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Dissertations / Theses on the topic 'James Joyce's Ulysses'

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Published: 4 June 2021

Last updated: 8 February 2022

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1

Carey, Stephen Joseph. "Comedy in James Joyce's Ulysses." Thesis, University of Oxford, 1987. http://ora.ox.ac.uk/objects/uuid:80539d29-5f34-44af-b2a6-265d85000258.

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The comic in Ulysses needs more attention. The few studies that exist disregard the problems: the adoption of assumptions which limit discussion, the inconsistent terminology, the lingering prejudice regarding comedy as inferior to tragedy. This study begins by examining the common assumption that comedy in Ulysses is either a restraint on Joyce's saeva indignatio, or an affirmation of life; and then looks at the difficulties of comic criticism. Chapter two considers modern comedy, distinguishes three schools of theory, and indicates how these will be considered in relation to Ulysses. Chapter

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2

Barron, Graham. "The self in conversation : James Joyce's Ulysses." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60607.

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Following and at times reworking the relation between language, society and selfhood in the antifoundationalist philosophies of Charles Taylor and Richard Rorty, the thesis develops the idea of the novel as a kind of conversation. The thesis takes James Joyce's Ulysses as a progression of thought and style in which its three principal characters, Stephen Dedalus, Leopold Bloom and Molly Bloom, expound their views and then lapse into silence as part of an ongoing conversation. Three episodic conversations in particular are discussed: for Stephen, Scylla and Charybdis; for Bloom, Cyclops; and fo

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3

Yi, Jongil. "Order and disorder in James Joyce's Ulysses." Thesis, University of Essex, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.265198.

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4

Greenwell, Joseph E. "Time, History, and Memory in James Joyce's Ulysses." Kent State University Honors College / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1343339298.

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5

Haufe, Carly E. "Contingency, Choice and Consensus in James Joyce's Ulysses." Case Western Reserve University School of Graduate Studies / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=case1428665589.

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6

Pape, Daniel Joseph. "'Up out of this' metatextuality in Joyce's Ulysses /." Click here for download, 2008. http://proquest.umi.com/pqdweb?did=1564034061&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

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7

Hayward, Matthew Chistopher. "Advertising and Dublin's consumer culture in James Joyce's Ulysses." Thesis, Durham University, 2012. http://etheses.dur.ac.uk/5914/.

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This thesis reconsiders James Joyce’s representation of advertising and Dublin’s consumer culture in Ulysses. Against earlier, generalising accounts, it applies a carefully historicising methodology to demonstrate the cultural specificity of Joyce’s engagement. It does so in three ways. To begin with, it establishes that Irish consumerism did not simply follow British advances, but developed in a distinct and inflected fashion. Chapters 2 and 3 show that while Joyce incorporates all of the material characteristics of Dublin’s relatively advanced consumer culture, he downplays its advertising i

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8

Udayakumar, P. "Repetition, time and structure in Ulysses." Thesis, University of Oxford, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.329022.

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9

Butts, Gerald Michael. "Between two roaring worlds : personal identity in James Joyce's Ulysses." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29770.

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When I first encountered James Joyce's Ulysses, at the age of sixteen, I was predictably unprepared for the book. Its shifts in narrative voice, extensive use of stream of consciousness, and ostensible disorder make the book a daunting task for the first time reader. Fortunately, my age allowed me to consign my lack of understanding to naivete, rather than, as did many early critics, to authorial deficiencies. In addition to my ignorance regarding Ulysses itself, I was completely unaware of the extensive critical debates surrounding its myriad aspects, from the supposed "communion" between Ste

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10

Butts, Gerald Michael. "Between two roaring worlds, personal identity in James Joyce's Ulysses." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ55119.pdf.

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11

Wakely, Maria Eve. "The historical consciousness of Ulysses : James Joyce's gendered, national aesthetics." Thesis, University of Wolverhampton, 1996. http://hdl.handle.net/2436/97368.

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12

McMorran, Ciaran. "Geometry and topography in James Joyce's Ulysses and Finnegans Wake." Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7385/.

