Journal articles: 'Jade carving'

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Zhou, Xiao. "The symbolic meaning of the sculpture "Faceless Buddha" in the work of Tsiu Tsitsing." Bulletin of Lviv National Academy of Arts, no. 51 (October 10, 2023): 146–54. http://dx.doi.org/10.37131/2524-0943-2023-51-14.

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History of development of Chinese jade carving art is dating back some 8000 years into Neolithic period The development of the ideas of Chinese jade carving, the change of their external forms, reflects the close relationships between reality (the objective world) and the inner world of man. The difference between contemporary and traditional jade carvings lies in the artist’s conscious desire to convey and disseminate his own worldview in society. The purpose of contemporary jade carving does not stop at the description of the traditional image and form by the artist, but also, through embodiment in form, tries to reveal an individual aesthetic perception. Jade carved works, possessing symbolic meaning, have a significant impact on the complex interaction between material and spiritual world of the artist; having a deep, symbolic meaning, these works affect the feelings and spirit of people as well. Tsiu Tsitsing (born in 1979) is the most famous and influential jade sculptor in contemporary China from the end of the 20th century and at the start of the 21st century, his jade articles have a distinct personal style, are original and modern. His works not only contain the thoughts and concepts of Buddhism (Zen-Buddhism), Taoism (Lao-Zhuang philosophy), and Confucianism (literary view) in traditional Chinese culture, but also integrate the concepts and formal language of Western modern art. As the most representative type of his (Tsiu Tsitsing) extensive oeuvre of sculptures, the series of jade carvings of " faceless Buddha" contain profound cultural information. The creative subject by inventing new system of symbolic language creates a new world of jade carving. At the same time, the creative subject re-examines the possibility of the current integration of Chinese traditional culture and Western modern art with the help of this symbol system.

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Hui Chen. "Research on the Design and Application of Henan Museum Jade Carving Cultural and Creative Products Based on Big Data Analysis in the Artificial Intelligence Environment." Journal of Electrical Systems 20, no. 3 (April 25, 2024): 165–73. http://dx.doi.org/10.52783/jes.2369.

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In the enduring tapestry of China’s rich and ancient civilization, the jade culture has unfolded hand in hand with the progression of Chinese society, with the art of jade carving representing its very essence. Through millennia of refinement, jade carving has reached a pinnacle of artistic expression. In today’s era characterized by the rapid advancement of artificial intelligence, the strategic utilization of AI technology and comprehensive data analysis has become pivotal in creating jade sculptures that resonate more deeply with contemporary tastes. In the present age, excessively traditional jade carving designs no longer fully meet the aesthetic demands of contemporary individuals, thus hampering the advancement of the jade carving industry. In order to effectively disseminate Chinese jade culture on a broader scale and foster the growth of the jade industry, it necessitates designers harnessing artificial intelligence technology and utilizing methodologies of big data analysis to create products infused with innovative cultural symbols and contemporary imprints. ade carving products embody distinctive traditional cultural attributes of China, where the key to modern jade carving creative design lies in seamlessly blending traditional cultural artistry with contemporary aesthetic values. Artificial intelligence technology offers excellent facilitative conditions for the innovation and advancement of jade carving. Only by striving for breakthroughs to meet the psychological consumption demands of the new era can we more effectively foster development. His paper, within the realm of artificial intelligence and based on the perspective of big data analysis, conducts a thorough examination and analysis of the existing cultural and creative products developed by the Henan Museum, utilizing elements from its collection of cultural relics. It summarizes the current status and challenges present in the design of cultural and creative jade carving products at the Henan Museum. Finally, it puts forth relevant opinions and recommendations addressing these issues. Furthermore, it aims to provide insights for the development and innovation of cultural and creative products in other museums, offering valuable experiences in this regard.

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Wang, Qi. "Analysis of the Subjects of Chinese Carved Jade from the Collection of the Museum of Anthropology and Ethnography. Peter the Great (Kunstkamera) of the Russian Academy of Sciences." Человек и культура, no. 6 (June 2022): 90–102. http://dx.doi.org/10.25136/2409-8744.2022.6.39159.

