Academic literature on the topic 'James Hamlin'

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Journal articles on the topic "James Hamlin"

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Simpson, David Graham. "Reginald Henry James Hamlin." Medical Journal of Australia 159, no. 11-12 (1993): 826. http://dx.doi.org/10.5694/j.1326-5377.1993.tb141365.x.

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Campbell. "Summers in Arcady: The Deep Time of Evolutionary Romance in James Lane Allen, Hamlin Garland, and Edith Wharton." American Literary Realism 52, no. 2 (2020): 95. http://dx.doi.org/10.5406/amerlitereal.52.2.0095.

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Tobin, R. "HANNIBAL HAMLIN and NORMAN W. JONES (eds), The King James Bible after 400 Years: Literary, Linguistic, and Cultural Influences." Notes and Queries 60, no. 2 (2013): 323–24. http://dx.doi.org/10.1093/notesj/gjt011.

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CHRISTENSEN, PHILIP H. "McGuffey's Oxford (Ohio) Shakespeare." Journal of American Studies 43, no. 1 (2009): 101–15. http://dx.doi.org/10.1017/s0021875809006082.

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James Fenimore Cooper regarded Shakespeare as “the great author of America.” For most frontier readers, this distinctly American Shakespeare was disseminated within the pages of the ubiquitous McGuffey Rhetorical Readers, and Hamlin Garland speaks for several generations across the Ohio frontier when he writes, “I got my first taste of Shakespeare from the selected scenes which I read in these books.” This Oxford (Ohio) canon draws generously from the Roman and English history plays, including scenes from the surprisingly popular King John and Henry VIII, and students were encouraged to memorize, and read aloud, classic orations such as “Antony's Oration over Dead Caesar's Body” and “Henry V. to His Troops.” The tragedies were most frequently represented by “The Hamlet Soliloquy,” and the more problematic comedies were virtually ignored, with the exception of brief appearances by a much sanitized John Falstaff. By the close of the century, the McGuffey canon had contributed to an American belief in Shakespeare's authority as second only to the Bible's, a point of view reflected in Emerson's judgment that Shakespeare is “inconceivably wise.”
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Boehme, Armand J. "The King James Bible after 400 Years: Literary, Linguistic, and Cultural Influences - Edited by Hannibal Hamlin and Norman W. Jones." Reviews in Religion & Theology 19, no. 4 (2012): 458–60. http://dx.doi.org/10.1111/j.1467-9418.2012.01113.x.

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Hine, I. C. "The King James Bible after 400 Years: Literary, Linguistic, and Cultural Influences, edited by Hannibal Hamlin and Norman W. Jones." Relegere: Studies in Religion and Reception 1, no. 2 (2011): 403–9. http://dx.doi.org/10.11157/rsrr1-2-545.

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Gebarowski-Shafer, Ellie. "Hannibal Hamlin and Norman W. Jones (eds), The King James Bible after 400 Years: Literary, Linguistic, and Cultural Influences (Cambridge: Cambridge University Press, 2010), pp. xii+364. $39.99." Scottish Journal of Theology 69, no. 1 (2016): 107–9. http://dx.doi.org/10.1017/s003693061400057x.

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Britt, Brian. "Hamlin, Hannibal, and Norman W. Jones. The King James Bible after 400 Years: Literary, Linguistic, and Cultural Influences. Cambridge: Cambridge University Press, 2010. xii+364 pp. $39.99 (cloth)." Journal of Religion 92, no. 1 (2012): 128–29. http://dx.doi.org/10.1086/663740.

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Goodblatt, Chanita. "Hannibal Hamlin and Norman W. Jones, eds. The King James Bible after 400 Years: Literary, Linguistic, and Cultural Influences. Cambridge: Cambridge University Press, 2010. xii + 364 pp. index. illus. chron. bibl. $39.99. ISBN: 978–0–521–76827–6." Renaissance Quarterly 64, no. 3 (2011): 994–95. http://dx.doi.org/10.1086/662926.

