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Journal articles on the topic 'James Lattin'

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Published: 4 June 2021

Last updated: 1 February 2022

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1

Autero, Esa. "Reading the Epistle of James with Socioeconomically Marginalized Immigrants in the Southern United States." PNEUMA 39, no. 4 (December 22, 2017): 504–35. http://dx.doi.org/10.1163/15700747-03904019.

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Abstract The themes of possessions and socioeconomic injustice have caught the attention of scholars of the Epistle of James in recent years. Nevertheless, most biblical scholars still focus primarily on the epistle’s historical aspects, a notable exception being Latin American scholars. Yet, even though many of these have interpreted James from the perspective of their context of socioeconomic exploitation, their readings do not report how people themselves understand and use biblical texts.1 This article explores the themes of wealth, poverty, and marginality in James using empirical hermeneutics. For this purpose, a group of Latino/a pentecostal believers in the southern United States read James 1:1–11 and 5:1–8 in a small Bible study group from the perspective of their religious experience, social marginalization, and economic exploitation. This article includes a report of the group’s reading of the above-mentioned passages, along with theological and practical reflections aimed at churches and practitioners.

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2

Whitton, Christopher. "Latin Literature." Greece and Rome 66, no. 2 (September 19, 2019): 286–95. http://dx.doi.org/10.1017/s0017383519000093.

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How did the Romans do philology? Think in terms of the Latin language, and Varro'sDe lingua Latina, Caesar'sDe analogia, or Quintilian's chapters on grammar might come to mind. Think of commentary on texts, and names like Servius, Asconius, and Porphyrio won't be far away. But few of us, it's probably fair to say, could claim a deep acquaintance with all of those, and still fewer have acquired much sense of the broader picture – and itisbroad – of ancient scholarship in and on Latin. Cue James Zetzel'sCritics, Compilers, and Commentators, a massive and remarkable study of Roman philology from antiquity into the early Middle Ages.

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3

Pletcher, David M. "James G. Blaine and Latin America." Hispanic American Historical Review 83, no. 3 (August 1, 2003): 608. http://dx.doi.org/10.1215/00182168-83-3-608.

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4

Hess, Carol A. "Copland in Argentina." Journal of the American Musicological Society 66, no. 1 (2013): 191–250. http://dx.doi.org/10.1525/jams.2013.66.1.191.

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Abstract Perhaps more than any other US composer, Aaron Copland is associated with Pan Americanism, a contradictory and often unbalanced set of practices promoting North-South economic and affective ties since the nineteenth century. Copland visited Latin America on behalf of the US government four times over the course of his career. He also befriended and taught Latin American composers, wrote about Latin American music, and composed several Latin-American—themed works, including the well-known El salón México. Focusing on one such encounter—Copland's three visits to Argentina (1941, 1947, 1963)—this article examines in detail Latin American opinion on Copland's cultural diplomacy, thus challenging the prevalent one-sided and largely US perspective. My analysis of these Spanish-language sources yields new biographical data on Copland while questioning recent assessments of his Latin American experience. I also illuminate the composer's conflicted approach to modernism, intimately connected to his desire to communicate with a broad public and to assert national identity. The crisis of modernism not only played itself out in some surprising ways in Argentina but also informed Copland's profoundly antimodernist vision of Latin American music, one rooted in essentialism and folkloric nationalism and which ultimately prevailed in the United States throughout the late twentieth century.

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5

Ghosh, Ritwik. "Marxism and Latin American Literature." SMART MOVES JOURNAL IJELLH 8, no. 4 (April 28, 2020): 208. http://dx.doi.org/10.24113/ijellh.v8i4.10539.

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In the aftermath of the collapse of the U.S.S.R Marxism remains a viable and flourishing tradition of literary and cultural criticism. Marx believed economic and social forces shape human consciousness, and that the internal contradictions in capitalism would lead to its demise.[i] Marxist analyses can show how class interests operate through cultural forms.[ii] Marxist interpretations of cultural life have been done by critics such as C.L.R James and Raymond Williams.[iii]

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6

Enos, Richard Leo. "James J. Murphy’s Contributions to Latin Rhetoric." Litteraria Copernicana, no. 4(32)/ (December 30, 2019): 133. http://dx.doi.org/10.12775/lc.2019.052.

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7

Piechocki, Katharina N. "James Gardner (trans.), Girolamo Fracastoro, Latin Poetry." Forum Italicum: A Journal of Italian Studies 50, no. 1 (December 16, 2015): 318–20. http://dx.doi.org/10.1177/0014585815623469.

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8

Gifford, James, Margaret Konkol, James M. Clawson, Mary Foltz, Sophie Maruéjouls-Koch, Orion Ussner Kidder, and Lindsay Parker. "XVI American Literature: The Twentieth Century." Year's Work in English Studies 98, no. 1 (2019): 1047–128. http://dx.doi.org/10.1093/ywes/maz017.

