Academic literature on the topic 'Jagielski'

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Journal articles on the topic "Jagielski"

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Akram, Sara. "The Pankisi Valley and Its Values in Reportage All Lara’s Wars by Wojciech Jagielski." Vilnius University Open Series, no. 5 (December 4, 2020): 446–60. http://dx.doi.org/10.15388/vllp.2020.23.

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The aim of the article is to analyse values connected with a particular space, presented in the reportage All Lara’s wars by Wojciech Jagielski. Jagielski is one of the most well-known Polish reporters, author of eight reportage books and a large number of news reportages. He worked as a war correspondent for twenty-one years and travelled to many countries in Europe, Asia and Africa.In the introduction part, there has been referred chosen literature on space and values (works of such experts as Janusz Sławiński, Mieczysław Porębski and Jadwiga Puzynina). There are two basic types of space in general human experience – physical and symbolic. Humans have no influence over the first one, but they are able to create their symbolic spaces, using values which are important to them. In European culture value means something perceived as good by a particular subject. Values determine the way of human lives, their decisions and actions.The Pankisi Valley is both a physical and symbolic space. It lies within Georgia, right beside the border with Chechnya (today Russia). Inhabitants of this valley are called Kists and the main character of the book – Lara – is one of them. The Valley is presented as isolated from the rest of the country, because it is surrounded by Caucasus mountains. Thus it is perceived as microcosmos, completely sufficient for people living there, without a need of change. The most important value in Kists’ life is tradition, which meaning has been referred in works of Jerzy Szacki and Kazimierz Dobrowolski. Tradition inherited after ancestors includes such elements as: values, laws, customs and it has determined the rules of coexistence in the valley. Tradition has been accepted by Kists unconditionally, treated almost as something sacred, so it has become a deciding power in their lives. One of its elements is social hierarchy, which puts the elders on the top – everyone else has to respect their decisions.Another important value is stability of reality and events – Kists choose to be subordinated to fate, so they never have to make a single change on their own. Being passive and accepting what comes forward is a way of keeping peace and order in life and guaranteeing security. It also takes off the responsibility of making individual choices as well as their consequences. Thanks to that, every person lives the same life, follows the identical ways in which everything happens. It is worth to emphasize that Kists always perceive such way of life as something positive.Everlasting tradition shapes the constant pace of Kists’ lives and so their axiological space. The Pankisi Valley is perceived mainly as home and community, not only in the meaning of family, but everyone living in the valley. Pankisi is also described as destiny – a place where particular things are destined to happen and cannot be changed.
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Ostrowska, Elzbieta. "Queering Polish Cinema/Maskarady męskości. Pragnienie homospołeczne w polskim kinie fabularnym [Masquerades of Masculinity. Homosocial Desire in Polish Cinema], by Sebastian Jagielski." Studies in Eastern European Cinema 6, no. 1 (2015): 128–30. http://dx.doi.org/10.1080/2040350x.2014.992142.

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Drubek, Natascha. "The Birth of Cinema in the Russian Empire and Film Censorship." Journal of Flm Arts and Film Studies 9, no. 4 (2017): 8–21. http://dx.doi.org/10.17816/vgik948-21.