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Following the development of non-Euclidean geometries from the mid-nineteenth century onwards, Euclid’s system had come to be re-conceived as a language for describing reality rather than a set of transcendental laws. As Henri Poincaré famously put it, ‘[i]f several geometries are possible, is it certain that our geometry [...] is true?’. By examining Joyce’s linguistic play and conceptual engagement with ground-breaking geometric constructs in Ulysses and Finnegans Wake, this thesis explores how his topographical writing of place encapsulates a common crisis between geometric and linguistic m

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13

Rasmussen, Goloubeva Irina. "Between colonialism and nationalism : art, history, and politics in James Joyce's Ulysses /." Uppsala : Department of English, Uppsala University, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-8273.

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14

Kostova, Stela (Stela Tzvetanova) Carleton University Dissertation English. ""Love's bitter mystery": the mother-son relationship in James Joyce's Ulysses." Ottawa, 1995.

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15

Hsu, Ching-Ying. "Love and the ethics of subaltern subjectivity in James Joyce's Ulysses." Thesis, Durham University, 2014. http://etheses.dur.ac.uk/10736/.

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This thesis explores Joyce’s aesthetic enterprise in Ulysses from the perspective of ethics, arguing that my psychoanalytic study necessarily points to the entwinement of ontology, epistemology and ethics. Joyce’s literary experimentation not only revolutionised western literature, writing his name into world history, but also inaugurated an emergent subjectivity in modernity. In answering Spivak’s question, ‘Can the Subaltern speak?’, one of my main theses is that the subaltern can speak through the process of self-naming, through the self-invention of a new subjectivity and a New Symbolic. I

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16

Tully-Needler, Kelly Lynn. "Last Word in Art Shades: The Textual State of James Joyce's Ulysses." Thesis, Connect to resource online, 2007. http://hdl.handle.net/1805/1605.

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Thesis (M.A.)--Indiana University, 2007.<br>Title from screen (viewed on March 6, 2008). Department of English, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Ken Davis, Jonathan R. Eller, William F. Touponce. Includes vitae. Includes bibliographical references (leaves 214-228).

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17

Gupta, Suman. "The construction of criticism : critical responses to James Joyce's Ulysses, 1922-1941." Thesis, University of Oxford, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.335826.

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18

Curran, Robert. "Myth, Modernism and Mentorship| Examining Francois Fenelon's Influence on James Joyce's "Ulysses"." Thesis, Florida Atlantic University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10172610.

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<p> The purpose of this thesis will be to examine closely James Joyce’s <i>Ulysses</i> with respect to François Fénelon’s <i> The Adventures of Telemachus</i>. Joyce considered <i>The Adventures of Telemachus</i> to be a source of inspiration for Ulysses, but little scholarship considers this. Joyce’s fixation on the role of teachers and mentor figures in Stephen’s growth and development, serving alternately as cautionary figures, models or adversaries, owes much to Fénelon’s framework for the growth of Telemachus. Close reading of both Joyce&

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19

Ungar, Andras. "The epic of the Irish nation state : history and genre in James Joyce's Ulysses." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39443.

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This study examines Ulysses as a response to the Irish Literary Revival's expectation that a native epic would crown Ireland's literary achievements and to the country's imminent independence under the Sinn Fein.<br>Ulysses thematizes the compositional imperatives which Virgil's Aeneid made canonical for the national epic. This perspective reconfigures the legacy of Stephen Dedalus' heroic stance in A Portrait of the Artist as a Young Man and Arthur Griffith's arguments in The Resurrection of Hungary: A Parallel for Ireland (1904) through which Sinn Fein won national prominence.<br>Through Ste

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20

Steele, George McIver. "Restoring Silence: Samuel Beckett's "Molly" Viewed as a Parody of James Joyce's "Ulysses"." W&M ScholarWorks, 1989. https://scholarworks.wm.edu/etd/1539625527.

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21

Flynn, John F. X. ""By Contraries" ("Ulysses" 15.3928): James Joyce's Rendering of Drama in "Exiles" and "Circe"." W&M ScholarWorks, 2000. https://scholarworks.wm.edu/etd/1539626257.

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22

Voyiatzaki, Evangelina. "The body in the text : James Joyce's Ulysses and the modern Greek novel." Thesis, University of Warwick, 2000. http://wrap.warwick.ac.uk/4380/.