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Browning, Robert M. "Johann Georg Hamann by James C. O’Flaherty." Thomist: A Speculative Quarterly Review 49, no. 1 (1985): 136–42. http://dx.doi.org/10.1353/tho.1985.0051.

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Dissertations / Theses on the topic "James Hamlin"

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Saugestad, Frode. "Individuation and the shaping of personal identity a comparative study of the modern novel." Wiesbaden Reichert, 2009. http://d-nb.info/995606749/04.

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Smallcanyon, Corey. "Contested Space: Mormons, Navajos, and Hopis in the Colonization of Tuba City." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2557.

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When Mormons arrived in northern Arizona among the Navajo and Hopi Indians in the late 1850s, Mormon-Indian relations were initially friendly. It was not too long, however, before trouble began in conflicts over water use and land rights. Federal agents would soon consider Mormons a threat to the peaceful Hopis because both the Navajo and Mormons were expanding their land claims. Indian agents relentlessly pleaded with Washington to establish a separate Indian reservation. They anticipated this reservation would satisfy all three parties, but its creation in 1882 only created more problems, climaxing in the 1892 death of Lot Smith at the hands of Atsidí, the local Navajo headman. Tensions continued to increase until federal agents intervened in 1900 and placed Tuba City under a Presidential Executive Order. The order withdrew Tuba City from white claims and resulted in the expulsion of the Mormons from Tuba City in 1903. My contribution is to show how the Navajo and Hopi Indians may have considered the coming of the Mormons as an invasion by a group of foreigners which led to the resulting contest between the trios for the limited natural resources of the northern Arizona desert. Tuba City/Moenkopi has a complicated history and its origins remain contested because it was claimed not only by Mormons, but also by the Navajos and Hopi. Previous historians have neglected the wealth of history that come from using Native American oral histories. This thesis will include the Native point of view but will also integrate it with Mormon and non-Mormon narratives. Doing so will provide another perspective on some of the following: the founding of Tuba City, the creation of the 1882 and 1900 Executive Orders for Navajo and Hopi reservation expansions, the death of the Mormon Lot Smith, and Native American-Mormon relations in the late 1800s in northern Arizona.
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Bacon, Edwin Bruce. "Confronting eternity : strange (im)mortalities, and states of undying in popular fiction." Thesis, University of Canterbury. English, 2014. http://hdl.handle.net/10092/9680.

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When the meritless scrabble for the bauble of deity, they ironically set their human lives at the “pin’s fee” to which Shakespeare’s Hamlet refers. This thesis focuses on these undeserving individuals in premillennial and postmillennial fiction, who seek immortality at the expense of both their humanities, and their natural mortalities. I will analyse an array of popular modern characters, paying particular attention to the precursors of immortal personages. I will inaugurate these analyses with an examination of fan favourite series
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ANGLIN, EMILY ELIZABETH. "Melancholy and the Early Modern University." Thesis, 2011. http://hdl.handle.net/1974/6769.

