Academic literature on the topic 'Jacques (1926-....)'
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Journal articles on the topic "Jacques (1926-....)"
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Ménard, Philippe. "Jacques Ribard (1926–2018)." Journal of the International Arthurian Society 6, no. 1 (September 25, 2018): 146–47. http://dx.doi.org/10.1515/jias-2018-0010.
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Martin, Yves. "Jacques Henripin, 1926-2013." Recherches sociographiques 54, no. 3 (2013): 609. http://dx.doi.org/10.7202/1021022ar.
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Paquot, Thierry. "Jean-Jacques Pauvert (1926-2014)." Hermès 71, no. 1 (2015): 311. http://dx.doi.org/10.3917/herm.071.0311.
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Capdevila, Xavier. "Jacques du Cailar : 1926–2018." Anesthésie & Réanimation 4, no. 5 (September 2018): 359–60. http://dx.doi.org/10.1016/j.anrea.2018.08.002.
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Gaillard, Gérald. "Hommage à Jacques Lombard (1926-2017)." Cahiers d'études africaines, no. 229 (March 15, 2018): 7–23. http://dx.doi.org/10.4000/etudesafricaines.21810.
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De Silva, Fr Mark. "Jacques Pierre Marie Daudin (1926–2011)." Reptiles & Amphibians 19, no. 2 (June 1, 2012): 135–37. http://dx.doi.org/10.17161/randa.v19i2.13911.
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Gaillard, Gérald. "JACQUES LOMBARD (1926-2017): French Africanism of the Third Generation." Modern Africa: Politics, History and Society 5, no. 2 (January 4, 2018): 7. http://dx.doi.org/10.26806/modafr.v5i2.194.
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Maire, Richard. "Jacques Choppy (1926-2004). Figure emblématique de la spéléologie française." Karstologia : revue de karstologie et de spéléologie physique 44, no. 1 (2004): 1–11. http://dx.doi.org/10.3406/karst.2004.2550.
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Aoun, Marc. "Jacques de Saroug, Homélies sur la fin du monde. Introduction, traduction, guide thématique et index par Isabelle Isebaert-C." Revue des sciences religieuses, no. 80/2 (April 1, 2006): 279–80. http://dx.doi.org/10.4000/rsr.1926.
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Robillard, Denise. "L’Ordre de Jacques Cartier et les droits des Franco-catholiques en Ontario, 1926-1931." Articles 74 (December 9, 2011): 93–111. http://dx.doi.org/10.7202/1006494ar.
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Cet article porte sur les premières initiatives de l’Ordre de Jacques Cartier, une société secrète fondée en 1926 par un groupe de fonctionnaires canadiens-français d’Ottawa. Le désir de sortir de la désespérance au sujet de leur survie, et de vaincre l’opposition persistante à la reconnaissance des droits du français à l’école et à l’église, inspire ces hommes d’utiliser les mêmes armes que leurs adversaires. Ils optent pour un nouveau leadership, une action discrète dans le cadre d’une société secrète dotée d’un conseil supérieur autoritaire, la chancellerie, et de cellules locales, les commanderies. Les premières revendications portent sur l’usage du français, une représentation équitable dans les instances civiles, politiques et religieuses et au sein de la fonction publique. Elles se feront sentir également au sein de la commission scolaire et de l’Université d’Ottawa, et l’action de l’Ordre s’étendra rapidement à l’ensemble du Canada français.
Dissertations / Theses on the topic "Jacques (1926-....)"
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Claisse, Denise. "Jacques Castérède, compositeur français." Paris 4, 1996. http://www.theses.fr/1996PA040017.