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In a variety of cultural contexts, primitive ideas invariably corresponded to the socio-cultural background of the era, as a result of which many legends and religious rituals associated with jade were formed. The subjects of the Chinese art of jade carving are the fruit of centuries–old cultural and historical experience. They are an expression of the spirit of national culture in the form. Thus, the subject of this study is the Chinese carved jade from the collection of the Museum of Anthropology and Ethnography Peter the Great (Kunstkamera) of the Russian Academy of Sciences (hereinafter - the Kunstkamera). The subject of the study are objects of Chinese jade carving art, which are in the collection of the Kunstkamera. The main conclusion of this study is that the subjects made in jade carving were associated with mythology and religion, and their artistic expression reflected the jade culture of different historical periods and representations of different social strata. The novelty of the research lies in the fact that the article focuses on determining the age of jade products by analyzing their plots, and also confirms that ancient artists, through geometric shapes and dynamism of the pine tree image as one of the central images of plant plots, enhanced the transmission of spatial perspective in the art of jade carving. This may be of interest to researchers in related scientific fields.

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Galanin, S. I., and Lijuan Qin. "THREE-DIMENSIONAL CARVING ON JADE." Technologies & Quality 50, no. 4 (December 23, 2020): 11–18. http://dx.doi.org/10.34216/2587-6147-2020-4-50-11-18.

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The article discusses the technology and basic principles of three-dimensional jade carving in China, the historical development of the technology of processing the "national stone" of Celestial Empire. The main properties of jade that determine the technology of its processing and the nomenclature of stone-cutting products, as well as the advantages associated with this mineral in Confucian philosophy, are considered. It is shown that the properties of stone raw materials largely determine the master's idea and the subsequent design of the product. It is shown that studies of the features of the processed surface of carved jade products help to date their manufacture, and traceological studies clarify the features and techniques of the ancient technology of processing this mineral.

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Shi, Huai Rong, and Yan Nian Rui. "Optimization for Spindle of Jade Carving Machine Based on Fuzzy Reliability Theory." Applied Mechanics and Materials 37-38 (November 2010): 801–5. http://dx.doi.org/10.4028/www.scientific.net/amm.37-38.801.

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In machines working under the effect of alternating stresses, the fatigue bending deflection occured occasionally. On the basis of the Fuzzy Reliability Theory and with full consideration of the fuzzy factors during mechanical process, the paper studied the fuzzy reliability optimal design for the hollow spindle of multi-functional jade carving machine and improved the design quality of the jade carving machine spindle by probing into the combined model constructed by the random variables and fuzzy variables. The design was approved to be advanced, reliable and practical in service and provided a new way for the design of multifunctional jade carving machine spindle and other mechanical products.

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Du, Yanyan. "Protection of Intangible Cultural Heritage Based on VR: Taking Xiuyan Jade Carving Craft as an Example." Mathematical Problems in Engineering 2022 (August 4, 2022): 1–8. http://dx.doi.org/10.1155/2022/5146193.

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Innovative exploration of the inheritance and dissemination of intangible cultural heritage can make it play an important role in national development and international social exchange. By taking the inheritance and development of Xiuyan jade carving craft as the background, in this study, the design principle, technology platform, process flow, and technology integration of virtual display technology applied to jade carving technology are elaborated, and the realization of adopting virtual reality technology to assist inheritance of Xiuyan jade carving technology is summarized, so as to form the inheritance system mode, which is suitable for the modern lifestyle. Finally, VR technology is used to explore the development of visualization platform for Xiuyan craft, which further explores the way of intangible cultural heritage protection of traditional manual technology.

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Wang, Qi. "The Chinese jade carving art before the 3rd century AD." Культура и искусство, no. 4 (April 2022): 103–11. http://dx.doi.org/10.7256/2454-0625.2022.4.37819.

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This work is devoted to the study of the development and evolution of ancient Chinese jade art up to the 3rd century A.D. In ancient Chinese society, jade served not just as a decorative element, it performed the function of personal identification and communication. This study analyzes the origin and technical characteristics of jade art, as well as the artistic characteristics of different themes in different periods (From a technical point of view, the most popular in the manufacturing of jade products was the deep engraving of yinke, used to create decorative elements of products, carving or relief), the development of jade art is evidence of the historical development of China, it is closely related to it is connected with the theocratic political regime of the ancient state. The main conclusion of this study is that the author confirmed that the Chinese jade culture has a profound influence on the artistic style of jade, analyzing the characteristics of jade in different periods, and ideology is one of the important factors influencing the development of jade. The novelty of the research lies in the article that the author emphasizes the culture of "funerary jade" in the development of Chinese jade art, and "funerary art" in Chinese jade culture. At the same time, author emphasizes the importance attached to "people", which may be of interest to specialists engaged in the relevant research areas.

