Academic literature on the topic 'Jacques Roumain'

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Journal articles on the topic "Jacques Roumain"

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Ciarcia, Gaetano. "Jacques Roumain, Œuvres complètes." Gradhiva, no. 1 (May 1, 2005): 261–63. http://dx.doi.org/10.4000/gradhiva.403.

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Laurière, Christine. "Jacques Roumain, ethnologue haïtien." L'Homme, no. 173 (March 1, 2005): 187–97. http://dx.doi.org/10.4000/lhomme.25048.

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Pessini, Alba. "Jacques Roumain, Œuvres Complètes." Studi Francesi, no. 189 (LXIII | III) (December 1, 2019): 619–20. http://dx.doi.org/10.4000/studifrancesi.21819.

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Hoffmann, Léon-François, and Jacques Roumain. "Jacques Roumain et Nancy Cunard." Gradhiva, no. 19 (March 1, 2014): 174–91. http://dx.doi.org/10.4000/gradhiva.2810.

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Jonassaint, Jean. "Oeuvres completes de Jacques Roumain (review)." Research in African Literatures 36, no. 3 (2005): 153–54. http://dx.doi.org/10.1353/ral.2005.0149.

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Lundahl, Mats. "Jacques Roumain and Gouverneurs de la rosée." Iberoamericana – Nordic Journal of Latin American and Caribbean Studies 39, no. 1-2 (2010): 173. http://dx.doi.org/10.16993/ibero.76.

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Lanni, D. "'DEFENSE DE PAUL MORAND': JACQUES ROUMAIN OU L'AVOCAT INATTENDU." French Studies Bulletin 32, no. 120 (2011): 51–54. http://dx.doi.org/10.1093/frebul/ktr018.

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Marxsen, Patti M. ""Masters of the Dew," 1938: A Story by Jacques Roumain." Journal of Haitian Studies 24, no. 1 (2018): 146–55. http://dx.doi.org/10.1353/jhs.2018.0007.

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Richman, Kathy. "Militant Cosmopolitan in a Creole City: The Paradoxes of Jacques Roumain." Biography 35, no. 2 (2012): 303–17. http://dx.doi.org/10.1353/bio.2012.0030.

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Willson, Nicole Louise. "People without Shoes: Jacques Roumain, Langston Hughes and Their TransnationalTi NègAesthetic." Comparative American Studies An International Journal 15, no. 3-4 (2017): 146–61. http://dx.doi.org/10.1080/14775700.2017.1551601.

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Dissertations / Theses on the topic "Jacques Roumain"

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Pierre, Bretelle Marie-Gladys. "Poétique de l'espace chez Jacques Roumain : imaginaire et écriture." Paris 3, 1998. http://www.theses.fr/1998PA030198.

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L'imaginaire et l'ecriture de jacques roumain (1907-1944) sont etudies a travers l'analyse de son oeuvre polymorphe et la consideration des espaces culturels dans lesquels il a evolue. Ses voyages en amerique et en europe, la pratique de metiers dans des domaines tels que le journalisme, la litterature, l'ethnologie, l'archelogie, ses engagements sociaux, la frequentation de certains milieux cosmopolites, ont contribue a faire grandir sa notoriete en haiti et a l'etranger. Roumain a su passer du local a l'universel. La posterite retrouve dans ses ecrits les echos des evenements de la premiere
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Bernard, Philippe. "L'émergence du rêve dans la littérature romanesque haïtienne, de Jacques Roumain au mouvement spiraliste." Paris 4, 2002. http://www.theses.fr/2002PA040049.

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L'émergence du rêve dans la littérature romanesque hai͏̈tienne, de Jacques Roumain au mouvement spiraliste présente une étude de tous les aspects du Rêve dans l'écrit haïtien contemporain. C'est le fil conducteur d'une longue promenade à travers les romans produits en un demi-siècle sur cette terre ancienne à l'histoire chaotique mais douée d'une immense force de vie. Considérant l'œuvre des deux grands précurseurs Jacques Roumain et Jacques-Stephen Alexis comme une représentation d'un Arbre initial, les diverses ramifications, greffes, boutures, tailles, sont le travail sans fin des écrivains
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Emera, Gérard-Alix. "La diglossie dans le roman haïtien : le cas de Justin Lherisson, Jacques Roumain et Franck Etienne." Lyon 2, 1989. http://www.theses.fr/1989LYO20014.

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Le but de ce travail est de relever, à travers les différents choix adoptés par les écrivains face à la diglossie de leur milieu, les grands tournants de l'histoire du roman haïtien. Trois auteurs nous ont semblé représenter les temps forts de cette évolution : Justin Lherisson, avec La famille des Pitite-Caille (1905) et Zoune chez sa ninnaine (1906); Jacques Roumain, avec Gouverneurs de la rosée (1944); et Franck Etienne, avec Dezafi (1975) et Les affres d'un défi (1979). L'originalité de Lherisson, c'est qu'il introduit, dans le texte français, de nombreux passages en créole qui sont souven
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Williams, Carla Denise. "When the pen becomes a sword: Race and class consciousness in the literature of the West Indian writers Jacques Roumain, Etienne Lero, Gilbert Gratian." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 1993. http://digitalcommons.auctr.edu/dissertations/511.

