contradictory” is the watchword in scholarship on Danish-American photojournalist Jacob Riis. “Wildly contradictory, morally schizophrenic”: so Keith Gandal describes Riis' work (18). “A deeply contradictory figure […] a conservative activist and a skillful entertainer who presented controversial ideas in a compelling but ultimately comforting manner”: such is the assessment of Riis offered by Bonnie Yochelson and Daniel Czitrom (xv). “The typical Victorian moralist,” but also the Progressive-so Tom Buk-Swienty proclaims him (239, XIII).

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5

Somerville, Kristine. "Flowers and Thugs: The Slum Photos of Jacob Riis." Missouri Review 38, no. 2 (2015): 99–109. http://dx.doi.org/10.1353/mis.2015.0020.

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6

O'Donnell, Edward T. "Pictures vs. Words? Public History, Tolerance, and the Challenge of Jacob Riis." Public Historian 26, no. 3 (2004): 7–26. http://dx.doi.org/10.1525/tph.2004.26.3.7.

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Through his pioneering use of photography and muckraking prose (most especially in How the Other Half Lives, 1890), Jacob Riis earned fame as a humanitarian in the classic Progressive Era mold. Yet in recent years some revisionist scholars have denounced Riis as an unreconstructed racist who merely posed as a benevolent reformer. Does this rethinking of Riis and the character of his work mean that public historians who have come to revere his photographs should shun them when producing public history related to themes of ethnicity, immigration, multiculturalism, and tolerance? The author argue

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7

Howells, Richard, Joel Sucher, Steven Fischler, Sam Roberts, and Martin D. Toub. "The Other Half Revisited: The Legacy of Jacob A. Riis." American Historical Review 103, no. 3 (1998): 1016. http://dx.doi.org/10.2307/2650761.

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8

Jackson, Gregory S. "Cultivating Spiritual Sight: Jacob Riis's Virtual-Tour Narrative and the Visual Modernization of Protestant Homiletics." Representations 83, no. 1 (2003): 126–66. http://dx.doi.org/10.1525/rep.2003.83.1.126.

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While Jacob Riis has long been situated in the secular wing of turn-of-the-century reform, this study locates the aesthetic and narrative devices of his work within a neglected tradition of Protestant homiletics. Linking his stereopticon presentations to the allegories and interactive strategies of eighteenthand nineteenth-century sermons, Jackson demonstrates how Riis used modern technology to make traditional modes of religious pedagogy newly relevant to Progressive Era campaigns for social reform. Rather than distancing viewers from the plight of the indigent, as many critics have argued, R

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9

Cosco, Joseph P. "Jacob Riis: Immigrants Old and New, and the Making of Americans." American Journalism 20, no. 3 (2003): 13–30. http://dx.doi.org/10.1080/08821127.2003.10677944.

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10

deNoyelles, Adrienne. "“Letting in the Light”: Jacob Riis’s Crusade for Breathing Spaces on the Lower East Side." Journal of Urban History 46, no. 4 (2019): 775–93. http://dx.doi.org/10.1177/0096144219829074.

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During the twentieth century, Jacob Riis’s once-widely-acknowledged role as father of the urban small-parks movement receded in historical significance in favor of his contributions to journalism, photography, housing reform, and settlement work. This pattern overlooks the central importance that Riis himself placed on parks and playgrounds activism in his broader social agenda, at one point calling it “the logical sequel to ‘How the Other Half Lives.’” This essay examines how Riis, through his efforts to provide New York’s tenement districts with “breathing spaces,” refashioned eminent domain

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11

Petersson, Dag. "Iconic syntax: Jacob A. Riis and the communication of The Other Half." Philosophy of Photography 2, no. 2 (2012): 335–54. http://dx.doi.org/10.1386/pop.2.2.335_1.

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12

Baigell, Matthew. "Sweatshop Images: Jewish History and Memory." IMAGES 2, no. 1 (2008): 65–82. http://dx.doi.org/10.1163/187180008x408591.

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AbstractThis essay considers twentieth-century images of and attitudes about Jewish immigrants who worked in sweatshops. Initially, the shops were represented as places harmful to the health of workers and their families. By 1920, the shops might represent a place and state of mind from which to escape. In the politically charged 1930s, they were seen as places of militant union organizing that ultimately led to better working and housing facilities. Finally, sweatshops became virtual places in the memories of younger generation artists memorializing their forebears. Artists discussed include

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13

Cersosimo, Giuseppina. "Alle origini della sociologia visuale: Jacob Riis, il giornalismo fotografico, le immagini nella ricerca sociale." SOCIOLOGIA E RICERCA SOCIALE, no. 118 (May 2019): 5–28. http://dx.doi.org/10.3280/sr2019-118001.