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Wang, Mingying, and Guanghi Shi. "The Evolution of Chinese Jade Carving Craftmanship." Gems & Gemology 56, no. 1 (May 1, 2020): 30–53. http://dx.doi.org/10.5741/gems.56.1.30.

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Wang, Qi. "Imitations of ancient jade products of the Qing era (1636-1912) in the collections of Russian museums." Философия и культура, no. 4 (April 2023): 103–12. http://dx.doi.org/10.7256/2454-0757.2023.4.40554.

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Jade products that imitate ancient Chinese art samples are a special kind of objects that, in their form and decor, are close to or likened to more ancient works of arts and crafts. The article explores the artistic form and characteristic features of imitations of ancient jade products of the Qing era, presented in the collections of Russian museums and the Palace Museum of China. The object of the study are objects of Chinese art of jade carving, which are in the collection of the Palace Museum (Beijing), the Museum of Anthropology and Ethnography. Peter the Great (Kunstkamera) of the Russian Academy of Sciences (St. Petersburg) and the State Museum of Oriental Art (Moscow), where the use of imitations of ancient objects was discovered. Artistic analysis of jade imitations allows us to conclude that the works of the Qing era were more complex and diverse in form, decor and carving techniques compared to Han products, while the craftsmen, although they managed to preserve the classical sophistication of objects, lost the severity and solemnity of Han jade. As well as the art history analysis of the works, one can see that the forms and decors of jade objects are the product of aesthetic consciousness. The novelty of this study lies in the fact that the varieties and features of imitations of ancient jade during the Qing Dynasty are summarized, and the huohuan technique in jade processing is confirmed. This may be of interest to researchers in related scientific fields.

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Sax, Margaret, Nigel D. Meeks, Carol Michaelson, and Andrew P. Middleton. "The identification of carving techniques on Chinese jade." Journal of Archaeological Science 31, no. 10 (October 2004): 1413–28. http://dx.doi.org/10.1016/j.jas.2004.03.007.

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Kou, Yan, and Dong Wook Kim. "The difference of jade carving art of China and south Korea." Korea Institute of Design Research Society 5, no. 3 (September 30, 2020): 313–23. http://dx.doi.org/10.46248/kidrs.2020.3.313.

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Huang, Xiong, QingLan Li, and JieLie Chen. "Tool Path Generation Algorithm Based on Rough Machining of Jade Carving Surface." Mathematical Problems in Engineering 2022 (April 15, 2022): 1–9. http://dx.doi.org/10.1155/2022/2518687.

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To improve the quality of tool paths in surface machining, different machining requirements are considered in the tool path generation algorithm. In the traditional tool path generation algorithm, due to the lack of a unified mathematical calculation framework, these requirements often need to be considered separately, but they often compete with each other, so that different requirements cannot be satisfied at the same time and the tool path cannot achieve the optimal. To resolve this issue, an extensive tool path generation algorithm framework for arbitrary surfaces was proposed. The proposed algorithm transforms the tool path calculation framework into a constrained functional optimization problem by establishing an optimization function based on the potential energy field and an inequality function based on the gradient field in the machining area. By establishing finite element approximation, the functional optimization problem is transformed into a numerical optimization problem, which reduces the difficulty of solving. According to the machining requirements of die surface such as tool path smoothness, line width constraint and cutting direction constraints were transformed into the constraints of potential energy field isopotential line, and the method of generating reciprocating cutter path and cutter contact path isosection cutter path was proposed by optimizing the method. It is evident from the simulation and machining experiments results that continuous and smooth tool paths can be generated by using this algorithm, and machining quality and machining efficiency can be improved. By adding different machining requirements into the framework, a tool path with different optimization objectives can be generated.

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Kang, Zhi-Juan, Guang-Hai Shi, Wei-Yan Lei, Cai-Xiu An, Lu Liu, Shu-Hong Liu, Feng Lu, and Lin Xu. "Mineralogy and Geochemistry of JingFenCui (Rhodonite Jade) Deposit from Beijing, China." Crystals 12, no. 4 (March 31, 2022): 483. http://dx.doi.org/10.3390/cryst12040483.

