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Journal articles on the topic 'Jacques Saussure'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

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1

Camarero, Jesús. "Jean-Jacques Rousseau gramatólogo." Çédille 5 (April 1, 2009): 81. http://dx.doi.org/10.21071/ced.v5i.5402.

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Une analyse de l’apport de JeanJacques Rousseau à la théorie de l’écriture et à la grammatologie. Cette analyse contient une comparaison systématique des idées rousseauniennes sur le langage et l’écriture rapportées d’autres théories du XVIIe siècle (Arnauld et Lancelot), du XVIIIe siècle (Condillac, Paillasson, Jaucourt) et du XXe siècle (Saussure). La contraposition des idées de Rousseau et de Saussure en ce qui concerne l’écriture nous permet, en plus, d’expliciter la grande valeur des idées grammatologiques de Rousseau et son rapport à la grammatologie actuelle (Gelb, Derrida, Harris), en
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Ferreira, Nadiá Paulo. "Jacques Lacan: apropriação e subversão da lingüística." Ágora: Estudos em Teoria Psicanalítica 5, no. 1 (2002): 113–31. http://dx.doi.org/10.1590/s1516-14982002000100009.

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O artigo parte das fontes lingüísticas da teoria de Jacques de Lacan, dando destaque aos conceitos de estrutura, sujeito, signo (Ferdinand de Saussure), metáfora e metonímia (Roman Jakobson), visando demonstrar que as transformações operadas nesses conceitos por Lacan separam de forma irreconciliável a psicanálise da lingüística.
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3

Pita Z., Renzo, Roberto Galván S., Amparo Pérez S., Ana Surichaqui L., Nayrovi Vásquez C., and José Ríos A. "Psicoanálisis y Jacques Lacan." Revista de Investigación en Psicología 15, no. 1 (2014): 203. http://dx.doi.org/10.15381/rinvp.v15i1.3680.

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Este trabajo pretende mostrar parte del estudio realizado por el Grupo de psicoanálisis lacaniano de San Marcos, el cual toma como eje el postulado de Lacan el inconsciente se estructura como un lenguaje. Buscamos aquí realizar una primera aproximación a los argumentos que hicieron posible semejante enunciado, así como mostrar las consecuencias que produjo en el psicoanálisis su puesta en práctica. Para ello se hace un recorrido que inicia con una pequeña explicación sobre el lugar que ocupa Jacques Lacan en el psicoanálisis, luego se lleva a cabo un desarrollo sobre la estructura de lenguaje
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Lê, Huy Bắc. "JACQUES DERRIDA VÀ “TRÌ BIỆT” NGÔN TỪ". SCIENTIFIC JOURNAL OF TAN TRAO UNIVERSITY 2, № 4 (2021): 10–16. http://dx.doi.org/10.51453/2354-1431/2016/118.

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Jacques Derrida (1930 - 2004) là người khởi xướng giải cấu trúc. Ông là triết gia có gốc gác Do Thái. Một khái niệm then chốt trong tư tưởng của Derrida là “Trì biệt”. Ông lấy “chữ” làm đối tượng nghiên cứu cho lí thuyết “trì biệt”. Với Derrida, “chữ” có vai trò quan trọng hơn “lời”, vốn là đối tượng nghiên cứu của ngôn ngữ học từ Saussure đến Bakhtin. Trong sự “trì biệt”, nghĩa của chữ sẽ tạo sinh liên tục và vô hạn.
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Pessoa, Marcos Paulo Lopes. "De Saussure a Lacan e vice-versa." Estilos da Clinica 24, no. 3 (2019): 516–17. http://dx.doi.org/10.11606/issn.1981-1624.v24i3p516-517.

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A influência da teoria saussuriana na letra de Jacques Lacan e suas consequências para a psicanálise ainda hoje é tema de grande debate tanto entre psicanalistas como entre linguistas. A presente pesquisa visa reintroduzir tal discussão à luz dos manuscritos de Ferdinand de Saussure conhecidos como De la double essence du langage que se tornaram públicos somente em 1996 e por consequência ignorados por Jacques Lacan. Para isso, partimos da seguinte questão: em tais manuscritos de Saussure, quais são os elementos teóricos – distintos aos do Cours de linguistique générale – que podem justificar
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Caruso, Paolo. "Intervista con Jacques lacan (1966)." PSICOTERAPIA E SCIENZE UMANE, no. 1 (March 2010): 77–96. http://dx.doi.org/10.3280/pu2010-001006.