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Jacques Castérède, qui fut professeur d'analyse musicale au Conservatoire national supérieur de Paris, est l'un des compositeurs les plus représentatifs de la musique actuelle. Au moment de son soixante-dixième anniversaire, cette thèse présente les principaux éléments de sa vie et de sa carrière (livre 1), fait découvrir les lignes directrices de son langage musical (livre 2), présente une analyse approfondie de 9 partitions significatives (livre 3). Cette œuvre, structurée et d'un style clair, intègre, sans coupure avec ses racines culturelles, les techniques d'écriture les plus contemporaines. Ecrite par un compositeur-artisan, elle est accessible bien que non-conventionnelle. Jacques Castérède est l'auteur de 150 œuvres dont beaucoup ont été créées par Radio-France ou dans de grands festivals français et étrangers. Ses œuvres les plus récentes sont souvent d'inspiration spirituelle. Cette thèse est le premier ouvrage entièrement consacre à ce compositeurJacques Castérède, who was a professor of musical analysis in the Paris conservatoire, is one of the most significant composers of the music of to-day for his seventieth anniversary. This thesis presents the chiefly elements of his life and of his career (the first book), allows discovering the main lines of his musical language (the second one), and offers a detailed analysis of nine significant scores (the third one). This work, well-structured and clearly built, contains, the most contemporary technics of writing, without cutting with his cultural roots. Well done and written by a conscientious composer, it is easy to hear although unconventional. Jacques Castérède is the author of 150 works. Most of them were created by Radio-France or in great French and foreign festivals. His most recent works are often of spiritual inspiration. That thesis is the first work entirely devoted to this composer
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Moore, Nikki (Nikki Michelle). "Between work : Michel Foucault, Louis Althusser and Jacques Martin." Thesis, Massachusetts Institute of Technology, 2005. http://hdl.handle.net/1721.1/33028.
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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2005.Includes bibliographical references (p. 120-124).
Introduction: Between the work and friendships of Jacques Martin, Michel Foucault and Louis Althusser there are moments, images and texts which tempt us to say, ah... 'that's he,' and furthermore, 'that is his work.' Yet, the textual collaborations of Foucault, Martin and Althusser can be seen as process of subjectivation, even cannibalism, which blurs the boundary between self and other.
by Nikki Moore.
S.M.
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Braga, Maria Carolina da Costa. "Retornar ao sentido de Freud : uma estratégia de teorização em Jacques Lacan." reponame:Repositório Institucional da UnB, 2015. http://repositorio.unb.br/handle/10482/18585.
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Dissertação (mestrado)—Universidade de Brasília, Instituto de Psicologia, Programa de Pós-Graduação em Psicologia Clínica e Cultura, 2015.Submitted by Raquel Viana (raquelviana@bce.unb.br) on 2015-10-09T21:24:03Z No. of bitstreams: 1 2015_MariaCarolinadaCostaBraga.pdf: 398309 bytes, checksum: f59036dbd0203334078c3d3067ea04f5 (MD5)
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Esta dissertação trata sobre a noção de retorno a Freud na obra de Jacques Lacan. Nosso objetivo central foi pesquisar acerca do significado desse movimento teórico por ele nomeado de retorno a Freud, no intuito de averiguar em que medida seria possível conferir-lhe um estatuto propriamente conceitual. Neste sentido, consideramos que mais do que uma mera contenda política, esta operação empreendida por Lacan parece apontar para algo que é próprio do campo psicanalítico, pois recoloca em vigor o caráter produtivo da impossibilidade de se abordar o objeto sem ser por ele radicalmente afetado. A definição de que o sentido deste retorno a Freud é o retorno ao sentido de Freud aponta para uma estratégia de teorização que se estabelece no esforço de tomar a obra freudiana no ponto preciso em que ela nos interroga e, desse modo, fazer jus a seu sentido. A chave de leitura para compreender em que consiste esse dispositivo foi o conceito de retorno a definido pelo filósofo francês Michel Foucault, a partir da discussão acerca da noção de autor em sua conferência O que é um autor?. O recurso à filosofia se justifica pelo entendimento de que ela fornece aqui de elementos essenciais para a reflexão acerca do modo como esse aspecto da experiência intelectual de Lacan pode ser pensado