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Dissertations / Theses on the topic 'James Dean'

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Published: 4 June 2021
Last updated: 30 January 2023

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1

Olson, Ted. "James Still: The Dean of Appalachian Literature." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/1128.

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2

Langendorfer, Anne Therese. "Feeling Real: Emotion in the Novels of William Dean Howells and Henry James." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1499858033212105.

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3

Nam, Hyung Doo. "The right of publicity in the global market : is James Dean a living dead even in Korea? /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/9613.

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4

Callaghan, Jennefer. "Spectral realism the ghost stories of William Dean Howells, Henry James, and Sarah Orne Jewett /." Restricted access (UM), 2009. http://libraries.maine.edu/gateway/oroauth.asp?file=orono/etheses/37803141.pdf.

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Thesis (Ph. D.)--Emory University, 2008.<br>Title from PDF title page (viewed on May 25, 2010) Available through UMI ProQuest Digital Dissertations. Includes bibliographical references (leaves 236-269). Also issued in print.
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5

Jaynes, Lindsey. "The Authority of Difference: Culturally Effected Realism in Whitman and Henry James." Oberlin College Honors Theses / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1309283371.

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6

Massaro, Toni Marie, and of the Dean James E. Rogers College of Law Office. "From the Dean, Winter 2000." James E. Rogers College of Law, University of Arizona (Tucson, AZ), 2000. http://hdl.handle.net/10150/612240.

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7

Massaro, Toni Marie, and of the Dean James E. Rogers College of Law Office. "From the Dean, Fall 2000." James E. Rogers College of Law, University of Arizona (Tucson, AZ), 2000. http://hdl.handle.net/10150/612223.

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8

Massaro, Toni Marie, and of the Dean James E. Rogers College of Law Office. "From the Dean, Spring 2001." James E. Rogers College of Law, University of Arizona (Tucson, AZ), 2001. http://hdl.handle.net/10150/612225.

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9

Massaro, Toni Marie, and of the Dean James E. Rogers College of Law Office. "From the Dean, Fall 2001." James E. Rogers College of Law, University of Arizona (Tucson, AZ), 2001. http://hdl.handle.net/10150/612226.

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10

Massaro, Toni Marie, and of the Dean James E. Rogers College of Law Office. "From the Dean, Spring 2002." James E. Rogers College of Law, University of Arizona (Tucson, AZ), 2002. http://hdl.handle.net/10150/612227.

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11

Massaro, Toni Marie, and of the Dean James E. Rogers College of Law Office. "From the Dean, Fall 2002." James E. Rogers College of Law, University of Arizona (Tucson, AZ), 2002. http://hdl.handle.net/10150/612228.

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12

Massaro, Toni Marie, and of the Dean James E. Rogers College of Law Office. "From the Dean, Fall 2003." James E. Rogers College of Law, University of Arizona (Tucson, AZ), 2003. http://hdl.handle.net/10150/612229.

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13

Massaro, Toni Marie, and of the Dean James E. Rogers College of Law Office. "From the Dean, Spring 2004." James E. Rogers College of Law, University of Arizona (Tucson, AZ), 2004. http://hdl.handle.net/10150/612230.

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14

Massaro, Toni Marie, and of the Dean James E. Rogers College of Law Office. "From the Dean, Fall 2004." James E. Rogers College of Law, University of Arizona (Tucson, AZ), 2004. http://hdl.handle.net/10150/612231.

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15

Massaro, Toni Marie, and of the Dean James E. Rogers College of Law Office. "From the Dean, Winter 2002." James E. Rogers College of Law, University of Arizona (Tucson, AZ), 2002. http://hdl.handle.net/10150/612243.

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16

Massaro, Toni Marie, and of the Dean James E. Rogers College of Law Office. "From the Dean, Spring 2003." James E. Rogers College of Law, University of Arizona (Tucson, AZ), 2003. http://hdl.handle.net/10150/612244.