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The article analyses two closely interrelated research topics: the nature of pre-revolutionary film censorship and the question of the beginnings of cinema in Russia. Early film censorship cannot be studied without considering the arrival of cinema, and, vice versa, since the birth of cinema in the Russian Empire is related to the first cases of censorship. The author argues that the widely accepted date of 1907/8 as the starting point needs to be revised. Even before large-scale commercial production and distribution of feature films such as Stenka Razin, in different parts of the Russian Empire ample evidence of growing enthusiasm for the recording of movement can be found. Engineers, inventors, photographers, and showmen became fledgling filmmakers. The author bases her argumentation on the birth of cinema in Russia mainly on examples dating back to the 19th century. During the festivities of Nicholas II coronation in May 1896 the French cinema apparatus clashed with the Imperial Police in Moscow. After Russian screenings of Lumires films containing a selection of moving images of the Emperor, the Russian court took matters in their hands and started producing their own Royal films - both private home movies and those chosen for public screenings. This is the moment when a relatively stable, yet not public form of film production was established inside Russia continuing for two decades: the Tsar and his family being filmed by the court photographers Matuszewski, and later Jagielski. Some of these court film chronicles were also shown in cinema-theatres. The article also treats the reasons for the later suppression of these early Royal film production in Soviet historiography. While establishing a tight bond between Lenin and the film medium, Soviet film historians had to bury the pivotal role the Imperial court played in cinemas beginning in Russia. After having been the first object of foreign actualities in Russia, Nicholas II became not only a patron of Imperial film productions; moreover, the interference of Court censorship, overseen by the Ministry of the Interior, made clear that films shown and produced in Russia would have to deal with several censorship institutions protecting the representation of the sacred and regulating the free flow of information. The earliest example is the police confiscating a camera with film material shot by Lumires film reporters in Khodynka in May 1896. At this very early stage a procedure is set for the rise to a development of practices of film censorship.
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Przybylski, BĹ. "Dominika Jagielska, Hybrydy ideologii edukacyjnych polskich politykĂłw, Wydawnictwo Uniwersytetu JagielloĹ„skiego, KrakĂłw 2014, ss. 274." Studia Edukacyjne 35 (2015): 435–40. http://dx.doi.org/10.14746/se.2015.35.25.

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Horowski, Jarosław. "Dominika Jagielska, Janina Kostkiewicz, Pedagogika humanizmu społecznego Andrzeja Niesiołowskiego, Kraków: Wydawnictwo Uniwersytetu Jagiellońskiego, 2015, s. 276." Paedagogia Christiana 36, no. 2 (2016): 275. http://dx.doi.org/10.12775/pch.2015.037.

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Adamczyk, Dariusz. "Norbert G. Pikuła, Katarzyna Jagielska, Katarzyna Białożyt (red.), Rynek pracy, kariera zawodowa. Wyzwania dla edukacji,Wydawnictwo Naukowe „Śląsk”, Katowice 2016, ss. 181." Studia Edukacyjne, no. 48 (April 15, 2018): 411–13. http://dx.doi.org/10.14746/se.2018.48.28.

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Corbin, Joanne. "CHILD SOLDIERS - Christine Ryan. The Children of War: Child Soldiers as Victims and Participants in the Sudan Civil War. New York: I. B. Tauris & Co. Ltd, 2012. viii + 320 pp. Figures. Annexes. Notes. Bibliography. Index. $95.00. Cloth. - Danny Hoffman. The War Machines: Young Men and Violence in Sierra Leone and Liberia. Durham, N.C.: Duke University Press, 2011. xxii + 295 pp. Illustrations. Notes. Bibliography. Index. $89.95. Cloth. $24.95. Paper. - Krijn Peters. War and the Crisis of Youth in Sierra Leone. New York: Cambridge University Press, 2011. xv + 274 pp. Abbreviations. Annex I and II. References. Index. Map. Table. $90.00. Cloth. - Wojciech Jagielski. The Night Wanderers: Uganda’s Children and the Lord’s Resistance Army. Translated by Antonia Lloyd-Jones. New York: Seven Stories Press, 2009. Originally published in Polish as Nocni wędrowcy (Warsaw: Wydawnictwo W.A.B, 2009). $14.21. Paper." African Studies Review 56, no. 1 (2013): 171–74. http://dx.doi.org/10.1017/asr.2013.11.

