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Journal articles on the topic 'James Tiptree'

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1

Jones, Rachael K. "Houston, Houston, Do You Read James Tiptree?" Nature 537, no. 7621 (2016): 578. http://dx.doi.org/10.1038/537578a.

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2

Kirkpatrick, Kim. "Begin Again: James Tiptree, Jr.'s Opossum Tricks." Biography 30, no. 1 (2007): 61–73. http://dx.doi.org/10.1353/bio.2007.0024.

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Seal, Julie Luedtke. "James Tiptree, Jr.: Fostering the Future, not Condemning it." Extrapolation 31, no. 1 (1990): 73–82. http://dx.doi.org/10.3828/extr.1990.31.1.73.

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4

Evans, Rebecca. "James Tiptree Jr.: Rereading Essentialism and Ecofeminism in the 1970s." WSQ: Women's Studies Quarterly 43, no. 3-4 (2015): 223–39. http://dx.doi.org/10.1353/wsq.2015.0048.

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5

Felt, Lindsey Dolich. "Cyberpunk's Other Hackers: The Girls Who Were Plugged In." Catalyst: Feminism, Theory, Technoscience 5, no. 1 (2019): 1–34. http://dx.doi.org/10.28968/cftt.v5i1.29615.

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This article locates an alternate paradigm of hacking in feminist cyberfiction, notably, James Tiptree, Jr.’s proto-cyberpunk novella, “The Girl Who Was Plugged In” (1973). I argue this story critically reorients our understanding of how information technologies and their material artifacts construct and reinforce norms of able-bodiedness and ability. Drawing on archival materials from Bell System, early information theory, and crip theory, my reading reveals that Tiptree’s portrayal of disability is tied to a cybernetic conception of error and noise. These frictions between users and their ma
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6

Kim, Ae-Ryung. "An Attempt of Transformation : Writing Style of James Tiptree, Jr’s Feminist SF." Korean Feminist Philosophy 31 (May 30, 2019): 33–60. http://dx.doi.org/10.17316/kfp.2019.05.31.33.

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7

Amor Barros-del Rio, Maria. "Emma Dononghue’s and James Finn Garner’s Rebellious Cinderellas: Feminism and Satire for Empowerment in Contemporary Fairy Tales." International Journal of Applied Linguistics and English Literature 7, no. 5 (2018): 239. http://dx.doi.org/10.7575/aiac.ijalel.v.7n.5p.239.

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The end of the 20th century witnessed a rewriting of traditional tales for children in English. In 1997, Irish writer Emma Donoghue published Kissing the Witch: Old Tales in New Skins, a sequence of re-imagined fairy tales that was shortlisted for the James L. Tiptree Award. In 1994, American writer James Finn Garner had also re-written many well-known stories for children and had them compiled in a single volume: Politically Correct Bedtime Stories. These new versions of Cinderella incorporate formal, structural and ideological alterations that subvert the traditional fairy tale genre. Using
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8

Hollinger, Veronica. "“The Most Grisly Truth”: Responses to the Human Condition in the Works of James Tiptree, Jr." Extrapolation 30, no. 2 (1989): 117–32. http://dx.doi.org/10.3828/extr.1989.30.2.117.

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9

Rhee. "Finance Speculation, Indeterminacy, and Unforeclosed Futures in James Tiptree, Jr.'s “The Girl Who Was Plugged In”." Science Fiction Studies 46, no. 3 (2019): 449. http://dx.doi.org/10.5621/sciefictstud.46.3.0449.

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10

Amanda Thibodeau. "Alien Bodies and a Queer Future: Sexual Revision in Octavia Butler’s “Bloodchild” and James Tiptree, Jr.’s “With Delicate Mad Hands”." Science Fiction Studies 39, no. 2 (2012): 262. http://dx.doi.org/10.5621/sciefictstud.39.2.0262.

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11

Ferrández San Miguel, María. "Appropriated Bodies: Trauma, Biopower and the Posthuman in Octavia Butler’s “Bloodchild” and James Tiptree, Jr.’s “The Girl Who Was Plugged In”." Atlantis. Journal of the Spanish Association for Anglo-American Studies 40, no. 2 (2018): 27–44. http://dx.doi.org/10.28914/atlantis-2018-40.2.02.

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12

Hicks, Heather J. ""Whatever It Is That She's since Become": Writing Bodies of Text and Bodies of Women in James Tiptree, Jr.'s "The Girl Who Was Plugged in" and William Gibson's "The Winter Market"." Contemporary Literature 37, no. 1 (1996): 62. http://dx.doi.org/10.2307/1208751.

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13

Clemente, Bill. "James Tiptree's Up the Walls of the World: Motes of Hope in Her Universe of Despair." Extrapolation 48, no. 2 (2007): 384–97. http://dx.doi.org/10.3828/extr.2007.48.2.11.

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14

Rea, Michael Cannon. "Representational and Attitudinal Sexual Objectification." Feminist Philosophy Quarterly 5, no. 4 (2019). http://dx.doi.org/10.5206/fpq/2019.4.7235.

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“James Tiptree Jr.” is a pseudonym of Alice B. Sheldon, US Air Force intelligence officer, CIA analyst, experimental psychologist, and one of the most important and highly acclaimed science fiction writers of the twentieth century. Sheldon’s work as Tiptree (both fiction and nonfiction) deals with a variety of important feminist concerns—among them, sexism, misogyny, objectification, sexual assault, the “otherness” of women, and silencing. This paper explores in a philosophical mode some of the important insights about objectification conveyed in one of Tiptree’s most well-known stories, “’And
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15

AĞIN, Başak. "Posthümanizm Transhümanizme Karşı: James Tiptree, Jr.’ın Uzaktan Kumandalı Kız* Adlı Kısa Romanı." Dil ve Edebiyat Araştırmaları/Journal of Language and Literature Studies, June 2, 2020. http://dx.doi.org/10.30767/diledeara.685823.

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16

Michael, Rose. "Out of Time: Time-Travel Tropes Write (through) Climate Change." M/C Journal 22, no. 6 (2019). http://dx.doi.org/10.5204/mcj.1603.

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“What is the point of stories in such a moment”, asks author and critic James Bradley, writing about climate extinction: Bradley emphasises that “climatologist James Hansen once said being a climate scientist was like screaming at people from behind a soundproof glass wall; being a writer concerned with these questions often feels frighteningly similar” (“Writing”). If the impact of climate change asks humans to think differently, to imagine differently, then surely writing—and reading—must change too? According to writer and geographer Samuel Miller-McDonald, “if you’re a writer, then you hav
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17

Juckes, Daniel. "Walking as Practice and Prose as Path Making: How Life Writing and Journey Can Intersect." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1455.

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Through my last lengthy writing project, it did not take long to I realise I had become obsessed with paths. The proof of it was there in my notebooks, and, most prominently, in the backlog of photographs cluttering the inner workings of my mobile phone. Most of the photographs I took had a couple of things in common: first, the astonishing greenness of the world they were describing; second, the way a road or path or corridor or pavement or trail led off into distance. The greenness was because I was in England, in summer, and mostly in a part of the country where green seems at times the onl
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