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17

Massaro, Toni Marie, and of the Dean James E. Rogers College of Law Office. "From the Dean, Spring 2005." James E. Rogers College of Law, University of Arizona (Tucson, AZ), 2005. http://hdl.handle.net/10150/612232.

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18

Massaro, Toni Marie, and of the Dean James E. Rogers College of Law Office. "From the Dean, Spring 2006." James E. Rogers College of Law, University of Arizona (Tucson, AZ), 2006. http://hdl.handle.net/10150/612246.

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19

Massaro, Toni Marie, and of the Dean James E. Rogers College of Law Office. "From the Dean, Fall/Winter 2005." James E. Rogers College of Law, University of Arizona (Tucson, AZ), 2005. http://hdl.handle.net/10150/612245.

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20

Jessee, Margaret Jay. "Narrative, Gender, and Masquerade in the American Novel, 1853-1920." Diss., The University of Arizona, 2012. http://hdl.handle.net/10150/222893.

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Narrative, Gender, and Masquerade tracks the way the American novel of manners structures itself on representations of a pair of purportedly opposite and opposing women, the fair, innocent girl and the dark, tempting seductress. This opposition increasingly merges into sameness even as the novel in which it appears labors to keep the two characters separate in order to stabilize its textual architecture of thematic and formal binaries. Presenting itself as a text closely related to a social reality, the American novel of manners is structured as a masquerade: purporting to reveal as it conceals, conjuring readerly doubt as to the nature of both mask and reality. There are two main theoretical traditions in the study of masquerade. The first, the anthropologically-inflected cultural and literary historical approach to masks and masquerade, typically is applied to literary texts to explain religious and political historical exigencies as reflected in a given work of literature. The second, the psychoanalically-based theory of femininity as a masquerade, is most often deployed to use the text as a means of explaining the male gaze, desire, and gender performance. My reading of the American novel as gendered rests on dissolving the disciplinary borders between the two, thereby focusing reading on the form of the novel as well as its relation to its cultural, historical, and literary context. The novels I analyze situate women into stereotypical binary roles of the virgin and the seductress. These narratives register a duality between reality and representation that is analogous to the gender masking the novels take as their theme.
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21

Reardon, Damien Francis. "Live hard die young: Insight into the short life time of highly active vanadium(III) catalysts. The James Dean of alpha-olefin polymerization catalysts." Thesis, University of Ottawa (Canada), 2002. http://hdl.handle.net/10393/6178.

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The effects of different donor atoms of the supporting ligands (i.e. oxygen and nitrogen donor ligands) are at the root of this study as well as an attempt to improve our understanding of the catalyst/co-catalyst interaction. Simply based on the lack of knowledge in the area of vanadium polymerization mechanism our group has set out to investigate possible activation pathways through a series of alkylation reactions to assess the vanadium-carbon bond stability by using a variety of oxygen and nitrogen donor-based supporting ligands. Upon using alkylating agents such as the alkylaluminium co-catalysts, attempts to trap and crystallize the active intermediate were attempted only to elucidate the deactivation process. Insight into the activation and deactivation pathways of vanadium-based catalysts and a few other metal congeners such as zirconium, chromium, and manganese will be investigated in the following thesis. The second chapter will cover insight into the activation and deactivation pathways of the industrially used tris(acetylacetonato) vanadium complex in the copolymerization of ethylene and propylene forming a polymer used in the production of synthetic rubber. In attempt to combine the migratory properties of the oxygen donor based ligands and the stabilization properties nitrogen donor based ligands, the reactivity of the acetylpyrrolide ligand system was investigated with V(III). Two novel organometallic complexes were synthesized where, in one case, vanadium(III) mediated an aldolic condensation of the acetylpyrrolide ligand and in a second case a vanadium(II) metal centre promoted a pinacolic coupling of the ligand (Chapter 5). Chapter 6 in mainly focused on the vanadium/aluminium interaction and the role of the co-catalyst in the activation and deactivation of the vanadium metal centre. In this case the vanadium centre is supported by the bulky N,N,N, tris-trimethylsilyl diethylenediamidoamino ligand. Formation of novel vanadium/aluminium clusters were synthesized and have given great insight into the vanadium/aluminium interaction and have demonstrated involvement of the ligand as seen previously in the case of the bis(imino)pyridyl ligand system. Preliminary reactivity of the meso-diphenyldipyrrolemethane ligand was investigated with Zr(IV), V(III), Cr(III), Cr(II) in Chapter 7. These reactions revealed the possible bonding modes of the pyrrolide moiety with the metal centre. Treatment of the V(III) meso-diphenyldipyrrolidemethane complex with a sterically demanding aryloxide led to an interesting deoxygenation reaction of the aryloxide to form an oxygen bridged vanadium dimer which exerted high polymerization activities upon activation with dimethylaluminiumchloride. (Abstract shortened by UMI.)
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22

