Dissertations / Theses on the topic 'Jamaica – History'
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Bennett, Hazel E. "A history of libraries in Jamaica, 1697-1987." Thesis, Loughborough University, 1987. https://dspace.lboro.ac.uk/2134/7497.
Full textRingenberg, Roger. "A history of Jamaica Theological Seminary, 1960-1992." Theological Research Exchange Network (TREN), 1992. http://www.tren.com.
Full textMilson-Whyte, Vivette Ruth. "A History of Writing Instruction for Jamaican University Students: A Case for Moving beyond the Rhetoric of Transparent Disciplinarity at The University of the West Indies, Mona." Diss., The University of Arizona, 2008. http://hdl.handle.net/10150/194079.
Full textWilliams, Jan Mark. "Stretching the Chains: Runaway Slaves in South Carolina and Jamaica." W&M ScholarWorks, 1991. https://scholarworks.wm.edu/etd/1539625689.
Full textPowell, Steven. "Dread rites : an account of Rastafarian music and ritual process in popular culture." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=55647.
Full textKelly, Kenneth Goodley. "Historic Archaeology of Jamaican Tenant-Manager Relations: A Case Study from Drax Hall and Seville Estates, St Ann, Jamaica." W&M ScholarWorks, 1989. https://scholarworks.wm.edu/etd/1539625497.
Full textLewis, Jovan Scott. "Sufferer's market : sufferation and economic ethics in Jamaica." Thesis, London School of Economics and Political Science (University of London), 2014. http://etheses.lse.ac.uk/3497/.
Full textWilliams, Stephanie E. (Stephanie Evangeline). "On folk music as the basis of a Jamaican primary school music programme." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63211.
Full textReid, Ahmed N. "Economic growth in a slave plantation society : the case of Jamaica, 1750-1805." Thesis, University of Hull, 2007. http://hydra.hull.ac.uk/resources/hull:16426.
Full textLapp-Szymanski, Jean-Paul. "Technology inna rub-a-dub style : technology and dub in the Jamaican sound system and recording studio." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98547.
Full textTrahey, Erin Malone. "Free women and the making of colonial Jamaican economy and society, 1760-1834." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/285098.
Full textDay, Thomas R. "Jamaican Revolts in British Press and Politics, 1760-1865." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4089.
Full textCollier, Michael W. "Political corruption in the Caribbean basin : a comparative analysis of Jamaica and Costa Rica." FIU Digital Commons, 2000. http://digitalcommons.fiu.edu/etd/2408.
Full textNicholas, Phillip Bancroft. "Across The Atlantic To Jamaica: Enslavement And Cultural Transformations Of The Gold Coast Diaspora During The 18th Century." W&M ScholarWorks, 2020. https://scholarworks.wm.edu/etd/1616444490.
Full textOno-George, Meleisa. "'To be despised' : discourses of sexual-economic exchange in nineteenth-century Jamaica, c.1780-1890." Thesis, University of Warwick, 2014. http://wrap.warwick.ac.uk/69375/.
Full textSivapragasam, Michael. "After the treaties : a social, economic and demographic history of Maroon society in Jamaica, 1739-1842." Thesis, University of Southampton, 2018. https://eprints.soton.ac.uk/423482/.
Full textScribellito, Giorgia <1981>. "An analysis of Jamaica Kincaid’s A Small Place (1988): Between History and Auto-Biography, Modernism and Postmodernism." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4693.
Full textMalaki, Akhil. "Informal Finance and Microfinance in Jamaica and Trinidad & Tobago : An Institutional Study." Doctoral thesis, Stockholm : Acta Universitatis Stockholmiensis : Almqvist & Wiksell International [distributör], 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-766.
Full textMcCullough, Kayli L. "Lady Maria Nugent: A Woman's Approach to the British Empire." Miami University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=miami1345068824.
Full textRosa, Maristane de Sousa. "O REGGAE NA “JAMAICA BRASILEIRA”: cidadania e política a partir de letras musicais." Pontifícia Universidade Católica de Goiás, 2009. http://localhost:8080/tede/handle/tede/3427.
Full textMade available in DSpace on 2016-08-18T13:59:06Z (GMT). No. of bitstreams: 1 MARISTANE DE SOUSA ROSA.pdf: 6850489 bytes, checksum: a4c1542ca7573a9562622bd71121a4a9 (MD5) Previous issue date: 2009-12-18
The city of St. Louis was seduced by a rhythm that captured the soul of a large population of low income black Maranhao, the reggae. Once nominated Brazilian in Athens, City of Tiles, Island of Love, the capital of Maranhão has given the codename of 'Brazilian Jamaica', in reference to music of the Caribbean that are proliferating in every corner of the island. The Culture from Maranhão - widely recognized by the drum-to-Creole, the bumba-meu-boi, the cacuriá, the Feast of the Divine and terreiros Mine - now, therefore, to be represented by reggae, which came in waves of the cultural industry from the mid-l970. Although disputed by some advocates of "cultural authenticity", the Jamaican roots were adopted by large segments of the population and the Ludovicense black youth, becoming an important element of ethnic identity and leisure. This dissertation investigates mystical characteristics, religious and political inequalities that condemn ethnic and social differences, from the lyrics and music played widely known in the city and showing how the Jeje diaspora overcome problems of construction of identity, to incorporate the reggae as its cultural heritage. The results collected in the ethnographic field research indicate the broad social significance of this heritage, embodied in rituals, in Pan-African colors and recurring images of lion-man who has set propitious scenario for claims of citizenship and political rights. The phenomenon studied provides visibility to the bluff of traditions attributed to a restricted social group dominant in Maranhão and processes of "cleaning" historically experienced by Africans and descendants. To better situate the complex social and symbolic in which the party was conceived and established as language identity, this interpretative bias resubmit the Jamaican rhythm, seeking the roots in Ancient Egypt to the aesthetic use of Dreadlocks and the ancient rite of passage from a Masai people emblematic figure of the lion.
A cidade de São Luís foi seduzida por um ritmo que conquistou a alma de grande parte da população maranhense negra de baixa renda, o reggae. Outrora nomeada de Atenas Brasileira, Cidade dos Azulejos, Ilha do Amor, a capital do Maranhão passou a receber o codinome de 'Jamaica brasileira', em menção à música do Caribe que se proliferou por todos os cantos da ilha. A cultura maranhense - amplamente reconhecida pelo tambor-de-crioula, o bumba-meuboi, o cacuriá, a Festa do Divino e os terreiros Mina - passou, assim, a ser representada pelo reggae, que veio nas ondas da indústria cultural a partir de meados da década de l970. Apesar de contestado por alguns defensores da “autenticidade cultural”, o roots jamaicano foi adotado por amplos segmentos da população e da juventude negra ludovicense, tornando-se um importante elemento de lazer e identidade étnica. Esta dissertação investiga características místicas, religiosas e políticas que denunciam desigualdades étnicas e sociais, partindo das letras musicais amplamente tocadas e conhecidas na cidade e revelando como a diáspora jeje superou problemas de construção da identidade, ao incorporar o reggae como seu patrimônio cultural. Os resultados colhidos na pesquisa de campo etnográfica indicam o amplo significado social deste patrimônio, materializado nos rituais, nas roupas coloridas com cores panafricanas e nas recorrentes imagens de lion-man que passou a configurar cenário propício para reivindicações de cidadania e direitos políticos. O fenômeno estudado fornece visibilidade ao blefe de tradições atribuídas a um restrito grupo social dominante no Maranhão e aos processos de “higienização” vivenciados historicamente pelos africanos e descendentes. Para melhor situar a complexidade social e simbólica na qual o reggae foi concebido e estabelecido como linguagem identitária, este viés interpretativo reapresenta o ritmo jamaicano, buscando no Egito Antigo as raízes estéticas para o uso dos dreadlocks e no milenar ritual de passagem do povo Masai a figura emblemática do leão.
Werden-Greenfield, Ariella. "Warriors and Prophets of Livity: Samson and Moses as Moral Exemplars in Rastafari." Diss., Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/404360.
Full textPh.D.
