Relevant bibliographies by topics / Jacques yves

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Academic literature on the topic 'Jacques yves'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Jacques yves"

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Cans, Roger. "Jacques-Yves Cousteau (1910-97)." Nature 388, no. 6640 (1997): 334. http://dx.doi.org/10.1038/40994.

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Steven C. Latta. "Birds of Cuba: A Photographic Guide." Journal of Caribbean Ornithology 34 (June 16, 2021): 57–58. http://dx.doi.org/10.55431/jco.2021.34.57-58.

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BIRDS OF CUBA: A PHOTOGRAPHIC GUIDE—Arturo Kirkconnell, Patricia E. Bradley, and Yves-Jacques Rey-Millet. 2020. Comstock Publishing Associates, Ithaca, New York. 384 pages. ISBN 9781501751561. $32.95.
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Crosson, Frederick J. "Introduction to “Law and Liberty” by Yves R. Simon." Review of Politics 52, no. 1 (1990): 105–18. http://dx.doi.org/10.1017/s0034670500048294.

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Yves R. Simon was a French-born philosopher who studied with Jacques Maritain, came to America just before the Second World War, taught at the University of Notre Dame and then at the University of Chicago. He died in 1961. Perhaps his best known work is the Philosophy of Democratic Government, published in 1951 and still in print.
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Féron, François-Xavier. "La Tzadik French Connection : entretiens avec sept artistes français produits par John Zorn." Circuit 25, no. 3 (2016): 79–94. http://dx.doi.org/10.7202/1034500ar.

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Comment un artiste est-il amené à être produit par John Zorn sur Tzadik ? De quelle manière se déroulent les différentes étapes de production et réalisation de son album ? Quel regard porte-t-il, à travers sa propre expérience, sur le slogan de la maison de disques : « What you hear on Tzadik is the artist’s vision undiluted » ? Pour répondre à ces quelques interrogations, nous avons enquêté auprès de sept musiciens français qui ont publié un ou plusieurs albums sur Tzadik : Jacques Coursil, Maxime Delporte (Stabat Akish), David Konopnicki (AutorYno), Pierre-Yves Macé, Guillaume Perret (Electr
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Fafara, Richard J. "Correspondance Jacques Maritain—Yves Simon, 1927–1940, Les Années Françaises." American Catholic Philosophical Quarterly 85, no. 2 (2011): 349–50. http://dx.doi.org/10.5840/acpq201185222.

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Launey, Stéphane. "Jacques-Yves Cousteau, officier de marine et cinéaste (1930-1950)." Revue Historique des Armées 284, no. 3 (2016): 111–19. http://dx.doi.org/10.3917/rha.284.0111.

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Thiel, Marie-Jo. "Pierre-Yves Brandt, Jacques Besson (éd.), Spiritualité en milieu hospitalier." Revue des sciences religieuses, no. 91/2 (April 1, 2017): 300–302. http://dx.doi.org/10.4000/rsr.3994.

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Borde, Hubert. "À l’école de la démocratie américaine. Jacques Maritain et Yves Simon." Commentaire Numéro163, no. 3 (2018): 627. http://dx.doi.org/10.3917/comm.163.0627.

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Nicgorski, Walter. "Yves R. Simon: A Philosopher's Quest for Science and Prudence." Review of Politics 71, no. 1 (2009): 68–84. http://dx.doi.org/10.1017/s0034670509000060.

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AbstractThis essay treats the inspiration and nature of Yves Simon's philosophical life. His embrace of that life was importantly shaped by his engagement with the republican tradition in France, his passionate opposition to the fascist threat to France, and his later attachment to the aspirations of American democracy. However, his early philosophical interests took direction and inspiration from his encounter with Jacques Maritain who drew him to Thomism. His devotion to the truth was fierce, and he confronted honestly the threats to this defining quality of philosophical life from the press
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Gauvreau, Danielle. "Jacques HENRIPIN et Yves MARTIN (dirs), La population du Québec d'hier à demain." Recherches sociographiques 33, no. 3 (1992): 467. http://dx.doi.org/10.7202/056713ar.