Waggoner, Adrian Thomas. "Adrian Waggoner: For Sale, Sold!" The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1461153721.

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23

Johansson, Gustav, and Andreas Nilsson. "Från 50-tal till 50-tal -Ung rebell och dess efterföljare." Thesis, Linköping University, Department of Thematic Studies, 2003. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-1993.

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<p>Uppsatsen beskriver tiden kring 50-talet för att genom detta visa den ungdomskultur som då uppstod. När filmen Ung rebell hade premiär 1955 var den en föregångare inom filmbranchen genom att gestalta ungdomskulturen på ett nytt sätt. Uppstasen analyserar denna film, Sista natten med gänget (1973), samt Grease (1978) för att visa vilka verktyg som används för att visa ungdomskulturen under denna tid. En del av analysen är att påvisa bilens roll i ungdomskulturen i film gesaltad under och strax efter 50-talet.</p>
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24

Cruz, Moscoso Franklin de la. "James Joyce’s Early Works: James Joyce’s “The Dead” in Dubliners." Tesis, Universidad de Chile, 2005. http://www.repositorio.uchile.cl/handle/2250/110291.

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Informe de Seminario para optar al grado de Licenciado en Lengua y Literatura Inglesa.<br>The present report, then, will focus on the “The Dead”, mainly, to show its intrinsic worth and the possible relations existing between it and the other stories within Dubliners, and Joyce’s next work, A Portrait of the Artist as a Young Man.
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25

Ulrich, Taylor Jade. "James Deen: The Feminist Enigma." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/364.

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James Deen and his distinct following of fans has allowed for a discussion of what pornography means to women and teenage girls to be teased out. His fans are vocal, public and unashamed in their fascination with him, dismissing previously held ideologies that porn be a clearly private activity that is shameful to be addressed publicly; especially for women. James Deen’s uniquely unintimidating demeanor, both physically and personally, has made him more forgivable for his mistakes (i.e. rape “joke” Tweets), evidence of an intense desire for women to find porn that they can relate to and positively consume. Despite his shortcomings, James Deen is immensely popular among women and because of this, brings to light my critique of the limited definition of feminist pornography as it stands today in academia. James Deen works against the grain of the porn industry, representing a new type of porn star that lends women their own gaze and further access to genuine pleasure intended for them. When James Deen breaks the common subject-object barrier of mainstream porn by pleasuring women on-screen, he disrupts the visual coding that holds the patriarchal gaze together at its seams, and works to produce female pleasure as a sexual truth. Not only that, but his consciousness around consent further allows women to be able to identify sexual pleasure with roles of submission. This construction of power-knowledge-pleasure to include women, and enthusiastic consent, aligns him with feminist porn aims to primarily focus on women, sexual openness and not shame, and sex positivity and not negativity. Moving beyond the foci of James Deen’s films and his personality, the theory of disidentification is integral to understanding some women’s relationship with him, and how even the more complicated aspects of porn should be considered for inclusion within the definition of feminist porn. To ignore this survival tactic is to silence women’s participation in an already exclusionary industry. To include disidentificatory practices in feminist porn is to take into account the convoluted, nonlinear and illogical ways women and teenage girls are consuming porn. When the definition is opened up to include all porn that “works on and against dominant ideology” (as James Deen’s does), experienced anxieties due to inconsistencies between one’s erotics and politics can be relieved, fantasy is further understood as a real and validated sexual tool, and masochism’s role in porn is logically brought into this dialogue. When fantasy is accepted as a complex and mysterious phenomenon, disenfranchised demographics such as women are given license. Masochism is no longer limited to an absent and repressed tendency that places women in a punished state. James Deen’s masochistic aesthetic threatens patriarchal dogma and offers up something new to the world of pornography. While James Deen does not profess to be a feminist, his porn practices and personality set him apart from the majority of the mainstream porn world and within the feminist porn sphere. In the end, the good that he is doing in providing women and teenage girls an option in an otherwise barren landscape of phallocentric porn should be enough to earn him academic scholarship and inclusion in the realm of feminist pornography.
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26