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This thesis examines the body's thematization in narrative, and as part of the aesthetic consciousness of the modernist novel. Its starting point is Joyce's pioneering association of Ulysses with the functions of a live body, and the interdisciplinary rationale that his Thomist aesthetics of wholeness enact. Joyce's view of his text as a multi-levelled, reciprocally interdependent hierarchy of various fields, including art and science, as developed in the Linati and Gilbert Schemes, sheds light on the polyphonic and polyglottic narratorial tactics of U. Joyce's enterprise is compared to the Gr

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23

McGahon, Mark James Peter. "Acts of injustice and the construction of social reality in James Joyce's Ulysses." Thesis, Queen's University Belfast, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.707837.

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This thesis looks at discursive conflicts in James Joyce’s Ulysses. By using the theories of the French philosopher, Jean-Francis Lyotard, and his work on conflicts between phrases, the thesis analyses how characters are silenced because of such conflicts. Silence not only points, according to Lyotard, to feelings of injustice. It is this silence, Lyotard argues, which intimates the existence of differends. This thesis concentrates on how Ulysses depicts the creation of such injustices as lead to differ ends. It examines the extent to which constructions of, and assumptions about, social reali

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24

Mount, Camilla. "Print media and the construction of the public sphere in James Joyce's Ulysses." Thesis, King's College London (University of London), 2014. https://kclpure.kcl.ac.uk/portal/en/theses/print-media-and-the-construction-of-the-public-sphere-in-james-joyces-ulysses(879e889c-4290-4b06-a233-1a3f4e05e3bc).html.

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Framed around an investigation into the public sphere in Ireland during the late nineteenth and early twentieth centuries, this thesis explores how the public sphere is constructed and reflected upon by James Joyce in Ulysses. It recognises that in order to exist in a society that is increasingly influenced by print media, communication and commodity, the public sphere must be able to function beyond the limits of a set location or place. I therefore explore two versions of the public sphere. The first, as set down by Jurgen Habermas in his study 'The Structural Transformation of the Public Sp

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25

DeBonis, Daniel P. ""Aspiring to the condition of music": the experience of song in James Joyce's Ulysses." Thesis, Boston University, 2006. https://hdl.handle.net/2144/27632.

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Boston University. University Professors Program Senior theses.<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>2031-01-02

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26

Gordon, Anna Margaretha. "A Reassessment of James Joyce's Female Characters." Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2705.pdf.

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27

Silva, José Célio. "Awakening from the nightmare: a study of the democratic hero in James Joyce's Ulysses." reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/handle/123456789/106047.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Florianópolis, 1978.<br>Made available in DSpace on 2013-12-05T18:59:27Z (GMT). No. of bitstreams: 1 321916.pdf: 3599860 bytes, checksum: 25df8accc4c2cfeadf2ea8383d58a71b (MD5)

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28

Witen, Michelle Lynn. "Perceiving in registers : the condition of absolute music in James Joyce's Ulysses and Finnegans Wake." Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669882.

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29

Gilliland, Eric. "The “Cyclops” and “Nestor” Episodes in James Joyce's Ulysses: A Portrait of European Society in 1904." University of Dayton / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1335916622.

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30

Hanaway-Oakley, Cleo Alexandra. "'See ourselves as others see us' : a phenomenological study of James Joyce's Ulysses and early cinema." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:80821e26-de35-483a-a37c-7a4c60e138b7.

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This thesis examines James Joyce’s Ulysses (1922) and early cinema (c. 1895-1920) through Merleau-Pontian phenomenology. Instead of arguing for lines of direct influence between specific films and particular parts of Ulysses, I show that Joyce’s text and selected early films and film genres exhibit parallel philosophies. Ulysses and early cinema share similar ideas on the embodied nature of perception, the close relationship between mind and body, the intermingling of the human and the mechanical, intersubjectivity, and the subject’s inherence in the world. All of these shared ideas are inhere

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31

Jonsson, AnnKatrin. "Relations : ethics and the modernist subject in James Joyce's "Ulysses", Virginia Woolf's "The Waves", and Djuna Barnes's "Nightwood /." Frankfurt am Main : P. Lang, 2006. http://catalogue.bnf.fr/ark:/12148/cb40227023k.