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Abstract This chapter has eight sections: 1. Poetry; 2. Fiction 1900–1945; 3. Fiction since 1945; 4. Drama; 5. Comics; 6. African American Writing; 7. Native Writing; 8. Latino/a, Asian American, and General Ethnic Writing. Section 1 is by James Gifford and Margaret Konkol; section 2 is by James M. Clawson; section 3 is by Mary Foltz; section 4 is by Sophie Maruéjouls-Koch; section 5 is by Orion Ussner Kidder; section 6 will resume next year; section 7 is by James Gifford and Lindsay Parker; section 8 will resume next year.

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9

Jatuff, José. "All is not Vanity: William James versus Ernest Renan." Cognitio: Revista de Filosofia 19, no. 2 (February 1, 2019): 242–57. http://dx.doi.org/10.23925/2316-5278.2018v19i2p242-257.

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Na obra de James, há uma reação explícita contra a falsidade e a vaidade como o tom moral dominante. O modo como James julga Renan em particular, e o espírito latino em geral, está relacionado a uma identificação inicial com o espírito germânico através de um contexto protestante. Dentro dessa estrutura, nós veremos que por meio da figura de Carlyle, James opõe-se à moral objetiva da obra para com a sensibilidade gnóstica interior de Renan. Visto que há uma conexão óbvia entre Carlyle e o Calvinismo, o componente da ética protestante na proposta de James torna-se manifesta. Consequentemente, o propósito deste artigo é mostrar que o humor extenuante, como uma característica de coragem e virilidade, possui um tom protestante.

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10

Domínguez, Jorge, and Alejandra Suárez. "Después de lo que No Ha Ocurrido." Revista Foro Cubano 1, no. 1 (October 22, 2020): 97–110. http://dx.doi.org/10.22518/jour.rfc/2020.1a07.

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Se publicó anteriormente en inglés como un capítulo en, Challenges of Party-Building in Latin America, ed. Steve Levitsky, James Loxton, Brandon Van Dyck y Jorge I. Domínguez (New York: Cambridge University Press, 2016). Cambridge University Press ha autorizado esta publicación. Traducción de Alejandra Suárez.

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11

Romero, Sergio Ospina. "Ghosts in the Machine and Other Tales around a “Marvelous Invention”: Player Pianos in Latin America in the Early Twentieth Century." Journal of the American Musicological Society 72, no. 1 (2019): 1–42. http://dx.doi.org/10.1525/jams.2019.72.1.1.

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Gabriel García Márquez's literary portrait of the arrival of the pianola in Macondo in One Hundred Years of Solitude functions as a metaphor for the reception and cultural legitimization of player pianos in Latin America during their heyday in the 1910s and 1920s. As a technological intruder, the player piano inhabited a liminal space between the manual and the mechanical as well as between unmediated musical experiences and the mechanically mediated consumption of sounds. It thus constitutes a paradigmatic case by which to examine the contingent construction of ideas about tradition and modernity. The international trade in player pianos between the United States and Latin America during the first decades of the twentieth century was developed in tandem with the commercial expansion and political interventionism of the United States throughout the Americas during the same period. The efforts of North American businessmen to capture the Latin American market and the establishment of marketing networks between US companies and Latin American dealers reveal a complex interplay of mutual stereotyping, First World War commercial geopolitics, capitalization on European cultural/musical referents, and multiple strategies of appropriation and reconfiguration in relation to the player piano's technological and aesthetic potential. The reception of player pianos in Latin America was characterized by anxieties very similar to those of US consumers, particularly with regard to the acousmatic nature of their sounds and their perceived uncanniness. The cultural legitimization of the instrument in the region depended, however, on its adaptation to local discourses, cultural practices, soundscapes, expectations, language, gender constructions, and especially repertoires.

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12

Enos, J. L. "Latin America's Economic Development: Institutionalist and Structuralist Perspectives. James L. Dietz , James H. Street." Economic Development and Cultural Change 38, no. 2 (January 1990): 433–35. http://dx.doi.org/10.1086/451805.

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13

Blouin, David C., James D. Taverner, and Jeffrey S. Beasley. "A composite Latin rectangle and nonstandard strip block design." Journal of Agricultural, Biological, and Environmental Statistics 14, no. 4 (December 2009): 484–94. http://dx.doi.org/10.1198/jabes.2009.08021.

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14

Whitton, Christopher. "Latin Literature." Greece and Rome 65, no. 1 (March 15, 2018): 108–14. http://dx.doi.org/10.1017/s0017383518000025.

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The dullest book of theAeneid? Certainly not, insist Stephen Heyworth and James Morwood in their commentary onAeneid3. There can't be many students at school or university level who cut their teeth on epic Virgil with his third book, but Wadham College, Oxford, where H&M were colleagues, has been the glorious exception for a quarter of a century, and the rest of us now have good reason to follow suit. I don't just mean the ‘thrilling traveller's tale’ (so the dust-jacket) that carries us from Polydorus to Polyphemus by way of such episodes as the Cretan plague, the Harpy attack, and a pointed stop-off at Actium, nor the ktistic and prophetic themes that give this book such weight in Virgil's grand narrative. There's also the simple matter of accessibility.Doctissimi lectoresofAeneid3 can consult Nicholas Horsfall's densely erudite and wickedly overpriced Brill commentary, but others have had to make do with one of R. D. Williams’ more apologetic efforts. (True, there is an efficient student edition by C. Perkell, but that seems to have made little headway in the UK, at least.) Now Aeneas’ odyssey takes a place among the few books of theAeneidfor which undergraduates and others can draw on commentaries which are at once accessible, sophisticated, and affordable.