Ghadiri, Hamid Reza. "Deconstructing Binaries in James Joyce’s "The Dead"." Thesis, Högskolan Dalarna, Engelska, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:du-5493.

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27

Boork, Filip. "Är kristen tro ”properly basic”? : En utvärdering av kritiken mot Alvin Plantingas modell för kristen tro." Thesis, Umeå universitet, Institutionen för idé- och samhällsstudier, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-123531.

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28

Egger, Irmgard. "Lederstrumpf, ein deutsches Jugendbuch : Untersuchung zu den Bedingungen und Strukturen literarischer Transformation /." Wien : VWGÖ, 1991. http://catalogue.bnf.fr/ark:/12148/cb35521243d.

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29

Sprague, Stacey. "James Evetts Haley and the New Deal: Laying the Foundations for the Modern Republican Party in Texas." Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc4573/.

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James Evetts Haley, a West Texas rancher and historian, balked at the liberalism promoted by President Franklin D. Roosevelt and the New Deal. Haley grew concerned about increased federal control over states and believed Roosevelt was leading the country toward bankruptcy. In 1936, Haley, a life-long Democrat, led the Jeffersonian Democrats in Texas, who worked to defeat Roosevelt and supported the Republican candidate, Alf Landon. He continued to lead a small faction of anti-New Deal Texans in various movements through the 1960s. Haley espoused and defended certain conservative principles over the course of his life and the development of these ideas created the philosophical base of the modern Republican Party in Texas.
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30

Schneider, Ulrich Johannes. "Über den Körper sprechen in Enzyklopädien." Universitätsbibliothek Leipzig, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-149383.

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Im 17. und 18. Jahrhundert ist die Rede der Enzyklopädisten - gemeint sind damit alle, wohl mehrere hundert alphabetisch geordneten und umfangsstarken Wissenswerke vor und nach der französischen "Encyclopedie" (1751- 1765) - erkennbar darin unterschiedlich, je nachdem, an welches Publikum sie sich richten. Dabei kann man vom Beispiel der französischen Akademie ausgehen und vermutungsweise zwei Haupttypen unterscheiden, nämlich das allgemeine Publikum und die Fachleserschaft. Einen charakteristischen Fall scheinen medizinische Enzyklopädien abzugeben, denn bei medizinischen Artikeln kann man sogar davon sprechen. dass die unterschiedlichen Redeweisen enzyklopädischer Werke zwei Körper konstituieren: den ärztlichen Behandlungsgegenstand und den Körper des Bürgers. Während der eine Objekt von Praktiken ist, akkumuliert der andere anatomische und chirurgische Kenntnisse als theoretisches Wissen. Die therapeutische Wirkung der Lektüre ist entsprechend verschieden. Für den Arzt bedeutet eine fachliche Auskunft immer auch eine mögliche Handlungsanweisung, für den Laien reduziert sich der praktische Anwendungsnutzen auf präventive Maßnahmen oder lediglich auf ein Verständnis ärztlicher Kunst. Der Unterschied ist einfach zu beobachten, wenn man die beiden Textsorten - den Fachartikel und den des allgemeinen Wissens - auseinander hält. Das soll im Folgenden am Beispiel einer medizinischen Enzyklopädie geschehen, deren Artikel die fachsprachlichen Vermittlungs- und Lesetechniken überschreiten und eine allgemeinbildende Wissensartikulation auch im Bereich des medizinischen Wissens durchsetzen wollen. Es handelt sich um das kurz vor der berühmten "Encyclopedie" von Diderot und d' Alembert veröffentliche "Medical Dictionary" von Robert James.
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Block, George I. "Faith without works is dead a study of James 2:14-26 /." Theological Research Exchange Network (TREN), 1992. http://www.tren.com.

