Relevant bibliographies by topics / James Joyce (1882-1941)

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Academic literature on the topic 'James Joyce (1882-1941)'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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Journal articles on the topic "James Joyce (1882-1941)"

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Alevato do Amaral, Vitor, Elis Maria Cogo, and Eloísa Dall’Bello. "As nove vidas de um conto: as traduções de “Os mortos”, de James Joyce, em português brasileiro (1942-2018)." Gragoatá 24, no. 49 (2019): 493–512. http://dx.doi.org/10.22409/gragoata.v24i49.34088.

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O presente artigo consiste em um estudo das nove traduções brasileiras de “Os mortos” (“The Dead”), do livro de contos Dublinenses (Dubliners, 1914), do escritor irlandês James Joyce (1882-1941). A primeira tradução desse conto foi publicada em 1942, e a última, em 2018. Esse artigo é, salvo engano, o primeiro estudo que abarca todas as traduções de “Os mortos” no Brasil, entre as que figuram em uma das cinco traduções integrais de Dublinenses (1964, 1992, 2012, 2012, 2018), as publicadas como livro (2014, 2016), a que está inserida em uma seleção (2013) e a publicada em revista (1942). Para e
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Alevato do Amaral, Vitor. "Broadening the notion of retranslation." Cadernos de Tradução 39, no. 1 (2019): 239–59. http://dx.doi.org/10.5007/2175-7968.2019v39n1p239.

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O propósito do presente artigo é problematizar as definições correntes de retradução, através da discussão de um de seus aspectos constituintes: a limitação à mesma língua-meta para a qual determinado texto-fonte já foi traduzido. O que justifica o presente artigo é a falta de discussão teórica acerca das definições de retradução em trabalhos acadêmicos. A maioria dos estudos as toma como certas e evita a necessidade de se escapar à fascinante estabilidade que as marca. Nossa visão é a de que a retraducão também ocorre fora dos limites estabelecidos por uma única língua-meta, e, devido a isso,
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Baradaran Jamili, Leila, and Razie Arshadi. "Semiology of Culture in James Joyce’s A Portrait of the Artist as a Young Man." Advances in Language and Literary Studies 9, no. 4 (2018): 51. http://dx.doi.org/10.7575/aiac.alls.v.9n.4p.51.

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This study sheds new light on the role of city whether real or fictional in modern novel as one of the signs of man’s cultural fate. For the same reason, city is not a mere physical place, but a spatial concept. Not only has city become inseparable from man’s personal and national destiny but also one’s life continues to unfold on city’s streets. James Joyce’s (1882-1941) A Portrait of the Artist as a Young Man (A Portrait, 2000) deals with Joyce’s home, Dublin. Joyce aims to universalize and simultaneously eternalize his home through his art. Accordingly, the reader of his text is to decipher
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Tiessen, Paul. "The Gender Politics of English Literary Modernism." Kinema: A Journal for Film and Audiovisual Media, April 10, 1993. http://dx.doi.org/10.15353/kinema.vi.1327.

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EISENSTEIN, JOYCE AND THE GENDER POLITICS OF ENGLISH LITERARY MODERNISM A remarkable meeting took place one November day in 1929 in Paris between two famous innovators, one in literature, the other in film: James Joyce (1882-1941) and Sergei Eisenstein (1898-1948).... The historical meeting ... took place on November 30, 1929, at 2 Square Robiac, 192 rue de Grenelle, Paris 7e, where Joyce had a flat.... As far as is known, Joyce never mentioned this meeting in writing.(1) Like other literary scholars have done in the past couple of decades, I looked first of all to the writings of novelist Jam
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De Figueiredo, Mariana Luísa. "GABRIEL CONROY E O ÚLTIMO MOCINHO DO MUNDO OCIDENTAL." Revista Intertexto 8, no. 1 (2016). http://dx.doi.org/10.18554/ri.v8i1.1067.

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Yeats, Lady Gregory e Synge escrevem sobre o passado mitológico da Irlanda e enaltecem a vida rústica enquanto James Joyce (1882-1941) disseca o cotidiano das pessoas que vivem na tumultuada Dublin da virada do século. Os camponeses são o tema de The Playboy of the Western World (1907) por Synge, mas é um engano pensar que a peça do dramaturgo nacionalista e o episódio de sua estreia no Abbey Theater estejam completamente distanciados do retrato da burguesia irlandesa e do altivo e cosmopolita no Gabriel Conroy de “The Dead”, o último e mais extenso conto da coletânea de histórias sobre os dub
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Musso, Carlos Guido. "Obras maestras del arte universal y la medicina: Ulysses de James Joyce (1882 -1941)." Evidencia, actualizacion en la práctica ambulatoria 14, no. 3 (2011). http://dx.doi.org/10.51987/evidencia.v14i3.6033.

