Relevant bibliographies by topics / James Joyce's Ulysses

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'James Joyce's Ulysses'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'James Joyce's Ulysses.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "James Joyce's Ulysses"

1

Alonso-Giráldez, José Miguel. "The Mental Construction of Reality in James Joyce." Oceánide 13 (February 9, 2020): 69–77. http://dx.doi.org/10.37668/oceanide.v13i.42.

Full text
Abstract:
The purpose of this study is to analyse how James Joyce builds a large part of his narrative through a verbal tissue that is born from the cognitive experience, from the deep interaction between mind and environment. Beyond the psychoanalytic approach or Psychological realism, Joyce, particularly in Ulysses, displays this reading of reality in which a series of cognitive events form a narrative continuum. Reality appears before us through the perceptions of the protagonists, and that is the reason why we only access an incomplete view of reality itself. Partiality or incompleteness is a fundamental characteristic of Ulysses. However, Joyce aspires to build up a coherent and solid universe. Joyce creates a continuous reality through the semantic flow, often chaotic and blurry. Joycean language reveals the inconsistencies and instabilities of one's life, when it is impossible to transmit what cannot be apprehended completely, whether due to mental dysfunctions, hallucinations or other causes, as in Finnegans Wake. In this study, we also consider etymology as a tool that provides stability and linguistic richness to Joyce’s narrative, although subjecting it to hard transformations or mutation processes. Joyce finds great stylistic possibilities in the words used as semantic repositories that come from the past, and, with his passion for language, is able to build cognitive moments that rely on etymology. In the light of the most recent cognitive theories applied to Joyce's work, this study shows how the combination of mind, body and environment builds reality in Joyce, especially in Ulysses, overcoming traditional analyses around the inner monologue or the individual mind. Confirming previous studies, we consider that Joyce builds reality through microhistories, sketches, discursive or introspective cognitive events. However, to form a continuous substrate, that contributes to the construction of identity in Ulysses, Joyce deploys strategic frameworks, such as paternity or adultery.
APA, Harvard, Vancouver, ISO, and other styles
2

Marichalar, Antonio, and Gayle Rogers. "James Joyce in His Labyrinth." PMLA/Publications of the Modern Language Association of America 124, no. 3 (May 2009): 926–29. http://dx.doi.org/10.1632/pmla.2009.124.3.926.

Full text
Abstract:
Jorge Luis Borges claimed to be “the first hispanic adventurer to have arrived at Joyce's [Ulysses]” (3) when he published a translation of the novel's final page in the Argentine journal Proa in January 1925; in fact, the Spaniard Antonio Marichalar was the first to translate passages of Ulysses into Spanish—just two months earlier, in the Revista de Occidente in Madrid. One of the finest literary critics and essayists of the 1920s and 1930s, Marichalar (1893–1973) was largely responsible for circulating the works and poetics of a number of anglophone writers, including Joyce, William Faulkner, Virginia Woolf, Lytton Strachey, Liam O'Flaherty, Hart Crane, and D. H. Lawrence, among hispanophone audiences. Prior to 1924, Joyce had been mentioned briefly in the Spanish press by Marichalar, by the English travel writer Douglas Goldring, and by several others, but no one yet had substantially treated the Irish author whose work was at the center of a revolution in European literary aesthetics. Marichalar's groundbreaking article/review/translation “James Joyce in His Labyrinth” was a remarkable introduction to and adaptation of Joyce's modernist cosmopolitanism in Spain, where the author's influence remains profound.
APA, Harvard, Vancouver, ISO, and other styles
3

Nash, J. "Review: James Joyce's Ulysses. A Casebook." Review of English Studies 56, no. 223 (February 1, 2005): 164–66. http://dx.doi.org/10.1093/res/hgi020.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Beja, Morris. ""Ulysses" Annotated: Notes for James Joyce's "Ulysses" (review)." MFS Modern Fiction Studies 36, no. 2 (1990): 276–77. http://dx.doi.org/10.1353/mfs.0.0424.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Smyth, Gerry. "‘Trust Not Appearances’: Political and Personal Betrayal in James Joyce's Ulysses." Irish University Review 44, no. 2 (November 2014): 254–71. http://dx.doi.org/10.3366/iur.2014.0123.