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32

Weber, Bruno [UNESP]. "Diálogos entre literatura e cinema: um estudo sobre The Dead de James Joyce." Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/91523.

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Made available in DSpace on 2014-06-11T19:25:23Z (GMT). No. of bitstreams: 0 Previous issue date: 2010-05-04Bitstream added on 2014-06-13T19:32:23Z : No. of bitstreams: 1 weber_b_me_arafcl.pdf: 1458043 bytes, checksum: 57916e541c6e7cec9ba8335daf23710d (MD5)<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>James Joyce configura-se como um dos autores mais importantes do século vinte, e suas técnicas inovadoras influenciaram diversos escritores e artistas por gerações. Contudo, apesar de seu evidente prestígio no campo literário e cultural, pouco são os trabalhos versando sobre suas adaptações para o cinema. A intenção do presente estudo é de analisar os implícitos sexuais marcados no conto Os Mortos de James Joyce e sua representação na adaptação cinematográfica de John Huston, de 1987. Será levado em conta, como abordagem teórica, as questões levantadas por Seymour Chatman e David Bordwell a respeito das relações existentes entre literatura e cinema, tais quais o narrador literário e cinematográfico. Segundo Chatman essas questões são de essencial importância para o estudo das relações entre os dois meios, porque possibilitam uma abordagem não baseada no biografismo. Também serão levados em consideração os trabalhos de Linda Hutcheon (Theory of adapatation, 2006) e de Robert Stam (Literature and film: a guide to the theory and practice of film adaptation, 2005) acerca da teoria da adaptação, teoria desenvolvida ao longo dos últimos trabalhos desses autores. O estudo, considerando tais argumentos, examinará um possível significado dessas relações sexuais implícitas no conto e em sua adaptação. Os Mortos compõe o último conto da coletânia intitulada Dubliners, de James Joyce, publicada em 1914<br>James Joyce is one of the most important twentieth century authors, and his cutting edge techniques influenced many authors and artists from his and subsequent generations. However, in spite of his prominent prestige on literary and cultural grounds, few works study the adaptation of his texts to cinema. The objective of this study is to analyze implicit sexual relations in Joyce’s The Dead and in its representation in John Huston’s cinematographic adaptation, 1987. This work will consider, as theoretical approach, the issues raised by Seymour Chatman and David Bordwell about the relation between literature and films, such as the literary and the cinematographic narrator. According to Chatman (1990) this questions are fundamental for this type of study due to the fact that they allow an approach not based on pure author’s biography. This study will also take into account Linda Hutcheon’s Theory of adaptation (2006) and Robert Stam’s Literature and film: a guide to the theory and practice of film adaptation (2005) about the theory of adaptation, theory developed throughout these two author’s last works In addition to that, this study will consider one way of regarding these implicit sexual relations in the short story and in its adaptation to the cinema. The Dead is the last short story from the collection entitled Dubliners, by James Joyce, 1914
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Weber, Bruno. "Diálogos entre literatura e cinema : um estudo sobre The Dead de James Joyce /." Araraquara : [s.n.], 2010. http://hdl.handle.net/11449/91523.