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JingFenCui is a type of rhodonite jade from the Changping district of Beijing, China, which is a manganese skarn deposit formed through the metasomatism of the granite aplite and Cambrian limestone. The pink color of JingFenCui is richer and brighter than that of rhodonite jade from other deposits. The surface of JingFenCui exhibits dendritic iron and manganese oxides, which is the outstanding advantage of rhodonite jade for carving works. The zoning pattern of mineralogy between the contact zone with the wallrock is obvious. The main skarn minerals consist mainly of spessartine, diopside, augite, manganotremolite, clino-suenoite, rhodonite, galena, etc. Compared with rhodonite jade from the Makeng in Fujian and the Luziyuan in western Yunnan, vittinkiite (MnSiO3) is more concentrated in the rhodonite of the JingFenCui Deposit as a Mn-Ag-Pb-Zn-Fe polymetallic deposit. There is a good agreement among the rhodonite, amphibole, and galena in the spider diagrams of the trace elements. The results of trace elements and REE analysis show that the metallogenic fluids of the JingFenCui deposit are mainly from magma related to the Heixiongshan granite. It is suggested that the JingFenCui deposit is a manganese skarn deposit formed through the metasomatism of the manganese-bearing limestone and fine-grained granite of the Heixiongshan.

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Ming, Chenglin, and Wenjing Min. "A Brief Analysis on Characteristics of the Inheritance of Traditional Jade Carving Art." Art and Design Review 09, no. 04 (2021): 341–48. http://dx.doi.org/10.4236/adr.2021.94030.

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Kwang-Yuan, Chang. "12. An Experiment in Making Late Shang Oracle Bones." Early China 9, S1 (1986): 28–30. http://dx.doi.org/10.1017/s0362502800002996.

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ABSTRACTThis paper presents the results of a series of experiments attempting to determine the methods of selection, preparation, and use of turtle shell and cattle bone materials for divination during the Late Shang period. Specific topics covered include selection, preparation, drilling of burning-pits and application of heat, the reading by the diviners of the resulting cracks, the function of the historian's first writing the divination data on the bone before it was inscribed, the reason the cracks and divination data were carved into the bone and why pigment was applied to them, the actual inscription-carving technique, the result of experiments on methods of softening bones and shells, and preparing bronze and jade inscription-carving knives. I have examined excavation reports and earlier publications by scholars in the field and compared them with my own results in order to gain more complete understanding of the actual process of Late Shang oracle-bone divination. In the course of carrying out these experiments, I have made a number of discoveries which I hope may fill in some of the gaps that still exist in oraclebone studies after eighty-three years.

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Zhang, Xiangyu, Guanghai Shi, Guowu Li, and Xin Li. "Weathered Cortex of Eluvial–Deluvial Jadeite Jade from Myanmar: Its Features, Formation Mechanism, and Implications." Minerals 12, no. 7 (June 22, 2022): 797. http://dx.doi.org/10.3390/min12070797.

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Myanmar is the principal provider country of high-quality jadeite jade in the world, including so-called primary and secondary stones. The secondary stones occur as rounded pebbles, boulders, and blocks in eluvium–alluvium and often hold varying degrees of weathering. Unlike common rocks, such as granite, gabbro, schist, gneiss, and amphibolite, secondary jadeite stones frequently have weathered cortexes that vary in appearance, depth, texture, and mineral components compared with those of inner primary bodies. In this study, representative samples of secondary eluvial–deluvial jadeite stones with varying weathered cortexes were selected, and their appearances, textures, mineral components, and chemical composition features were analyzed. Their weathered cortexes were red, yellow, white, or black, and were 0.01–1.80 cm thick. The cortexes were opaque, often with soil luster and a fansha phenomenon. The body of the jade was usually translucent, and green and white in color. Along the border between the weathered cortex and the body of a certain jade stone, the textures were the same for the successive grain sizes. The only difference was that there were more cracks, cleavage planes, and fissures in the cortex. Jadeite was the main mineral component of both; however, minor late-stage supergene minerals (such as gibbsite, kaolinite, and halloysite) and Fe-bearing colloidal minerals were identified along the grain boundaries in the cortex. Studies of the textures and mineral components of weathered cortexes have gemmological applications including the identification and grading raw jadeite, as well as its design and carving. Moreover, such studies might provide information for improving our understanding of the unique weathering processes of monomineralic aggregates relative to multiple-mineral rocks, as well as gambling jadeite jade pieces through analyzing their cortex.

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Xu, Wulong, Xijie Sun, and Shihui Pan. "Visual Dissemination of Intangible Cultural Heritage Information Based on 3D Scanning and Virtual Reality Technology." Scanning 2022 (September 25, 2022): 1–7. http://dx.doi.org/10.1155/2022/8762504.

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In order to meet the needs of modern people for the acquisition of intangible cultural heritage information, the authors propose a research method that combines 3D scanning and virtual reality technology. Taking the production process of Xiuyu as an example, using Unity3D virtual reality technology combined with a digital platform, 3D modeling of Xiuyu is carried out, so that people can view the intangible cultural heritage information intuitively. The experimental results show that after using this method, more than 60% of more than 1000 people surveyed in the questionnaire want to experience intangible cultural heritage. In a survey of visualization platforms conducted at the same time, 90% of users are willing to combine jade carving technology with 3D scanning virtual reality technology. Conclusion. 3D scanning and virtual reality technology can further promote the process of inheritance and dissemination of intangible cultural heritage, accelerate the cultivation of intangible cultural heritage talents through the visualization platform, and promote the sustainable development of intangible cultural heritage, in order to better pass down the life memory and cultural genes of our ancient nation.

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Shi, Huai Rong, R. Y. Rui, and Yi Fang Wen. "Optimal Design of the Compression Coil Spring in the Tool-in-Use System of the Jade Carving Machine Based on Dynamic Analysis." Advanced Materials Research 69-70 (May 2009): 621–25. http://dx.doi.org/10.4028/www.scientific.net/amr.69-70.621.

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While to consider the function of compression coil spring in a static state, the most important is the needs of dynamic characteristics. We infer a design mode with link up the static state and development, and bring both to the constraint condition of optimal design. It is basis of the development function of compression coil spring is the property of vibrate displacement. And we adopt the optimal design of MathCAD in the computer, simplified the handle of several scaling functions. The effect proves that in the living example of compression coil spring from tool-in-use system, it makes that simple and valid. Thus provide a basis for the function design of machine structure.

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Chen, Zhixuan. "Analysis of Chinese jade tiger decoration." Highlights in Art and Design 1, no. 3 (November 22, 2022): 23–26. http://dx.doi.org/10.54097/hiaad.v1i3.2952.

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As early as the Neolithic Age, tigers had an indissoluble bond with jade. A variety of tiger shaped jade carvings have appeared, and the image of the tiger has gone through the development process from partial to complete form: They are either attached to other jades, or are in sheet shape or round sculpture. Their styles range from mysterious terror to docile and tame. Different times have their own characteristics.

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Wirawan, Made Mikki Bharadvaja, I. Nyoman Suardina, and I. Made Berata. "Penerapan Proses Wax Carving Dalam Perwujudan Produk Perhiasan Cincin Perak di Deni Jewelry." HASTAGINA: JURNAL KRIYA DAN INDUSTRI KREATIF 2, no. 02 (November 22, 2022): 1–13. http://dx.doi.org/10.59997/hastagina.v2i02.1093.

