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Journal articles on the topic 'James Wilson (Fictitious character)'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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1

Schoenfeld, C. G. "Book Review: On Character: Essays by James Q. Wilson." Journal of Psychiatry & Law 20, no. 2 (1992): 279–96. http://dx.doi.org/10.1177/009318539202000210.

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2

Wildavsky, Aaron. "On Character. By James Q. Wilson. Washington: American Enterprise Institute, 1991. 211p. $24.95." American Political Science Review 87, no. 1 (1993): 228–29. http://dx.doi.org/10.2307/2939002.

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3

ZINK, JAMES R. "The Language of Liberty and Law: James Wilson on America's Written Constitution." American Political Science Review 103, no. 3 (2009): 442–55. http://dx.doi.org/10.1017/s0003055409990086.

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Although contemporary Americans take it for granted that a “constitution” is a written document, written constitutions were almost unprecedented at America's founding. James Wilson, one of the most significant yet overlooked of America's founders, offers a comprehensive theory of America's written constitution. Wilson argues that the written-ness of the U.S. Constitution serves two essential functions. As an initial matter, it memorializes the primacy of liberty by announcing that the authority of government derives only from a free people. Perhaps more importantly, however, the written consti
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4

Sheikh, Adnan Rashid, Muhammad Ashfaq Munaf, and Ameer Sultan. "Facets of Focalisation in James Joyce’s A Painful Case: A Narrative Analysis." Pakistan Journal of Humanities and Social Sciences 10, no. 4 (2022): 1668–78. http://dx.doi.org/10.52131/pjhss.2022.1004.0324.

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The present paper deals with modern narrative theory concentrating on focalisation and its facets in the short story A Painful Case by James Joyce. The cognitively minded narratological notion of focalisation, a term coined by Genette (1983), developed by Uspenski? (1973) and broadened and refined by Rimmon-Kenan (2003), discusses the perceptual, psychological, and ideological positions adopted by the narrator(s) or character(s) in the tale (s). In recent years, there has been considerable interest in focalisation and its implications for narrativity and fictionality. The present paper is an e
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Arrese, Ángel, and James Breiner. "Spain’s «national character» in «The Economist»." Communication & Society 36, no. 4 (2023): 21–34. http://dx.doi.org/10.15581/003.36.4.21-34.

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The image of a country conveyed by the international media is increasingly important in a globalised and interdependent world. Some of these international outlets have a special role to play in this process, and the British weekly The Economist is certainly one of them. For more than a century and a half, the publication founded by James Wilson in 1843 has been a reference for politicians, opinion leaders and businessmen around the world. For this reason, it is of particular interest to understand the magazine’s special way of contextualising news events in different latitudes from the perspec
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Johnson, Elmer W. "Corporate Soulcraft in the Age of Brutal Markets." Business Ethics Quarterly 7, no. 4 (1997): 109–24. http://dx.doi.org/10.2307/3857211.

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The economic and political arguments for the market principle over alternative forms of economic organization are to my mind irrefutable. It is on the moral level that the perplexing concerns about capitalism center, concerns that have been raised from the beginnings of the industrial era down to the present time. This essay focuses on one major aspect of the ongoing moral test of capitalism: the test of whether our major corporations can both succeed in their profit-making efforts and also serve as one of society’s chief mediating structures that stand, like family, church and community, betw
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Savitskaya, E. A. "Melancholy and Nostalgia in British Progressive Rock." Art & Culture Studies, no. 4 (December 2022): 396–427. http://dx.doi.org/10.51678/2226-0072-2022-4-396-427.