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This thesis considers the influence of three West Indian writers who contributed to the development of Negritude as a literary, social and political phenomenon. The author shows that the racial awareness central to the Negritude movement was strongly affected by the experiences in Haiti and Martinique in particular. The thesis is comprised of three chapters and a conclusion. The first examines the awakening of racial consciousness in Paris in the 1930s and ‘40s, placing those developments in literary and historical perspective. This chapter also serves as an introduction to the milieu of West
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Ferguson, Alice. "The Complexities of Translation: Theories and Practicalities." PDXScholar, 1993. https://pdxscholar.library.pdx.edu/open_access_etds/4663.

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What are the difficulties involved in transferring a work of literature from one language to another, and what contributions might an analysis of the translation of a literary work make to the field of translation studies? These questions are explored in this thesis through the exploration of translation theories in general, and the analysis of one particular case with consideration of the theoretical implications it presents. The case study involves the comparison of the novel Gouverneurs de la rosee, written in 1944 by Haitian author Jacques Roumain, with Masters of the Dew, the translation
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Krakue, Sylvester Peter. "Sécheresse et création romanesque." Besançon, 2003. http://www.theses.fr/2003BESA1029.

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Cette thèse étudie les différentes manières dont les romanciers ont rendu compte d'un cataclysme - la sécheresse, et comment ce motif, transformé par l'écriture, permet de réenvisager les structures du récit comme conduisant à l'expression d'une prise de position idéologique. Quatre romans ont été analysés : Gouverneurs de la rosée (1944 ) de Jacques Roumain, Sahel ! Sanglante sécheresse (1981) de Mandé-Alpha Diarra, L'Archer bassari (1984) de Modibo Sounkalo Kei͏̈ta, et L'année de la grande sécheresse (1986) de Rachel de Queiroz. [Titre original : O QUINZE, (1930)]. Dans ces romans, la sécher
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Belleroche, Jean Élie 1968. "The nature of the marvelous in René Depestre’s Hadriana dans tous mes rêves." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-2893.

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My goal is to study the nature of the Marvelous in René Depestre's Hadriana dans tous mes rêves. I want to demonstrate that René Depestre, in his novel, combines a number of surrealist or neo-surrealist premises that have influenced him as a Haitian writer. This goes beyond differences that can be discerned between the "Surrealist marvelous" endorsed by André Breton and the surrealists, and Alejo Capentier's "marvelous real"later proposed by Jacques Stephen Alexis as "marvelous realism" Depestre adapts Haitian natives' perceptions deep-rooted in their historical and social, cultural and re
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Books on the topic "Jacques Roumain"

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Thadal, Roland. Jacques Roumain: L'unité d'une oeuvre. Editions des Antilles, 1997.

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Roumain, Jacques. Jacques Roumain, 1907-1944: Poemes. Eds. des Antilles, 1993.

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Michel, Acacia, ed. Révolte, subversion et développement chez Jacques Roumain: Actes. Editions de l'Université d'Etat d'Haïti, 2009.

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Prat, Michel. Gouverneurs de la rosée, Jacques Roumain: Analyse critique. Hatier, 1986.

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L' utopie révolutionnaire en Haïti: Autour de Jacques Roumain. Presses Nationales d'Haïti, 2012.

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Hughes, Langston. The translations: Federico García Lorca, Nicolás Guillén, and Jacques Roumain. University of Missouri Press, 2003.

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Jacques Roumain et Haïti: La mission du poète dans la cité. Harmattan, 2011.

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Philippe, Bernard. Rêve et littérature romanesque en Haïti: De Jacques Roumain au mouvement spiraliste. L'Harmattan, 2003.

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Fundación Global Democracia y Desarrollo. Jacques Roumain: Primer centenario de su nacimiento, 4 de junio de 1907-4 de junio de 2007 = Jacques Roumain : premier centenaire de sa naissance, 4 de juin de 1907-4 de juin 2007. Fundación Global Democracia y Desarrollo, 2007.

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Saint-Natus, Clotaire. Gouvènman sous dlo a: Granchimen lawouze douvanjou : powèm nèg k ap chache dlo a sou tet sous la : pou Jacques Roumain, Nèg Konsekan. [s.n.], 2007.

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Book chapters on the topic "Jacques Roumain"

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Fleischmann, Ulrich. "Roumain, Jacques." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17661-1.

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Fleischmann, Ulrich. "Roumain, Jacques: Das lyrische Werk." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17662-1.

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Fleischmann, Ulrich. "Roumain, Jacques: La montagne ensorcelée." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17663-1.

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Fleischmann, Ulrich. "Roumain, Jacques: Gouverneurs de la rosée." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17664-1.