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14

Wertheim, Stanley. "The Virtues of the Vicious: Jacob Riis, Stephen Crane, and the Spectacle of the Slum." Studies in American Fiction 27, no. 2 (1999): 249–51. http://dx.doi.org/10.1353/saf.1999.0006.

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15

Hug, Bill. "Walking the Ethnic Tightwire: Ethnicity and Dialectic in Jacob Riis' How the Other Half Lives." Journal of American Culture 20, no. 4 (1997): 41–53. http://dx.doi.org/10.1111/j.1542-734x.1997.00041.x.

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16

Weinstein, Cindy. "How Many Others are There in the Other Half? Jacob Riis and the Tenement Population." Nineteenth-Century Contexts 24, no. 2 (2002): 195–216. http://dx.doi.org/10.1080/0890549022000017869.

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17

Farooq, Nihad M. "Of Science and Excess: Jacob Riis, Anzia Yezierska, and the Modernist Turn in Immigrant Fiction." American Studies 53, no. 4 (2014): 73–94. http://dx.doi.org/10.1353/ams.2014.0175.

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18

Clubbe, John. "FRIED, Lewis.Makers of the City: [Jacob Riis, Lewis Mumford, James T. Farrell, and Paul Goodman]." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 6, no. 1 (1993): 31–38. http://dx.doi.org/10.1080/0895769x.1993.10542801.

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19

Orvell, Miles. "Rediscovering Jacob Riis: Exposure Journalism and Photography in Turn-of-the-Century New York (review)." American Studies 50, no. 1 (2009): 178–79. http://dx.doi.org/10.1353/ams.2011.0139.

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20

Bødker, Henrik. "Tom Buk-Swienty's Den ideelle amerikaner: En biografi om journalisten, reformisten og fotografen Jacob A. Riis." American Studies in Scandinavia 38, no. 1 (2006): 112–14. http://dx.doi.org/10.22439/asca.v38i1.4555.

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21

Willmann, Kate Sampsell. "Lewis Hine, Ellis Island, and Pragmatism: Photographs as Lived Experience." Journal of the Gilded Age and Progressive Era 7, no. 2 (2008): 221–52. http://dx.doi.org/10.1017/s1537781400001870.

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The origin of Lewis Hine's invention of social documentary photography can be found in his intellectual alliance to pragmatism. Reading Hine's photographs as primary sources of the author's intent, in context with Hine's progressive intellectual milieu and in contrast with his contemporaries, Jacob Riis and Alfred Steiglitz, reveals Hine as a self-conscious and tolerant commentator on the lives of individual immigrants and workers. Although Hine left the objects of his portraits mostly unnamed, through his documentary style, he conferred upon them individual identity in contrast to the nativis

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22

Hapke, Laura. "Rediscovering Jacob Riis: Exposure Journalism and Photography in Turn-of-the-Century New York - By Bonnie Yochelson and Daniel Czitrom." WorkingUSA 11, no. 3 (2008): 402–3. http://dx.doi.org/10.1111/j.1743-4580.2008.00214_1.x.

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23

BERTELLINI, GIORGIO. "Black hands and white hearts: Italian immigrants as ‘urban racial types’ in early American film culture." Urban History 31, no. 3 (2004): 375–99. http://dx.doi.org/10.1017/s0963926805002427.

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Through the concept of ‘character’ or ‘urban racial type’, traversing literature, science and metropolitan life, Bertellini reconsiders early American cinema's colour-based biracialism epitomized by D.W. Griffith's The Birth of a Nation (1915). In the New York-based film industry race also emerged from the city's dense intermingling of ‘white ethnics’ and broader shifts in epistemological emphasis – from inheritance to the environment. If Italian immigrants were racialized as innately violent in early gangster films, after 1915 heartbreaking melodramas of destitution and misfortunes adopted in

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24

DuRose, Lisa. "How to Seduce a Working Girl: Vaudevillian Entertainment in American Working–Class Fiction 1890–1925." Prospects 24 (October 1999): 377–91. http://dx.doi.org/10.1017/s0361233300000429.