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Magang merupakan suatu bentuk dari perkuliahan kurikulum MBKM dimana mahasiswa diberi sarana untuk dapat melakukan kegiatan perkuliahan yang dilaksanakan di luar dari intitusi. Melalui program magang ini mahasiswa terjun langsung di dunia kerja. Magang ini merupakan suatu kegiatan praktik bagi mahasiswa dengan tujuan mendapatkan pengalaman dari kegiatan tersebut, yang nantinya dapat digunakan untuk mengembangkan profesi. Kegiatan program magang merupakan kegiatan belajar sekaligus pelatihan bagi siswa agar dapat memahami secara teori dan praktik pada bidang ilmu keahlian tertentu yang diperolehkan melalui kegiatan bekerja secara langsung di dunia kerja sebagai bentuk pengalaman kerja bagi para mahasiswa program magang (Raira, 2018) Kegiatan magang kerja ini dilaksanakan di perusahaan Deni Jewelry di Denpasar, Bali. Saat ini Deni Jewelry memiliki ribuan ragam hias dan jenis produk. salah satu pemicunya adalah permintaan pasar yang selalu berkembang jadi hal ini harus diimbangi dengan produk berkualitas demi menjaga kepercayaan konsumen. Wax carving / ukir lilin adalah salah satu proses yang membutuhan keahlian khusus dalam pembuatan perhiasan perak. proses ini menjadi salah satu penentu dalam mewujudkan perhiasan perak yang estetis di Deni Jewelry. Sentuhan tangan dan craftmanship seniman dalam membentuk wax dapat “terpatri” pada produk tersebut hingga berumur puluhan bahkan ratusan tahun mendatang. Proses wax carving membutuhkan ketelitian mengingat perhiasan cenderung memiliki ukuran kecil dan detail. Jadi pada pelaksanaan magang kerja ini penulis memilih Deni Jewelry karena penulis dapat menggali informasi berkaitan dengan pengetahuan, keterampilan, teknologi, dan manajemen yang terjadi di dalamnya, terutama proses produksi yang dilakukan oleh perusahaan Deni Jewelry. Dengan melakukan kegiatan magang kerja di Deni Jewelry, diharapkan penulis mendapatkan pengetahuan yang berkaitan dengan topik, yaitu pengetahuan tentang berbagai keahlian pembuatan perak yang ada di Deni Jewelry. Keywords : Perhiasan, Perak. Wax carving

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Yuwono, Doddy Teguh, and Yunanri W. "Analisis Perbandingan File Carving Dengan Metode Nist." Jurnal Sains Komputer dan Teknologi Informasi 2, no. 2 (May 6, 2020): 1–6. http://dx.doi.org/10.33084/jsakti.v2i2.1472.

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Pemulihan data adalah bagian terpenting dari Digital Forensic. Bagi penyidik ??negara untuk menghasilkan bukti yang sah di pengadilan sangat penting dan wajib. Memori Flash, Hard Disk Drive (HDD) dan Solid State Drive (SDD) adalah beberapa Media Penyimpanan yang digunakan sebagai tempat untuk meletakkan semua jenis data dan informasi dalam berbagai format file digital. Karena bentuk digitalnya sehingga memungkinkan berbagai format file digital disembunyikan, dihapus, dan bahkan diformat di media penyimpanan, sedangkan semua data dan informasi harus ditemukan oleh penyelidik negara. Prinsip dasar data atau informasi digital jika telah disalin pada Memori Flash, Hard Disk Drive (HDD) dan Solid State Drive (SDD) tidak akan pernah hilang secara permanen dan bahkan data atau informasi digital hilang karena dihapus, diformat dengan cepat atau sistem macet. Jadi, mengembalikan data sangat mungkin. Dalam penelitian ini, tes dilakukan menggunakan Foremost, FTK Imager, dan Scalpel, yang merupakan Alat OpenSource yang dapat digunakan pada sistem operasi Propietary dan OpenSource. Metode yang digunakan adalah Institut Teknologi Standar Nasional (NIST). NIST memiliki panduan kerja yang sangat baik tentang kebijakan dan standar untuk memastikan setiap Penguji mengikuti alur kerja yang sama, sehingga pekerjaan mereka didokumentasikan dan hasilnya dapat ditinjau dan dapat dipertahankan saat pelaporan sebelum dijadikan sebagai bukti yang valid. Hasil penelitian ini membuktikan bahwa Foremost, FTK Imager, dan Scalpel dapat mengembalikan data yang dihapus, disembunyikan, dan diformat.

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Un Nisa, Qamar, Sarfaraz Khan, Imran, Zahid Nasir, and Muhammad Tariq Khan. "The Bacchanalian Scenes and the Representation of Women in the Buddhist Sculptures of Gandhāra Art." Journal of Asian Development Studies 12, no. 3 (September 30, 2023): 1246–63. http://dx.doi.org/10.62345/jads.2023.12.3.98.

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The attraction between opposite genders in living beings including humans is natural and intuitive. The feelings of intimacy and passion for the opposite gender is an open secret, and its value and importance cannot be denied. Attraction among the opposite sex, or in other words, the feeling of love, is the culmination of all romantic poetry, folklore, and other literary works. For decades, it has also been a topic of debate and research for Psychologists and Sociologists. Looking at art history, the discovered sculptures showing human intimacy, are preserved in museum collections and academic publications. In this paper, few examples can be viewed in the form of Gandhāra art; in which bacchanalian scenes' carving are portrayed with numerous flairs, glances, and wine drinking to make them more amorous and signify discern of love in various ways. For this purpose, it is focused on the loving-couples and bacchanalian scenes as represented in Gandhāra sculptures in multiple practices and appearances. Furthermore, the key focus is to re-examine an essential depiction of women in the bacchanalian scenes in the context of Buddhist art of Gandhāra. To explore the above-mentioned scenes, in this research, descriptive and analytical method is used to extract the conclusion. It is found that, Women were imagined in all her grandeur as an appealing to lovers.