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Orientador: Maria Clara Bonetti Paro<br>Banca: Adalberto Luis Vicente<br>Banca: José Garcez Ghirardi<br>Resumo: James Joyce configura-se como um dos autores mais importantes do século vinte, e suas técnicas inovadoras influenciaram diversos escritores e artistas por gerações. Contudo, apesar de seu evidente prestígio no campo literário e cultural, pouco são os trabalhos versando sobre suas adaptações para o cinema. A intenção do presente estudo é de analisar os implícitos sexuais marcados no conto Os Mortos de James Joyce e sua representação na adaptação cinematográfica de John Huston, de 1987. Será levado em conta, como abordagem teórica, as questões levantadas por Seymour Chatman e David Bordwell a respeito das relações existentes entre literatura e cinema, tais quais o narrador literário e cinematográfico. Segundo Chatman essas questões são de essencial importância para o estudo das relações entre os dois meios, porque possibilitam uma abordagem não baseada no biografismo. Também serão levados em consideração os trabalhos de Linda Hutcheon (Theory of adapatation, 2006) e de Robert Stam (Literature and film: a guide to the theory and practice of film adaptation, 2005) acerca da teoria da adaptação, teoria desenvolvida ao longo dos últimos trabalhos desses autores. O estudo, considerando tais argumentos, examinará um possível significado dessas relações sexuais implícitas no conto e em sua adaptação. Os Mortos compõe o último conto da coletânia intitulada Dubliners, de James Joyce, publicada em 1914<br>Abstract: James Joyce is one of the most important twentieth century authors, and his cutting edge techniques influenced many authors and artists from his and subsequent generations. However, in spite of his prominent prestige on literary and cultural grounds, few works study the adaptation of his texts to cinema. The objective of this study is to analyze implicit sexual relations in Joyce's The Dead and in its representation in John Huston's cinematographic adaptation, 1987. This work will consider, as theoretical approach, the issues raised by Seymour Chatman and David Bordwell about the relation between literature and films, such as the literary and the cinematographic narrator. According to Chatman (1990) this questions are fundamental for this type of study due to the fact that they allow an approach not based on pure author's biography. This study will also take into account Linda Hutcheon's Theory of adaptation (2006) and Robert Stam's Literature and film: a guide to the theory and practice of film adaptation (2005) about the theory of adaptation, theory developed throughout these two author's last works In addition to that, this study will consider one way of regarding these implicit sexual relations in the short story and in its adaptation to the cinema. The Dead is the last short story from the collection entitled Dubliners, by James Joyce, 1914<br>Mestre
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34

Fulton, Robert Lee. "When we waken the dead : the hermeneutics of death and memory in the works of James Joyce /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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35

Muhlestein, Nicholas. "Interrupting the Cycle: Idealization, Alienation and Social Performance in James Joyce's "Araby," "A Painful Case," and "The Dead."." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2538.

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The thesis considers Joyce's short stories "Araby," "A Painful Case," and the "The Dead," illustrating how these works present three intellectually and emotionally similar protagonists, but at different stages of life, with the final tale "The Dead" suggesting a sort of limited solution to the conflicts that define the earlier works. Taken together, "Araby" and "A Painful Case," represent a sort of life cycle of alienation: the boy of "Araby" is an isolated, deeply introspective youth who lives primarily within his own idealized mental world before discovering, through a failed romantic quest at the story's end, the complete impracticality of his own highly abstracted desires. In contrast, Duffy of "A Painful Case" is an extremely rigid, middle-aged bachelor who lives in a self-imposed exile from Irish society in an ultimately unsuccessful attempt to escape the sort of mental and emotional pain that affects the boy, with his final epiphany being that such ideals still exist within him, but he now no longer has any hope of changing his life or taking part in society. The stories suggest that such idealized desires can neither be ignored nor fulfilled, and it is not until the chronologically final story "The Dead" that Joyce suggests any sort of limited solution to the dilemma. Gabriel of "The Dead" again displays the introversion, emotional fragility and extreme idealism of the earlier protagonists, but he, as a young, adult man, presents a break in the cycle and an alternate path. In contrast to the earlier protagonists, Gabriel refuses to exist within his own mental world alone, and instead takes part in and attempts to accommodate the desires of both society as a whole, and of specific individuals close to him, such as his aunts and his wife Gretta. Though Gabriel's attempts are not an unmitigated success, he earns a degree of satisfaction for his efforts, with his final revelation being of his connection to the rest of humanity, in contrast to the self-absorbed and hopeless reflections of the earlier protagonists.
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36

Sutton, Mark Richard. "'All Livia's daughtersons' : death and the dead in the prose fiction of James Joyce." Thesis, Royal Holloway, University of London, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.265874.