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15

Salzano, Francisco M. "James V. Neel and Latin America - or how scientific collaboration should be conducted." Genetics and Molecular Biology 23, no. 3 (September 2000): 557–61. http://dx.doi.org/10.1590/s1415-47572000000300010.

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The main events related to the life of James V. Neel, one of the most important geneticists of the last decades, are presented, especially with reference to the influence he exerted in Latin America. Documentation is provided on the field work he performed in Brazil, and on the results of the joint Ann Arbor-Porto Alegre program of research.

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16

McDonald, Katherine. "James N. Adams: Social Variation and the Latin Language." Journal of Historical Sociolinguistics 1, no. 2 (September 1, 2015): 303–6. http://dx.doi.org/10.1515/jhsl-2015-0020.

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17

Bauer, Brigitte L. M. "James N. Adams: Social variation and the Latin language." Folia Linguistica 37, no. 1 (November 1, 2016): 315–26. http://dx.doi.org/10.1515/flih-2016-0010.

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18

Reeve, M. D. "Latin Textual Criticism in Antiquity. James E. G. Zetzel." Classical Philology 80, no. 1 (January 1985): 85–92. http://dx.doi.org/10.1086/366906.

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19

Pattnayak, Satya R. "Veltmeyer, Henry and James Petras: The Dynamics of Social Change in Latin America. UK: Macmillan Press Ltd.; US: St. Martin’s, 2000. 210 pp." Frontiers: The Interdisciplinary Journal of Study Abroad 7, no. 1 (August 15, 2001): 129–33. http://dx.doi.org/10.36366/frontiers.v7i1.111.

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The Dynamics of Social Change by Henry Veltmeyer and James Petras is part of a wave of scholarly work critical of the social impact of globalization since the early 1980s. Organized into seven chapters, the book poses important questions about the supposed positive benefits of a greater exposure to foreign markets through increased trade and investment in the host countries of Latin America.

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20

Baud, Michiel. "Beyond Benedict Anderson: Nation-Building and Popular Democracy in Latin America." International Review of Social History 50, no. 3 (November 18, 2005): 485–98. http://dx.doi.org/10.1017/s0020859005002191.

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Beyond Imagined Communities. Reading and Writing the Nation in Nineteenth-Century Latin America. Ed. by Sara Castro-Klarén and John Charles Chasteen. Woodrow Wilson Center Press, Washington DC; Johns Hopkins University Press, Baltimore [etc.] 2003. 280 pp. $45.00. (Paper: $22.95.)Boyer, Christopher Robert. Becoming Campesinos. Politics, Identity, and Agrarian Struggle in Postrevolutionary Michoacán, 1920–1935. Stanford University Press, Stanford (Cal.) 2003. xii, 320 pp. Ill. £45.95.Forment, Carlos A. Democracy in Latin America, 1760–1900. Volume I, Civic Selfhood and Public Life in Mexico and Peru. [Morality and Society Series.] University of Chicago Press, Chicago [etc.] 2003. xxix, 454 pp. Maps. $35.00; £24.50.Larson, Brooke. Trials of Nation Making. Liberalism, Race, and Ethnicity in the Andes, 1810–1910. Cambridge University Press, Cambridge [etc.] 2004. xiii, 299 pp. Ill. Maps. $70.00; £45.00. (Paper: $24.99; £17.99.)Studies in the Formation of the National State in Latin America. Ed. by James Dunkerley. Institute of Latin American Studies, University of London, London, 2002. 298 pp. £14.95; € 20.00; $19.95.

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21

Pesce, Dolores. "A Revised View of the Thirteenth-Century Latin Double Motet." Journal of the American Musicological Society 40, no. 3 (October 1987): 405–42. http://dx.doi.org/10.1525/jams.1987.40.3.03a00020.

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22

Toledo García, Itzel. "James Bryce's Analysis of Latin America in an International Perspective." Terrae Incognitae 52, no. 1 (January 2, 2020): 86–108. http://dx.doi.org/10.1080/00822884.2020.1730106.

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23

Keefe, Donald J. "Liberation Theology in Latin America by James V. Schall, S.J." Thomist: A Speculative Quarterly Review 49, no. 1 (1985): 125–28. http://dx.doi.org/10.1353/tho.1985.0046.

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24

Vilas, Carlos. "Intelectuales, dólares y compromiso: un comentario a James Petras." Estudios Latinoamericanos 5, no. 8 (March 5, 1990): 41. http://dx.doi.org/10.22201/cela.24484946e.1990.8.47542.

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Tengo un gran respeto por James Petras. Durante más de veinte años su obra ha contribuido a un mejor conocimiento de los procesos políticos en América Latina - y más recientemente también en el sur de Europa-, y en particular al análisis de la dominación imperialista en nuestro continente.