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Karlina, Cynthia, and Irma Russanti. "Penerapan Motif Gorga Batak Toba pada Busana Pengantin Wanita dengan Teknik Bordir dan Payet." BAJU: Journal of Fashion & Textile Design Unesa 2, no. 2 (July 17, 2022): 44–52. http://dx.doi.org/10.26740/baju.v2n2.p44-52.

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Gorga Batak Toba adalah seni ukir yang umumnya terdapat di bagian luar rumah adat Batak Toba. Tujuan penelitian ini adalah untuk mengetahui proses penerapan dan hasil jadi penerapan motif gorga batak toba pada busana pengantin wanita dengan teknik bordir dan payet. Metode yang digunakan dalam penciptaan karya ini adalah three stage design process yang terdiri dari 3 tahapan yaitu (1) problem definition & research, (2) creative exploration, dan (3) implementation. Dari hasil yang diperoleh, Gorga batak toba bisa digunakan sebagai detail motif busana pengantin Wanita. Proses pembuatan motif gorga batak menggunakan mesin bordir komputer dengan mengikuti motif yang telah digambar atau dijiplak pada aplikasi Adobe Illustrator. Adanya detail payet yang membentuk motif Gorga Batak Toba, maka diperlukan penambahan lebar setikan jahitan pada saat membordir motif Gorga Batak Toba. Pada pemasangan motif Gorga Batak pada busana menggunakan jahit tangan atau jelujur. Hasil jadi pada busana pengantin wanita sesuai dengan konsep rancangan yang menggunakan prinsip desain, yaitu balance, unity, rhytim, dan proportion. Penerapan motif gorga batak toba diterapkan pada bagian tengah muka busana dan sesuai dengan prinsip desain balance jika dilihat dari kanan dan kiri terlihat seimbang. Gorga Batak Toba is the art of carving which is generally found on the outside of the Toba Batak traditional house. The purpose of the creation of this work is to determine the process of application and the final result of the application of the Gorga Batak Toba motif on the bride's clothing with embroidery and sequin techniques. The method used in the creation of this work is a three-stage design process consisting of 3 stages, namely (1) problem definition & research, (2) creative exploration, and (3) implementation. From the results obtained, Gorga Batak Toba can be used as a detail of the bride's clothing motif. The process of making the Gorga Batak motif using a computer embroidery machine by following the motifs that have been drawn or traced in the Adobe Illustrator application. The presence of sequin details that make up the Gorga Batak Toba motif, it is necessary to increase the width of the stitches when embroidering the Gorga Batak Toba motif. In the installation of the Gorga Batak motif on clothing, use hand sewing or basting. The finished result on the bride's dress is in accordance with the design concept that uses design principles, namely balance, unity, rhythm, and proportion. The application of the Gorga Batak Toba motif is applied to the center of the face of the dress and in accordance with the balance design principle when viewed from the right and left looks balanced.

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Allan, Sarah. "Yeung Kin-Fong: Jade carvings in Chinese archaeology. Vol. I. (Centre for Chinese archaeology and Art, Chinese University of Hong Kong. Monograph Series, 6.) 369 pp., 90 plates, 4 pp. chart. Hong Kong: Chinese University Press, 1987." Bulletin of the School of Oriental and African Studies 51, no. 1 (February 1988): 196. http://dx.doi.org/10.1017/s0041977x00021091.

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SAX, M. "The identification of carving techniques on Chinese jade." Journal of Archaeological Science, May 2004. http://dx.doi.org/10.1016/s0305-4403(04)00042-1.

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Yeung, Kin-Fong. "Concerning string cutting, tuo (emery wheel) cutting and tuo carving – and discussion of the date the tuo began to be used." Chinese Archaeology 12, no. 1 (January 1, 2012). http://dx.doi.org/10.1515/char-2012-0021.