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37

Beckham, William C. "The pitiable fatuous fellows of dear dirty Dublin, or ; conflicted masculinity in James Joyce's Dubliners /." View electronic thesis, 2008. http://dl.uncw.edu/etd/2008-3/beckhamw/williambeckham.pdf.

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38

Coil, William Russell. ""New Deal Republican" James Allen Rhodes and the transformation of the Republican Party, 1933-1983 /." Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1124117381.

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39

Böndel, Paula. "Die Künstlerthematik in den frühen Romanen von Marcel Proust, Robert Musil und James Joyce." Heidelberg Winter, 2001. http://d-nb.info/1000498670/04.

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40

Schneider, Ulrich Johannes. "Über den Körper sprechen in Enzyklopädien." Philosopien des Fleisches / Ludger Schwarte (Hg.). Hildesheim [u.a.] : Olms, 2008, S. 165-177 ISBN 978-3-487-13851-0, 2008. https://ul.qucosa.de/id/qucosa%3A12784.

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Im 17. und 18. Jahrhundert ist die Rede der Enzyklopädisten - gemeint sind damit alle, wohl mehrere hundert alphabetisch geordneten und umfangsstarken Wissenswerke vor und nach der französischen "Encyclopedie" (1751- 1765) - erkennbar darin unterschiedlich, je nachdem, an welches Publikum sie sich richten. Dabei kann man vom Beispiel der französischen Akademie ausgehen und vermutungsweise zwei Haupttypen unterscheiden, nämlich das allgemeine Publikum und die Fachleserschaft. Einen charakteristischen Fall scheinen medizinische Enzyklopädien abzugeben, denn bei medizinischen Artikeln kann man sogar davon sprechen. dass die unterschiedlichen Redeweisen enzyklopädischer Werke zwei Körper konstituieren: den ärztlichen Behandlungsgegenstand und den Körper des Bürgers. Während der eine Objekt von Praktiken ist, akkumuliert der andere anatomische und chirurgische Kenntnisse als theoretisches Wissen. Die therapeutische Wirkung der Lektüre ist entsprechend verschieden. Für den Arzt bedeutet eine fachliche Auskunft immer auch eine mögliche Handlungsanweisung, für den Laien reduziert sich der praktische Anwendungsnutzen auf präventive Maßnahmen oder lediglich auf ein Verständnis ärztlicher Kunst. Der Unterschied ist einfach zu beobachten, wenn man die beiden Textsorten - den Fachartikel und den des allgemeinen Wissens - auseinander hält. Das soll im Folgenden am Beispiel einer medizinischen Enzyklopädie geschehen, deren Artikel die fachsprachlichen Vermittlungs- und Lesetechniken überschreiten und eine allgemeinbildende Wissensartikulation auch im Bereich des medizinischen Wissens durchsetzen wollen. Es handelt sich um das kurz vor der berühmten "Encyclopedie" von Diderot und d'' Alembert veröffentliche "Medical Dictionary" von Robert James.
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41

McAteer, Michael. "'Dead faces laugh' : imagination and history from Standish James O'Grady to George Russell and W.B. Yeats." Thesis, Queen's University Belfast, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268148.