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Rywkin, Michael. "Kubiak Hieronim, et al. (eds.) Mniejszosci Polskie i Polonia w ZSSR. Wroclaw-Warszawa-Krakow, Uniwersytet Jagielonski, Instytut Badan Polonistycznych: Ossolineum, 1992; 492 pp. + map - Wzresinski Wojciech, (ed.) Polska-Polacy-Mniejszosci Narodowe. Wroclaw-Warszawa-Krakow: Ossolineum, 1992; 424 pp. - Jachymka Jan, (ed.) Mniejszosci Narodowe w Polskiej Mysli Politycznej XX Wieku. Lublin: Czas, 1992; 256 pp. - Marek Waldenberg. Kwestje Narodowe w Europie Srodkowo-Wschodniej. Dzieje. Idee. Warszawa: Wydawnictwo Naukowe PWN, 1992; 419 pp." Nationalities Papers 23, no. 4 (1995): 801–4. http://dx.doi.org/10.1017/s0090599200002786.

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Świrek, Krzysztof. "Jak nas widzą? Transnarodowość w polskim kinie." Widok. Teorie i Praktyki Kultury Wizualnej, no. 19 (2017). http://dx.doi.org/10.36854/widok/2017.19.567.

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Recenzja pracy zbiorowej "Kino polskie jako kino transnarodowe" (red. S. Jagielski, M. Podsiadło, Universitas, Kraków 2017). Omówienie ważniejszych wątków, zalet i słabości perspektywy przyjętej przez autorów tomu w kontekście współczesnych sporów o rolę kina w konstruowaniu narodowego imaginarium.
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Kurz, Iwona. "Z bibliotecznej szafy. Przekłady i przepisania queer." Widok. Teorie i Praktyki Kultury Wizualnej, no. 5 (2014). http://dx.doi.org/10.36854/widok/2014.5.1199.

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Omówienie debaty akademickiej na temat kampu i teorii queer w Polsce w kontekście publikacji: Sebastian Jagielski, "Maskarady męskości. Pragnienie homospołeczne w polskim kinie fabularnym", Universitas, Kraków 2013; "Kamp. Antologia przekładów", red. Przemysław Czapliński, Anna Mizerka, Universitas, Kraków 2012; Samuel Nowak, "Seksualny kapitał. Wyobrażone wspólnoty smaku i medialne tożsamości polskich gejów", Universitas, Kraków 2013; Małgorzata Radkiewcz, "Oblicza kina queer", korporacja ha!art, Kraków 2013; "Teorie wywrotowe. Antologia przekładów", red. Agnieszka Gajewska, Wydawnictwo Poznańskie, Poznań 2012; Błażej Warkocki, "Różowy język. Literatura i polityka kultury na początku wieku", Wydawnictwo Krytyki Politycznej, Warszawa 2013.
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Dissertations / Theses on the topic "Jagielski"

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Jagielski, Michal Wojciech [Verfasser]. "Einfluss von Interleukin-10 und TNFα auf die chondrogene Differenzierung der humanen mesenchymalen Stammzellen / Michal Wojciech Jagielski". Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2015. http://d-nb.info/1075757282/34.

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Jagielska, Dagny [Verfasser]. "Die Folgeuntersuchung der genomweiten Assoziationsstudie zeigt IL13 und KIAA0350 als neue Suszeptibilitätsloci mit genomweiter Signifikanz bei Alopecia areata / Dagny Jagielska." Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2014. http://d-nb.info/1047097478/34.

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Jagielski, Nicole [Verfasser]. "Synthese strukturierter Hybridnanopartikel und neuartiger filmbildender Polymerdispersionen via Miniemulsionsprozess / vorgelegt von Nicole Jagielski." 2007. http://d-nb.info/996096841/34.

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Books on the topic "Jagielski"

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Wojciech, Jagielski. Wieże z kamienia. Wydawn. W.A.B., 2004.

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Book chapters on the topic "Jagielski"

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Spurling, Laurence. "Two Sessions from a Brief Therapy (with a Commentary by Dorota Jagielska-Hall)." In The Psychoanalytic Craft. Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-37711-1_10.

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"Lęk jako dominujące uczucie w narracjach literackich i nieliterackich Grażyny i Wojciecha Jagielskich." In Apetyt na rzeczywistość. Między literaturą a dziennikarstwem - relacje, interakcje, perspektywy. Wydawnictwo UŁ, 2016. http://dx.doi.org/10.18778/8088-220-1.11.

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