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Jacques Lacan, in questa intervista concessa a Paolo Caruso nel novembre 1966 subito dopo la pubblicazione degli Écrits, presenta gli aspetti principali del suo pensiero. Tra le altre cose, Lacan discute i seguenti temi: il senso del "ritorno a Freud", la questione del principio di realtŕ, le ragioni della complessitŕ del suo stile linguistico, l'intersoggettivitŕ, la fenomenologia di Sartre, le sue opinioni su altre scuole psicoanalitiche (Melanie Klein, i neofreudiani, la Psicologia dell'Io nordamericana di Hartmann, Kris e Loewenstein) e su autori come Herbert Marcuse e Norman Brown, il pro
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7

Daylight, Russell. "Saussure and the model of communication." Semiotica 2017, no. 217 (2017): 173–94. http://dx.doi.org/10.1515/sem-2016-0038.

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AbstractOne of the less obvious contributions of Saussure is his role in establishing modern communications theory. The sender-message-receiver (SMR) model of communication was developed by Shannon and Weaver (1949, The mathematical theory of communication. Urbana, IL: University of Illinois Press). Within the humanities, it is Roman Jakobson’s version of the SMR model that is most influential. Jakobson’s model creates a methodology for considering such complexities as the sender’s intentions, the context of transmission, metalinguistic codes, the transmission medium, and the relation to the r
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López de Lizaga, José Luis. "Constitución y dislocación: el giro lingüístico en Jacques Derrida." Pensamiento. Revista de Investigación e Información Filosófica 76, no. 289 (2020): 229–50. http://dx.doi.org/10.14422/pen.v76.i289.y2020.001.

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Este artículo examina los argumentos de Jacques Derrida contra la fenomenología de Husserl y a favor de la tesis principal del giro lingüístico: la tesis de que no hay pensamiento sin lenguaje. A continuación se defiende que la disolución derridiana de la subjetividad en el lenguaje no es la consecuencia de afirmar el giro lingüístico como tal, sino del modelo de lenguaje que adopta y radicaliza Derrida: el modelo estructuralista de Ferdinand de Saussure. Finalmente, partiendo de las objeciones de Ricoeur se argumenta que la omisión de la dimensión pragmática del lenguaje (el habla) es la raíz
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Lima, Maria Hozanete Alves de. "No (per)curso de Ferdinand de Saussure a hetero-dimensão é fundante." Cadernos de Estudos Lingüísticos 54, no. 2 (2012): 275–88. http://dx.doi.org/10.20396/cel.v54i2.8636606.

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Este trabalho investiga as marcas de uma hetero-dimensão presente e fundante da epistemologia saussureana. Para tanto, analisaremos de que forma, no Curso de Linguística Geral e nos manuscritos de Ferdinand de Saussure, essa hetero-dimensão é constitutiva do próprio funcionamento lingüístico e os efeitos que ela promove no curso teórico do lingüista genebrino. Nosso trabalho segue de perto as leituras sobre a obra de Saussure trilhada por Milner (1987; 1989), Bouquet (1999), Normand (2000) e, até mesmo, o próprio psicanalista Jacques Lacan (1998). Nossos estudos se concentram em dois pontos fu
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Lery-Lachaume, Marie-Lou Thérèsa Mariette. "Para além do signo “saussuriano”." Cadernos de Estudos Lingüísticos 61 (February 13, 2019): 1–11. http://dx.doi.org/10.20396/cel.v61i1.8653668.