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AbstractThis paper discussed the jade-carving techniques, summarized the characteristics of blade saw cutting, thread cutting and wheel cutting, and then pointed out that there should not be any wheel tool or wheel cutting technique in the prehistoric period and the Xia, Shang and Western Zhou Dynasties. The metal wheel tool first appeared in the Spring-and-Autumn Period. Since then, the jade art was improved more and more because of the development of private craftsmanship, the commerce and the destruction of the rigid ritual system.

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"The contemporary expression of traditional jade carving intangible heritage technology." Frontiers in Art Research 6, no. 2 (2024). http://dx.doi.org/10.25236/far.2024.060213.

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"On the Influence of "the Same as Nature" on the Traditional Chinese Jade Carving." International Journal of Frontiers in Sociology 3, no. 4 (2021). http://dx.doi.org/10.25236/ijfs.2021.030411.

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"Talking about the Construction of Rural Practical Talents from the Development of Jade Carving Industry." Foreign Language Science and Technology Journal Database Economic Management, June 6, 2022. http://dx.doi.org/10.47939/em.v3i6(03).08.

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Harchaoui, Tarek M., Robbert K. J. Maseland, and Julian A. Watkinson. "Carving Out an Empire? How China Strategically Uses Aid to Facilitate Chinese Business Expansion in Africa **." Journal of African Economies, September 22, 2020. http://dx.doi.org/10.1093/jae/ejaa006.

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Abstract: China’s rising investment and aid flows into Africa have raised concerns over its increasing influence, triggering worries about a new scramble for Africa. This paper sorts out the motivations behind the various forms of Chinese aid, arguing that China uses different types of aid strategically to divert the recipient countries’ economic and institutional orientation towards its own interests. Exploiting the AidData set, we show that China’s official development aid (ODA) is positively related to an export bias in favour of China, suggesting that it serves to secure privileged access for Chinese firms to African resources. ODA tends to flow to less democratic regimes, because less accountable governments have more power to offer long-run privileges to their financial supporters. In contrast, we show that other official flows (OOF) are used to increase China’s import share and is positively related to institutional quality, since this has a positive influence on market growth. This suggests that OOF is mainly used to facilitate Chinese access to promising African consumer markets. We conclude that while China employs different aid flows for different economic purposes, it uses all aid flows strategically to advance its interests and create an economic sphere of influence in Africa.

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Witstok, Joris, Renske Smit, Aayush Saxena, C. Gareth Jones, M. Jakob Helton, Fengwu Sun, Roberto Maiolino, et al. "Inside the bubble: exploring the environments of reionisation-era Lyman-alpha emitting galaxies with JADES and FRESCO." Astronomy & Astrophysics, November 17, 2023. http://dx.doi.org/10.1051/0004-6361/202347176.

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We present a study of the environments of $17$ emitting galaxies (LAEs) in the reionisation era ($5.8 < z < 8$) identified by JWST /NIRSpec as part of the JWST Advanced Deep Extragalactic Survey (JADES). Unless situated in sufficiently (re)ionised regions emission from these galaxies would be strongly absorbed by neutral gas in the intergalactic medium (IGM). We conservatively estimate sizes of the ionised regions required to reconcile the relatively low velocity offsets ($ v_ lya km \ $) with moderately high escape fractions ($f_ esc lya > 5<!PCT!>$) observed in our sample of LAEs, suggesting the presence of ionised hydrogen along the line of sight towards at least eight out of $17$ LAEs. We find minimum physical `bubble' sizes of the order of $R_ ion pMpc $ are required in a patchy reionisation scenario where ionised bubbles containing the LAEs are embedded in a fully neutral IGM. Around half of the LAEs in our sample are found to coincide with large-scale galaxy overdensities seen in FRESCO at $z 5.8$-$5.9$ and $z 7.3$, suggesting transmission is strongly enhanced in such overdense regions, and underlining the importance of LAEs as tracers of the first large-scale ionised bubbles. Considering only spectroscopically confirmed galaxies, we find our sample of UV-faint LAEs ($M_ UV mag $) and their direct neighbours are generally not able to produce the required ionised regions based on the transmission properties, suggesting lower-luminosity sources likely play an important role in carving out these bubbles. These observations demonstrate the combined power of JWST multi-object and slitless spectroscopy in acquiring a unique view of the early Universe during cosmic reionisation via the most distant LAEs.

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Journal articles on the topic 'Jade carving'

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