Full text
Abstract:
Literary historians such as Tony Tanner have speculated that adultery, with its assault upon the patriarchal institution of marriage and its potential for family drama, is the principal theme of the bourgeois novel that evolves in Europe during the nineteenth century. Joyce's famous work was heir to the great nineteenth-century novel of adultery – a tradition which includes the likes of Tolstoy's Anna Karenina (1873–77), Flaubert's Madame Bovary (1857), and Zola's Thérèse Raquin (1867). An act of marital betrayal lies at the heart of the story, an act which Joyce explores in all its emotional and moral complexity. Other critics (such as David Lloyd) have argued that his condition as an Irish writer obliged Joyce to develop an ‘adulterated’ form of writing – one which refused the precepts of patriarchal authorship, and in so doing contributed significantly to the emergence of the cultural sensibility known as Modernism. This article addresses Joyce's imagination of personal and political betrayal as explored in both the thematic and formal aspects of Ulysses.
APA, Harvard, Vancouver, ISO, and other styles
6

Clarke, R. W. "Oliver St John Gogarty." Journal of Laryngology & Otology 111, no. 1 (January 1997): 15–19. http://dx.doi.org/10.1017/s0022215100136333.

Full text
Abstract:
AbstractOliver St John Gogarty – Otolaryngologist to fashionable Edwardian Dublin – was a distinguished poet and a Senator in the fledgling Irish Free State after its establishment in 1922. He numbered amongst his acquaintances the poet William Butler Yeats, the novelist James Joyce and a host of political and literary persona who helped to shape modern Ireland. He was satirised as ‘stately plump Buck Mulligan’ in Joyce's novel Ulysses.
APA, Harvard, Vancouver, ISO, and other styles
7

Sopčák, Paul. "`Creation from nothing': a foregrounding study of James Joyce's drafts for Ulysses." Language and Literature: International Journal of Stylistics 16, no. 2 (May 2007): 183–96. http://dx.doi.org/10.1177/0963947007075984.

Full text
Abstract:
In May 2002, previously unknown early drafts of what was to become the third chapter of James Joyce's Ulysses surfaced. Joyce worked these drafts into the manuscript that is now known as the `V.A.3-Buffalo' manuscript, in its turn the antecedent of the fair copy forming part of the so-called Rosenbach manuscript on which the published Gabler edition of Ulysses is based. In the study presented in this article, I chose three passages from the earliest drafts and found their corresponding passages in the V.A.3-Buffalo manuscript, and the published text (amounting to a total of nine text passages). In both manuscripts the first layer (before revisions) was chosen, to have the greatest possible difference between versions. After dividing the texts into roughly sentence-length segments, I conducted a foregrounding analysis on all segments of the nine texts and quantified the foregrounding devices. The objective of the presented study was to investigate whether results of past empirical studies of foregrounding, which have concentrated on poems or fairly straightforward narratives would hold true for such complex texts as James Joyce's Ulysses. To measure reader responses to the foregrounding of the texts, ratings on strikingness and affect, as well as reading times per segment were recorded. These responses proved to correlate significantly with the numerical foregrounding index per segment. Additionally, a salient framework is proposed for the study of manuscript materials.
APA, Harvard, Vancouver, ISO, and other styles
8

Castle, Gregory. "Ousted Possibilities: Critical Histories in James Joyce's Ulysses." Twentieth Century Literature 39, no. 3 (1993): 306. http://dx.doi.org/10.2307/441689.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Gabler, H. "Towards an electronic edition of James Joyce's Ulysses." Literary and Linguistic Computing 15, no. 1 (April 1, 2000): 115–20. http://dx.doi.org/10.1093/llc/15.1.115.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Spunt, Nicola Ivy. "Ontotropology: Disfiguration and Unreadability in James Joyce's Ulysses." Oxford Literary Review 33, no. 1 (July 2011): 1–20. http://dx.doi.org/10.3366/olr.2011.0003.