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Trata-se de examinar em que medida a descoberta de um “outro Saussure” permite também reatualizar a recepção/circulação dos conceitos fundamentais da linguística moderna, focando-se na noção flutuante e enigmática de signo de Jacques Lacan no início dos anos 1970. Enquanto Lacan, nesse período, parece romper tanto com os paradigmas tradicionais da linguística estruturalista, quanto com o conceito (pós-)saussuriano de signo, a hipótese proposta nesse trabalho é que a psicanálise nunca se encontrou tão íntima da conceituação (proto-)saussuriana do signo. Entre rabiscos, riscas e risco teórico, p
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Gerdesits, Pál. "Ki vagyok én? - Szárnyas fejvadász 2049." Kaleidoscope history 10, no. 21 (2020): 307–12. http://dx.doi.org/10.17107/kh.2020.21.307-312.

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My essay focuses on the ontological crisis articulated in the film Blade Runner 2049, the sequel for Ridley Scott’s Blade Runner. This film is based on the conflict between humans and androids called replicants who would like to live equally to humans. In my opinion the root of their opposition lies on the inability to give a proper definition of what we normally call ‘human’. In this writing I present and analyse the nature of this conflict and also the philosophical questions (representation, freedom, self-identity etc.) arising from it based on the ideas of philosophers like Michel Foucault
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12

Rod, Jan Ketil. "How The Monosemic Graphics Go Polysemic." Cartographic Perspectives, no. 38 (March 1, 2001): 7–18. http://dx.doi.org/10.14714/cp38.792.

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This paper is a reflection on the semiological tradition after Saussure. The focus here is cartographic. In 1967 Jacques Bertin presented the semiology of graphics, which has had an extensive influence on cartography. Bertin claimed graphics (diagrams, networks and maps) to be a monosemic sign system because graphics transcribe relationships that are previously defined in a data table. This premise is critically revisited regarding maps, resulting in the conclusion that diagrams and networks might be monosemic representations while statistical maps cannot. Polysemy is introduced in statistical
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13

Vidal, Paulo Eduardo Viana, and Angélica Bastos. "O PASSO DO PARMÊNIDES." Ágora: Estudos em Teoria Psicanalítica 20, no. 1 (2017): 9–20. http://dx.doi.org/10.1590/s1516-14982017001001.

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Resumo: O presente trabalho objetiva mostrar como, para elaborar uma lógica pautada na não relação e independente de uma ontologia, Jacques Lacan procedeu a uma leitura do Parmênides de Platão. Partimos de duas referências fundamentais ao diálogo platônico no ensino do psicanalista e, com recurso aos textos do linguista Ferdinand de Saussure e de psicanalistas, pensadores e estudiosos do tema, passamos ao operador Há d'Um forjado por Lacan. Serão discutidas a função de nomeação na cadeia borromeana e a não relação sexual. Duas hipóteses do diálogo platônico acerca da unidade do múltiplo serão
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Silva, Renato Rodrigues da. "Os Objetos ativos de Willys de Castro." Estudos Avançados 20, no. 56 (2006): 253–68. http://dx.doi.org/10.1590/s0103-40142006000100017.

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WILLYS DE CASTRO desenvolveu os Objetos ativos (1959-1962) durante o período neoconcreto. A partir da lingüística de Ferdinand de Saussure e do conceito de "desconstrução" de Jacques Derrida, este artigo defende que a originalidade dessa série de objetos encontra-se na inscrição de "signos". Assim, a análise visual e semântica da descoberta do artista - tais como o "motivo positivo-negativo" e a ênfase na tridimensionalidade do suporte, realizadas em Soma entre planos I (1959), Objeto ativo de 1959, Objeto ativo de 1960 e Objeto ativo de 1962 - demonstra que esses signos representam mudanças s
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BECERRA FUQUEN, FABIÁN. "La noción de lenguaje en jacques lacan: del Signo lingüístico en saussure al algoritmo Saussureano en lacan." Revista Filosofía UIS 16, no. 1 (2017): 179–92. http://dx.doi.org/10.18273/revfil.v16n1-2017009.

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MURCE FILHO, NEWTON FREIRE. "Jogos verbais em um livro ilustrado: competência literária e ensino." Educação em Revista 21, no. 01 (2020): 59–74. http://dx.doi.org/10.36311/2236-5192.2020.v21n01.05.p59.