Since the early 1970’s, Rastafari has enjoyed public notoriety disproportionate to the movement’s size and humble origins in the slums of Kingston, Jamaica roughly forty years earlier. Yet, though numerous academics study Rastafari, a certain lacuna exists in contemporary scholarship in regards to the movement’s scriptural basis. By interrogating Rastafari’s recovery of the Hebrew Bible from colonial powers and Rastas’ adoption of an Israelite identity, this dissertation illuminates the biblical foundation of Rastafari ethics and symbolic registry. An analysis of the body of scholarship on Rastafari, as well as of the reggae canon, reveals the centrality of an Israelite identity for Rastas and its enabling of Rastafari resistance to racial oppression. Furthermore, the Hebrew Bible is, for Rastas, key to an intimate relationship with Jah, for it reveals their chosenness and their inherent divine nature. They both textually confirm this election and enact it through ritual practice. By interrogating the methods Rastas apply to the pages of the Bible in order to ascertain their appointment and decipher proper ritual practice, this dissertation expands scholarly conversations about Rastafari biblical hermeneutics. Centering on readings of Samson and Moses, it suggests that these two biblical actors function as moral exemplars and models of livity for Rastas. Despite the transgressive nature of Samson and Moses, Rastas adopt them as co-practitioners and paradigms of Rastafari election because when Samson and Moses are Rastas, all Rastas can claim their chosenness, strength, and relationship with Jah.
Temple University--Theses
Davis, Christopher Anderson. "The Racial Equation: Pan-Atlantic Eugenics, Race, And Colonialism in the Early Twentieth Century British Caribbean." FIU Digital Commons, 2018. https://digitalcommons.fiu.edu/etd/3899.
Full textAlford, Brandon Wade. "Robert Searle and the Rise of the English in the Caribbean." UNF Digital Commons, 2019. https://digitalcommons.unf.edu/etd/885.
Full textUpton, Corbett Earl 1970. "Canon and corpus: The making of American poetry." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/11286.
Full textThis dissertation argues that certain iconic poems have shaped the canon of American poetry. Not merely "canonical" in the usual sense, iconic poems enjoy a special cultural sanction and influence; they have become discourses themselves, generating our notions about American poetry. By "iconic" I mean extraordinarily famous works like Henry Wadsworth Longfellow's "Paul Revere's Ride," Walt Whitman's "Song of Myself," and Claude McKay's "If We Must Die," that do not merely reside in the national memory but that have determined each poet's reception and thus have shaped the history of American poetry. Through case studies, I examine longstanding assumptions about these poets and the literary histories and myths surrounding their legendary texts. In carefully historicized readings of these and other iconic poems, I elucidate the pressure a single poem can exert on a poet's reputation and on American poetry broadly. I study the iconic poem in the context of the poet's corpus to demonstrate its role within the poet's oeuvre and the role assigned to it by canon makers. By tracing a poem's reception, I aim to identify the national, periodic, political, and formal boundaries these poems enforce and the distortions they create. Because iconic poems often direct and justify our inclusions and exclusions, they are of particular use in clarifying persistent obstacles to the canon reformation work of the last thirty years. While anthologies have become more inclusive in their selections and self-conscious about their ideological motives, many of the practices regarding individual poets and poems have remained unchanged over the last fifty years. Even as we include more poets in the canon, we often ironically do so by isolating a particular portion of the career, impulse in the work, or even a single poem, narrowing rather than expanding the horizon of our national literature. Through close readings situated in historical and cultural contexts, I illustrate the varying effects of iconic poems on the poet, other poems, and literary history.
Committee in charge: Dr. Karen J. Ford, Chair; Dr. John T. Gage, Member; Dr. Ernesto J. Martinez, Member; Dr. Leah W. Middlebrook, Outside Member
Graham, Tracey E. "Jamaican migration to Cuba, 1912--1940." Thesis, The University of Chicago, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3557406.
Full textThis study helps to broaden a growing body of literature by examining the growth of an urban Jamaican community in the southeastern port of Santiago de Cuba, Cuba.
Background: When the British colony of Jamaica abolished slavery in 1838, the upper classes attempted to tie free workers to sugar plantations; ex–slaves attempted to move away from the estates as soon as possible. Despite an increase in internal migration after abolition, the majority of the black population remained in rural areas, and dedicated their labor to the land. The Jamaican elite successfully argued for the introduction of contract laborers from Asia as a replacement for the slavery system. It brought the planters some limited economic success as export crops—particularly sugar—had the chance to rebound, but planters used immigrants to drive down wages. Increasing population pressure on the land, a series of natural disasters, few economic opportunities, and ineligibility for political participation prompted Jamaicans to look outside of their homeland for socioeconomic improvement by the late 1800s. Travelers emigrated in significant numbers to Panama, Costa Rica, and Nicaragua with the hope of earning higher wages, sending remittances to family members, and returning home with enough money to live independently. As work on the Panama Canal ended by the 1910s, Jamaicans turned their sights back to the Caribbean. During the second half of the 19th century, Cuba was one of Spain's two remaining Caribbean colonies despite attempting several wars of independence. At the end of the final effort in 1898, the United States intervened against the metropolis; the two powers reached an agreement giving possession of Cuba to the US, who would help to establish political order and assist the islanders in ruling themselves. US investment in Cuban industry, especially in sugar, allowed foreigners to purchase enormous tracts of land and to influence the restructuring of the island's political, social, and economic landscape. The seasonal sugar cane harvest attracted foreign workers from Europe, Latin America, and the Caribbean seeking better wages than what they could find at home; between 1912 and 1920, thousands of British West Indians traveled to Cuba to labor in the agricultural industry or to occupy niches in the service industry.
