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Journal articles on the topic 'Jacobean'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Colley, Scott. "The Poetics of Jacobean Drama. Coburn Freer , Jacobean Drama." Modern Philology 82, no. 4 (1985): 422–24. http://dx.doi.org/10.1086/391412.

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2

Levack, Brian P. "Nicholls, The Jacobean Union." Scottish Historical Review 81, no. 2 (2002): 272–74. http://dx.doi.org/10.3366/shr.2002.81.2.272.

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3

Lieblein, Leanore, and Sarah P. Sutherland. "Masques in Jacobean Tragedy." Theatre Journal 37, no. 2 (1985): 261. http://dx.doi.org/10.2307/3207102.

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4

Dutton, Richard. "A Jacobean Merry Wives?" Ben Jonson Journal 18, no. 1 (2011): 1–26. http://dx.doi.org/10.3366/bjj.2011.0004.

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5

JOEL, MIKE. "ELIZABETHAN & JACOBEAN STYLE." Art Book 1, no. 2 (1994): 15. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00012.x.

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6

Halio, Jay L., and Philip C. McGuire. "Shakespeare: The Jacobean Plays." Shakespeare Quarterly 47, no. 2 (1996): 221. http://dx.doi.org/10.2307/2871113.

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7

Morehen, John. "From Jacobean to Restoration." Early Music XXII, no. 4 (1994): 685–87. http://dx.doi.org/10.1093/earlyj/xxii.4.685.

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8

Milsom, John. "Elizabethan and Jacobean songs." Early Music XXIX, no. 1 (2001): 131–34. http://dx.doi.org/10.1093/earlyj/xxix.1.131.

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9

Dunnigan, Sarah. "Marian and Jacobean Literature." Literature Compass 2, no. 1 (2005): **. http://dx.doi.org/10.1111/j.1741-4113.2005.00141.x.

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10

Day, James F., and Alan Young. "Tudor and Jacobean Tournaments." Sixteenth Century Journal 19, no. 2 (1988): 308. http://dx.doi.org/10.2307/2540458.

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11

Young (book author), Alan, and C. E. McGee (review author). "Tudor and Jacobean Tournaments." Renaissance and Reformation 27, no. 4 (2009): 329–32. http://dx.doi.org/10.33137/rr.v27i4.11820.

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12

OTA, Kazuaki. "Jacobean Drama and Censorship." Journal of UOEH 12, no. 2 (1990): 239–49. http://dx.doi.org/10.7888/juoeh.12.239.

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13

Millstone, Noah. "Sir Robert Cotton, Manuscript Pamphleteering, and the Making of Jacobean Kingship during the Short Peace, ca. 1609–1613." Journal of British Studies 62, no. 1 (2023): 134–60. http://dx.doi.org/10.1017/jbr.2022.175.

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AbstractThis article concerns two manuscript tracts by Sir Robert Cotton, the Answer to Certain Military Men regarding Foreign War (1609) and Twenty-Four Arguments on the Strict Execution of the Laws against Seminary Priests (1613). To the limited extent that these tracts have been studied at all, historians have read them as artifacts of the Jacobean regime's internal counseling process. Through analysis of the both the structure of the Jacobean regime's knowledge economy and the two tracts and contextualizing them, the author argues that these were, instead, innovative exercises in publicity

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14

Santos, Xosé M. "LAS ASOCIACIONES DE AMIGOS DEL CAMINO DE SANTIAGO. ALTRUISMO Y COLABORACIÓN." Cuadernos de Turismo, no. 48 (December 10, 2021): 49–68. http://dx.doi.org/10.6018/turismo.492661.