Full text
Abstract:
This paper explores how figures of temporality, disfiguration and orgasm in the ‘Nausicaa’ episode of Joyce's Ulysses come together to allegorise unreadability. I argue that the text's invocation of a ‘contretemps’ to figure a scene of indigestion elicits a temporality of shock, producing a counternarrative that thwarts (vomits up) the ostensible readability it purports. Moreover, the principles of ideality and transparency commonly associated with the sentimental mode are countervailed by the episode's transgressive rhetorical shocks: a public display of onanistic activity and the revelation of Gerty's ‘lame leg’. The text's renderings of Gerty's disfiguration as well as the orgasmic both work to allegorise unreadability; I also suggest that they ramify ontologically. Drawing on Jacques Derrida and Jean-Luc Nancy, I investigate the co-articulation of ontology and tropology in ‘Nausicaa’ to adumbrate a theory of ‘ontotropology’ — the figuration of ontology as an undecidable condition of tropological surfeit born out of temporal disjunction.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "James Joyce's Ulysses"

1

Carey, Stephen Joseph. "Comedy in James Joyce's Ulysses." Thesis, University of Oxford, 1987. http://ora.ox.ac.uk/objects/uuid:80539d29-5f34-44af-b2a6-265d85000258.

Full text
Abstract:
The comic in Ulysses needs more attention. The few studies that exist disregard the problems: the adoption of assumptions which limit discussion, the inconsistent terminology, the lingering prejudice regarding comedy as inferior to tragedy. This study begins by examining the common assumption that comedy in Ulysses is either a restraint on Joyce's saeva indignatio, or an affirmation of life; and then looks at the difficulties of comic criticism. Chapter two considers modern comedy, distinguishes three schools of theory, and indicates how these will be considered in relation to Ulysses. Chapter three, countering the assumptions observed in chapter one, discusses the book's refusal to indulge the reader's desire for certainty, illustrating this with a criticism of Kenner's conception of Joycean irony and Goldberg's reading of the 'Nausicaa' episode. Chapter four examines Mulligan: "in risu veritas: for nothing so reveals us as cur laughter" (Joyce). Using Freud's study of aggressive jokes, it works backwards from 'Circe,' where Mulligan is revealed in his true (motley) colours. Chapter five evaluates Bloom's comic/ heroism, working with Bergson's study of social laughter and against Darcy O'Brien. The final chapter considers farce, particularly in 'Cyclops' and 'Circe,' using Bergson's body-as-machine theory and Bakhtin's study of the medieval carnival in Rabelais and his World<.em>.
APA, Harvard, Vancouver, ISO, and other styles
2

Barron, Graham. "The self in conversation : James Joyce's Ulysses." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60607.

Full text
Abstract:
Following and at times reworking the relation between language, society and selfhood in the antifoundationalist philosophies of Charles Taylor and Richard Rorty, the thesis develops the idea of the novel as a kind of conversation. The thesis takes James Joyce's Ulysses as a progression of thought and style in which its three principal characters, Stephen Dedalus, Leopold Bloom and Molly Bloom, expound their views and then lapse into silence as part of an ongoing conversation. Three episodic conversations in particular are discussed: for Stephen, Scylla and Charybdis; for Bloom, Cyclops; and for Molly, Penelope. These conversations, it is suggested, parallel Joyce's evolving novelistic theories, and mark a movement from a metaphysical, to a scientized, and eventually to an ironist understanding of selfhood and society.
APA, Harvard, Vancouver, ISO, and other styles
3