However, Cubans scrutinized and discriminated against them for being black, for being foreign, for driving down wages, or some combination thereof. Though Cubans claimed to live in a color-blind society, racial discrimination persisted and the white elite supported a policy of “whitening” the island through selective immigration from Spain and miscegenation; these racial and cultural prejudices were particularly divisive given that a significant percentage of Cubans were of African descent. Furthermore, the general population was frustrated by the lack of Cuban sovereignty and saw foreign workers as complicit in the US intervention. As a result, calls for nationalism tended to veer into xenophobia and racism during economic downturns in the early 1920s and 1930s.
Methods/Sources: Due to limited access to archival sources in Cuba, the bulk of the data is from the British National Archives: the consular reports summarized political and social upheaval in Cuba, collected publications from the Cuban government, and gave a perspective of the migration from the viewpoint of the British government. Similar information came from the U.S. National Archives at College Park, Maryland. The provincial archive of Santiago de Cuba provided information on migrant activities: marriage and citizenship documents; and social, cultural, and political organizations. It also yielded the Cuban government's responses to West Indian immigration. Correspondence between colonial officials and international organizations came from the Jamaican National Archives; the Sir Arthur Lewis Institute for Social and Economic Studies at the University of the West Indies, Mona, held interviews of Jamaicans who lived during the period under study. Cuban and Jamaican newspaper reports detailed economic and political conditions in the two islands from journalists' investigations, letters from migrants, and governmental decrees.
Findings: I relate how different groups in Cuba reacted to Jamaican migration: the support for and against it, how this support changed over time, and how it differed by geography. I also attempt to give a fuller description of who these migrants were. I discuss their relationships with other West Indians and Cubans, their marriages, and the paths that they took to Cuban citizenship. How gender influenced and differentiated Jamaicans' experiences when they went abroad—how they were perceived and treated, and how they fared—receives special attention.
The work concludes by examining the reaction of the British officials who represented British West Indians in Cuba. It also puts the migration into a broader context by examining black British subjects who traveled to other parts of Latin America and the Caribbean during this era. (Abstract shortened by UMI.)
Stiles, Carol. "Vineyard: A Jamaican Cattle Pen, 1750-1751." W&M ScholarWorks, 1985. https://scholarworks.wm.edu/etd/1539625316.
Full textPadgett, Keith Wagner. "Sufferation, Han, and the Blues: Collective Oppression in Artistic and Theological Expression." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1276627655.
Full textShepherd, Verene Albertha. "Pens and pen-keepers in a plantation society : aspects of Jamaican social and economic history, 1740-1845." Thesis, University of Cambridge, 1988. https://www.repository.cam.ac.uk/handle/1810/272366.
Full textSnyder, Amanda J. "Pirates, Exiles, and Empire: English Seamen, Atlantic Expansion, and Jamaican Settlement, 1558-1658." FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/857.
Full textKowalski, Amy B. "Breadnut Island Pen: Thomas Thistlewood's Jamaican Provisioning Estate, 1767-1768." W&M ScholarWorks, 1991. https://scholarworks.wm.edu/etd/1539625697.
Full textSteel, Mark James. "Power, prejudice and profit : the world view of the Jamaican slaveowning elite, 1788-1834." Thesis, University of Liverpool, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.329104.
Full textFenton, Connor. "’Wretched Petitioners’: Jamaican Maroon’s Petitions/ Catiline and Caesar in Early American Insults and the Whiskey Rebellion." W&M ScholarWorks, 2017. https://scholarworks.wm.edu/etd/1516639575.
Full textHuston, Annette. "British policy, Jamaican nationalism and the failure of the West Indies Federation 1945-1962." Thesis, This resource online, 1990. http://scholar.lib.vt.edu/theses/available/etd-06102009-063032/.