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Este estudo consiste na análise de um livro ilustrado que apresenta e sugere ao leitor divertidos e espirituosos jogos verbais, brincadeiras com as palavras, bem como uma mistura entre línguas. Esses jogos funcionam como uma espécie de convite à criação, por parte do leitor, à medida em que este aprecia e se diverte com a obra. A análise apresenta os modos como se estabelecem a criação e o funcionamento linguístico desses jogos de linguagem, que constituem um adorável exercício de alteridade linguística e de inovação. Argumenta-se que esse exercício pode contribuir significativamente para a co
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17

Merkle, Denise. "(Ré)écriture du discours psychanalytique lacanien en traduction." TTR : traduction, terminologie, rédaction 11, no. 2 (2007): 107–30. http://dx.doi.org/10.7202/037337ar.

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Résumé (Ré)écriture du discours psychanalytique lacanien en traduction — Cette étude se veut une réflexion sur l'apport de la réécriture des textes psychanalytiques de Jacques Lacan à la réception de sa pensée. Jean-René Ladmiral est d'avis que les textes psychanalytiques « difficiles », de même que les textes philosophiques « profonds » et « obscurs », se prêtent mal à une seule interprétation, invitant ainsi « plusieurs traductions ». Ces traductions différentes découlent inévitablement des lectures multiples résultant d'une riche intertextualité qui s'inspire de plusieurs disciplines : la m
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Godoi, Bernardo Sollar. "A lógica do significante como um método de pesquisa em psicanálise." Estudos Interdisciplinares em Psicologia 11, no. 3 (2020): 196. http://dx.doi.org/10.5433/2236-6407.2020v11n3p196.

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A pesquisa em psicanálise é um tema recorrentemente debatido e possui um já extenso histórico no contexto brasileiro. Este texto parte de uma discussão a respeito desse tema, mais especificamente, de uma discussão suscitada pelo texto Pesquisa de tipo teórico, de Luiz Alfredo Garcia-Roza, acerca da utilização do significante como modalidade própria de pesquisa psicanalítica. Para trabalhar tal questão, foram abordados os fundamentos do conceito de significante de Ferdinand de Saussure, bem como a sua passagem para a psicanálise, com o trabalho de Jacques Lacan. Com a elaboração da teoria do si
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GUNDERSON, BRIAN J. "Language in the times of The Absent City: Competing for the Creation of the Master Narrative in Times of Repression in Buenos Aires." Michigan Academician 43, no. 3 (2016): 366–79. http://dx.doi.org/10.7245/0026-2005-43.3.366.

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ABSTRACT The Absent City (2000), by Ricardo Piglia, is a detective novel that narrates the transition of Argentina from an authoritarian regime to a democracy. Piglia employs language as a major point of contention in the novel between the governing elite and a group of anarchists. The battle over cultural production and the creation of one Master Narrative versus multiple truths hinges upon “the Eva machine,” a device that transmits memories and re-produced texts to the Argentine masses telepathically. This paper studies language with aid from some of the major founding fathers of linguistics
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Anggraeni, Suci. "Semiotik & Dinamika Sosial Budaya: Ferdinand de Saussure, Roland Barthes, Julia Kristeva, Jacques Derrida, Charles Sanders Peirce, Marcel Danesi & Paul Perron, dll." Metalingua: Jurnal Penelitian Bahasa 15, no. 1 (2018): 127. http://dx.doi.org/10.26499/metalingua.v15i1.160.

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Manusia adalah makhluk yang selalumencari makna dari berbagai hal yang ada disekitarnya. Oleh karena itu, manusia dapatdisebut sebagai homo signans (Danesi danPerron 1999 dalam Hoed 2014). Dalam hal inimanusia dipandang memiliki kemampuan untukmemberikan makna pada berbagai gejala sosialbudaya dan gejala alamiah. Dengan demikian,dapat disimpulkan bahwa tanda adalah bagiandari kebudayaan manusia (Hoed, 2014).
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Yusuf, Akhyar. "Paradigma Ilmiah pada Ilmu Sosial-Budaya Kontemporer." Paradigma, Jurnal Kajian Budaya 1, no. 2 (2016): 105. http://dx.doi.org/10.17510/paradigma.v1i2.8.