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“The city,” Theodore Dreiser explains at the beginning of Sister Carrie, “has its cunning wiles, no less than the infinitely smaller and more human tempter. There are larger forces which allure with all the soulfulness of expression possible in the most cultured human. The gleam of a thousand lights is often as effective as the pervasive light in a wooing and fascinating eye” (1). Dreiser's description here echoes many early 20th-century writers' anxieties about the rise of the modern city — from social reformers like Jane Addams and Jacob Riis to journalists and novelists as varied as Stephen

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25

Jackson, Debra. "Jacob A. Riis: Revealing New York’s Other Half at The Museum of the City of New York, and: Activist New York at The Museum of the City of New York." New York History 96, no. 3-4 (2016): 413–18. http://dx.doi.org/10.1353/nyh.2016.0057.

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26

KAUFMAN, WILL. "Keith Gandal, The Virtues of the Vicious: Jacob Riis, Stephen Crane, and the Spectacle of the Slum (New York: Oxford University Press, 1997, £37.50). Pp. 206. ISBN 0 19 511063 3." Journal of American Studies 33, no. 2 (1999): 351–82. http://dx.doi.org/10.1017/s0021875899356140.

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27

Dublin, T. "Rediscovering Jacob Riis: Exposure Journalism and Photography in Turn-of-the-Century New York. By Bonnie Yochelson and Daniel Czitrom. (New York: New Press, 2007. xx, 268 pp. $35.00, ISBN 978-1-59558-199-0.)." Journal of American History 95, no. 3 (2008): 868–69. http://dx.doi.org/10.2307/27694458.

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28

Yochelson, B. "The Other Half: The Life of Jacob Riis and the World of Immigrant America. By Tom Buk-Swienty, trans. Annette Buk-Swienty. (New York: Norton, 2008. xviii, 331 pp. $27.95, ISBN 978-0-393-06023-2.)." Journal of American History 96, no. 2 (2009): 578. http://dx.doi.org/10.1093/jahist/96.2.578.

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29

Borrego Gómez-Pallete, Ignacio, Juan Manuel Medina del Río, and Jacob van Rijs. "Entrevista a Jacob van Rijs." Dearq, no. 31 (September 2021): 74–78. http://dx.doi.org/10.18389/dearq31.2021.07.

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30

Fernández-Morales, Angélica. "W. MAAS, J. VAN RIJS, N. DE VRIES (eds.) - MVRDV. Costa Ibérica: Upbeat to the Leisure City." ZARCH, no. 13 (October 8, 2019): 296. http://dx.doi.org/10.26754/ojs_zarch/zarch.2019133967.

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31

Laveault, Jonathan. "JACOBO RIOS RODRIGUEZ, L’INFLUENCE INTERNATIONALE DU DROIT FRANÇAIS, PARIS, SAVOIRS ET CONNAISSANCES, 2008." Revue québécoise de droit international 21, no. 1 (2008): 481. http://dx.doi.org/10.7202/1068954ar.

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32

Cassol, Luzilene A., Edivaldo S. de Almeida Filho, and Anderson C. S. de Oliveira. "Performance Comparison Between a Natural and a Commercial Antioxidant on Smoked Pacu (Piaractus mesopotamicus)." Journal of Agricultural Science 11, no. 2 (2019): 225. http://dx.doi.org/10.5539/jas.v11n2p225.

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Fish consumption has grown in Brazil, but the lack of diversification in the offer of processed products restricts this eating habit. Moreover, the fact that industrialized products contain chemical additives threatens the image of fish as a healthy protein. Thus, the present study proposes not only to develop a product with antioxidant action, but also to apply it and compare it with a commercial antioxidant added to smoked pacu (Piaractus mesopotamicus) ribs. For this purpose, a meal was produced from the pulp of &lsquo;jatob&aacute;&rsquo; (Hymenaea courbaril) fruit and its tota

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33

Jabado, Omar, Suzana Couto, Jordan Blum, et al. "238 Molecular dissection of tumor-immune microenvironment factors associated with response to checkpoint inhibitor therapy in non-small cell lung cancer patients using nanostring digital spatial profiling." Journal for ImmunoTherapy of Cancer 8, Suppl 3 (2020): A255—A256. http://dx.doi.org/10.1136/jitc-2020-sitc2020.0238.