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El papel de las Asociaciones de Amigos del Camino es muy desconocido en la investigación sobre la peregrinación a Santiago. Su función es crucial para entender la recuperación contemporánea del Camino, su difusión internacional y la conservación de muchas de las singularidades de la ruta. En este artículo, a través de encuestas y entrevistas, se analiza su visión actual de la peregrinación así como sus relaciones con las administraciones públicas y la Iglesia. Su labor, en contacto directo con los peregrinos, hace que tengan un buen conocimiento de las necesidades de éstos, desarrollando accio

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15

Granero Gallegos, Antonio, Francisco Ruiz-Juan, Mª Elena García Montes, Antonio Baena Extremera, and Manuel Gómez López. "Análisis del perfil sociodemográfico de senderistas y ciclistas que recorren el Camino de Santiago (Analysis of socio-demographic profile of trails and riders walking through the way of Saint James)." Retos, no. 13 (March 28, 2015): 56–59. http://dx.doi.org/10.47197/retos.v0i13.35029.

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El fenómeno social en que se ha convertido el Camino de Santiago, su legado cultural y la íntima relación con la actividad físico-deportiva de tiempo libre, ha supuesto que nos plantearnos como objetivo analizar las características de los viajeros jacobeos actuales mediante un análisis sociodemográfico de los senderistas y ciclistas mayores de 15 años que recorren el Camino de Santiago. La investigación se ha desarrollado mediante la aplicación de un cuestionario autoadministrado en Santiago de Compostela a una muestra de 1.091 sujetos, utilizando el procedimiento de muestreo estratificado pol

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16

Culhane, Peter. "Livy in Early Jacobean Drama." Translation and Literature 14, no. 1 (2005): 21–44. http://dx.doi.org/10.3366/tal.2005.14.1.21.

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17

O'Callaghan, Michelle, and Cyndia Susan Clegg. "Press Censorship in Jacobean England." Modern Language Review 98, no. 4 (2003): 960. http://dx.doi.org/10.2307/3737947.

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18

Kegl, Rosemary, Barbara Kiefer Lewalski, Louise Schleiner, Connie McQuillen, and Lynn E. Roller. "Writing Women in Jacobean England." Tulsa Studies in Women's Literature 15, no. 1 (1996): 147. http://dx.doi.org/10.2307/463978.

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19

Dutton, Richard, and Cyndia Susan Clegg. "Press Censorship in Jacobean England." Albion: A Quarterly Journal Concerned with British Studies 35, no. 1 (2003): 117. http://dx.doi.org/10.2307/4054536.

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20

Beer, Anna, and Barbara Kiefer Lewalski. "Writing Women in Jacobean England." Yearbook of English Studies 25 (1995): 280. http://dx.doi.org/10.2307/3508871.

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21

Woodbridge, Linda, and Barbara Kiefer Lewalski. "Writing Women in Jacobean England." Shakespeare Quarterly 46, no. 3 (1995): 367. http://dx.doi.org/10.2307/2871129.

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22

Rodríguez García, José María. "Francis Bacon and Jacobean legitimation." Revista Alicantina de Estudios Ingleses, no. 10 (1997): 163–81. http://dx.doi.org/10.14198/raei.1997.10.12.

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23

Ahmed, Shokhan Rasool. "Dragons on the Jacobean Stage." International Journal of Literature and Arts 2, no. 5 (2014): 173. http://dx.doi.org/10.11648/j.ijla.20140205.15.

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24

Ahmed, Shokhan Rasool. "Flight on the Jacobean Stage." International Journal of Literature and Arts 2, no. 5 (2014): 192. http://dx.doi.org/10.11648/j.ijla.20140205.17.

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25

Worden, B. "Press Censorship in Jacobean England." English Historical Review 117, no. 473 (2002): 983–84. http://dx.doi.org/10.1093/ehr/117.473.983.

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26

Davies, Callan. "Environmental Degradation in Jacobean Drama." European Legacy 21, no. 1 (2015): 88–90. http://dx.doi.org/10.1080/10848770.2015.1097064.