enquanto estratégia discursiva. Além disso, foram abordados aspectos gerais do percurso teórico de Lacan, com ênfase no modo como seu pensamento é elaborado no próprio caminho de inserção no campo psicanalítico. E por fim, considerando o retorno a Freud como um dispositivo discursivo utilizado pelo próprio Lacan, foram analisadas as caracterizações mais relevantes que o próprio autor fornece da estratégia em questão. Não houve a pretensão de apresentar uma análise exaustiva visando dar conta da totalidade de tais caracterizações, mas sim de verificar em que medida as definições trazidas por Lacan situam o retorno a Freud como um dispositivo discursivo que se refere a um método de abordagem da obra freudiana. ______________________________________________________________________________________________ ABSTRACT
This dissertation deals with the notion of return to Freud in the work of Jacques Lacan. Our main purpose was to investigate the meaning of the theoretical movement that Lacan called as return to Freud, in order to assess to what extent it would be possible to give it a proper conceptual status. In this sense, it is assumed that more than a mere political strife, the operation undertaken by Lacan seems to point to something that is proper to the psychoanalytical field, since it puts back in place the productive character of the impossibility of approaching the object without being radically affected by it. The definition according to which the sense of this return to Freud is the return to the sense of Freud points to a strategy of theorization that is established as an effort to take Freud's work in the precise point in which it interrogates us, and thus to do justice to its sense. The key to understand what constitutes this device was the concept of return to set by the French philosopher Michel Foucault, which is presented in the discussion about the notion of author in the lecture What is an author?. Such use of philosophy is justified by the understanding that it provides here of essential elements for the reflection about how this aspect of the intellectual experience of Lacan can be thought of as a discursive strategy. In addition, general aspects of the theoretical trajectory of Lacan were addressed, with emphasis on how his thinking is forged during his own way of insertion into the psychoanalytical field. Finally, considering the return to Freud as a discursive device used by Lacan, we analyzed the most relevant characterizations that the author himself provides concerning the strategy in question. There was no claim to present an exhaustive analysis in order to account for all of these characterizations, but to assess to what extent the definitions brought by Lacan point the return to Freud as a discursive device that refers to a specific method of approaching the Freudian oeuvre.
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Bezerra, Iamni Reche. "Um pensamento sobre a tradução : o caso da indecidibilidade." reponame:Repositório Institucional da UFPR, 2017. http://hdl.handle.net/1884/48877.
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Orientador : Mauricio Mendonça CardozoDissertação (mestrado) - Universidade Federal do Paraná, Setor de Ciências Humanas, Programa de Pós-Graduação em Letras. Defesa: Curitiba, 01/05/2017
Inclui referências : f. 71-74
Resumo: Esta dissertação discute a tradução no horizonte da indecidibilidade. Se, em geral, a tradução pode ser entendida como uma atividade fundada na tomada de decisão, este trabalho busca questionar o pressuposto de que a decisão caracterizada como a melhor ou a mais adequada seja de fato capaz de resolver, em definitivo, um problema de tradução, estigmatizando, nesse mesmo movimento, todas as outras possibilidades de decisão como hierarquicamente inferiores (piores, menos adequadas, inadequadas). Em seguida, buscamos redimensionar a noção de decisão (na tradução) à luz da noção de indecidível, de Jacques Derrida, com o objetivo de repensar as consequências desse redimensionamento sobre o modo como lemos um texto traduzido. Desse movimento, apresentamos uma leitura de dois textos críticos sobre a obra Gran Sertón: Veredas (1967) tradução espanhola do romance roseano realizada pelo poeta e tradutor Ángel Crespo, nos quais se pode ler as consequências de uma crítica de tradução baseada no pressuposto da melhor decisão, e que, nessa perspectiva, invalidaram a tradução espanhola por considerá-la um projeto falho e inadequado. Ao final, propomos a leitura de um poema da mesma obra traduzida por Crespo, destacando os diferentes modos como a questão da indecidibilidade impacta em sua leitura. Palavras-chave: tradução; indecidível; Jacques Derrida; Angel Crespo; Gran Sertón: Veredas.