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<p>An American philosopher, Thomas Samuel Kuhn (1922-1996) in his books, The Structure of Scientific Revolution (1962) and The Essential Tension; Selected Studies in Scientific Tradition and Change (1977) poses a paradigm of a universal foundation of science which uses a common fact, method, language and criteria. He does not think that even in the realm of the natural sciences, there are differences, more so that there is a paradigm in the humanities including the arts and literature. Kuhn, however, has established a new paradigm for the philosophy of science which he called “the sociol
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Muzakki, Akhmad. "Signifikansi: Proses Pencarian Makna Terhadap Teks-teks Agama (Menyibak Pemikiran Nasr Hamid Abu Zaid)." ULUL ALBAB Jurnal Studi Islam 5, no. 2 (2018): 65–75. http://dx.doi.org/10.18860/ua.v5i2.6159.

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Naturally, said Gadamer, word belongs to and is taken from reality. Human being looks for appropriate words as form of expression for reality. Ontologically, language created by human being is not only as a means of communication and thinking, but rather it is seen as the manifestation of reality, while they are articulating that language. Therefore, the meaning of a word is in the concept of thought. In the linguistic theory of Saussure, a word is a sign related to signifiant (which gives meaning) and signifie (which is given meaning). The signifiant gives form or expression while signifie co
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Slabakova, Roumyana. "TENSE, MOOD AND ASPECT: THEORETICAL AND DESCRIPTIVE ISSUES. Louis de Saussure, Jacques Moeschler, and Genoveva Puskas (Eds.). New York: Rodopi, 2007. Pp. vii + 239. $70.00 paper." Studies in Second Language Acquisition 30, no. 4 (2008): 543–44. http://dx.doi.org/10.1017/s0272263108080789.

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Wall, Gina. "Writing the world: photographing the text of the landscape." Excursions Journal 1, no. 1 (2019): 123–42. http://dx.doi.org/10.20919/exs.1.2010.131.

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I am engaged in a practice led thesis, which has been challenged and shaped by thinkers in the fields of critical theory and philosophy. Although I work in dialogue with these theorists, I am principally a visual practitioner who is most at home with traditional, wet process photography.I began with a general concern regarding my own resistance to landscape photography as the depiction of the view, which has led me to question the persistence of the (illusion of) the unified photographic moment. My visual process, which began quite simply as a reaction against the pervasiveness of the view in
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Wandalibrata, Martua Pahalaning. "Kajian Metafisika “Relasi Kuasa” Dalam Pemikiran Michel Foucault." Jurnal Ilmiah Cakrawarti 2, no. 1 (2020): 61–69. http://dx.doi.org/10.47532/jic.v2i1.121.

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Foucault was the first philosopher after World War II who spoke of Nietzscheas a serious political philosopher. For him all kinds of truth claims are interpretations ofa world, which do not really exist as something ahistorical. Three important factors thatinfluence Foucault’s young thinking are, First, the history and philosophy of the Frenchschool of knowledge which was then influenced by the thoughts of Georges Canguilhemwho had many thoughts about the history and philosophy of biology. Second, the linguisticstells Ferdinand de Saussure and structuralist psychology developed by Jacques Laca
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Larrivee, Pierre. "Louis de Saussure, Jacques Moeschler et Genoveva Puskas (Cahiers Chronos 19). Études sémantiques et pragmatiques sur le temps, l'aspect et la modalité. Amsterdam: Rodopi, 2007, 198 pp. 978-90-420-2308-6. Pb €40.00." Journal of French Language Studies 21, no. 2 (2011): 278–79. http://dx.doi.org/10.1017/s0959269511000366.

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Beshara, Robert K. "Psychoanalysis, Clinic and Context: Subjectivity, History and Autobiography." Language and Psychoanalysis 8, no. 2 (2019): 80–84. http://dx.doi.org/10.7565/10.7565/landp.v8i2.1600.