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25

Verlinden, Jozef. "The place and date of James Weddell's birth." Polar Record 45, no. 2 (April 2009): 176–77. http://dx.doi.org/10.1017/s0032247408008000.

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ABSTRACTIt has long been suspected that James Weddell was born in Ostend, Belgium. However, no record of his birth was found during earlier searches in the Belgian archives. New searches in the parish registers of Ostend reveal that he was born in that town on 24 August 1787. The Weddell family is recorded in these archives under the name of Waddle, and it was as such that father Waddle signed documents. The parish registers of Ostend are in Latin and James's name was Latinised to Jacobus. The first record of James Weddell thus refers to Jacobus Waddle. In the parish registers are two other documents relating to the Weddell family: the birth of a brother Charles in 1782 and the death of another brother who was also called Jacobus in 1787. Therefore, the family lived in Ostend at least from 1782 to 1787.

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26

Denton, Derek A., and Iain MacIntyre. "Sylvia Agnes Sophia Tait. 8 January 1917 — 28 February 2003." Biographical Memoirs of Fellows of the Royal Society 52 (January 2006): 379–99. http://dx.doi.org/10.1098/rsbm.2006.0026.

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Sylvia Agnes Sophia Tait was born on 8 January 1917 in Tumen, Siberia, Russia. She was the daughter of James Wardropper, an agronomist and trader, working in Russia. It seems that James Wardropper worked there with his elder brother, Robert (Huntford 1997). The wife of James Wardropper, Ludmilla, was a Russian who had the rare distinction of graduating in mathematics from the University of Moscow in the time of the reign of the Tsar. James and Ludmilla Wardropper adopted a Russian girl, Pasha; she became part of the family and helped to look after Sylvia. During the revolution, in 1920 the whole family, including Pasha (but not including Robert) left Russia from Vladivostok for the UK, where James Wardropper eventually became a successful civil engineer. The fate of Robert Wardropper remains a mystery. The other Wardroppers first stayed in the UK in Ealing, London, where Sylvia attended the local secondary school, the Ealing County School for Girls. In her senior years there, she mainly studied languages, particularly German but also French and Latin. The Wardroppers had relatives in Germany and, before World War II, Sylvia spent some time in Germany, including Berlin, which improved her German. In addition, of course, at that time she spoke fairly fluent Russian with her mother and step-sister, Pasha. Sylvia had considerable trouble in establishing her citizenship because of her birthplace but eventually was officially declared British. Because of the nature of the father's history as a Scottish engineer in Russia and also the effects of the revolution, Sylvia never met her maternal grandparents and knew little about them.

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27

Caldwell, Mary Channen. "Troping Time: Refrain Interpolation in Sacred Latin Song, ca. 1140–1853." Journal of the American Musicological Society 74, no. 1 (2021): 91–156. http://dx.doi.org/10.1525/jams.2021.74.1.91.

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Abstract This article explores a practice in evidence across Europe from the twelfth to the nineteenth century involving the singing of a brief refrain within sacred Latin songs and hymns. Tracing the circulation of the two-part refrain “Fulget dies … Fulget dies ista” across multiple centuries, in both song-form tropes of the office versicle Benedicamus Domino and as a trope interpolated into hymns, I chart its unique movement between genres and in and out of written record. Examining the unusual origins, transmission, and function of the refrain, I begin with its emergence in twelfth-century manuscripts and conclude with its unnotated appearance in nineteenth-century printed Catholic songbooks. I argue that the refrain’s long-standing appeal can be located in its function as a poetic and liturgical trope of time itself. While tropes often enhance the “hic et nunc” (here and now) of the liturgy, the “Fulget dies” refrain gained additional temporal significance through its intimate link to songs of the Christmas season. The “shining day” imagery introduced by the refrain offered a tangible way of marking seasonal time in devotional rites, poetically indexing the light-based symbolism of Christmas, the winter solstice, and the New Year. The inherently temporal meaning of the refrain lent it flexibility as a trope, enabling its movement across genres and liturgies. Integrated into sacred Latin songs, the “Fulget dies” refrain functioned as a pithy musical and poetic commentary on liturgical, calendrical, and seasonal temporalities—in other words, as a trope of time in sacred song.

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28

Roncaglia de Carvalho, André. "A SECOND-GENERATION STRUCTURALIST TRANSFORMATION PROBLEM: THE RISE OF THE INERTIAL INFLATION HYPOTHESIS." Journal of the History of Economic Thought 41, no. 1 (March 2019): 47–75. http://dx.doi.org/10.1017/s1053837218000391.

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The paper analyzes the rise of the Latin American-based inertial inflation theory. Starting in the 1950s, various traditions in economics purported to explain the concept of “inflation inertia.” Contributions ranging from Celso Furtado and Mário Henrique Simonsen to James Tobin anticipated key aspects of what later became the inertial inflation hypothesis, building it into either mathematical or conceptual frameworks compatible with the then contemporaneous macroeconomic theory. In doing so, they bridged the analytical gap with the North American developments while maintaining the key features of the CEPAL (United Nations Economic Commission for Latin America and the Caribbean) approach, such as distributional conflicts and local institutional details. These contributions eventually influenced the second moment of the monetarist–structuralist controversy that unraveled in the 1980s. The paper also highlights how later works by structuralist economists gradually stripped the inertial inflation approach of its previous substance and form, thereby unearthing tensions among Latin American structuralists that led to the eventual decline of this research program.