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Dissertations / Theses on the topic "Jacques yves"

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Quéré-Dessus, Emmanuelle. "La notion de bestiaire dans la littérature romanesque québecoise contemporaine chez Anne Hébert, Jacques Poulain, Yves Beauchemin et Michel Tremblay." Bordeaux 3, 2010. http://www.theses.fr/2010BOR30013.

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La notion de « bestiaire » a connu ses lettres de noblesse durant le Moyen Age et doit se comprendre dans sa définition la plus simple à savoir qu'un bestiaire est un recueil de textes sur les animaux considérés comme réels tels qu'ils apparaissent dans La Bible. Au fil des siècles, cette notion n'a cessé de s'enrichir, de s'étoffer. Cette présente étude tente d'expliquer de quelle manière ce terme - le bestiaire - peut désigner un aspect de la littérature romanesque québécoise contemporaine à travers la lecture approfondie de quatre de ses auteurs: Anne Hébert, Jacques Poulin, Yves Beauchemin
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Lloze, Évelyne. "Poésie et humilité : approches de Reverdy, Bonnefoy, Jaccottet et Dupin." Lille 3, 1991. http://www.theses.fr/1991LIL30013.

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Dans un siècle où l'être a pris conscience de son incomplétude et de son dénuement, où l'homme reste malgré tout aux prises avec la finitude et l'indicible, certaines voix s'élèvent dans la poésie, qui semblent tracer pour l'être une voie vers la vérité, et s'évertuent à redonner un sens au monde. Ainsi s'est-on attaché ici à analyser sous un angle à la fois stylistique, thématique et philosophique, certaines des oeuvres les plus représentatives de Reverdy, Bonnefoy, Jaccottet et Dupin qui, chacun à leur manière, en poètes-"ignorants" en quête de "présence" privilégient l'humilité d'un dire du
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Joyeux, Hélène. "Un certain "esprit de collection" : les collectionneurs d'art français du monde de la mode (XXe-XXIe siècles)." Thesis, Paris 1, 2020. http://www.theses.fr/2020PA01H040.

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Depuis l’invention de la haute couture à la fin du XIXème siècle, jusqu’à aujourd’hui, le milieu de la mode est l’un des secteurs professionnels qui concentre le plus de collectionneurs. Dès lors, on peut se demander s’il existe un collectionnisme propre aux collectionneurs du milieu de la mode, et si tel est le cas, comment il s’est structuré et de quelle façon il a évolué. Si celui-ci est le premier axe choisi pour rendre compte de ces relations, il n’est pas le seul car il ne peut se comprendre sans aborder, plus largement, d’autres formes de collaborations entre les acteurs de ces milieux.
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Taddei, Edith. "La noblesse provinciale du XVIe siècle à travers "Les propos rustiques" de Noël Du Fail, "Le printemps" de Jacques Yver et "Les nouvelles histoires tant tragiques que comiques" de Vérité Habanc." Paris 3, 1992. http://www.theses.fr/1993PA030089.

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Méthodologiquement, nous choisissons de réconcilier la critique référentielle, qui s'appuie sur la réalité historique représentée dans le texte littéraire, et la critique esthétique qui conçoit celui-ci comme issu d'un fonds archétypal. Notre objectif est alors de démontrer qu'au-delà des références à l'histoire passée et contemporaine, immédiatement décelables, la structure de trois recueils de nouvelles écrits par des gentilshommes provinciaux est investie d'un message idéologique. Ceci en recourant à des traditions littéraires qu'ils observent ou aménagent. L'étude des prologues, lieux où l
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Cordell, Claire Jane. "Le role du jardin et du paysage dans trois recueils de nouvelles du XVIe siecle." Thesis, 2014. http://hdl.handle.net/10210/9686.

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M.A. (French)<br>This study examines the Comptes amoureux, Le Printemps and L'Esté, three frame novels of the sixteenth century in which the setting plays an important rôle. The setting in both the framework and the seven interpolated tales of the Comptes amoureux by Jeanne Flore is largely responsible for their thematic cohesion. Since parts of the volume have been lost, a garden is the only remaining setting in which the storytellers are presented. The garden constitutes a charming spot, containing many features traditionally encountered in descriptions of literary pleasances, including a pr
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Books on the topic "Jacques yves"

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Sinnott, Susan. Jacques-Yves Cousteau. Childrens Press, 1992.

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Maritain, Jacques. Jacques Maritain, Yves Simon: Correspondance. CLD, 2008.

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Bankston, John. Jacques-Yves Cousteau: His story under the sea. Mitchell Lane Publishers, 2003.

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Bankston, John. Jacques-Yves Cousteau: His story under the sea. Mitchell Lane Publishers, 2001.

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Fondation Pierre Bergé-Yves Saint Laurent, ed. Jacques Doucet, Yves Saint Laurent: Vivre pour l'art. Flammarion, 2015.

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Markham, Lois. Jacques-Yves Cousteau: Exploring the wonders of the deep. Raintree Steck-Vaughn, 1997.

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Roman, Radu Anton. În Deltă cu Jacques-Yves Cousteau: Un fel de jurnal. Paideia, 2001.

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Sirois, Antoine. Lecture mythocritique du roman québécois: Anne Hébert, Jacques Ferron, Jacques Poulin, Gabrielle Roy, Yves Thériault. Éditions Triptyque, 1999.

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Munson, Richard. Cousteau, the captain and his world. W. Morrow, 1989.

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D, Torre Michael, ed. Freedom in the modern world: Jacques Maritain, Yves R. Simon, Mortimer J. Adler. American Maritain Association, 1989.

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Book chapters on the topic "Jacques yves"

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Erdős, László. "Jacques-Yves Cousteau – In Awe of the Oceans." In Green Heroes. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-31806-2_26.

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Weaver, Stewart A. "Epilogue: Final frontiers?" In Exploration: A Very Short Introduction. Oxford University Press, 2015. http://dx.doi.org/10.1093/actrade/9780199946952.003.0008.

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‘Epilogue: Final frontiers?’ considers undersea and space exploration. Jacques-Yves Cousteau claimed the oceans were the last frontier of our planet. The Cold War race to the moon took exploration into space. Are these the final frontiers? For all the different forms it takes in different historical periods, for all the worthy and unworthy motives that lie behind it, exploration—travel for the sake of discovery and adventure—seems to be a human compulsion, a human obsession even; it is a defining element of a distinctly human identity, and it will never rest at any frontier, whether terrestrial or extraterrestrial.
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Lowenfeld, Andreas F. "The Environment and International Economic Law." In International Economic Law. Oxford University PressOxford, 2008. http://dx.doi.org/10.1093/oso/9780199226931.003.0013.

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Abstract International concern for the environment, except in particular areas such as marine pollution and aircraft noise, is of relatively recent origin. Not a word is said about the environment in the Charter of the United Nations (1945), nor in the General Agreement on Tariffs and Trade (1947), nor in the Treaty of Rome establishing the European Economic Community (1957). Beginning in the 1950s, a number of widely read books and films, notably by Rachel Carson and Jacques-Yves Cousteau, stimulated a worldwide movement dedicated to preservation of the environment. Initially, the movement was propelled by non-governmental organizations, but they in turn pressured governments to become involved in the subject.
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Oyallon-Koloski, Jenny. "Musical Unease." In Storytelling in Motion. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197602669.003.0006.

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Abstract Jacques Demy’s final feature Trois places pour le 26 (1988) is a notable exception to the career-long financial challenges he experienced trying to make dance-driven musical cinema. With the material conditions secured to carefully design all aspects of production, Demy creates a backstage musical that flips the conventions of the subgenre in complex and discomposing ways. Demy also worked closely with American choreographer Michael Peters and their cast—particularly Mathilda May, Françoise Fabian, and Yves Montand—to make the cinematic choreography crucial to our understanding of character development and central to the subtle ways that the film challenges show musical conventions. By the late 1980s, dance culture in France had expanded, thanks to the emigration of American jazz dancers and government initiatives to financially support the art form, leading to more experimental contemporary movement forms (danse contemporaine) that would inspire Demy and the French filmmakers his work influenced.
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Glick, Joshua. "Hard Lessons in Hollywood Civics." In Los Angeles Documentary and the Production of Public History, 1958-1977. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520293700.003.0005.