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Ehlers, Sarah. "Lyric Internationalism." In Left of Poetry. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469651286.003.0007.

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This chapter considers Haitian communist poet Jacques Roumain and his reception in the United States. Analyzing the production, circulation, and reception of Roumain’s writings and his authorial persona, the chapter explores several connected variants of a communist internationalism that is imagined through the idea of “lyric,” or “lyricism,” and it demonstrates how such international imaginaries are tied to different conceptions of history. The chapter begins by sketching the import of Roumain as a figure for U.S. radicals. It then turns to Roumain’s friendship with Langston Hughes, showing how the exchange of poems between the two allows critics to move beyond straightforward historical accounts that show how radical African American artists and intellectuals referred to Haiti’s revolutionary past in their protests against Jim Crow policies, colonial occupations, and the rise of fascism in Europe. I argue that Roumain and Hughes harness and experiment with the unique temporality of the poetic lyric in order to present black radicalism as a formation unbounded by spatial and temporal borders. The final sections turn to the prose and poetry Roumain composed during his exile in the United States, using it to rearticulate ideas about the relationship of the poetic lyric to historical praxis.
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Etherington, Ben. "The Question of Representation." In Literary Primitivism. Stanford University Press, 2017. http://dx.doi.org/10.11126/stanford/9781503602366.003.0004.

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Chapter 4 reconsiders the question of primitivist representation in light of the theoretical and historical arguments presented in Chapters 1 through 3. Discussing works by Emil Nolde, D. H. Lawrence, Langston Hughes, and Jacques Roumain, it argues that primitivism has an inherent tendency to transcend any fixed notion or representation of the primitive, and that it is the work itself that must produce the sought-for primitive experience. Thus we find a vacillation between concrete representations of “primitive” remnants and an abstracted, nonspecific ideal of the primitive to come.
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Prat, Michel. "Paysans et rebelles, l’indigénisme dans Diab’-la de Joseph Zobel et Gouverneurs de la rosée de Jacques Roumain." In En quête d’une litté-rupture : imaginaire et modernité. Presses Universitaires de Bordeaux, 2010. http://dx.doi.org/10.4000/books.pub.20678.

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Britton, Celia. "Restoring Lost Unity in Jacques Roumain’s Gouverneurs de la rosée." In The Sense of Community in French Caribbean Fiction. Liverpool University Press, 2009. http://dx.doi.org/10.5949/liverpool/9781846311376.003.0002.

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This chapter explores the central theme of community in a close reading of Jacques Roumain’s Gouverneurs de la rosée. It foregrounds the novel’s embodiment of an ideal of organic community and analyses the act of re-building and restoring communal unity. Britton also looks at the success of Gouverneurs de la rosée, labelling it as one of the founding texts of Caribbean literature, and foregrounds what this means in terms of its consequent influence and power.
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Herbeck, Jason. "Gouverneurs de la … Mangrove." In Architextual Authenticity. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940391.003.0004.

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As a means of illustrating the central albeit conflicted place that issues of authenticity occupy in the French Caribbean, Chapter 3 examines Guadeloupean Maryse Condé’s canonical novel, Traversée de la Mangrove (1989). Consideration of the somewhat heated discussion of Caribbean authenticity prompted by Patrick Chamoiseau’s public reading of Condé’s novel, in evidencing the authors’ stark differences of opinion on the matter, also serves to further inform the fundamentally identitarian dilemmas surrounding the construction of French-Caribbean expression. Subsequent close textual analysis of Traversée de la Mangrove on two distinct architextual and architectural levels illustrates how issues of authenticity are divulged and addressed in the text. Additional consideration of the novel’s architextual properties—in particular with respect to Haitian Jacques Roumain’s Gouverneurs de la Rosée (1944)—leads, in conclusion, to an examination of the architectural significance of the house that Condé’s main character inhabits and in which he undertakes the (metatextual) project of writing a novel entitled Traversée de la Mangrove.
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DODU, Alexandra. "ÉLENA. PHANARIOTES ET ROUMAINS, LE MOTIF DE LA LETTRE DANS LE PREMIER ROMAN FRANCOPHONE." In Scriitori români de expresie străină. Écrivains roumains d’expression étrangère. Romanian Authors Writing in Foreign Tongues. Pro Universitaria, 2021. http://dx.doi.org/10.52744/9786062613242.05.

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Women’s Literature is a field still insufficiently explored in the Romanian cultural space. The honor of having written the first feminine francophone Romanian novel belongs to Constance de Dunka for her book Éléna. Phanariotes and Romanians (1862). The novel, acclaimed in France at the time of its publication, was nevertheless considered by the Romanians to be a minor work (Dunka was even accused of plagiarism). The structure of this novel, which is built upon discoveries, falsifications and thefts of letters, is analyzed here on the basis of the conceptual categories proposed by Jacques Merceron in his book Le message et sa fiction - namely, on the basis of the categories of “the false letter,” “the lying letter” and “the substitute letter.”
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