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29

Tintemann, Ute. "The Traditions of Grammar Writing in Karl Philipp Moritz’s (1756–1793) Grammars of English (1784) and Italian (1791)." Historiographia Linguistica 42, no. 1 (May 26, 2015): 39–62. http://dx.doi.org/10.1075/hl.42.1.03tin.

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Summary Until the late 18th century, authors of vernacular grammars often adopted the categories of Latin grammar to describe these languages. However, by adapting the Latin system to English, German or Italian, grammarians could succeed only in part, because these languages work in different ways. In the present paper, the author discusses the solutions that Karl Philipp Moritz (1756–1793) proposes in his Englische and Italiänische Sprachlehre für die Deutschen, textbooks for German learners. The author analyses to what extent Moritz’s grammar descriptions were influenced by the Latin model as well as by the traditions of English and Italian grammar writing that he encountered in his sources. It will be demonstrated that he translated extensively from the works of other authors: For his English textbook (Moritz 1784), he mainly used James Greenwood’s (1683?–1737) The Royal English Grammar (1737), and for Italian (Moritz 1791), he profited especially from Benedetto Rogacci’s (1646–1719) Pratica, e compendiosa istruzione circa l’uso emendato, ed elegante della Lingua Italiana (1711).

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30

Long, Michael. "Singing Through the Looking Glass: Child's Play and Learning in Medieval Italy." Journal of the American Musicological Society 61, no. 2 (2008): 253–306. http://dx.doi.org/10.1525/jams.2008.61.2.253.

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Abstract This study explores the context for a small monophonic Latin song preserved in an eclectic Italian anthology manuscript produced around the turn of the fifteenth century. The song bears the Italian heading L'antefana di Ser Lorenzo, and is presumably connected to the Florentine composer Lorenzo Masini. “Diligenter advertant chantores” (as the Latin text begins) attracted considerable attention when it was first made widely available in facsimiles of the mid-twentieth century. Scholars of late medieval music, confronted by the song's apparent intellectual virtuosity and the diabolical excess of its so-called musica ficta signs, drew the conclusion that its musical context lay hidden within the history of music theory and perhaps even in its most esoteric corners. But repositioned against a new and still-emerging understanding of the pedagogical practices of the ars grammatica and ars memorativa, L'antefana takes on a different sort of historical significance. Details of its previously neglected text and the evidence of its fantastical notation suggest that it is a simple riddle intended for the youngest singers, likely a learning game of a very rudimentary sort (one of several considered in this article). Such classroom amusements still remain childhood constants, bridging the supposed gap between medieval and modern musical lives.

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Manuel, Peter. "From Scarlatti to “Guantanamera”: Dual Tonicity in Spanish and Latin American Musics." Journal of the American Musicological Society 55, no. 2 (2002): 311–36. http://dx.doi.org/10.1525/jams.2002.55.2.311.

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Abstract This essay explores the sense of dual tonicity evident in a set of interrelated Spanish and Latin American music genres. These genres include seventeenth-century Spanish keyboard and vihuela fandangos, and diverse folk genres of the Hispanic Caribbean Basin, including the Venezuelan galerón and the Cuban punto, zapateo, and guajira. Songs in these genres oscillate between apparent “tonic” and “dominant” chords, yet conclude on the latter chord and bear internal features that render such terminology inapplicable. Rather, such ostinatos should be understood as oscillating in a pendular fashion between two tonal centers of relatively equal stability. The ambiguous tonicity is related to the Moorish-influenced modal harmony of flamenco and Andalusian folk music; it can also be seen to have informed the modern Cuban son and the music of twentieth-century Cuban composer Amadeo Roldán.

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32

GOEMAN, PETER J. "The Impact and Influence of Erasmus’s Greek New Testament." Unio Cum Christo 2, no. 1 (April 1, 2016): 69. http://dx.doi.org/10.35285/ucc2.1.2016.art5.

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Abstract: Although often eclipsed by the giants of the Reformation, Desiderius Erasmus had a notable inﬂuence on the Reformation and the world that followed. Responsible for ﬁve editions of the Greek New Testament, his contributions include a renewed emphasis on the Greek over against the Latin of the day, as well as inﬂuence on subsequent Greek New Testaments and many translations, including Luther’s German Bible and the English King James Version. In God’s providence, Erasmus provided kindling for the ﬁre of the Reformation.

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33

Levenson, David B., and Thomas R. Martin. "The Latin Translations of Josephus on Jesus, John the Baptist, and James: Critical Texts of the Latin Translation of the Antiquities and Rufinus’ Translation of Eusebius’ Ecclesiastical History Based on Manuscripts and Early Printed Editions." Journal for the Study of Judaism 45, no. 1 (February 11, 2014): 1–79. http://dx.doi.org/10.1163/15700631-00000394.

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Abstract This article presents the first critical texts of the passages on Jesus, John the Baptist, and James in the Latin translation of Josephus’ Antiquitates Iudaicae and the sections of the Latin Table of Contents for AJ 18 where the references to Jesus and John the Baptist appear. A commentary on these Latin texts is also provided. Since no critical edition of the Latin text of Antiquities 6-20 exists, these are also the first critical texts of any passages from these books. The critical apparatus includes a complete list of variant readings from thirty-seven manuscripts (9th-15th c.e.) and all the printed editions from the 1470 editio princeps to the 1524 Basel edition. Because the passages in the Latin AJ on Jesus and John the Baptist were based on Rufinus’ translation of Eusebius’ Historia Ecclesiastica, a new text of these passages in Rufinus is provided that reports more variant readings than are included in Mommsen’s GCS edition. A Greek text for these passages with revised apparatus correcting and expanding the apparatuses in Niese’s editio maior of Josephus and Schwartz’s GCS edition of Eusebius is also provided. In addition to presenting a text and commentary for the passages in the Latin Antiquities and Rufinus’ translation of Eusebius, there is catalogue of collated manuscripts and all the early printed editions through 1524, providing a new scholarly resource for further work on the Latin text of the Antiquities.

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34

Ruppel, Antonia. "Ātman Returns. (Re)introducing Sanskrit Into UK Schools." Journal of Classics Teaching 16, no. 32 (2015): 40–42. http://dx.doi.org/10.1017/s2058631015000197.

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At a time when the Classics offerings across the country are forced to dwindle, when many schools are unable to offer Greek or even Latin, one school has bucked the trend by offering a classical language new to the UK curriculum. Since their foundation 40 years ago, St James' Independent Schools have pioneered the teaching of Sanskrit in a Western environment. Sanskrit has been developed as an academic subject with resources that take complete beginners to IGCSE and beyond to AS and A level.

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Toledo García, Itzel. "James Bryce’s Political Analysis of Mexico’s Porfirian Regime." Journeys 22, no. 1 (June 1, 2021): 70–88. http://dx.doi.org/10.3167/jys.2021.220105.

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This article aims to explore British traveler James Bryce’s political analysis of the Porfirian regime. In October 1901, Bryce visited Mexico and wrote letters to his family portraying his stay. Afterward, based upon his travel account, he spoke about the country in two conferences, one time in Oxford (1902) and another in Aberdeen (1903). Later on, he wrote about Mexico in his book South America: Observations and Impressions (1912), which was the result of his travels through Latin America in 1901 and 1910. We shall explore Bryce’s position toward the Porfirian regime, from disinterest in Porfirio Díaz’s despotism and the political elite in 1901 to admiration of its achievement of peace and progress in 1911 once the Mexican Revolution had commenced.

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Briggs, Charles F. "Aristotle's Rhetoric in the Later Medieval Universities: A Reassessment." Rhetorica 25, no. 3 (2007): 243–68. http://dx.doi.org/10.1525/rh.2007.25.3.243.

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Abstract This essay offers a reassessment of the reception history of the Latin translation of Aristotle's Rhetoric in the universities and mendicant studia of the thirteenth to fifteenth centuries. While it accepts James J. Murphy's assertion, originally made in 1969, that Aristotle's Rhetoric was studied as part of moral philosophy, it presents new manuscript and textual evidence of how this work was actually used. It argues for its popularity and importance among later medieval scholastics and suggests we take a more nuanced view of what they understood rhetoric to be.

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de Jonge, Casper C. "The Ancient Sublime(s). A Review of The Sublime in Antiquity." Mnemosyne 73, no. 1 (January 20, 2020): 149–63. http://dx.doi.org/10.1163/1568525x-12342785.

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Abstract The sublime plays an important role in recent publications on Greek and Latin literature. On the one hand, scholars try to make sense of ancient Greek theories of the sublime, both in Longinus’ On the Sublime and in other rhetorical texts. On the other hand, the sublime, in its ancient and modern manifestations presented by thinkers from Longinus to Burke, Kant and Lyotard, has proved to be a productive tool for interpreting the works of Latin poets like Lucretius, Lucan and Seneca. But what is the sublime? And how does the Greek rhetorical sublime in Longinus relate to the Roman literary sublime in Lucretius and other poets? This article reviews James I. Porter, The Sublime in Antiquity: it evaluates Porter’s innovative approach to the ancient sublime, and considers the ways in which it might change our understanding of an important, but somewhat enigmatic concept.

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Marques de Melo, José. "James Halioran, o homem e o mito." Revista Contracampo 2, no. 17 (December 1, 2007): 7. http://dx.doi.org/10.22409/contracampo.v2i17.347.

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James Halioran presidiu a IAMCR durante o penado 1972-1990. Mesmo sem ostentar titulação académica, conquistou prestigio internacional., Depois da aposentadoria, adotou postura discreta, recolhendo-se à vida privada. Mas sua trajetória no cenário mundial sempre provocou especulações, por ter sido o intelectual de notório saber que mais tempo permaneceu na liderança da nossa comunidade. Após o anúncio do recente funeral, sua memória tem sido reverenciada em todo o mundo, recolocando na ordem do dia as circunstâncias da sua mítica ascensão à vanguarda comunicacional. Na tentativa de elucidar esse paradoxo, o presente artigo resgata alguns aspectos particulares da sua biografia intelectual, inclusive as andanças pela América Latina.

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Kramer, Johannes. "James Noël Adams: The Regional Diversification of Latin 200 BC – AD 600." Gnomon 81, no. 5 (2009): 416–22. http://dx.doi.org/10.17104/0017-1417_2009_5_416.

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Wood, Sarah L. "Latin American Nationalism: Identity in a Globalizing World, by James F. Siekmeier." English Historical Review 134, no. 569 (July 9, 2019): 1069–70. http://dx.doi.org/10.1093/ehr/cez206.

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Dinan, Andrew C. "Far from a Fossil: Monsignor James Andrew Corcoran and the Latin Language." American Catholic Studies 131, no. 2 (2020): 25–51. http://dx.doi.org/10.1353/acs.2020.0035.

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Howell, Jayne, and Ronald Loewe. "Introduction to Anthropology and The Public Good: Environment, Health Care and Diversity." Practicing Anthropology 33, no. 4 (September 1, 2011): 2–3. http://dx.doi.org/10.17730/praa.33.4.q787255g40672413.

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In this, the penultimate issue of the Howell/Loewe editorship, we pause to welcome Professor Anita Puckett of Virginia Tech as the incoming editor of Practicing Anthropology. Dr. Puckett will assist us in the production of our final issue and will assume the helm of Practicing Anthropology for the Spring 2012 issue. Our next and final issue will be a themed issue focusing on Mayas living in the Diaspora. It will be guest edited by James Loucky, a professor of anthropology at Western Washington University at Bellingham, and Alan LeBaron, a professor of Latin American History at Kennesaw State University.

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Cross, J. E. "Wulfstan'sDe Anticristoin a twelfth-century Worcester manuscript." Anglo-Saxon England 20 (December 1991): 203–20. http://dx.doi.org/10.1017/s0263675100001824.

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Cambridge, St John's College 42 (B. 20) is a Latin manuscript, dated as twelfth century and tentatively placed at Worcester. It contains 136 folios, closely written in double columns of forty-five lines each, in which a range of abbreviations has been used. By these means a quantity of material has been presented, including two collections of homilies/sermons, a calendar, extracts from the works of named authors and miscellaneous smaller items. The most notable of the sermons for Anglo-Saxonists is a new text of Archbishop Wulfstan's Latin composition,De Anticristo, but it keeps company with other anonymous sermons, some of which are variant texts of sermons copied or composed in English manuscripts of the Anglo-Saxon historical period. The manuscript needs a closer study than those done by M.R. James, who catalogued the anonymous items without identification, or by H. Schenkl, whose catalogue is incomplete although it includes some identifications. Identification of the anonymous items, with notice of parallel texts in other manuscripts where possible, helps to confirm the date of the manuscript, suggests that its place of origin was Worcester, and allows speculation on the canon of Wulfstan's Latin writing.

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Cosentino, Olivia, Niamh Thornton, Natália Pinazza, Sharonah Fredrick, and Marc Ripley. "Reviews." Studies in Spanish & Latin-American Cinemas 16, no. 3 (September 1, 2019): 423–37. http://dx.doi.org/10.1386/slac_00008_5.

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La India María: Mexploitation and the Films of María Elena Velasco, Seraina Rohrer (2018) Austin: University of Texas Press, 220 pp., ISBN 978-1-47731-345-9, p/bk, $29.95 USDMexican Transnational Cinema and Literature, Maricruz Castro Ricalde, Mauricio Díaz Calderón and James Ramey (eds) (2017) Oxford and Bern: Peter Lang, 312 pp., ISBN 978-1-78707-066-0, p/bk, $69.95The Latin American (Counter-)Road Movie and Ambivalent Modernity, Nadia Lie (2017) Cham, Switzerland: Palgrave Macmillan, 260 pp., ISBN: 9783319435534, h/bk, £57.65, p/bk, £71.96Evolvi ng Images: Jewish Latin American Cinema, Norah Glickman and Ariana Huberman (eds) (2018) Austin: University of Texas Press, 264 pp., ISBN 978-1-47731-471-5, p/bk $29.95 USDThe Spanish Fantastic: Contemporary Filmmaking in Horror, Fantasy and Sci-Fi, Shelagh Rowan-Legg (2016) London and New York: I. B. Tauris, 214 pp., ISBN 978 1 78453 677 0, h/bk, $103.50; e-book, $82.80

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Allison, A. F. "Did Creswell Write the Answer to the Proclamation of 1610? A Note on A&R 265." Recusant History 17, no. 3 (May 1985): 348–57. http://dx.doi.org/10.1017/s0034193200001163.

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A work commonly attributed in bibliographies to Joseph Creswell S.J. (1556–1623) is a reply, written under the pseudonym B. D. de Clerimond, to King James I’s proclamation of 2 June 1610 ‘for the due execution of all former laws against Recusants’. The reply, published in 1611, is A&R 265: A proclamation published vnder the name of lames King of Great Britanny. With a brief & moderate answere therunto. Whereto are added the penall statutes, made in the same kingdome, against Catholikes. Togeather with a letter which sheweth the said Catholikes piety: and diuers aduertisements also, for better vnderstanding of the whole matter. Translated out of Latin into English.

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Gibson, Lindsay, and John Kuhn. "James Leeke, George Herbert, and the Neo-Latin Contexts of The Church Militant." Humanistica Lovaniensia 67, no. 2 (September 21, 2018): 379–425. http://dx.doi.org/10.30986/2018.379.

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Beadle, Richard, and Anthony Smith. "A Carol by James Ryman in the Holkham Archives." Review of English Studies 71, no. 302 (April 17, 2020): 850–66. http://dx.doi.org/10.1093/res/hgaa030.

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Abstract A late fifteenth-century manorial notebook in the archives of the Earl of Leicester at Holkham Hall, Norfolk, has been found to contain a hitherto unnoticed and apparently unique late medieval English carol, based on the Latin hymn Te deum. Comparison with other examples of the genre suggests that its author is more likely than not to have been James Ryman, a Franciscan friar of Canterbury, and a prolific writer of carols. His oeuvre includes a number of compositions deriving from the Te deum, to some of which the Holkham text bears significant similarities. The owner of the notebook is identified as William Wayte Jr of Tittleshall, Norfolk, who is known to have served as an estate administrator and agent for the well-known Norfolk lawyer Sir Roger Townshend of Raynham (c.1430–1493). Certain provisions in Wayte’s will suggest that his interest in the carol may have been connected to a devotion on his part to the Trinity, which in late medieval art was often expressed through imagery drawn from the Te deum.

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Reid, Steven J. "A Latin Renaissance in Reformation Scotland? Print Trends in Scottish Latin Literature, c. 1480–1700." Scottish Historical Review 95, no. 1 (April 2016): 1–29. http://dx.doi.org/10.3366/shr.2016.0274.

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The full extent of the large body of Latin literature produced by Scots in the early modern period has long eluded scholars. However, thanks to a growing range of research in this field, and particularly to the appearance of several major new bibliographic and electronic resources, it is possible for the first time to map out one aspect of its broad contours. This article uses a database comprising all currently known published first editions of Latin texts by Scots between 1480 and 1700 to examine the extent of Scottish Latin culture in print in the early modern period; how this related to the rise of printed texts in Scots and English; and the major genre types in which Scottish Latin authors published. The database reveals several major trends: firstly, that the publication of Scottish Latin texts reached its zenith in the reign of James VI and I, bolstered by the arrival of a domestic print market but also in part by an increased focus on literacy and education after the reformation; secondly, that by far the largest genres of printed Scottish Latin were poetry and academic theses, and not religious or political texts as might perhaps be expected; and thirdly, that the use of Latin as a literary and academic language in Scotland declined rapidly and irrevocably in the second quarter of the seventeenth century. The article concludes that the production of Latin literature by Scots was unique as an aspect of renaissance culture in Scotland because it had no strongly-defined presence before the reformation of 1560 and only became fully manifest in King James's later reign. It offers potential reasons as to why this may have been the case, and examines some implications the data has for understanding Scotland's developing intellectual and linguistic relationship with England after the union of the crowns. However, the article acknowledges the limited picture provided by print evidence alone and ends by calling for further research to assess how far this trend applies to all Latin literature produced by Scots, particularly the surviving corpus of Latin manuscripts.

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Lafaye, Jacques, and James Lockhart. "A Scholarly Debate: The Origins of Modern Mexico-Indígenistas vs. Hispanistas." Americas 48, no. 3 (January 1992): 315–30. http://dx.doi.org/10.2307/1007239.

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This year, 1992, marks the quincentenary or quincentennial of the first voyage of Columbus to the Western Hemisphere. In 1990, as Chair of the Mexican Studies Committee of the Conference on Latin American History, I invited two of the leading scholars on Mexico during the colonial period– Professor Jacques Lafaye (Universite de Paris IV) and Professor James Lockhart (UCLA)–to help set the debate for the upcoming anniversary by delivering a 20 minute summary of the role of Spain in the history of colonial Mexico at the annual meeting of the American Historical Association in San Francisco. The following essays are the result of that discussion held on December 29, 1990 in San Francisco.Barbara A. Tenenbaum

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Costa, Iacopo. "Le statut ontologique du plaisir." Chôra 17 (2019): 211–27. http://dx.doi.org/10.5840/chora20191712.

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The aim of this paper is to study some aspects of the Medieval Latin reception of Aristotle’s theory of pleasure (Eth. Nic. X). First, I introduce Aristotle’s position, with special attention to the problem of the ontological status of pleasure and the relationship between pleasure and the different genera of causes (viz. formal and final causality), as well as the somehow ambiguous exegesis of Michael of Ephesus. Second, I take into account the interpretation given by Albert the Great in his first commentary on the Ethics. Finally, I present some theological issues raised by Albert’s interpretation, in the discussions about beatific vision. The authors taken in account are James of Viterbo, Radulphus Brito, Peter Auriol and William of Ockham.

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