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Fabbri, Renato, and Luis Henrique Garcia Ferreira. "A SIMPLE TEXT ANALYTICS MODEL TO ASSIST LITERARY CRITICISM: COMPARATIVE APPROACH AND EXAMPLE ON JAMES JOYCE AGAINST SHAKESPEARE AND THE BIBLE." Revista Mundi Engenharia, Tecnologia e Gestão (ISSN: 2525-4782) 3, no. 2 (2018). http://dx.doi.org/10.21575/25254782rmetg2018vol3n2589.

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A análise literária, crítica ou os estudos literários é um campo altamente valorizado, com revistas dedicadas e pesquisas, na maioria das vezes, dentro do escopo das humanidades. A analítica textual é um processo auxilado por computador de extração de conhecimento a partir de dados textuais. Neste artigo, descrevemos um modelo simples e genérico de análise literária assistida pela analítica textual. O método utiliza medidas estatísticas de: 1) símbolo e tamanho das frases; e 2) padronização de rede de palavras. Através da análise das componentes principais (PCA), os textos, de escolha do críti
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Ventura, L. "Portrait of the artist as a sick man. Rheumatological pathography of James Joyce (1882-1941)." Reumatismo 60, no. 2 (2011). http://dx.doi.org/10.4081/reumatismo.2008.150.

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Musso, Carlos Guido. "Obras maestras del arte universal y la medicina: Finnegans Wake de James Joyce (1882 -1941)." Evidencia, actualizacion en la práctica ambulatoria 16, no. 3 (2013). http://dx.doi.org/10.51987/evidencia.v16i3.6181.

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Dissertations / Theses on the topic "James Joyce (1882-1941)"

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Rainville-Duech, Lorie-Anne. "James joyce : ecritures du corps dans dubliners." Paris 3, 2000. http://www.theses.fr/2000PA030152.

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Le corps en tant qu'objet litteraire offre un champ d'application riche et divers, particulierement chez joyce. Si ulysses est explicitement designe comme une epopee du corps humain, dubliners contient deja les signes d'un interet profond pour le corps, ce corps que joyce considerait comme << a new province of material >>. C'est a l'exploration de cette terra incognito, que nous convie cette etude qui fournit des clefs de lecture permettant de mettre a jour la reelle complexite de la premiere uvre en prose de joyce. L'etude du corps dans dubliners pose la question de la constitution de l'ident
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Bidenne, Daniel. "Les langues étrangères dans Ulysses de James Joyce." Lille 3, 1999. http://www.theses.fr/1999LIL30018.

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Ce travail étudie les fonctions des langues étrangères dans Ulysses en ayant recours essentiellement à des démarches liées à la linguistique et à la psychanalyse, et à des travaux qui sont au confluent de ces deux disciplines, comme ceux de Julia Kristeva. L'étude se fait en deux étapes : une première, consacrée surtout à une analyse de chacun des épisodes ; une seconde, qui est une synthèse des éléments essentiels de la première ainsi qu'une réflexion sur l'utilisation des langues étrangères. On en vient ainsi à montrer que les langues étrangères fournissent une grille de lecture ne laissant
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Giovannangeli, Jean-Louis. "Détours et retours : Joyce et Ulysses." Dijon, 1990. http://www.theses.fr/1990DIJOL003.

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Chyi, Songling. "Les traductions françaises et chinoises d'Ulysses de James Joyce." Paris 3, 2005. http://www.theses.fr/2005PA030049.

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Ce travail compare les traductions françaises et chinoises d'Ulysses de James Joyce, ayant essentiellement des démarches éthiques et poétiques d'Antoine Berman pour la critique de traductions, associées à des thèses exposées dans l'article " La tâche du traducteur " de Walter Benjamin. L'étude, à partir d'une synthèse des éléments étrangers et étranges relevés dans une grille de lecture des textes original et traduits, suppose que la dynamique de l'écriture joycienne vise la pluralité, une ouverture progressive à l'altérité qui est l'enjeu de sa survie, que le désir de communication ne soit pa
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Barron, Graham. "The self in conversation : James Joyce's Ulysses." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60607.

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Following and at times reworking the relation between language, society and selfhood in the antifoundationalist philosophies of Charles Taylor and Richard Rorty, the thesis develops the idea of the novel as a kind of conversation. The thesis takes James Joyce's Ulysses as a progression of thought and style in which its three principal characters, Stephen Dedalus, Leopold Bloom and Molly Bloom, expound their views and then lapse into silence as part of an ongoing conversation. Three episodic conversations in particular are discussed: for Stephen, Scylla and Charybdis; for Bloom, Cyclops; and fo
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Medeiros, Silvio. "A modernidade em Joyce : tradição e ruptura." [s.n.], 1999. http://repositorio.unicamp.br/jspui/handle/REPOSIP/253558.