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32

Kweon, Christie. "Obscenity in Gustave Flaubert's Madame Bovary and James Joyce's Ulysses: A Postmodern Literary, Legal, and Cultural Analysis." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/607.

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In this paper. I attempt to prove that obscenity as a legal concept is actually a moral judgment made by patriarchal powers and a political tool used to police female sexuality. I analyze James Joyce’s Ulysses as a case study, using Gustave Flaubert’s Madame Bovary as a precedent. While I believe that literature can transfer and inspire ideas, I don’t believe that transferring or inspiring perversity was the intent or effect of these novels. I argue not only that the trials’ prosecutions incorrectly claim that the novels sexually arouse the average or reasonable reader, but also that they do t

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33

Rehbein, Matthew Philip. "The protean semiotic system of James Joyce's Ulysses interacting iconic, indexical, and symbolic levels of signification and their structures /." Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/461286284/viewonline.

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34

Baillie, Brian. ""Ireland sober is Ireland free" the confluence of nationalism and alcohol in the traumatic, repetitive, and ritualistic response to the famine in James Joyce's Ulysses /." Diss., Connect to the thesis, 2005. http://hdl.handle.net/10066/628.

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35

McGregor, Jamie Alexander. "Nothung up my sleeve : the Wagnerian impulses in James Joyce's Ulysses and A portrait of the artist as a young man." Master's thesis, University of Cape Town, 1999. http://hdl.handle.net/11427/22127.

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Bibliography : pages 245-249.<br>The Introduction isolates the particular focus of the dissertation - viz. the importance of the Wagnerian themes and allusions in James Joyce's Ulysses and A Portrait of the Artist as a Young Man, considering existing studies of the same subject, as well as elucidating the structure and argument of the dissertation as a whole. In Chapters 111-V, the argument focuses on particular themes and characters in the operas that appear to influence Joyce, whether in terms of direct reference or oblique allusion. The focus of each of these three chapters is, respectively

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36

Kojima, Motohiro. "Solving James Joyce's Conundrums : A Study of the Polysemic Words in Dubliners, A Portorait of the Artist as a Young Man, and Ulysses." 京都大学 (Kyoto University), 2009. http://hdl.handle.net/2433/124178.

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37

McClory, Dunbar Helen Laura. "Kilea and a critical, reflective essay on Virginia Woolf's The Common Reader and To The Lighthouse, James Joyce's Ulysses and Jean Rhys's Wide Sargasso Sea." Thesis, University of Glasgow, 2010. http://theses.gla.ac.uk/1425/.

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This thesis consists of two parts: a creative work and a reflective, critical essay. The creative work is a novel, entitled Kilea after the central character, who is a young girl brought to a Scottish island by a man she calls Father. The girl is haunted by visions of spirits, called ‘schie’, and by their music, by her feelings of being an outsider, and by a metaphysical confusion and anxiety that grows as she develops. Kilea was originally modelled on Heliodorus’ the Aethiopika, a work of late Hellenistic fiction. However, while writing the chapters which make up the second part of this thesi

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38

Lostoski, Leanna J. "The Ecological Temporalities of Things in James Joyce's Ulysses and Virginia Woolf's To the Lighthouse and Between the Acts." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1461258067.

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39

Creasy, Matthew. "James Joyce and misquotation in 'Ulysses'." Thesis, University of Oxford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.399483.

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40

Giovannangeli, Jean-Louis. "Détours et retours : Joyce et Ulysses." Dijon, 1990. http://www.theses.fr/1990DIJOL003.

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41

Oliveira, Felipe Lopes dos Santos. "Encontros e exílios em Ulysses, de James Joyce." reponame:Repositório Institucional da UFPR, 2014. http://hdl.handle.net/1884/36782.