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27

Lehmberg, Stanford. "Press Censorship in Jacobean England." History: Reviews of New Books 30, no. 3 (2002): 109. http://dx.doi.org/10.1080/03612759.2002.10526127.

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28

KEWES, PAULINA. "Julius Caesar in Jacobean England." Seventeenth Century 17, no. 2 (2002): 155–86. http://dx.doi.org/10.1080/0268117x.2002.10555506.

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29

Hoenselaars, Ton. "Review: Book: Jacobean Civic Pageants." Cahiers Élisabéthains: A Journal of English Renaissance Studies 52, no. 1 (1997): 144–46. http://dx.doi.org/10.1177/018476789705200134.

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30

Lindner, Rebecca. "Jacobean and Caroline Prose Romance." Literature Compass 1, no. 1 (2004): **. http://dx.doi.org/10.1111/j.1741-4113.2004.00007.x.

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31

COURTNEY, ALEXANDER. "RECENT ACCESSIONS TO JACOBEAN HISTORIOGRAPHY." Historical Journal 51, no. 1 (2008): 269–76. http://dx.doi.org/10.1017/s0018246x0700667x.

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32

Lowe, Ben. "Writing women in Jacobean England." History of European Ideas 21, no. 1 (1995): 106–8. http://dx.doi.org/10.1016/0191-6599(95)90377-1.

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33

SALINGAR, LEO. "Jacobean Playwrights and "Judicious" Spectators." Renaissance Drama 22 (January 1991): 209–34. http://dx.doi.org/10.1086/rd.22.41917278.

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34

Čajka, Radim. "Analysis of Stress in Half-Space Using Jacobian of Transformation and Gauss Numerical Integration." Advanced Materials Research 818 (September 2013): 178–86. http://dx.doi.org/10.4028/www.scientific.net/amr.818.178.

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Stress strain analysis of elastic halfspace by means of Gauss numerical integration and Jacobean of transformation is presented. The arbitrary shape and general course of the loaded area in nodal points is allowed by use of 4-and 8-node isoparametric elements, numerical integration and Jacobean transformation. Results of numerical examples are compared with other solutions.

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35

Velissariou, Aspasia. "FEMALE FETISHISED DEATHS IN JACOBEAN TRAGEDY." Gender Studies 12, no. 1 (2013): 194–212. http://dx.doi.org/10.2478/genst-2013-0012.

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Abstract I explore the violent deaths of Jacobean heroines on stage, looking at their fetishised dead bodies as a register of male repressed fear of women’s physicality that is perceived essentially as the equation between womb and tomb. I argue that this fetishisation is a hegemonic effort to combat this fear through the consigning of the heroines’ bodies to utter destruction. However, there is a residue left from the dialectic of death and desire that runs through Jacobean tragedy and sexualises the political issue of tyranny. The heroines’ violent deaths, while not expressing heroic transce

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36

Stanivukovic, Goran. "Davies, Callan. Strangeness in Jacobean Drama." Renaissance and Reformation 44, no. 1 (2021): 226–28. http://dx.doi.org/10.33137/rr.v44i1.37067.

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37

Ward, John M. "Newly Devis'd Measures for Jacobean Masques." Acta Musicologica 60, no. 2 (1988): 111. http://dx.doi.org/10.2307/932788.

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38

Tomlinson, S. "A Jacobean Dramatic Usage of 'Actress'." Notes and Queries 55, no. 3 (2008): 282–83. http://dx.doi.org/10.1093/notesj/gjn107.

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39

Raymond, J. "Review: Press Censorship in Jacobean England." Review of English Studies 55, no. 218 (2004): 131–34. http://dx.doi.org/10.1093/res/55.218.131.

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40

Syme, Holger Schott. "The Jacobean King’s Men: A Reconsideration." Review of English Studies 70, no. 294 (2019): 231–51. http://dx.doi.org/10.1093/res/hgy131.