Yi, Jongil. "Order and disorder in James Joyce's Ulysses." Thesis, University of Essex, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.265198.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Greenwell, Joseph E. "Time, History, and Memory in James Joyce's Ulysses." Kent State University Honors College / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1343339298.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Haufe, Carly E. "Contingency, Choice and Consensus in James Joyce's Ulysses." Case Western Reserve University School of Graduate Studies / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=case1428665589.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Pape, Daniel Joseph. "'Up out of this' metatextuality in Joyce's Ulysses /." Click here for download, 2008. http://proquest.umi.com/pqdweb?did=1564034061&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Hayward, Matthew Chistopher. "Advertising and Dublin's consumer culture in James Joyce's Ulysses." Thesis, Durham University, 2012. http://etheses.dur.ac.uk/5914/.

Full text
Abstract:
This thesis reconsiders James Joyce’s representation of advertising and Dublin’s consumer culture in Ulysses. Against earlier, generalising accounts, it applies a carefully historicising methodology to demonstrate the cultural specificity of Joyce’s engagement. It does so in three ways. To begin with, it establishes that Irish consumerism did not simply follow British advances, but developed in a distinct and inflected fashion. Chapters 2 and 3 show that while Joyce incorporates all of the material characteristics of Dublin’s relatively advanced consumer culture, he downplays its advertising industry, making it appear less developed in 1904 than was historically the case. Secondly, it analyses the distortions introduced by Joyce’s own historical remove from the consumer culture he depicts. Chapter 4 identifies for the first time the sources of Joyce’s “Advertising” notes from his so-called “Notes on Business and Commerce,” and establishes that his representation of Bloom’s advertising consciousness reflects advances in advertising theory that only got seriously underway in the decade between 1904, when the novel is set, and 1914, when Joyce began to write it. Finally, having analysed the material and compositional background to Joyce’s portrayal of early-twentieth-century consumerism, this thesis analyses Joyce’s engagement with two of its dominant ideologies. Chapter 5 concentrates on the ‘Lestrygonians’ and ‘Ithaca’ episodes to argue that Joyce lays bare the overdetermined nature of colonial consumption, depicting the naturalisation of British commodities on the Irish market, and contesting the spurious claim to disinterestedness presented by imperial consumerist discourses. Chapter 6 develops intertextual readings of the ‘Nausicaa’ chapter to show that Joyce’s narrative is even more fully comprised of the language of female-oriented advertising than has been recognised. It argues that the chapter responds to a particular ideological complex, in which consumerist imperatives struggled with more conservative patriarchal interests. Overall, this thesis brings together historical, genetic and intertextual critical approaches to uncover the stylistic and chronological manipulations involved in Joyce’s fictionalisation of early-twentieth-century Irish consumerism. It argues that Ulysses stands as both a reflection of this crucial period of socio-economic change, and a politicised response to its dominant ideological coercions.
APA, Harvard, Vancouver, ISO, and other styles
8

Udayakumar, P. "Repetition, time and structure in Ulysses." Thesis, University of Oxford, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.329022.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Butts, Gerald Michael. "Between two roaring worlds : personal identity in James Joyce's Ulysses." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29770.