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Critics have observed that in early Stuart England, the broad, socially significant concept of melancholy was recoded as a specifically medical phenomenon—a disease rather than a fashion. This recoding made melancholy seem less a social attitude than a private ailment. However, I argue that at the Stuart universities, this recoded melancholy became a covert expression of the disillusionment, disappointment, and frustration produced by pressures there—the overcrowding and competition which left many men “disappointed” in preferment, alongside James I’s unprecedented royal involvement in the universities. My argument has implications for Jürgen Habermas’s account of the emergence of the public sphere, which he claims did not occur until the eighteenth-century. I argue that although the university was increasingly subordinated to the crown’s authority, a lingering sense of autonomy persisted there, a residue of the medieval university’s relative autonomy from the crown; politicized by the encroaching Stuart presence, an alienated community at the university formed a kind of public in private from authority within that authority’s midst. The audience for the printed book, a sphere apart from court or university, represented a forum in which the publicity at the universities could be consolidated, especially in seemingly “private” literary forms such as the treatise on melancholy. I argue that Robert Burton’s exaggerated performance of melancholy in The Anatomy of Melancholy, which gains him license to say almost anything, resembles the performed melancholy that the student-prince Hamlet uses to frustrate his uncle’s attempts to surveil him. After tracing melancholy’s evolving literary function through Hamlet, I go on to discuss James’s interventions into the universities. I conclude by considering two printed (and widely circulated) books by university men: the aforementioned The Anatomy of Melancholy by Burton, an Oxford cleric, and The Temple by George Herbert, who left a career as Cambridge’s public orator to become a country parson. I examine how each of these books uses the affective pattern of courtly-scholarly disappointment—transumed by Burton as melancholy, and by Herbert as holy affliction—to develop an empathic form of publicity among its readership which is in tacit opposition to the Stuart court.
Thesis (Ph.D, English) -- Queen's University, 2011-09-27 15:30:01.702
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Books on the topic "James Hamlin"

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Bronstein, Michaela. Needing to Narrate. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190655396.003.0005.

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Faulkner unites the problems of character and chronology that James and Conrad faced. Faulkner’s novels show the potentially disastrous consequences of failing to impose narrative order on experience. Critics often see Faulkner’s techniques, like Conrad’s, as representations of the disorder of reality—of the failings of human knowledge and the impossibility of communication. Yet through Quentin Compson’s desperate attempts to understand the story of Thomas Sutpen in Absalom, Absalom!, and through the failure of the community in The Hamlet to recognize that they are merely characters in Flem Snopes’s story, Faulkner sketches the hazard and the value of attempting to know one’s place in the story of one’s life. In Sometimes a Great Notion, Kesey extends the experiments of Absalom, Absalom! He includes more voices than Faulkner and juxtaposes more layers of history, testing against each other the competing claims of politicized local action and multiple forms of universal sentiment.
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Book chapters on the topic "James Hamlin"

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Steffes, Harald. "Von Johanniswürmern und Irrlichtern. Oder: Auf die Schreibart kommt es an. Der Einfluss des James Hervey auf Johann Georg Hamann." In Johann Georg Hamann: Natur und Geschichte. V&R unipress, 2020. http://dx.doi.org/10.14220/9783737011730.53.

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D’Adamo, Amedeo. "The Empty Man of Action vs. The Active Heart: Dispassionate and Dramatic Characters from James Bond and Sherlock Holmes to Little Miss Sunshine, Hamlet and The Hobbit." In Empathetic Space on Screen. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-66772-0_2.

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"Hamlin, Reginald Henry James (1908–1993)Hamlin, Catherine (b. 1923)." In Eponyms and Names in Obstetrics and Gynaecology. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781108421706.133.

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"James Joyce, Ulysses." In Hamlet: Critical Essays. Routledge, 2014. http://dx.doi.org/10.4324/9781315817651-58.

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"D. G. James, The Dream of Learning." In Hamlet: Critical Essays. Routledge, 2014. http://dx.doi.org/10.4324/9781315817651-16.

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Tate, Allen. "“William Faulkner”." In The Dixie Limited. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496803382.003.0027.

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This chapter is aimed as an obituary of William Faulkner. It describes Faulkner as an arrogant and ill-mannered individual in a way that is peculiarly “Southern”: in company he usually failed to reply when spoken to, or when he spoke there was something grandiose in the profusion with which he sprinkled his remarks with “Sirs” and “Ma'ms.” No matter how great a writer he may be, the public gets increasingly tired of Faulkner; his death seems to remove the obligation to read him. Nevertheless, the chapter regards Faulkner as the greatest American novelist after Henry James since the 1930s. It cites five masterpieces written by Faulkner: The Sound and the Fury, As I Lay Dying, Sanctuary, Light in August, and The Hamlet.
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