Academic literature on the topic 'James Wilson (Fictitious character)'

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Journal articles on the topic "James Wilson (Fictitious character)"

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Schoenfeld, C. G. "Book Review: On Character: Essays by James Q. Wilson." Journal of Psychiatry & Law 20, no. 2 (1992): 279–96. http://dx.doi.org/10.1177/009318539202000210.

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Wildavsky, Aaron. "On Character. By James Q. Wilson. Washington: American Enterprise Institute, 1991. 211p. $24.95." American Political Science Review 87, no. 1 (1993): 228–29. http://dx.doi.org/10.2307/2939002.

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ZINK, JAMES R. "The Language of Liberty and Law: James Wilson on America's Written Constitution." American Political Science Review 103, no. 3 (2009): 442–55. http://dx.doi.org/10.1017/s0003055409990086.

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Although contemporary Americans take it for granted that a “constitution” is a written document, written constitutions were almost unprecedented at America's founding. James Wilson, one of the most significant yet overlooked of America's founders, offers a comprehensive theory of America's written constitution. Wilson argues that the written-ness of the U.S. Constitution serves two essential functions. As an initial matter, it memorializes the primacy of liberty by announcing that the authority of government derives only from a free people. Perhaps more importantly, however, the written consti
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Sheikh, Adnan Rashid, Muhammad Ashfaq Munaf, and Ameer Sultan. "Facets of Focalisation in James Joyce’s A Painful Case: A Narrative Analysis." Pakistan Journal of Humanities and Social Sciences 10, no. 4 (2022): 1668–78. http://dx.doi.org/10.52131/pjhss.2022.1004.0324.

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The present paper deals with modern narrative theory concentrating on focalisation and its facets in the short story A Painful Case by James Joyce. The cognitively minded narratological notion of focalisation, a term coined by Genette (1983), developed by Uspenski? (1973) and broadened and refined by Rimmon-Kenan (2003), discusses the perceptual, psychological, and ideological positions adopted by the narrator(s) or character(s) in the tale (s). In recent years, there has been considerable interest in focalisation and its implications for narrativity and fictionality. The present paper is an e
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Arrese, Ángel, and James Breiner. "Spain’s «national character» in «The Economist»." Communication & Society 36, no. 4 (2023): 21–34. http://dx.doi.org/10.15581/003.36.4.21-34.

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The image of a country conveyed by the international media is increasingly important in a globalised and interdependent world. Some of these international outlets have a special role to play in this process, and the British weekly The Economist is certainly one of them. For more than a century and a half, the publication founded by James Wilson in 1843 has been a reference for politicians, opinion leaders and businessmen around the world. For this reason, it is of particular interest to understand the magazine’s special way of contextualising news events in different latitudes from the perspec
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Johnson, Elmer W. "Corporate Soulcraft in the Age of Brutal Markets." Business Ethics Quarterly 7, no. 4 (1997): 109–24. http://dx.doi.org/10.2307/3857211.

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The economic and political arguments for the market principle over alternative forms of economic organization are to my mind irrefutable. It is on the moral level that the perplexing concerns about capitalism center, concerns that have been raised from the beginnings of the industrial era down to the present time. This essay focuses on one major aspect of the ongoing moral test of capitalism: the test of whether our major corporations can both succeed in their profit-making efforts and also serve as one of society’s chief mediating structures that stand, like family, church and community, betw
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Savitskaya, E. A. "Melancholy and Nostalgia in British Progressive Rock." Art & Culture Studies, no. 4 (December 2022): 396–427. http://dx.doi.org/10.51678/2226-0072-2022-4-396-427.

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The article studies the role of such cultural phenomena as melancholy and nostalgia in artistic and “ontological” aspects of rock music. The relevance of this study is due to a high frequency of occurrence of these phenomena in numerous types of modern art (there have been several research dedicated to this issue), as well as the growing popularity of “melancholic rock” in a wide audience. Of particular significance for the author in scientific understanding of the proposed topic were the works by S. Boym, V. Medushevsky, J. Starobinski, V. Syrov, T. Tsaregradskaya, W. Everett, K. Johannison a
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Hunter, James Davison, and Paul Nedelisky. "Science and the Good: The Tragic Quest for the Foundations of Morality." Perspectives on Science and Christian Faith 73, no. 3 (2021): 176–78. http://dx.doi.org/10.56315/pscf9-21hunter.

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SCIENCE AND THE GOOD: The Tragic Quest for the Foundations of Morality by James Davison Hunter and Paul Nedelisky. New Haven, CT and London, UK: Yale University Press and Templeton Press, 2018. 289 pages. Paperback; $18.00. ISBN: 9780300251821. *Science and the Good is a one-volume education on the historical quest to furnish a scientific explanation of morality. It seems that the human person and morality do not comfortably fit within the model of scientific explanation. The authors chronicle the many ways in which the "new moral scientists" either overreach in interpreting the results of the
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Melnick, R. Shep. "Political Science as a Vocation: An Appreciation of the Life and the Work of James Q. Wilson." Forum 10, no. 1 (2012). http://dx.doi.org/10.1515/1540-8884.1502.

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James Q. Wilson produced a remarkably varied, influential, and profound body of scholarly work on American politics. The first part of this tribute provides an overview of his contribution to our understanding of city politics, crime and policing, voluntary organizations, bureaucracy, and the development of those character traits upon which democratic government depends. The second part of the essay describes key features of Wilson’s approach to studying politics, features notably and lamentably absent from most political science today.
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Wilson, Shaun. "Situating Conceptuality in Non-Fungible Token Art." M/C Journal 25, no. 2 (2022). http://dx.doi.org/10.5204/mcj.2887.

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Introduction The proliferation of non-fungible tokens has transformed cryptocurrency artefacts into a legitimised art form now considered in mainstream art collecting as an emerging high-yield commodity based on scarcity. As photography was debated “of being art” in the late 19th century, video art in the 1960s, virtual reality in the 1990s, and augmented reality in the 2010s, NFT art is the next medium of artwork tied to emergent cultural forms. From the concept of “introducing scarcity from born-digital assets for the first time ever, NFTs or crypto or digital collectibles, as they are also
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