Abstract: This dissertation discusses the translation on the horizon of the undecidability. If, in general, the translation can be understood as an activity founded in decision making, this paper aims to question the assumption that the decision characterized as the best or the most appropriate can be in fact capable of solving, definitely, a problem of translation, stigmatizing, in the same movement, all the possibilities of decision making as hierarchically inferior (the worse, least appropriate). After that, we target to resize the notion of decision (in translation) on the light of undecidable by Jacques Derrida , with the goal to rethink the consequences of resizing the way a translation is read. From this movement, we present a reading of two critical texts about the book Gran Sertón: Veredas (1967), spanish translation of the romance made by the poet and translator Ángel Crespo in which it is possible to read the consequences of a translation critic based in the assumption of the best decision, and that, in that perspective, invalidated the spanish translation for considering it a failed and inadequate project. In the end, there is a proposal for reading a poem from the same book translated by Crespo, highlighting the different ways in which the matter of undecidability impacts its reading. Key-words: translation; undecidable; Jacques Derrida; A?ngel Crespo; Gran Sertón: Veredas.
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Pérez, Valérie. "(Se) gouverner selon la nature et la vérité : lire "Emile ou de l'éducation" de Jean-Jacques Rousseau avec Foucault et Deleuze." Thesis, Paris 8, 2015. http://www.theses.fr/2015PA080133.
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Ce travail parie sur la possibilité de reposer les problèmes éducatifs de Rous-seau à la lumière de certains concepts de la philosophie française contempo-raine. Ainsi, en partant des analyses de Foucault, l’on ne peut manquer d’être frappé par la figure du gouverneur dans Émile ou de l’éducation qui apparaît, stricto sensu, comme la condition de l’émergence de la vérité de la nature, de la vérité de ce qui convient aux hommes, de la vérité de ce que doit être leur éducation. Mais en quel sens peut-on dire que, dans l’Émile, l’éducation est une manifestation de la vérité ? Le problème de la vérité et du pouvoir est an-cien. Michel Foucault le qualifie de lieu commun depuis la pensée politique du XVIIe siècle. Dans ses cours au Collège de France publiés en 2012 sous le titre Le gouvernement des vivants, il s’est efforcé « d’élaborer la notion de gouvernement par la vérité » en étudiant notamment la tragédie d’Œdipe qui lui permet de poser le problème de la conjonction entre le pouvoir et le savoir, entre le gouvernement et la vérité que l’on sait. Le problème du gouvernement de l’enfance peut également être éclairé par le concept deleuzien de devenir. Le devenir a quelque chose à nous dire sur l’enfance, sur l’émancipation de l’individu et sur le projet d’une éducation tout au long de sa vieThis work is attempt to discuss Rousseau's problematisation of education, using concepts drawn from contem-porary French philosophy. However, if one examines the relation between Foucault and Emile by em-ploying the concept of alèthurgie, one cannot but be struck by the figure of the governor in Emile, who appears in the text to be the guarantor and the condition for the emergence of an idea of truth within the narrative- a truth which is natural, which governs the activities of men, and which is deeply in-volved in the process of education. In his 2012 lectures at the College de France, published under the title ‘The government of the living,’ Michel Fou-cault strove "to develop the concept of government by the truth" through an analysis of the power relations within Oedipus. In particular, Foucault ana-lysed the relation between truth, knowledge, and the exercise of governmen-tal power. In this work, I examine the relation between Foucault’s analysis and Emile Rousseau’s novel Emile. The relation between them may seem paradoxical: after all, Foucault is concerned with truth, and Emile is a work of fiction. The government of childhood can also be illuminated by the Deleuzian concept of Becoming. The Becoming does have something to tell us about childhood, the emancipation of the individual, and about education as a life-long project
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Bustamante, Bustamante Luisa. "La literatura tensionada. Entre la arqueología y la deconstrucción." Tesis, Universidad de Chile, 2014. http://www.repositorio.uchile.cl/handle/2250/117187.
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Tesis para optar al grado de Magíster en Filosofía mención EpistemologíaDilucidar qué es en esencia la literatura y cómo la filosofía se ha colado permanentemente por los intersticios de sus pliegues y reflejos especulares, ha sido preocupación importante de los filósofos contemporáneos, principalmente de los escritores y pensadores franceses. Entre estos últimos, los trabajos más relevantes han sido aportados por Michel Foucault y Jacques Derrida cuya preocupación por la literatura, el lenguaje y la relación escritural de ésta con la filosofía, cruza gran parte de sus respectivas obras. Foucault y Derrida, coinciden en señalar que lo que conceptualizamos por literatura es algo muy reciente y que la literatura moderna no se puede comparar con el lenguaje bello, la poesía o la épica greco latina y por tanto las respuestas deben atravesar ciertas opacidades que las extravían y las retornan por una vía no exenta de apreciaciones erróneas.
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Rodrigues, Malcom Guimarães. "Foucault e a transgressão do prazer na ética da psicanálise lacaniana." Universidade Federal de São Carlos, 2012. https://repositorio.ufscar.br/handle/ufscar/4795.
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Previous issue date: 2012-10-26Universidade Federal de Sao Carlos
L objectif est interroger les notions lacaniennes de « plaisir » et « transgression », qui a été conçu le début des années 1960, en face de la théorie foucaultienne de la « boîte à outils », pour proposer une forme de résistance en marge des dilemmes pervers qui apparaissent à l'éthique de la psychanalyse lacanienne.
O objetivo é interrogar as noções lacanianas de prazer e transgressão , concebidas no início dos anos de 1960, em face da teoria foucaultiana da caixa de ferramentas , a fim de propor uma forma de resistência à margem dos dilemas perversos que aparecem à ética da psicanálise lacaniana.
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Lang, Camila Scheifler. "Ética na psicanálise : Freud, Lacan & Foucault." reponame:Repositório Institucional da UCS, 2016. https://repositorio.ucs.br/handle/11338/1851.
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Considerando a linha de pesquisa problemas interdisciplinares de Ética, objetivou-se, na presente dissertação, a análise da relação da Ética na Psicanálise, além de apontar quais as contribuições da Psicanálise e suas implicações clínicas em duas correntes do pensamento psicanalítico – Sigmund Freud e Jacques Lacan, bem como na circunscrição dos campos de intersecção existentes entre a Ética e a Psicanálise por meio do pensamento filosófico de Michel Foucault. A partir do enfoque vertical utilizado, por meio de uma revisão bibliográfica, utilizando autores como Arendt (1992); Bauman (2016); Birman (2001); Foucault (1984); Freud (1915); Julien (1996); Junqueira (2011); Kehl (2002); Lacan (2008); Roudinesco (2007), demonstramos as diferenças sobre os tratamentos dados para a questão da Ética e da consciência moral na Psicanálise, assim como essas diferenças apresentam-se no estabelecimento de processos clínicos nos autores pesquisados. O presente trabalho supõe que a Filosofia, ao realizar a fundamentação de uma Ética, precisa se amparar em teorias que abordem o comportamento humano, tratem do funcionamento psíquico, ou mesmo de teorias acerca da psicogênese da Ética. Entende-se, sobretudo, que a Psicanálise cumpre essa função. Concluímos que a diversidade de modelos metapsicológicos, existentes na Psicanálise, produz diferenças na abordagem teórica da questão da Ética e da consciência moral, como também nos processos e nos objetivos clínicos por parte do Psicanalista. Sabe-se que os diferentes modelos clínicos guardam certa simetria no que concerne à Ética. Analisamos três campos de intersecção entre a Psicanálise e a Ética: o estudo dos fatores que determinam o comportamento ético e moral e sua incidência psíquica; a Psicanálise como produto de uma determinada tradição cultural; os problemas éticos colocados pela prática clínica. Finalizamos, sinalizando um outro campo de ligação entre Ética e Psicanálise – o da fundamentação da Ética.Submitted by Ana Guimarães Pereira (agpereir@ucs.br) on 2017-03-17T16:11:21Z No. of bitstreams: 1 Dissertacao Camila Scheifler Lang.pdf: 1218173 bytes, checksum: c71a693ec32515342f70fda99e69325c (MD5)
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Considering the line of research interdisciplinary ethical problems aimed to the present dissertation the analysis of the relation of Ethics in Psychoanalysis, while pointing out the contributions of psychoanalysis and its clinical implications in two currents of psychoanalytic thinking – Sigmund Freud and Jacques Lacan and the circumscription of the existing intersection of fields between Ethics and Psychoanalysis through Michel Foucault’s philosophical thought. Through panoramic approach used, through a literature review, using authors as Arendt (1992); Bauman (2016); Birman (2001); Foucault (1984); Freud (1915); Julien (1996); Junqueira (2011); Kehl (2002); Lacan (2008); Roudinesco (2007), demonstrated the differences in the treatments given to the question of Ethics and moral consciousness in Psychoanalysis, and how these differences are present in the establishment of clinical processes in the aforementioned authors. We conclude that the diversity of metapsychological models, existing in Psychoanalysis produces differences in theoretical approach to the issue of Ethics and moral conscience, and also the processes and clinical objectives by the Psychoanalyst. It is well known that different clinical models keep certain symmetry regarding Ethics. Analyzing three intersecting fields between psychoanalysis and ethics: the study of the factors that determine ethical and moral behavior and their psychological consequences; Psychoanalysis as a product of a particular cultural tradition; ethical problems posed by the practice. We finish signaling another link field between Ethics and Psychoanalysis – ethical reasons.
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Prévot, Charlotte. "Phénoménologie de la différence des sexes dans la production des espaces." Paris 8, 2009. http://www.theses.fr/2009PA083112.
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La question de l'espace, comme terme générique, prend toute sa puissance dans sa confrontation à l'autre multiple dans une perspective féministe. La formule récurente de Virginia Woolf, de trouver "une chambre à soi", au-delà de l'image spatiale, tend à dégager une réalité sociale de la division entre l'espace privé et l'espace public, comme une réalité économique de l'espace autonome et de l'espace de la soumission, une réalité physique de la délimitation des territoires symboliques. Pourtant, comment mon espace propre peut-il continuer à exister quand il entre en rapport avec l'espace social global et avec l'espace particulier de l'autre ? Depuis une perspective féministe, le terme "autre" prend alors un sens particulier rappelant la qualité apostasique de la figure de la femme, la femme étant l'écart absolu. Depuis les réflexions sur l'altérité menées par les penseuses féministes postcoloniales, nous réenvisagerons la définition du sujet pour aboutir à une pensée politique de l' "être-entre-sujets". Nous avons, au travers de l'étude de plusieurs groupes militants et féministes, tenté de mettre en évidence ces pratiques collectives dans leur faculté à être des "agir" d'émancipation. Il s'agira alors, pour reprendre l'expression de Michel Foucault, d'en montrer les "signes d'existence" comme autant d'incarnations pratiques de processus d'émancipations collectives. Le choix de croiser les champs de l'histoire de l'art, de l'esthétique, de la critique d'art aux champs plus strictement philosophiques, politiques ou sociologiques repose sur une volonté de mettre en avant la réalité effective des occurrences de l'art et du système qu'il développeThe question of space, as generic term, takes all its power in its confrontation with the multiple other from a feminist point of view. The leitmotiv of Virginia woolf, to find "a room with oneself", beyond the space image, tends to release a social reality of division between private and public spaces, like an economic reality of autonomous space and space of the tender, a physical reality of the delimitation of the symbolic territories. However, how my own space can continue to exist when it enters in connection with total social space and in the same time with the particular space of the other ? Since a feminist prospect, the "different" term takes a particular direction then pointing out the apostasic quality of the figure of the woman, the woman being as the absolute deviation. Since the reflexions on the otherness carried out the feminist postcolonialist thinkers, we will consider the definition of the subject to lead to a political thought of the "being-between-subjects". We, trough the stydy of several militant and feminist groups, tried to highlight these collective practices in their faculty at being an agency of emancipation. It will act then, to take again the expression of michel Foucault, to show of them the "signs of existence" like as many pratical incarnations of process of collective emancipations. The choice to cross the fields of history of art, esthetic, art critic to the fields more strictly philosophical, policy or sociological is based on a will to propose the effective reality of the occurrences of art and of the system which it develops
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Keller, Damien. "Dialogues entre l’art et la vie : interactions, circulations, débordements : l'oeuvre cinématographique et télévisuelle de Jacques Rozier." Thesis, Rennes 2, 2015. http://www.theses.fr/2015REN20003.
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Cette thèse propose d’étudier l’oeuvre tant cinématographique que télévisuelle d’un cinéaste singulier, Jacques Rozier, au regard des différents dialogues qu’elle engage entre l’art et la vie afin de questionner ce couple conceptuel. Auteur d’une oeuvre prolifique et figure emblématique de la Nouvelle vague avec Adieu Philippine (1963), Rozier constitue un modèle de cinéaste atypique tant par ses méthodes de création par la forme que prend son parcours du milieu des années 1950 à aujourd’hui. Son rapport à l’écriture cinématographique se caractérise notamment par une conception de la création comme aventure justifiant l’invention de conditions de tournage susceptibles de faire advenir l’imprévisible. Ces méthodes engagent ainsi un type de relation au réel, à la technique, aux acteurs, au tournage, soit plus généralement à la mise en scène, qu’il s’agira de qualifier. Naviguant au gré du vent, il ne cesse d’effectuer des va-etvient entre long et court métrage, fiction et documentaire, cinéma et télévision, culture savante et culture populaire. En s’intéressant à l’ensemble de ces objets autant du point de vue de l’étude esthétique que de l’analyse génétique en passant par la compréhension des modalités de fabrication ou de réception par le spectateur, il s’agit de définir une stylistique et d’interroger le fonctionnement des différents mécanismes d’interactions, de circulations et de débordements en jeu dans ce travailThis doctoral dissertation aims to investigate the cinematographic as well as televisual work of a singular filmmaker, Jacques Rozier, in the light of the different dialogues it engages between art and life in order to interrogate this conceptual couple. Author of a prolific work and emblematic figure of the French New wave with Adieu Philippine (1963), Rozier represents an atypical template of filmmaker, both because of the ways he used to create and of the shape taken by its career from the mid-1950s until today. His relationship with cinematographic writing is notably characterised by the conception of creation as an adventure, justifying the invention of a shooting environment allowing the unpredictable to happen. Such methods thus engage a kind of association with reality, with technique, with performers, with shooting, infact more generally with mise-en-scène, which is going to be characterised here. Sailing with the wind, he is continually going back and forth between long and short films, between fiction and documentary, between cinema and television, between intellectual and popular culture. By focusing on all these items in terms of aesthetic study as well as genetic analysis, and through an understanding of the terms of creation or reception by the viewer, it is about defining stylistics and interrogating the operations of the different mechanisms of interactions, of motions and of overflows involved in this work
Books on the topic "Jacques (1926-....)"
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Sauvage, Pierre. La Cité chrétienne (1926-1940): Une revue autour de Jacques Leclercq. Bruxelles: Académie royale de Belgique, 1987.
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Michel, Florian. Étienne Gilson et Jacques Maritain en Amérique du Nord (1926-1940). [S.l: s.n.], 2001.
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Pierre, Sauvage. La Cité Chrétienne (1926-1940): Une revue autour de Jacques Leclercq. Bruxelles: Palais des académies, 1987.
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Cocteau, Jean. Correspondance (1923-1963): Avec la Lettre à Jacques Maritain et la Réponse à Jean Cocteau (1926). Paris: Gallimard, 1993.