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Orientadora : Profª Drª Isabel Jasinski<br>Dissertação (mestrado) - Universidade Federal do Paraná, Setor de Ciências Humanas, Programa de Pós-Graduação em Letras. Defesa: Curitiba, 18/09/2014<br>Inclui referências<br>Resumo:O presente trabalho realiza uma leitura de Ulysses, de James Joyce, interessada em investigar a maneira como os personagens principais do romance lidam com as diferenças das quais se aproximam durante suas jornadas pessoais. Amparada, principalmente, em dois autores, Emmanuel Lévinas e Jacques Derrida, a dissertação aborda o tema da alteridade e a utilização da hospitalida

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42

Bidenne, Daniel. "Les langues étrangères dans Ulysses de James Joyce." Lille 3, 1999. http://www.theses.fr/1999LIL30018.

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Ce travail étudie les fonctions des langues étrangères dans Ulysses en ayant recours essentiellement à des démarches liées à la linguistique et à la psychanalyse, et à des travaux qui sont au confluent de ces deux disciplines, comme ceux de Julia Kristeva. L'étude se fait en deux étapes : une première, consacrée surtout à une analyse de chacun des épisodes ; une seconde, qui est une synthèse des éléments essentiels de la première ainsi qu'une réflexion sur l'utilisation des langues étrangères. On en vient ainsi à montrer que les langues étrangères fournissent une grille de lecture ne laissant

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43

Fischette, Michael. ""Signs on a white field" James Joyce, Ulysses, and the postcolonial sublime /." Diss., Connect to the thesis, 2004. http://hdl.handle.net/10066/626.

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44

Fourer, Chantal. "James Joyce, de "Dubliners" à "Ulysses" : modernité du baroque." Limoges, 1993. http://www.theses.fr/1993LIMO0505.

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La these se propose de montrer que l'oeuvre de joyce emprunte, consciemment et inconsciemment, a l'esthetique et aux pratiques artistiques du baroque en les renouvelant les modernisant. Le baroque euphemise, proche des origines du mouvement, a l'expression quelque peu balbutiante des nouvelles de dubliners, puis le baroque proliferant et "distancie", post-moderniste avant l'heure de ulysses informent l'oeuvre dans son ensemble. Est toutefois exclus de notre etude finnegan's wake qui exacerbe et complexifie la vision baroque en explorant de vertigineux abimes linguistiques et mythiques. Dans ul

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45

Heibert, Frank. "Das Wortspiel als Stilmittel und seine Übersetzung : am Beispiel von sieben Überzetzungen des "Ulysses" von James Joyce /." Tübingen : G. Narr, 1993. http://catalogue.bnf.fr/ark:/12148/cb371487277.

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46

Clissold, Bradley. "Author--Ulysses--readers : seduction in the gaps." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22575.

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The purpose of this study is to investigate how the prose style of James Joyce's Ulysses provides seductive gaps which by design prompt readers to become co-producers of the text. Joyce strategically creates opportunities for readers to engage actively with the text through response-inviting gaps in the prose. The various types of gaps in the text place demands on readers and, inevitably, upon the author. The more reader-friendly gaps are overdetermined gaps which, by definition, are obvious and point to their own completion. These gaps when filled are, more often than not, confirmed by relate

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47

Tsoi, Sze-pang Pablo. "Writing as the Sinthome Joyce in critical theory : reading Ulysses and Finnegans Wake /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B42841331.

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48

Branco, Elizabeth Hey. "Molly's monologue in Ulysses." reponame:Repositório Institucional da UFPR, 2010. http://hdl.handle.net/1884/24339.

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49

Chen, Shu-I. "The dialogicality of interior monologue in 'Ulysses'." Thesis, Royal Holloway, University of London, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327048.

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50

Stafuzza, Grenissa Bonvino [UNESP]. "O discurso da crítica literária universitária: sobre James Joyce e Ulysses." Universidade Estadual Paulista (UNESP), 2009. http://hdl.handle.net/11449/103559.

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Made available in DSpace on 2014-06-11T19:32:46Z (GMT). No. of bitstreams: 0 Previous issue date: 2009-02-09Bitstream added on 2014-06-13T19:43:27Z : No. of bitstreams: 1 stafuzza_gb_dr_arafcl.pdf: 1081660 bytes, checksum: 63fe5dd74e31723b02eaf001ee75eb0e (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>A análise do discurso da crítica literária universitária apresenta-se inédita em diversas áreas em que se trabalha com o texto literário, em especial na análise do discurso. Por isso a presente reflexão parte da interface entre a análise do discurso e algumas ár

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