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41

Hartman, Janine. "Dangerous American Substances in Jacobean England." Cahiers Élisabéthains: A Journal of English Renaissance Studies 46, no. 1 (1994): 1–7. http://dx.doi.org/10.1177/018476789404600104.

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42

Milsom, J. "Music review. Elizabethan and Jacobean songs." Early Music 29, no. 1 (2001): 131–33. http://dx.doi.org/10.1093/em/29.1.131.

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43

Schoenfeldt, Michael. "Subversion or Collusion?: Revising Jacobean England." Comparative Studies in Society and History 39, no. 4 (1997): 778–84. http://dx.doi.org/10.1017/s0010417500020909.

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44

Cooley, Ronald W. "Speech Versus Spectacle: Autolycus, Class and Containment in The Winter's Tale." Renaissance and Reformation 33, no. 3 (1997): 5–23. http://dx.doi.org/10.33137/rr.v33i3.11356.

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Shakespeare's Winter's Tale is a play in which theatrical spectacle triumphs over speech, as stage action obscures the incoherence of verbal representation. This paper identifies Autolycus as a composite of Jacobean anxieties about the sources of social instability, and explores his place in this dramatic process. The spectacular techniques of containment that reconcile all the other characters do not quite work on the sturdy rogue. He embodies the failure of Jacobean England's historical attempt, and the play's dramatic attempt, to assimilate those it has defined as unassimilable.

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45

Vladareanu, Luige, Victor Vladareanu, and Paul Schiopu. "Hybrid Force-Position Dynamic Control of the Robots Using Fuzzy Applications." Applied Mechanics and Materials 245 (December 2012): 15–23. http://dx.doi.org/10.4028/www.scientific.net/amm.245.15.

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The paper presents methods of improving the hybrid force-position dynamic robot control using fuzzy logic for the error control. The implementation of the open architecture control system for robots using fuzzy application allows for the control of the hybrid position and force in Cartesian coordinates through real time processing of the Jacobean matrix obtained out of forward kinematics using the Denevit-Hartenberg method and calculating the Jacobean inverted matrix for control in closed loop. The effectiveness of various fuzzy control structures in controlling the force-position of the robot

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46

Perry, Curtis. "The Politics of Access and Representations of the Sodomite King in Early Modern England." Renaissance Quarterly 53, no. 4 (2000): 1054–83. http://dx.doi.org/10.2307/2901456.

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This essay treats the image of the sodomite king—in Marlowe's Edward II and in the gossip surrounding James I and his favorites — as a figurative response to resentments stemming from the regulation of access to the monarch. Animosities in Marlowe's play anticipate criticism of the Jacobean Bedchamber in part because Marlowe was responding to libels provoked by innovations in the chamber politics of the French king Henri III that also anticipate Jacobean practice. The figure of the sodomite king offers a useful vehicle to explore tensions between personal and bureaucratic monarchy that are exa

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47

Perry, Curtis, and Theodore Rabb. "Jacobean Gentleman: Sir Edwin Sandys, 1561-1629." Sixteenth Century Journal 30, no. 4 (1999): 1148. http://dx.doi.org/10.2307/2544680.

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48

Almasy, Rudolph Paul, and Theodore K. Rabb. "Jacobean Gentleman Sir Edwin Sandys, 1561-1629." Sixteenth Century Journal 30, no. 3 (1999): 876. http://dx.doi.org/10.2307/2544866.

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49

Manley, Lawrence, Theodore B. Leinwand, Clifford Davidson, C. J. Gianakaris, John H. Stroupe, and J. Leeds Barroll. "The City Staged: Jacobean Comedy, 1603-1613." Yearbook of English Studies 19 (1989): 318. http://dx.doi.org/10.2307/3508071.

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50

Willen, Diane, and Linda Levy Peck. "The Mental World of the Jacobean Court." Sixteenth Century Journal 26, no. 4 (1995): 1046. http://dx.doi.org/10.2307/2543880.

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