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Orientador: Joaquim Brasil Fontes Junior<br>Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2018-07-24T16:11:59Z (GMT). No. of bitstreams: 1 Medeiros_Silvio_D.pdf: 12288076 bytes, checksum: 1943059d45df9da006861a94effc1dab (MD5) Previous issue date: 1999<br>Resumo: A proposta dessa tese de doutoramento é mostrar de que forma a imaginação literária pode nos auxiliar na compreensão da realidade histórica contemporânea, marcada por profundas rupturas e transformações na ordem das coisas, e que emerge fazendo tábua
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Fourer, Chantal. "James Joyce, de "Dubliners" à "Ulysses" : modernité du baroque." Limoges, 1993. http://www.theses.fr/1993LIMO0505.

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La these se propose de montrer que l'oeuvre de joyce emprunte, consciemment et inconsciemment, a l'esthetique et aux pratiques artistiques du baroque en les renouvelant les modernisant. Le baroque euphemise, proche des origines du mouvement, a l'expression quelque peu balbutiante des nouvelles de dubliners, puis le baroque proliferant et "distancie", post-moderniste avant l'heure de ulysses informent l'oeuvre dans son ensemble. Est toutefois exclus de notre etude finnegan's wake qui exacerbe et complexifie la vision baroque en explorant de vertigineux abimes linguistiques et mythiques. Dans ul
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Butts, Gerald Michael. "Between two roaring worlds : personal identity in James Joyce's Ulysses." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29770.

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When I first encountered James Joyce's Ulysses, at the age of sixteen, I was predictably unprepared for the book. Its shifts in narrative voice, extensive use of stream of consciousness, and ostensible disorder make the book a daunting task for the first time reader. Fortunately, my age allowed me to consign my lack of understanding to naivete, rather than, as did many early critics, to authorial deficiencies. In addition to my ignorance regarding Ulysses itself, I was completely unaware of the extensive critical debates surrounding its myriad aspects, from the supposed "communion" between Ste
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Ungar, Andras. "The epic of the Irish nation state : history and genre in James Joyce's Ulysses." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39443.

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This study examines Ulysses as a response to the Irish Literary Revival's expectation that a native epic would crown Ireland's literary achievements and to the country's imminent independence under the Sinn Fein.<br>Ulysses thematizes the compositional imperatives which Virgil's Aeneid made canonical for the national epic. This perspective reconfigures the legacy of Stephen Dedalus' heroic stance in A Portrait of the Artist as a Young Man and Arthur Griffith's arguments in The Resurrection of Hungary: A Parallel for Ireland (1904) through which Sinn Fein won national prominence.<br>Through Ste
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Clissold, Bradley. "Author--Ulysses--readers : seduction in the gaps." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22575.

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The purpose of this study is to investigate how the prose style of James Joyce's Ulysses provides seductive gaps which by design prompt readers to become co-producers of the text. Joyce strategically creates opportunities for readers to engage actively with the text through response-inviting gaps in the prose. The various types of gaps in the text place demands on readers and, inevitably, upon the author. The more reader-friendly gaps are overdetermined gaps which, by definition, are obvious and point to their own completion. These gaps when filled are, more often than not, confirmed by relate
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Books on the topic "James Joyce (1882-1941)"

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Sydney, Bolt, ed. A preface to Joyce. 2nd ed. Longman, 2000.

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Cannibal Joyce. University Press of Florida, 2008.

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J, Seidman Robert, and Gifford Don, eds. Ulysses annotated: Notes for James Joyce's Ulysses. 2nd ed. University of California Press, 1989.

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Gifford, Don. Ulysses annotated: Notes for James Joyce's Ulysses. 2nd ed. University of California Press, 1988.

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James Joyce Ulysses. Cambridge University Press, 1994.

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Hayman, David. The "Wake" in transit. Cornell University Press, 1990.

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Blades, John. James Joyce, A portrait of the artist as a young man. Penguin Books, 1991.

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Ulysses--portals of discovery. Twayne Publishers, 1990.

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Joyce's kaleidoscope: An invitation to Finnegans wake. Oxford University Press, 2008.

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Kumar, Udaya. The Joycean labyrinth: Repetition, time, and tradition in Ulysses. Clarendon Press, 1991.

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Book chapters on the topic "James Joyce (1882-1941)"

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McEwan, Neil. "James Joyce 1882–1941." In The Twentieth Century (1900–present). Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20151-8_24.

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Faux, R. B. "James Joyce 1882–1941." In Encyclopedia of Creativity. Elsevier, 2011. http://dx.doi.org/10.1016/b978-0-12-375038-9.00129-1.

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Butler, Christopher. "James Joyce (1882–1941): Modernism and language." In The Cambridge Companion to European Novelists. Cambridge University Press, 2012. http://dx.doi.org/10.1017/ccol9780521515047.023.

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