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42

Bittencourt, Ana Lúcia Trevisan. "Paralysis revisited in the light of social, political and religious aspects in James Joyce's The Dead." Florianópolis, SC, 2005. http://repositorio.ufsc.br/handle/123456789/102277.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Inglês e Literatura Correspondente.<br>Made available in DSpace on 2013-07-16T00:31:11Z (GMT). No. of bitstreams: 0<br>A proposta da pesquisa tem por objetivo a análise dos eventos sociais e políticos que ocorreram no período em queThe Dead foi escrito, e também verificar a posição de Joyce dentro daquele contexto. Partindo da intenção do autor de criticar a sociedade irlandesa motivado por uma luta a nível nacional para restaurar a identidade cultural, o leitor deve estar atento aos acontecimentos históricos que refletem o catolicismo irlandês como emblema do nacionalismo. Outro fator importante foi a década de 1840, na qual muitos irlandeses foram dizimados pela fome, assim como a queda do importante líder político Parnell. Joyce acreditava realmente que a capital, Dublin, era o centro de uma paralisia espiritual, devido à estagnação econômica e cultural, em conseqüência da dominação britânica. O New Historicism foi adotado com o propósito de analisar o texto literário dentro de um contexto sociológico. A aproximação biográfica é também utilizada para a obtenção de um efeito similar, pois a motivação de Joyce em escrever The Dead teve origem em circunstâncias familiares. Em seguida, estudos sobre o conto ilustram como Joyce transformou a situação política e social na Irlanda em uma obra-prima.
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43

Kurnick, Sarah. ""The dead are fed with fragrance" a study of Maya censers from the Guatemala highlands /." Diss., Connect to the thesis, 2006. http://thesis.haverford.edu/184/01/2006KurnickS.pdf.

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44

Trinh, Huy Q. "The Southern Conference for Human Welfare and the Decade of Hope, 1938-1948." Thesis, Boston College, 2009. http://hdl.handle.net/2345/697.

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Thesis advisor: Alan Lawson<br>Before the Civil Rights Movement began in the mid-1950s, an early movement led by white southern liberals fought for social and economic equality between the races. These men and women defied the stereotypes of bigoted white southerners and gradualist appeasers and challenged the norms and social customs of their region. Unfortunately, their legacy and accomplishments have largely been overshadowed by dramatic events of 1950s and 1960s. This thesis seeks to reexamine their work in view of their courage and unwavering determination to bring justice and equality to the South<br>Thesis (BA) — Boston College, 2009<br>Submitted to: Boston College. College of Arts and Sciences<br>Discipline: History Honors Program<br>Discipline: College Honors Program<br>Discipline: History
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45

Heesen, Sabine te. "Der Blick in die kannibalische Welt : Anthropophagie in Daniel Defoes Robinson Crusoe, den Reisebeschreibungen zu James Cooks Weltumsegelungen und bei Marquis de Sade /." Freiburg, Br. ; Berlin Wien : Rombach, 2008. http://d-nb.info/991053265/04.

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46

Hosking, Sarah Lucy. ""Dear James ..." : London life as revealed through the letters of Jane Lowther, an English gentlewoman, written from 1700-1730 /." Title page, contents and introduction only, 1991. http://web4.library.adelaide.edu.au/theses/09AR/09arh826.pdf.

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47

Wenell, Linnea. "Den engelska ing-formen i nyöversättning : En komparativ grammatisk studie av två svenska översättningar av James Joyces Ulysses." Thesis, Uppsala universitet, Institutionen för nordiska språk, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-274736.

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48

Coil, William Russell. "Mayoral politics and new deal political culture: James Rhodes and the African-American voting bloc in Columbus, Ohio, 1943-1951." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1399627321.

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49

Nagy, Peter. "Novels without heroes the gender origin of war in Norman Mailer's The naked and the dead, Martha Gellhorn's Point of no return, and James Jone's The thin red line /." Click here for download, 2008. http://proquest.umi.com/pqdweb?did=1568967251&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

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50

Matuschek, Olaf [Verfasser], and Rüdiger [Akademischer Betreuer] Glaser. "Data-Mining in den Reisetagebüchern James Silk Buckinghams 1815/1816 : neu entwickelte Suchalgorithmen und effiziente Arbeitsmethoden in der Historischen Klimatologie." Freiburg : Universität, 2014. http://d-nb.info/1122742525/34.

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