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Structure was a key signifier, and a logical quilting point, informing Jacques Lacan’s return to Freud, which amounted to his reinvention of the unconscious as structured like a language. Lacan read, and reinvigorated, Sigmund Freud’s classic texts primarily through the lenses of Ferdinand de Saussure’s structural linguistics and Claude Lévi-Strauss’s structural anthropology—not mentioning Hegelianism (via Kojève), surrealism, and mathematics as other equally important lenses. The structure of subjectivity was the central question for both Freud and Lacan. While the former understood psychic s
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Antipenko, L. G. "Natural science assessment of postmodern approach to linguistics and literary creativity." Язык и текст 5, no. 2 (2018): 14–23. http://dx.doi.org/10.17759/langt.2018050203.

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There are two lines of ascent to understanding the essence of the word and language. One line is gnoseological, it can be represented as a line that goes from the sensual perception to the representation, from the representation to the concept, from the concept to the idea. It has been brilliantly designed by the outstanding Russian linguist A. A. Potebnya. The second line leads from top to bottom, the beginning of it is to be just Platonic idea. This line could now be called an ontological line, taking into account its explication by Martin Heidegger΄s fundamental ontology. The article shows
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Artmann, Stefan. "Three types of semiotic indeterminacy in Monod’s philosophy of modern biology." Sign Systems Studies 30, no. 1 (2002): 149–61. http://dx.doi.org/10.12697/sss.2002.30.1.09.

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Synthesizing important research traditions in information theory, structuralist semiotics, and generative linguistics, at least three main types of semiotic indeterminacy must be distinguished: Kolmogorov’s notion of randomness defined as sequential incompressibility, de Saussure’s principle of contingency of sign which ensures the possibility of translation between different sign systems, and Chomsky’s idea of indefiniteness in generative mechanisms as a requirement for the explanation of semiotic creativity. These types of semiotic indeterminacy form an abstract system useful for the descrip
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Calvet, Louis-Jean. "Lacan et l’écriture chinoise : un inconscient structuré comme une écriture ?" Nouvelles perspectives en sciences sociales 9, no. 1 (2014): 269–86. http://dx.doi.org/10.7202/1024045ar.

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À la veille d’un voyage en Chine qu’il devait entreprendre en 1974, et qu’il ne fera pas, Jacques Lacan aurait, selon plusieurs témoignages, dit qu’il voulait étudier l’inconscient chinois qui serait structuré comme une écriture. À partir de cette formule on présentera d’abord les rapports entretenus par le psychanalyste avec le signe saussurien, les énantiosèmes et les anagrammes. D’autre part, Lacan avait étudié le chinois et il avait en outre travaillé au début des années 1970 avec François Cheng sur des textes classiques (Laozi, Mencius, Shitao). Il était donc parfaitement placé pour s’int
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Shafieyan, Mahdi. "Derrida’s Shadow in the Light of Islamic Studies." American Journal of Islamic Social Sciences 32, no. 2 (2015): 50–67. http://dx.doi.org/10.35632/ajiss.v32i2.266.

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Jacques Derrida believed that metaphysics in the West has involved installing hierarchies, orders, and binaries in which one party enjoys the presence of a feature that the other party wants. Every succession relies on the idea of originariness, and thus the identity of the latter depends upon the former, for the presence of one element takes priority to its absence. This is how a binary opposition comes to being. Although basing his ideas on Saussure’s philosophy of language, Derrida objected to the latter’s “binary opposition” on the grounds that the interpretations predicated on this though
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HOOPER, GILES. "A Sign of the Times: Semiotics in Anglo-American Musicology." Twentieth-Century Music 9, no. 1-2 (2012): 161–76. http://dx.doi.org/10.1017/s1478572212000242.

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AbstractThis article provides a critical account of the appropriation of semiotics in Anglo-American musicology, its theoretical and discursive foundations, and its impact on the discipline in the period from the mid-1970s to the present. Starting out from the work of Jean-Jacques Nattiez and Philip Tagg in the 1970s, it traces two principal approaches in music semiotics, here termed the ‘structural–analytical’ and the ‘semantic–interpretative’, which draw in significant measure on, respectively, the Saussurean and Peircean legacies. Both differences of musicological tradition and the wider st
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Shafieyan, Mahdi. "Derrida’s Shadow in the Light of Islamic Studies." American Journal of Islam and Society 32, no. 2 (2015): 50–67. http://dx.doi.org/10.35632/ajis.v32i2.266.