Full textSavery, Heidi. "The management and marketing of Jamaica's past archaeology and heritage tourism /." Diss., Online access via UMI:, 2009.
Find full textDíaz, Muñoz Natalia. "Re-vivir el pasado, proyectar un futuro: escritura autobiográfica como estrategia para la reivindicación sexual en Autobiografía de mi madre de Jamaica Kincaid." Tesis, Universidad de Chile, 2014. http://www.repositorio.uchile.cl/handle/2250/129942.
Full textMonsonego, Hélène. ""Demander, le sujet n'a jamais fait que ça. . . " : pour une histoire du concept de demande." Strasbourg 1, 1985. http://www.theses.fr/1985STR1M180.
Full textKirkham, Stephanie. "Écriture féminine and Cixous' Voice-cry, in Marcelle Brisson's Plus jamais l'amour éternel and Daphne Marlatt's Ana historic." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0020/MQ46759.pdf.
Full textKirkham, Stéphanie. "Écriture féminine and Cixous "Voice-Cry" in Marcelle Brisson's Plus jamais l'amour éternel and Daphne Marlatt's Ana Historic." Mémoire, Université de Sherbrooke, 1998. http://savoirs.usherbrooke.ca/handle/11143/2106.
Full textKirkham, Stéphanie. "Écriture féminine and Cixous' "Voice-Cry" in Marcelle Brisson's Plus jamais l'amour éternel and Daphne Marlatt's Ana Historic." Sherbrooke : Université de Sherbrooke, 1999.
Find full textHébert, Christine. "Là où la main de l'homme n'a jamais mis le pied : une netnographie des Duggies." Thesis, Université Laval, 2012. http://www.theses.ulaval.ca/2012/29323/29323.pdf.
Full textBellotti, Michele. "Un livre jamais paru ? Le manuscrit Riccardiano 2354 et l’héritage épistolaire de Giorgio Vasari." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA153.
Full textA valuable source of information on the author of The Lives of the Artists, the correspondence of Giorgio Vasari (1511-1574) is well known to art historians, mainly since its almost complete edition published by Karl Frey (1923-1930). If we consider the fact that Vasari zealously kept his numerous letters during his whole life, as well as the remarkable stylistic quality of many of these texts, we realise the importance of inquiring into how significant his epistolary writing could have been to him. Did Vasari see his missives as an essential part of his cultural legacy? In this case, it has to be questioned whether the artist could have ever conceived the project of publishing a selection of his letters, in accordance with a widespread practice among literates in the Fifteenth century. A collection of Vasari’s letters was actually gathered and still stands out from the large number of documents of his vast carteggio: it’s the manuscript Riccardiano 2354, held by the Biblioteca Riccardiana in Florence. Dating from the late Fifteenth century, this small codex contains forty-eight letters posthumously copied by the artist’s nephew and principal heir of his estate, Giorgio Vasari the Younger (1562-1625), an official of the Medicean Court deeply versed in several scientific and technical disciplines. This study investigates the process of selection, transcription and possible manipulation conducted by Vasari the Younger on his uncle’s original epistolary sources, which are nowadays still missing. Several material or textual hints can suggest that the Riccardiana’s volume might have been a “libro di lettere”, a book of letters designed for publication, but finally never printed. The chief aim of this editorial effort would have been a posthumous celebration of Vasari’s life and artistic achievements, through the highlighting of his missives. The comparison between the texts included in the Riccardiana’s manuscript and other excluded letters, allows us to recognise, as the essential mainstay in Giorgio the Younger’s work, the design of a biographical depiction of Vasari’s figure, focusing on specific traits and omitting others. The artist’s epistolary legacy seems to be occasionally subject to his nephew’s personal career requirements in the Medicean context of his time. The result of this research is a series of considerations on the dynamics inherent in Vasari’s epistolary writing, such as the various functions that it could assume according to the different phases of the artist’s career. Epistolarity has been Vasari’s main tool for self-fashioning towards his correspondents; as well as for literary learning and for the conception of the device of ekphrasis, developed on a larger scale in the Lives
Eybalin, Casseus Clara Rachel. "Les migrants, acteurs transnationaux du développement : Les associations haïtiennes en France et jamaïcaines au Royaume-Uni." Thesis, Poitiers, 2013. http://www.theses.fr/2013POIT5017.