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L'Ordre de Jacques Cartier, 1926-1965: Une société secrète pour les Canadiens-français catholiques. [Montréal]: Fides, 2009.
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1882-1973, Maritain Jacques, and Radin Giulia, eds. Correspondance Gino Severini, Jacques Maritain (1923-1966). Firenze: L.S. Olschki, 2011.
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Severini, Gino. Correspondance Gino Severini, Jacques Maritain (1923-1966). Firenze: L.S. Olschki, 2011.
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Jacques, Derrida. Resistances of psychoanalysis. Stanford, Calif: Stanford University Press, 1998.
Find full textBook chapters on the topic "Jacques (1926-....)"
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Guévrékian, Gabriel. "Hôtel particulier für Jacques Heim 1927–1928." In Paris, 110–11. Wiesbaden: Vieweg+Teubner Verlag, 1992. http://dx.doi.org/10.1007/978-3-322-86033-0_38.
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Schmitt, Jean-Claude. "Jacques Le Goff (1924)." In Rewriting the Middle Ages in the Twentieth Century, 305–15. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.stmh-eb.3.4478.
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Lwoff, A. M. "Jacques Lucien Monod: 1910-1976." In Origins of Molecular Biology, 1–24. Washington, DC, USA: ASM Press, 2014. http://dx.doi.org/10.1128/9781555817763.ch1.
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Tuppen, John. "Jacques Chirac — The Road to Matignon." In Chirac’s France, 1986–88, 12–35. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-09964-1_2.
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Rousselle, Duane. "Be Wary." In Jacques Lacan and American Sociology, 1–9. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19726-1_1.
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Rousselle, Duane. "On Names." In Jacques Lacan and American Sociology, 11–22. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19726-1_2.
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Rousselle, Duane. "Perverse America." In Jacques Lacan and American Sociology, 23–39. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19726-1_3.
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Rousselle, Duane. "Early American Sociology." In Jacques Lacan and American Sociology, 41–59. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19726-1_4.
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Rousselle, Duane. "On Strangers." In Jacques Lacan and American Sociology, 61–75. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19726-1_5.
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Rousselle, Duane. "Ways Forward." In Jacques Lacan and American Sociology, 77–92. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19726-1_6.
Full textConference papers on the topic "Jacques (1926-....)"
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Von Fischer, Sabine. "Listening and the League of Nations: Acoustics Are the Argument." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.495.
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Abstract: In the debates following the 1926–27 competition for the new headquarters of the League of Nations in Geneva, the acoustic aspect was largely overlooked. The competition coincided with the formation of architectural acoustics as a profession and an academic discipline. Looking at this coincidence sheds new light on the reasoning of Peter Meyer and Sigfried Giedion, who, in support of Le Corbusier and Pierre Jeanneret’s scheme, gave remarkable prominence to arguments about acoustics. The transmission of speech in the large Assembly Hall with seating for 2,700 could not be resolved by traditional techniques, and opinions on the modern method of electroacoustic amplification differed greatly. The protagonists who stepped forward in favor of Le Corbusier and Pierre Jeanneret’s scheme, for which Gustave Lyon served as acoustic advisor, emphasized the sound quality of their design for the large Assembly Hall. Despite the acoustically infeasible competition brief, they declared literal understanding, based on the intelligibility of speech, to be a fundamental function of the League of Nations headquarters. The questions raised in this paper relate to architecture’s aurality and visuality, as well as claims concerning function in debates on Modernism. Diplomatic understanding was evidently at stake in the League of Nations’ political program, but, curiously, literal understanding was neglected in the acoustic design for the Assembly Hall by many of the competitors and the jury, and—apart from a short remark by Jacques Gubler in 1985 —was subsequently overlooked by historians. Keywords: acoustics; function; functionality; League of Nations; Gustave Lyon; Franz Max Osswald. DOI: http://dx.doi.org/10.4995/LC2015.2015.495