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Jacques Derrida believed that metaphysics in the West has involved installing hierarchies, orders, and binaries in which one party enjoys the presence of a feature that the other party wants. Every succession relies on the idea of originariness, and thus the identity of the latter depends upon the former, for the presence of one element takes priority to its absence. This is how a binary opposition comes to being. Although basing his ideas on Saussure’s philosophy of language, Derrida objected to the latter’s “binary opposition” on the grounds that the interpretations predicated on this though
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Cherrier, Pierre, Sebastian Lentz, Jana Moser, and Laura Pflug. "Maps under the global condition: a new tool to study the evolution of cartographic language." Abstracts of the ICA 1 (July 15, 2019): 1–4. http://dx.doi.org/10.5194/ica-abs-1-44-2019.

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<p><strong>Abstract.</strong> Maps are a means of communication with their own language. This contribution makes a methodological proposal for a tool for to analyse the cartographic language of thematic maps and atlases. Based on the work of Jacques Bertin and on approaches of the Visual Studies, this methodology works on decoding maps in terms of their basic elements, the signs and graphic objects that compose them. As a tool it should allow comparative research on cartographic productions, both, synchronically and diachronically. It suggests two analytical schemes, one for
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Harvey, Francis. "A dialectical approach to the systematic analysis of geovisual communication using Bertin’s visual variables." Abstracts of the ICA 1 (July 15, 2019): 1. http://dx.doi.org/10.5194/ica-abs-1-107-2019.

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<p><strong>Abstract.</strong> This presentation presents a dialectical approach for the analysis and synthesis of geovisual communication systems using the graphic variables of Jacques Bertin as the primary analytical structure. This approach to studying geovisual communication accounts for its dynamics and interaction. It builds primarily on semiotic concepts advanced by Roland Barthes and Umberto Eco that emphasize the interactions between author and reader and the cultural circulation of knowledge. It relies on a Kantian critical epistemology to move beyond an instrumental
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Andrade, Péricles. "Gramatologia versus estruturalismo: a crítica de Derrida à Saussure e Lévi-strauss." Revista TOMO, October 10, 2002. http://dx.doi.org/10.21669/tomo.v0i0.4994.

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Este artigo apresenta uma síntese da crítica a de Jacques Derrida a Ferdinand Saussure (1857-1913) e Claude Levi-Strauss (nascido em 1908) com a formulação do método desconstrutivista e da noção de differance. O trabalho está dividido em três partes. Na primeira faz-se uma introdução ao pensamento estruturalista. Em seguida enfoca-se a formação da "escola" pós-estruturalista. Por fim, demonstra­se a vinculação de Derrida a esta última linha de pensamento e suas críticas ao estruturalismo.
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Bravo, María Teresa. "Retórica del duelo: el problema de la voz en Jacques Derrida." Perspectivas Metodológicas 9, no. 9 (2009). http://dx.doi.org/10.18294/pm.2009.486.

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ResumenEn los textos escritos durante la década del ochenta para los amigos y maestrosmuertos, Derrida vincula voz y alteridad de una manera inédita en su #losofía.En trabajos como De la gramatología y La voz y el fenómeno, la voz es entendida como phoné, como voz de la voz, índice inequívoco de alogocentrismo y perteneciente a la historia de la metafísica de la presencia. Con Memorias para Paul de Man y Psyché esto cambia. Derrida comienza a pensar la voz en términos de voix y a vincularla con la tanatoheterografía y la retórica, entendiendo a esta última como posibilidad de un pensamiento de
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Garcia, Maria José Guerra Figueiredo. "Em busca do conceito de valor." CASA: Cadernos de Semiótica Aplicada 1, no. 2 (2008). http://dx.doi.org/10.21709/casa.v1i2.627.

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Este artigo analisa o modelo semiolingüístico, enfocando especificamente o conceito de valor. O conceito semiolingüístico de valor é aqui definido como um sintagma composto por três paradigmas: lingüístico, antropológico e tímico-tensivo. Para desenvolver esta análise do conceito de valor, assumimos um percurso diacrônico pontuado por autores cujas obras marcam decisivamente a construção do modelo aqui utilizado. Assim, partimos de Saussure e Hjelmslev, chegamos a Greimas e incorporamos valiosas contribuições de Denis Bertrand, Jacques Fontanille e Claude Zilberberg. Descrevemos também algumas
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Marques Granato, Fernanda, and Vera Bastazin. "On the edge of sense: nonsense and paradox in Edward Lear’s and Qorpo Santo’s selected works." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 74, no. 1 (2021). http://dx.doi.org/10.5007/2175-8026.2021.e71878.

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In this article, we delineate the relationship between nonsense, opposition and paradox in selected excerpts of the works of Edward Lear (1812-1888) and Qorpo Santo (1829-1883), considering nonsense and paradox in the light of the theories proposed mainly by Gilles Deleuze and Charles Ogden and secondarily by Jean Jacques Lecercle, Wim Tigges and Ferdinand Saussure. This article seeks to understand the relationship between sense and nonsense in relation to the way these theorists articulate the productive tension that exists between other kinds of binary relationships. Research carried out abo
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Pederin, Ivan. "Balthasar Hacquet, prvi folklorist i etnolog hrvatskih krajeva." Radovi. Razdio lingvističko-filološki 11, no. 7 (2018). http://dx.doi.org/10.15291/radoviling.2347.

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Znanstveni pristup prirodi u XVIII stoljeću iz temelja je promijenio stil i kompoziciju putopisa u evropskoj književnosti. Među najvažnija djela koja su odredila putopis XVIII st. spadaju djela Georgia Louisa Leclerca de Buffon (1707—-1788) Histoire naturelle i Epoques de la nature (1749—1789), koja se danas smatraju poče- cima geologije. Samu geologiju uzdigao je do samostalne znanstve- ne discipline frajburški profesor A. G. Werner (1750—1817), Sva ta djela plod su raspoloženja stoljeća koje se oduševljavalo pri- rodom. Godine 1729. švicarski učeni wunderkind, liječnik i bota- ničar Albrecht
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DEVRAN, Yusuf, and Ömer Faruk ÖZCAN. "Dil, Nihilizm ve Televizyon." Fall 2019 10, no. 39 (2020). http://dx.doi.org/10.5824/ajit-e.2019.4.006.

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Anlamın ne olduğu farklı disiplinlerde çalışan araştırmacıların cevabını aradığı en önemli sorulardan biri olmuştur. Anlamın ne olduğu ve nasıl inşa edilebileceği sorusunu soran Ferdinand de Saussure, Roland Barthes, Julia Kristeva, Jacques Derrida ve Friederich Nietzsche gibi Batılı kimi dilbilimciler ve felsefeciler göstergeden başlayarak varlık, metin ve okuyucuya kadar uzanan konularda önemli tartışmalar yapmışlardır. Neticede bu uzun serüven nihilizme kadar uzanmıştır. İşte bir makalenin sınırlı kapsamında, bu serüven bazı boyutlarıyla ortaya konulmakta; dili oluşturan göstergelerin nasıl
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Tofts, Darren, and Lisa Gye. "Cool Beats and Timely Accents." M/C Journal 16, no. 4 (2013). http://dx.doi.org/10.5204/mcj.632.

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Ever since I tripped over Tiddles while I was carrying a pile of discs into the studio, I’ve known it was possible to get a laugh out of gramophone records!Max Bygraves In 1978 the music critic Lester Bangs published a typically pugnacious essay with the fighting title, “The Ten Most Ridiculous Albums of the Seventies.” Before deliciously launching into his execution of Uri Geller’s self-titled album or Rick Dees’ The Original Disco Duck, Bangs asserts that because that decade was history’s silliest, it stands to reason “that ridiculous records should become the norm instead of anomalies,” tha
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