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As Wolper Productions continued to make documentaries and experiment with fiction, the studio provided a professional entry point for promising talent and off-and-on employment for filmmakers involved with New Hollywood features. This chapter investigates Wolper Productions’s output during a period in which the film and television industries faced a precarious financial situation. The studio helped create a political imaginary for Lyndon B. Johnson’s Great Society. Additionally, Wolper Productions’s forays into programs with Jacques-Yves Cousteau charted a fresh path for nonfiction. Packaging American history or capturing recent events, however, soon proved to be a troublesome venture. Wolper Productions’s prospective adaptation of William Styron’s novel The Confessions of Nat Turner (1967) was one of the earliest attempts by a major studio to make a commercial film about black power themes and figures. The opposition to the film, however, resulted in a public relations disaster for Wolper Productions. Wolper and his circle came to understand the importance of having community support from the minority group the studio sought to represent.
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Ian, Ralston. "Bourges in the Earlier Iron Age: An Interim View." In Communities and Connections. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780199230341.003.0022.

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Berry in central France figures frequently in assessments of the level of complexity in western temperate Europe at the annexation of Gallia comata in 52 BC. Information from a number of sites, particularly Levroux (Indre: e.g. Büchsenschütz et al. 1988; 1992; 2000; Krausz 1993), contributes to what is now a tolerably well-understood pattern, contrasting markedly with the poorly known settlement record for the earlier Iron Age of the area. One site forms a conspicuous exception. For the end of the Hallstatt Iron Age and the initial phase of its successor—broadly the decades either side of 500 BC— Bourges (Cher) is now known to be of critical importance, not only in regional terms, but also as a variant of the elite phenomenon known as the Fürstensitze that occurs widely across west-central temperate Europe. It will come as no surprise that the first English-language author to recognize the emerging importance of this site was Barry Cunliffe in The Ancient Celts, and it is thus with pleasure that this interim statement on Bourges and its immediate hinterland at the time of the transition from the Hallstatt to La Tène Iron Age has been prepared. Since 1995, with Jacques Troadec, the municipal archaeologist, Olivier Büchsenschütz, Pierre-Yves Milcent and others, the author has been excavating within and on the periphery of Bourges—by the first century BC certainly Avaricum of the Bituriges—as part of a long-term rescue project on that site and its surroundings. A few, selected aspects of this are considered below. The pace of development, and evolving legislative arrangements for rescue archaeology, mean that other important sites in the commune have been examined by Alexis Luberne and colleagues in the State Archaeological Rescue Service, INRAP, and reference to some of their work is included below. The rate of change in and around the city, particularly as military establishments—many initially set up at the time of the 1870 Franco-Prussian war—are redeveloped for light industry, and new housing, transport and other infrastructure is constructed, provides much scope for new discoveries; what follows is thus by necessity provisional.
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"Pefanis, Julian 88 Smith, Graham 10 Pétillon, Pierre-Yves 32, 34, 36 Starobinski, Jean 80 Picard, Raymond 23 Steiner, George 78 Piemme, Jean-Marie 45 Stock, Brian 34 Poe, Edgar Alan 9, 27 Stourdzé, Yves 45–6 Pompidou, Georges 47 Pontaut, Alain 5 Poole, Roger 40–1 Takemura, Kenichi 1, 16 Pound, Ezra 56 Tassart, Maurice 105 Texier, Jean 38 Theall, Donald 12, 68, 81, 107–8 Reagan, Ronald 79, 116 Thenot, Jean-Paul 74 Resnais, Alain 87 Thibau, Jacques 46 Rickels, Lawrence 53 Todorov, Tzvetan 50 Riesman, Paul 18–19, 22 Torgovnic, M. 106, 108 Rigby, Brian 6, 17, 33, 60 Trudeau, Pierre 5, 46–7, 91, Robbe-Grillet, Alain 87 103–4 Robert, Gilles 118 Rokeby, David 10 Rosenthal, Raymond 2 Vermillac, Michel 25, 27 Vernay, Alain 50 Virilio, Paul 4, 16, 89, 95–7 Said, Edward 22 Sarick, Lila 14 Sarrazin, Jean 105 Watson, Wilfred 119–20 Sartre, Jean-Paul 26 Weinstein, M. A. 12 de Saussure, Ferdinand 80, 90 Weiss, Peter 83 Schaeffer, Pierre 56–8, 60 Williams, Raymond 34 Schafer, R. Murray 83 Wolf, Gary 13 Schwartz, Eugene 15 Wolfe, Tom 104 Sevette, Christian 11 Wolton, Dominique 47 Smart, Barry 94 Zingrone, Frank 9 ŽiŽek, Slavoj 59, 62." In McLuhan and Baudrillard. Routledge, 2002. http://dx.doi.org/10.4324/9780203005217-16.