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BackgroundUnderstanding the dynamics of immune cells in the lung tumor microenvironment following immune checkpoint inhibitor (ICI) therapy is important for developing therapies tailored to patients with progressive disease. We sought to characterize protein and mRNA biomarkers in the tumor and stromal microenvironment in such patients with the Nanostring Digital Spatial Profiling (DSP) platform. DSP technology allows highly multiplexed profiling of proteins and RNA in a spatially resolved manner.MethodsFFPE non-small lung adenocarcinoma biopsies from 18 patients were sourced commercially (Cap

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34

GRANT, JASON B. "GEORG PHILIPP TELEMANN (1681–1767) BROCKES-PASSION Birgitte Christensen (soprano), Lydia Teuscher (soprano), Marie-Claude Chappuis (mezzo-soprano), Donát Havár (tenor), Daniel Behle (tenor), Johannes Weisser (baritone) / RIAS Kammerchor / Akademie für Alte Musik Berlin / René Jacobs Harmonia Mundi HMC 902013.14, 2009; two discs, 140 minutes." Eighteenth Century Music 7, no. 1 (2010): 156–58. http://dx.doi.org/10.1017/s1478570609990686.

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35

Spencer, Piers. "The Bach Companion, CD-Rom, issued by Harmonia Mundi, 2000 to accompany the following boxed sets of CDs: Mass in B minor and Magnificat, performed by Collegium Vocale, directed by Philippe Herreweghe, HMX 2908110.12, £25.99. Cantatas BWV 21, 42, 56, 78, 82, 158, performed by Collegium Vocale, directed by Philippe Herreweghe, HMX 2908116.18, £34.49. Christmas Oratorio and Motets BWV 525–30, performed by the Rias Chamber Choir and the Berlin Akademie für Alte Music, directed by René Jacobs, HMX 2908113.15, £25.99." British Journal of Music Education 18, no. 3 (2001): 293–308. http://dx.doi.org/10.1017/s0265051701270375.

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36

"Poster Advertising a Lecture by Jacob A. Riis." Journalism History 44, no. 1 (2018): 31. http://dx.doi.org/10.1080/00947679.2018.12059190.

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37

WILSON, CHRISTOPHER. "Markets and Players: Plotting Poverty and Citizenship in Matthew Desmond's Evicted." Journal of American Studies, April 28, 2021, 1–24. http://dx.doi.org/10.1017/s0021875821000281.

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This essay examines the narrative and representational tactics of Matthew Desmond's Evicted: Poverty and Profit in the American City (2016). Rather than read this book solely in terms of its findings, this essay argues that Desmond attempts to stylistically embody the relationship between market culture, eviction, and the political delegitimation of the poor. Evicted also reworks the sociological “community study” by refashioning literary templates from writers such as Jacob Riis, Charles Dickens, Jane Jacobs, and Hannah Arendt. By fusing such debts together, Evicted powerfully connects its ac

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38

"Rediscovering Jacob Riis: exposure journalism and photography in turn-of-the-century New York." Choice Reviews Online 46, no. 05 (2009): 46–2877. http://dx.doi.org/10.5860/choice.46-2877.

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39

"The virtues of the vicious: Jacob Riis, Stephen Crane, and the spectacle of the slum." Choice Reviews Online 35, no. 08 (1998): 35–4335. http://dx.doi.org/10.5860/choice.35-4335.

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40

Reseña de Arturo Lozano Aguilar, Rebeca Romero Escrivá. "Las dos mitades de Jacob Riis. Un estudio comparativo de su obra literaria y fotográfica." Fotocinema. Revista científica de cine y fotografía, no. 9 (September 24, 2014). http://dx.doi.org/10.24310/fotocinema.2014.v0i9.5975.

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41

Alloa, Emmanuel. "Über Ausstellungszeit." Paragrana 26, no. 1 (2017). http://dx.doi.org/10.1515/para-2017-0012.

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AbstractWas sagt man eigentlich, wenn man von etwas sagt, es sei ausgestellt? Der Ausstellungsbegriff harrt nach wie vor einer umfassenden Bestimmung. Insbesondere gilt es, ein doppeltes Vorurteil auszuräumen, nämlich dass Ausstellung einerseits eine Frage der Räumlichkeit sei und andererseits das Ergebnis einer Willenshandlung. Der Artikel geht in drei Schritten vor. Im ersten Abschnitt (I) geht es darum, das Problem der Ausstellung im Kontext der Aufmerksamkeitsgefüge zeitgenössischer globalisierter Kunst in den Blick zu nehmen und dabei insbesondere die Frage aufzuwerfen, worin die spezifis

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42

"The Other Half Revisited: The Legacy of Jacob A. Riis. Produced by Joel Sucher, Steven Fischler, and Sam Roberts; directed by Martin D. Toub. 1996; color and black & white; 59 minutes. Distributor: Cinema Guild, 1697 Broadway, Suite 506, New York, N.Y. 10019." American Historical Review, June 1998. http://dx.doi.org/10.1086/ahr/103.3.1016.

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