Full text
Abstract:
When I first encountered James Joyce's Ulysses, at the age of sixteen, I was predictably unprepared for the book. Its shifts in narrative voice, extensive use of stream of consciousness, and ostensible disorder make the book a daunting task for the first time reader. Fortunately, my age allowed me to consign my lack of understanding to naivete, rather than, as did many early critics, to authorial deficiencies. In addition to my ignorance regarding Ulysses itself, I was completely unaware of the extensive critical debates surrounding its myriad aspects, from the supposed "communion" between Stephen and Bloom in "Ithaca" to the fact that the very edition I was reading (the Gabler text) was the source of considerable controversy in the Joycean community.
Having experienced frustrations common to many readers of the book, I can understand why so many readers "give up" on Ulysses. Obviously, I was drawn back to the book, but by neither its encyclopaedic nature, nor the various games it plays with literary traditions, nor any other "technical" aspect of the author's virtuosity; I was, of course, ignorant to these features. Rather, I found---and continue to find---Ulysses an extremely compelling work of art because of the manner in which it seems to be energized with "warm fullblooded life," in the words of Bloom. The impressive extent to which Joyce has successfully created ostensibly real human beings is both remarkable and often remarked upon. Less well documented are the underlying philosophical assumptions which inform Joyce's meticulous method of characterization. The present study of Ulysses aims to uncover these assumptions.
APA, Harvard, Vancouver, ISO, and other styles
10

Butts, Gerald Michael. "Between two roaring worlds, personal identity in James Joyce's Ulysses." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ55119.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "James Joyce's Ulysses"

1

James Joyce's Ulysses. New York: Harvester Wheatsheaf, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

James Joyce's Ulysses. New York: St. Martin's Press, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Sherry, Vincent B. James Joyce's Ulysses. 2nd ed. Cambridge, U.K: Cambridge University Press, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Hamilton, Richard. Imaging James Joyce's Ulysses. [Manchester]: British Council, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

J, Seidman Robert, and Gifford Don, eds. Ulysses annotated: Notes for James Joyce's Ulysses. 2nd ed. Berkeley: University of California Press, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Gifford, Don. Ulysses annotated: Notes for James Joyce's Ulysses. 2nd ed. Berkeley: University of California Press, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Sloane, Peter. Parody in James Joyce's Ulysses. [S.l: The Author], 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Wolfgang, Wicht. Utopianism in James Joyce's Ulysses. Heidelberg: Universitätsverlag C. Winter, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

James Joyce's Ulysses: A reference guide. Westport, Conn: Greenwood Press, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Killeen, Terence. Ulysses unbound: A reader's companion to James Joyce's Ulysses. Bray, Co. Wicklow: Wordwell in association with the National Library of Ireland, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "James Joyce's Ulysses"

1

Brown, Richard. "Molly's Gibraltar: The Other Location in Joyce's Ulysses." In A Companion to James Joyce, 157–73. Oxford, UK: Blackwell Publishing Ltd, 2017. http://dx.doi.org/10.1002/9781405177535.ch10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Conde Parilla, Mª Angeles. "James Joyce’s Ulysses." In Rimbaud's Rainbow, 79. Amsterdam: John Benjamins Publishing Company, 1998. http://dx.doi.org/10.1075/btl.21.11con.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Brown, Richard. "Ulysses." In James Joyce, 62–97. London: Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-21919-3_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Ljungberg, Christina. "Crisscrossing James Joyce’s Ulysses." In Operationalizing Iconicity, 200–210. Amsterdam: John Benjamins Publishing Company, 2020. http://dx.doi.org/10.1075/ill.17.12lju.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Gillespie, Michael Patrick. "James Joyce: Ulysses." In A Companion to Modernist Literature and Culture, 384–92. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996331.ch43.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Drews, Jörg. "Joyce, James: Ulysses." In Kindlers Literatur Lexikon (KLL), 1–5. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8859-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Wales, Katie. "Joyce’s Voices in Ulysses." In The Language of James Joyce, 68–104. London: Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-21873-8_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Beach, Sylvia. "How I Published Ulysses." In James Joyce, 79–81. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-09422-6_23.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Taylor-Batty, Juliette. "Protean Mutations: James Joyce’s Ulysses." In Multilingualism in Modernist Fiction, 113–45. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137367969_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Danzer, Gerhard. "„Ulysses“ von James Joyce." In Identität, 289–308. Berlin, Heidelberg: Springer Berlin Heidelberg, 2016. http://dx.doi.org/10.1007/978-3-662-53221-8_13.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'James Joyce's Ulysses' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography