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Dissertations / Theses on the topic 'Jacobean'

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1

James, Anne Dorothy Gwen. "Jacobean patristics." Thesis, University of Sheffield, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.632736.

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2

Frost, C. M. "The problem of evil in Jacobean drama : Studies in the theological assumptions of select Jacobean dramatists." Thesis, University of Cambridge, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.372651.

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3

Pearce, A. S. Wayne. "John Spottiswoode, Jacobean archbishop and statesman." Thesis, University of Stirling, 1998. http://hdl.handle.net/1893/2277.

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This main aim of this thesis is to conclusively demonstrate that John Spottiswoode was one of the most important churchman in early modern Scotland. He was, it will be shown, the most authoritative and impressive of Scotland's post-Refonriation bishops. Spottiswoode was the principal ecclesiastic in James VI's reconstruction of an episcopal church in Scotland after 1603 when he was appointed Archbisiop of Glasgow. This was followed by his prestigious translation to the metropolitan see of St Andrews in 1615 from where he presided over those controversial liturgical reforms of the succeeding ye
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4

Pittman, Susan. "Elizabethan and Jacobean deer parks in Kent." Thesis, University of Kent, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.544035.

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5

Culhane, Peter. "Livy in Elizabethan and early Jacobean literature." Thesis, University of Cambridge, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.615738.

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6

Daunt, Catherine. "Portrait sets in Tudor and Jacobean England." Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/54260/.

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This thesis examines the taste for sets of easel portraits in England during the reigns of Elizabeth I and James VI and I. Looking primarily at sets of historical figures, particularly English kings and queens, the thesis aims to assess the extent of the fashion and identify the audience for such sets. The material qualities of the paintings are discussed and the methods of production, as well as the function and meaning of specific sets. The first chapter examines the evidence for the earliest portrait sets of this type in England and suggests that innovations in art and architecture at Court
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7

Oram, Yvonne. "Older women in Elizabethan and Jacobean drama." Thesis, University of Birmingham, 2002. http://etheses.bham.ac.uk//id/eprint/1778/.

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This thesis explores the presentation of older women on stage from 1558-1625, establishing that the character is predominantly pictured within the domestic sphere, as wife, mother, stepmother or widow. Specific dramatic stereotypes for these roles are identified, and compared and contrasted with historical material relating to older women. The few plays in which these stereotypes are subverted are fully examined. Stage nurse and bawd characters are also older women and this study reveals them to be imaged exclusively as matching stereotypes. Only four plays, Peele’s The Old Wives Tale, Fletche
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8

Rutherford, Sarah C. "Black farce in Jacobean and 1960s theatre." Thesis, University of Edinburgh, 1999. http://hdl.handle.net/1842/22613.

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This thesis examines black farce as a genre of simultaneous and equally (though precariously) balanced farce and horror, characterised by excess, physicality, taboo-breaking, ambivalence and disharmony. Black farce provokes an uncertain audience response, in which a combined sense of shock and laughter leads to feelings of discomfort and disorientation. Building upon this definition of the genre, I argue that the reason for its appearance in the Renaissance and its re-emergence in the 1960s lies in a paradoxical sense of exhilaration and horror felt by playwrights in response to bewilderingly
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9

Brunning, Alizon. "Signs of change in Jacobean city comedy." Thesis, University of Central Lancashire, 1997. http://clok.uclan.ac.uk/19035/.

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This thesis is concerned with a study of a particular genre, Jacobean city comedy, in relation to its socio-economic and religious context. It aims to show that the structural forms of city comedy share similarities with structures in Jacobean social consciousness. By arguing that the plays are productions of a material age this study suggests that these structures are manifestations of ideological changes brought about by two related systems of thought: capitalism and Protestantism.
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10

Schurink, Fred. "Education and reading in Elizabethan and Jacobean England." Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.416809.

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11

Payne, Helen Margaret. "Aristocratic women and the Jacobean Court, 1603-1625." Thesis, Royal Holloway, University of London, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395983.

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Aristocratic women were integral to Jacobean court life and actively involved in royal service, in the ceremonial of court and state, in the pursuit of financial benefit, in marriage strategies and court family networks, and in court, foreign and religious politics and patronage. The time scale of the thesis encompasses James VI's reign as James I of England, 1603-1625, as court life for aristocratic women did not end with the death of his queen consort, Anne of Denmark. As ladies-in-waiting and/or the kin or clients of powerful men at court, aristocratic (and other elite women) could exercise
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12

Ahmed, Shokhan Rasool. "The staging of witchcraft in the Jacobean theatre." Thesis, University of Leicester, 2014. http://hdl.handle.net/2381/28977.

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This thesis investigates witchcraft during the reign of King James VI and I when belief in witchcraft was widespread in Scotland and England, and there was a growing tendency for dramatists to use witchcraft materials in their plays. The writings of Reginald Scot and King James I, alongside modern scholarly work by Keith Thomas, Allen Macfarlane, Diane Purkiss and others, will be considered to analyse beliefs about supernatural power and, in particular, witchcraft and witches’ activities. This study is principally concerned with the staging of drama at the Blackfriars theatre, especially from
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13

McCarthy, Jeanne Helen. "The children's companies Elizabethan aesthetics and Jacobean reactions /." Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p9983291.

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14

Bounahai, Najib. "Moors in Elizabethan/Jacobean entertainments : race, performance and politics /." Thesis, Connect to Dissertations & Theses @ Tufts University, 2001.

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Thesis (Ph.D.)--Tufts University, 2001.<br>Adviser: Barbara Freedman. Submitted to the Dept. of Drama. Includes bibliographical references (leaves 191-207). Access restricted to members of the Tufts University community. Also available via the World Wide Web;
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15

Ulmer, Daniel Clay. "Elizabethan and Jacobean architecture : the evolution of a style." Thesis, Georgia Institute of Technology, 1989. http://hdl.handle.net/1853/22400.

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16

Fincham, Kenneth Charles. "Pastoral roles of the Jacobean episcopate in Canterbury province." Thesis, University College London (University of London), 1985. http://discovery.ucl.ac.uk/1363643/.

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This thesis investigates the theory and practice of episcopal government in the English Church between 1603 and 1625. The source material consists of the records of seventeen diocesan archives in the province of Canterbury, in conjunction with primary printed and manuscript sources, such as sermons, theological treatises and polemics, and, where appropriate, the records of central ecclesiastical and secular government. It is proposed that the dominant image and practice was of the bishop as preaching pastor. The exemplar of the Apostolic bishop, which was set out in Pauline writings, could not
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17

Oh, Seiwoong. "The Scholarly Trickster in Jacobean Drama: Characterology and Culture." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc278216/.

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Whereas scholarly malcontents and naifs in late Renaissance drama represent the actual notion of university graduates during the time period, scholarly tricksters have an obscure social origin. Moreover, their lack of motive in participating in the plays' events, their ambivalent value structures, and their conflicting dramatic roles as tricksters, reformers, justices, and heroes pose a serious diffculty to literary critics who attempt to define them. By examining the Western dramatic tradition, this study first proposes that the scholarly tricksters have their origins in both the Vice in earl
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18

Metcalf, John Maurice Carleton University Dissertation English. "The presentation of Jacobean witchcraft beliefs in Shakespeare's Macbeth." Ottawa, 1992.

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19

Munro, Lucy. "Children of the Queen's revels : a Jacobean theatre repertory /." Cambridge : Cambridge university press, 2005. http://catalogue.bnf.fr/ark:/12148/cb40137350b.

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20

Ward, T. "Compound magic : Virtuosity, theatricality and the experience of theatre in the Jacobean Period." Thesis, University of East Anglia, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.235190.

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21

Cooper, Tarnya. "Memento mori portraiture : painting, Protestant culture and the patronage of middle elites in England and Wales 1540-1630." Thesis, University of Sussex, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366099.

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22

Worthington, David. "Scottish clients of the Habsburgs, 1618 to 1648." Thesis, University of Aberdeen, 2001. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU602037.

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The last years of Jacobean rule coincided with the appearance of a number of Scottish soldiers at the three major Habsburg centres of power: Madrid, Brussels and the Imperial court (the last of which was still peripatetic but increasingly centred in Vienna). Recognising the geographical complexity involved in studying such individuals, the thesis seeks to contribute to the debates of historians of early modern Europe with respect to three issues: the problem of 'multiple kingdoms', the existence or otherwise of a seventeenth century 'general crisis', and the nature of political patronage at th
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23

O'Callaghan, Michelle Francis. "Three Jacobean Spenserians : William Browne, George Wither and Christopher Brooke." Thesis, University of Oxford, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.386504.

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24

Armstrong, Catherine Jane. "'Error vanquished by delivery' : elite sermon performance in Jacobean England." Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496181.

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25

Loomba, A. "Disorderly women in Jacobean tragedy : Towards a materialist-feminist critique." Thesis, University of Sussex, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.378281.

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26

Grimmett, Roxanne. "Staging silence : the adulteress in Jacobean drama and morality literature." Thesis, University of Exeter, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.445445.

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27

Cole, Emily V. "The state apartment in the Jacobean country house, 1603-1625." Thesis, University of Sussex, 2011. http://sro.sussex.ac.uk/id/eprint/6337/.

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This thesis explores the state apartment in the Jacobean country house – its status, function, use, planning, decoration and furnishing. It does so against various different backgrounds. Firstly, that of the royal progress, during which Tudor and early Stuart monarchs – in particular, James I – would visit private residences around the country. The nature of such visits are explored, using a large amount of primary evidence and drawing upon a full itinerary of James I's reign, compiled for the first time as part of this thesis. A different context, that of royal palaces, is then considered, pa
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28

González-Medina, José Luis. "The London setting of Jacobean city comedy : a chorographical study." Thesis, University of Oxford, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670278.

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29

Daye, Anne. "The Jacobean antimasque within the masque context : a dance perspective." Thesis, University of Roehampton, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.515215.

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30

Mansfield, Richard G. "The Protean player : the concept and practice of doubling in the plays of Shakespeare and his contemporaries c. 1576-1631." Thesis, University of East Anglia, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327765.

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31

Rigali, Amanda. "The plays of Fulke Greville in context." Thesis, King's College London (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325814.

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32

Hiscock, Andrew William. "Problems of authority and the state in seventeenth century drama : Shakespeare and Racine considered." Thesis, University of Bristol, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285898.

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33

Kometani, Ikuko. "Dismembering and remembering bodies : representation of rape in early Jacobean England." Thesis, University of Birmingham, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.556459.

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I shall argue that rape, sexual threat and sexual violence in the early Jacobean drama fascinate the playwrights not only because they are the psychologically and socially interesting phenomena which break boundaries such as those between male and female, life and death, rape and marriage, the private and the public, but because the dynamic of sexual violence and its repetitive enaction on stage provide a complex analogy to theatrical performance and language, together with response in a culture that tends to conceive of theatrical experience in erotic terms, and of certain sexual impulses as
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34

Elder, Hilary Elizabeth. "The Song of Songs in late Elizabethan, Jacobean and Caroline poetry." Thesis, Durham University, 2009. http://etheses.dur.ac.uk/2165/.

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This thesis is about reading. Working on the understanding that all texts read other texts, it aims to uncover something of how English poets from 1590-1650 read the Song of Songs, by analyzing when and how they use it in their poetry. By looking at poetic readings, rather than theological ones, it also explores the connections and distinctions between reading literature and reading Scripture. As both Scripture and lyric love poetry, the Song of Songs has participated in theological and literary discourse over a long period. The Introduction gives background on both kinds of reading, and how t
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35

Painting-Stubbs, Clare. "Abraham Fleming : writer, cleric and preacher in Elizabethan and Jacobean London." Thesis, Royal Holloway, University of London, 2011. http://repository.royalholloway.ac.uk/items/89fa6719-8bde-2470-3a26-e850544e284e/9/.

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Since his death in 1607, Abraham Fleming has never been completely forgotten about. This thesis covers all aspects of Fleming's life. It begins with his time at Cambridge and the relationships he forged there. It studies his varied and sometimes groundbreaking contributions to the books associated with him (with a focus on his English texts and translations). It also covers his ordination into the Church of England and subsequent career as a chaplain to Charles Howard, earl of Nottingham. It also elucidates his previously unknown life as a curate in the parish of St Nicholas, Deptford and as a
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36

Euridge, Gareth M. "A proprietary vice : incest, class, and gender on the Jacobean Stage /." The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487953204280064.

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37

Westlake, David. "Positive representation of Inns of Court lawyers in Jacobean city comedy." Thesis, Brunel University, 2010. http://bura.brunel.ac.uk/handle/2438/4530.

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This thesis examines representations of lawyers and law in examples of Jacobean city comedy, taking into account certain contemporary developments in the legal profession and the law in England. The period covered is 1598-1616. The thesis questions the conventional interpretation of city comedy as hostile to the legal profession. It suggests the topic is more complex than has been assumed, arguing that city comedy makes direct and indirect positive representation of Inns of Court lawyers, who are to be distinguished from attorneys (newly segregated in the Inns of Chancery), amateur quasi-lawye
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38

Hunt, Cole. "The Great European Witch Hunt in Elizabethan England and Jacobean Scotland." Thesis, The University of Arizona, 2013. http://hdl.handle.net/10150/297652.

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The Great European Witch Hunt swept across Europe from the fifteenth through seventeenth centuries, but the nature of these witch hunts differed from country to country. These differences can be attributed to the fulfillment, or lack thereof, of the preconditions to the Great European Witch Hunt: the adoption of the inquisitorial judicial procedure, the use of torture, the movement of witchcraft trials to secular and local courts, a belief in maleficium facilitated by a pact with Satan, a belief that witches met in large groups to perform anti-human rituals at the sabbat and the belief in the
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39

Working, Lauren Noemie. "Savagery and the State : incivility and America in Jacobean political discourse." Thesis, Durham University, 2015. http://etheses.dur.ac.uk/11350/.

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This thesis examines the effects of colonisation on the politics and culture of Jacobean London. Through sources ranging from anti-tobacco polemic to parliament speeches, colonial reports to private diaries, it contends that the language of Amerindian savagery and incivility, shared by policy-makers, London councillors, and colonists alike, became especially relevant to issues of government and behaviour following the post-Reformation state’s own emphasis on civility as a political tool. Practices such as tobacco-smoking and cannibalism were frequently invoked to condemn the behaviour of disob
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40

Taylor, J. A. "The literary presentation of James I and Charles I, with special reference to the period c.1614-1630." Thesis, University of Oxford, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.371751.

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41

Callaghan, D. C. "The construction of the category of 'woman' in Shakespeare's King Lear and Othello and Webster's The Duchess of Malfi and The White Devil." Thesis, University of Sussex, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.373909.

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This thesis addresses fissures in language, ideology and subjectivity as they are manifested in the dramatic construction of the category of 'Woman' in four major Jacobean texts. The first section of my project deals with the way 1n which the opposition of male and female underlies the perception and construction of order at every level. In a scheme of thought characterized by the use of antithesis and analogy, the opposition of gender proves to be one of the most richly extensible. All analogies are connected by the great chain of thought which consti tutes the Great Chain of Being. Once any
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42

Gibson, Marion Heather. "Taken as read? : A study of the literary, historical and legal aspects of English witchcraft pamphlets 1566-1621." Thesis, University of Exeter, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361338.

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43

Dorman, Marianne. "Lancelot Andrewes (1555-1626) : mentor of Reformed Catholicism of the Post-Reformation English Church." Thesis, University of Bristol, 1996. http://hdl.handle.net/1983/b2e9f4a2-7f1a-40d0-a023-13dbe382057f.

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44

Wortham, Simon. "Darkness and wonder : representations of gold in the Jacobean optic of power." Thesis, University of Sussex, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.335500.

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45

Salamore, Christopher. "Apparitions, authors, and rhetorical shadows: literary ghosts in Elizabethan and Jacobean literature." Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.547800.

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46

Wood, Amanda Leigh. "Anti-Catholic polemic in Jacobean print culture contextualizing Westward for Smelts (1620) /." Auburn, Ala., 2006. http://repo.lib.auburn.edu/2006%20Summer/Theses/WOOD_AMANDA_6.pdf.

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47

Osborne, Kate. "Illuminating the chorus in the shadows : Elizabethan and Jacobean Exeter, 1550-1610." Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/24298.

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This thesis challenges the notion that little light can be shed on Exeter’s ‘middling’ and ‘poorer’ sorts in the period 1550-1610, defined as ‘the chorus’ by Wallace MacCaffrey in his book Exeter 1540-1640. It selects data from mid- to late- sixteenth and early seventeenth century urban archives, defines the strengths and weaknesses of that data and captures it in a digitised database. It uses this data to test which of the methodologies of prosopography, collective and individual biography, social network analysis and occupied topography are most appropriate for analysis of the city’s social
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48

Bassan, Rachele Svetlana <1996&gt. ""Thinke nothing true": Cross-Dressing in Late Elizabethan and Early Jacobean Drama." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/18243.

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This thesis analyses the role of cross-dressing in late Elizabethan and early Jacobean drama, focusing on six comedies of the period. Contrary to previous studies, which underlined the transgressive qualities of onstage cross-dressing, this work will stress its role as a metatheatrical device for the upholding of social norms. In these comedies, references breaking the illusion of all-male cast conventions highlight the liminal features of theatrical travesty and of the theatrical "as-if" dimension. However, both such carnivalesque qualities and the comic framework have been shown to be deeply
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49

Payne, Helen M. "Aristocratic women and the politics of marriage at the Jacobean court, 1603-1625 /." Title page, contents and preface only, 1994. http://web4.library.adelaide.edu.au/theses/09AR/09arp3462.pdf.

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Crankshaw, David James. "Elizabethan and early Jacobean surveys of the ministry of the Church of England." Thesis, University of Cambridge, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368511.

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