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"Gane, Mike 77–80, 84, 98 Le Moyne, Gertrude 119 Gariépy, Renault 59 Lévesque, René 105–6 Garric, Daniel 5, 58, 62 Levin, Charles 2, 66 Gates, Bill 13 Lévi-Strauss, Claude 6, 19, 22–5 de Gaulle, Charles 46, 100 Lewis, Wyndham 55–6 Genosko, Gary 55, 67, 110 Libermann, Ben 84 Gheerbrand, Gilles 62 Lukács, Georg 113–15 Gibson, Steve 11 Lyotard, Jean-François 49–51, 69, 110 Giradin, Jean-Claude 81 Giscard d’Estaing, Valéry 46, 103 Gould, Glenn 10, 17 McLughan, William 53 Grant, George 70 McLuhan, Corinne 9 Grigg, Russell 54 McLuhan, Eric 9 Gritti, Jules 74–5 Mandel, Ernest 111 Grock, Adrian Wettach 36, 50 Marabini, Jean 5, 58–9 Guattari, Félix 7, 17, 48–50, 105, Marchand, Philip 15, 62 110–11 Marcotte, Gilles 58, 119 Mariet, François 61–2 Marx, Karl 24, 69, 111–16 Hall, Stuart 31 Matson, Raymer B. 104 Halley, Peter 3 Mattelart, Armand 45–6 Heath, Stephen 56 Mattelart, Michèle 45 Hjelmslev, Louis 48–50 Metz, Christian 50 Hoggart, Richard 6, 17, 31–4 Michelet, Jules 21 Holland, Eugene 55 Miller, Jonathan 28, 109 Hurtubise, Claude 5 Missika, Jean-Louis 47 Huyssen, Andreas 4, 13 Molinaro, Matie 9 Monnier-Raball, Jacques 72 Iannone, M. 13 Monroe, Marilyn 59 Ionesco, Eugène 30, 57 Morin, Edgar 41–2 Moriwaki, Hiroyuki 10 Jameson, Fredric 65, 112–14 Jarry, Alfred 55 Nadeau, Maurice 18 Namer, Gérard 44 Negri, Antonio 105 Kattan, Naïm 4–5, 18 Nixon, Richard 3 Kellner, Douglas 67, 77, 84–5, 98 de Kerckhove, Derrick 9–10, 14–15, 30–1, 35, 43, 87, 119–21 Ong, Walter J. 56 Klein, Calvin 65 Orlan 11 Knockaert, Yves 58 Kroker, Arthur 2–3, 8–9, 11–12, 22, Paglia, Camille 1 28–9, 64–70, 115 Paik, Nam June 10, 30 Kroker, Marilouise 11 Paré, Jean 5–6, 22, 92, 99–103, 105 Parker, Harley 34, 81, 118 Lacan, Jacques 7, 52–4, 56–7, 63 Pasolini, Pier Paolo 104 Languirand, Jacques 103 Passeron, Jean-Claude 17 Lanoux, Armand 58–9 Paterson, Nancy 10 Lazarsfeld, Paul 50 Pauwels, Louis 120–1." In McLuhan and Baudrillard. Routledge, 2002. http://dx.doi.org/10.4324/9780203005217-15.

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