Academic literature on the topic 'Jamaican Poets'

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Journal articles on the topic "Jamaican Poets"

1

Baugh, Edward. ""She Opened Windows": Edna Manley and Jamaican Literature." Cultural and Pedagogical Inquiry 11, no. 3 (2019): 7–12. http://dx.doi.org/10.18733/cpi29499.

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Edna Manley has been acclaimed for her contribution to Jamaican culture and social consciousness by way of her work as an artist, mainly in sculpture, and her influence, by example and by guidance, on emerging artists in her time. However, that contribution to the emergence of the “new,” pre-Independence Jamaica, must also include what she did for the development of Jamaican literature, although she was not herself a creative writer. In this regard, she made her contribution by way of her influence on, encouragement of, and practical assistance to emerging writers, such as poets H. D. Carberry
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2

Aman, Yasser K. R. "Stage or Page? A Dub Performer or A Dub Poet? A Study of Linton Kwesi Johnson’s Political Activism in “Five Nights of Bleeding” and “Di Great Insohreckshan”." English Language and Literature Studies 8, no. 1 (2018): 11. http://dx.doi.org/10.5539/ells.v8n1p11.

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This paper investigates Linton Kwesi Johnson’s political activism in “Five Nights of Bleeding” and “Di Great Insohreckshan” in order to answer the much-debated question: which is more effective in conveying Johnson’s political message: the performed song or the scribed poem? First, the paper gives a brief history of dub music which started in Jamaica, Johnson’s motherland. A discussion of dub poetry follows highlighting the pioneers such as Johnson and Mutabaruka. I argue that the performed songs and the scribed poems under study are effective in convey Johnson’s message each in its own way; h
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3

Cyzewski, Julie. "Broadcasting Nature Poetry: Una Marson and the BBC's Overseas Service." PMLA/Publications of the Modern Language Association of America 133, no. 3 (2018): 575–93. http://dx.doi.org/10.1632/pmla.2018.133.3.575.

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Although the nature poems of the Jamaican writer Una Marson are usually set against her transnational projects, they are inextricable from the cosmopolitan vision described in her radio broadcasts and journalism. Studies of transnational modernism have brought to the fore Marson's participation in pan- Africanist political and literary networks, her poems' mediation of the black West Indian woman's experience, and her work promoting West Indian literature in the metropolitan institution of the BBC. Analyses of Marson as a transnational igure, however, have obscured aspects of her literary prod
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4

Persard, Suzanne C. "Ancestral Coda." Small Axe: A Caribbean Journal of Criticism 23, no. 2 (2019): 80–88. http://dx.doi.org/10.1215/07990537-7703305.

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This series of poems operates somewhere between the Bronx, Half Way Tree (Kingston), and memory. Indian indentureship in Jamaica is epistemologically eclipsed; queer death is unmemorialized; an opening of sugar packets evokes the violence of empire. These poems reckon with loss—whether through grammar, digitization, or death. Yet there remains an abiding desire to explode the beauty of (extra)ordinary moments and scenes. Diasporic and hyperlocal, these poems entangle language(s), archives, and memory to map constellations of identities formed and complicated by colonization.
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5

Hunter, Walt. "Claude McKay’s Constabulary Aesthetics: The Social Poetics of the Jamaican Dialect Poems." Modern Philology 111, no. 3 (2014): 566–84. http://dx.doi.org/10.1086/673473.

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6

Bartens, Angela. "The Making of Languages and New Literacies: San Andrés-Providence Creole with a View on Jamaican and Haitian." Lingüística y Literatura 42, no. 79 (2021): 237–56. http://dx.doi.org/10.17533/udea.lyl.n79a13.

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The aim of this paper is to examine the idea of «language making» and new literacies in creole languages with a focus on San Andrés-Providence Creole English. Jamaican and Haitian Creole are taken as points of comparison for their more advanced state of consolidation. Posts from Facebook groups gathered between February 2016 and July 2020 as the main source of data were complemented by 2015 data on San Andrés linguistic landscapes. The main finding is that, due to a favorable change in language attitudes both locally and globally, San Andrés-Providence Creole is entering into the domain of wri
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7

Garcia, Ana Catarina Abrantes. "New ports of the New World: Angra, Funchal, Port Royal and Bridgetown." International Journal of Maritime History 29, no. 1 (2017): 155–74. http://dx.doi.org/10.1177/0843871416677952.

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This article presents a comparative analysis of the port systems of the Portuguese and British Empires in the Atlantic during the seventeenth and eighteenth centuries. It is based on the study of four insular ports under the sovereignty of these two imperial polities: Angra in the Azores, Funchal in Madeira, Bridgetown in Barbados, and Port Royal in Jamaica. The aim of the analysis is to compare the main factors that led to the choice of these sites as key places in the structure of the respective Portuguese and British imperial models, how they developed to satisfy trade needs and their most
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8

Hall, Catherine. "A Jamaica of the Mind: Gender, Colonialism, and the Missionary Venture." Studies in Church History 34 (1998): 361–90. http://dx.doi.org/10.1017/s0424208400013759.

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Mary Ann Middleditch, a young woman of twenty in 1833, living in Wellingborough in Northamptonshire and working in a school, confided in her letters her passionate feelings about Jamaica and the emancipation of slaves. The daughter of a Baptist minister, she had grown up in the culture of dissent and antislavery and felt deeply identified with the slaves whose stories had become part of the books she read, the sermons she heard, the hymns she sang, the poems she quoted, and the missionary meetings she attended. In 1833, at the height of the antislavery agitation, Mary Ann followed the progress
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9

Hunt, Nadine. "Expanding the Frontiers of Western Jamaica through Minor Atlantic Ports in the Eighteenth Century." Canadian Journal of History 45, no. 3 (2010): 485–502. http://dx.doi.org/10.3138/cjh.45.3.485.

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10

Thorhaug, Anitra, Franklin McDonald, Beverly Miller, et al. "DISPERSED OIL EFFECTS ON TROPICAL HABITATS: PRELIMINARY LABORATORY RESULTS OF DISPERSED OIL TESTING ON JAMAICA CORALS AND SEAGRASS." International Oil Spill Conference Proceedings 1989, no. 1 (1989): 455–58. http://dx.doi.org/10.7901/2169-3358-1989-1-455.

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ABSTRACT The island of Jamaica experiences six small- to medium-sized oil spills per year. Major ports for petroleum entry are close to mangrove, seagrass and coral resources. Mangrove and coral habitats form important nurseries for fish and shrimp populations. The coral reefs and white sand beaches of the north and west coasts are the basis of the tourism industry, which generates $406 million U.S. dollars per year, and accounts for 55 percent of the island's foreign exchange earnings. Thus, protecting these resources from the effects of spilled oil is of priority to the government. Mechanica
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