Full textIn a context where the growing importance of the globalization of migratory flows from the Caribbean region is intensifying and diversifying, a detailed attention on the evolution of migrants' strategies within host societies as well as their socioeconomic and political impact on the origin societies is required. Our thesis in three parts inscribes itself in a reflection on long-distance associative engagement of the Haitian and Jamaican migrant-actor, in a French institutional framework as well as a British one. At the heart of a model between local officials of the country of origin and elected officials of the host society, how can it act in an incentive capacity to foster or to better coordinate the actions taken by migrants' associations? How can a transnational associative framework be beneficiary to the development in the Haitian/Jamaican context? In considering the emergence and evolution of the Haitian associative landscape (France) and Jamaican (the United Kingdom), we wanted to understand the motivations behind the long-distance commitment to bring about development projects in the country of origin. Our fieldwork as well as our methodological approach in a multi-sited terrain helped us better grasp some of the mechanisms of bounded solidarity and of shared resources.Starting from an observed fact, an associative dynamic, which grew significantly in the aftermath of the earthquake in Haiti in January 2010, our study highlights three key elements: the relevance of the sense of belonging of migrants associations, the paramount importance of the relationship between the origin State and the its citizens abroad, and the growing, diverse and complex evolution
"Motherhood and Teaching in Jamaica: A Modified Life History Approach." Thesis, 2015. http://hdl.handle.net/10388/ETD-2015-08-2195.
Full textChen, Hsin-Chi, and 陳信智. "Writing Self, Narrating History: TextualPolitics in Jamaica Kincaid''s Novels." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/79005638163247166124.
Full text國立中山大學
外國語文學系研究所
90
Abstract In this thesis, I attempt to examine Jamaica Kincaid’s re-negotiation with the politics of power relations in her novels. Kncaid’s novels, through the strategic deployment of autobiographical writing, redress the power dimension in the notions of self and history. The fact that Kincaid frames the field of power relations within the thematic recurrence of mother-daughter relations structures her novels in a way that conflates her personal stories with her group history. Moreover, such a structure emphatically registers the self-positioning act of Kincaid’s writing as a strategy for survival. The first chapter explores how Kincaid mobilizes her self-writing as an act of political resistance. On the one hand, Kincaid opposes her writing which is delivered in the name of herself or her culture to the poststructuralist pronouncements of the general demise of a writing subject. On the other hand, Kincaid, through implicating the poststructuralist fracture of self in the protocol of decolonization, attempts to strategically inhabit in what Homi Bhabha calls the in-between space to define herself. The second chapter deals with the inscription of historical forces on the body. Foucault’s genealogical unpacking of history in the body here helps to investigate how Kincaid’s fictional alter egos bear and, more importantly, act out against the inscription of power. The third chapter focuses on the politics of Kincaid’s autobiographical writing. At first, I unpack the relations between history and the politics of women’s writing in the West Indies, and borrow the poststructuralist interrogation of Western historical knowledge to contradict the West’s epistemological claims to West Indian history. And then I turn to the analysis of Kincaid’s autobiographical writing, which, through its thematic deployment of mother-daughter relations, turns on the political empowerment in her strategic integration of her personal and collective history.
Duke, Hanoch Marma. "A comparative study of the Christian mission in Jamaica and Karnataka." Thesis, 1999. http://hdl.handle.net/10500/16721.
Full textKenny, Gale L. "Contentious liberties: Gendered power and religious freedom in the nineteenth-century American mission to Jamaica." Thesis, 2008. http://hdl.handle.net/1911/22284.
Full textWilliams, Kareen. "The Evolution of Poltical Violence in Jamaica 1940-1980." Thesis, 2011. https://doi.org/10.7916/D8WS91D7.
Full textHarris, Laila Zahra. "Roots of History, Seeds of Change: Women Organic Farmers & Environmental Health in Jamaica." Thesis, 2012. http://hdl.handle.net/10214/3963.
Full textRichard and Sophia Hungerford Travel Scholarship, Yeandle Family Graduate Scholarship, Richard and Sophia Hungerford Graduate Scholarship, Registrar’s Research Grant for Graduate Students, Registrar’s Research Travel Grant
Isaacs, Calvin E. "The influence of single-mother migration on social and emotional adjustment of Jamaican adolescents." 2012. http://liblink.bsu.edu/uhtbin/catkey/1698513.
Full textDepartment of Educational Psychology
Ono-George, Meleisa. "The planter's fictions: identity, intimacy, and the negotiations of power in Colonial Jamaica." Thesis, 2010. http://hdl.handle.net/1828/3035.
Full text