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The article studies the role of such cultural phenomena as melancholy and nostalgia in artistic and “ontological” aspects of rock music. The relevance of this study is due to a high frequency of occurrence of these phenomena in numerous types of modern art (there have been several research dedicated to this issue), as well as the growing popularity of “melancholic rock” in a wide audience. Of particular significance for the author in scientific understanding of the proposed topic were the works by S. Boym, V. Medushevsky, J. Starobinski, V. Syrov, T. Tsaregradskaya, W. Everett, K. Johannison a
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8

Hunter, James Davison, and Paul Nedelisky. "Science and the Good: The Tragic Quest for the Foundations of Morality." Perspectives on Science and Christian Faith 73, no. 3 (2021): 176–78. http://dx.doi.org/10.56315/pscf9-21hunter.

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SCIENCE AND THE GOOD: The Tragic Quest for the Foundations of Morality by James Davison Hunter and Paul Nedelisky. New Haven, CT and London, UK: Yale University Press and Templeton Press, 2018. 289 pages. Paperback; $18.00. ISBN: 9780300251821. *Science and the Good is a one-volume education on the historical quest to furnish a scientific explanation of morality. It seems that the human person and morality do not comfortably fit within the model of scientific explanation. The authors chronicle the many ways in which the "new moral scientists" either overreach in interpreting the results of the
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9

Melnick, R. Shep. "Political Science as a Vocation: An Appreciation of the Life and the Work of James Q. Wilson." Forum 10, no. 1 (2012). http://dx.doi.org/10.1515/1540-8884.1502.

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James Q. Wilson produced a remarkably varied, influential, and profound body of scholarly work on American politics. The first part of this tribute provides an overview of his contribution to our understanding of city politics, crime and policing, voluntary organizations, bureaucracy, and the development of those character traits upon which democratic government depends. The second part of the essay describes key features of Wilson’s approach to studying politics, features notably and lamentably absent from most political science today.
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10

Wilson, Shaun. "Situating Conceptuality in Non-Fungible Token Art." M/C Journal 25, no. 2 (2022). http://dx.doi.org/10.5204/mcj.2887.

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Introduction The proliferation of non-fungible tokens has transformed cryptocurrency artefacts into a legitimised art form now considered in mainstream art collecting as an emerging high-yield commodity based on scarcity. As photography was debated “of being art” in the late 19th century, video art in the 1960s, virtual reality in the 1990s, and augmented reality in the 2010s, NFT art is the next medium of artwork tied to emergent cultural forms. From the concept of “introducing scarcity from born-digital assets for the first time ever, NFTs or crypto or digital collectibles, as they are also
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11

Marshall, P. David. "Seriality and Persona." M/C Journal 17, no. 3 (2014). http://dx.doi.org/10.5204/mcj.802.

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No man [...] can wear one face to himself and another to the multitude, without finally getting bewildered as to which one may be true. (Nathaniel Hawthorne Scarlet Letter – as seen and pondered by Tony Soprano at Bowdoin College, The Sopranos, Season 1, Episode 5: “College”)The fictitious is a particular and varied source of insight into the everyday world. The idea of seriality—with its variations of the serial, series, seriated—is very much connected to our patterns of entertainment. In this essay, I want to begin the process of testing what values and meanings can be drawn from the idea of
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12

Schlotterbeck, Jesse. "Non-Urban Noirs: Rural Space in Moonrise, On Dangerous Ground, Thieves’ Highway, and They Live by Night." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.69.

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Despite the now-traditional tendency of noir scholarship to call attention to the retrospective and constructed nature of this genre— James Naremore argues that film noir is best regarded as a “mythology”— one feature that has rarely come under question is its association with the city (2). Despite the existence of numerous rural noirs, the depiction of urban space is associated with this genre more consistently than any other element. Even in critical accounts that attempt to deconstruct the solidity of the noir genre, the city is left as an implicit inclusion, and the country, an implict exc
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13

Nolan, Huw, Jenny Wise, and Lesley McLean. "The Clothes Maketh the Cult." M/C Journal 26, no. 1 (2023). http://dx.doi.org/10.5204/mcj.2971.

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Introduction Many people interpret the word ‘cult’ through specific connotations, including, but not limited to, a community of like-minded people on the edge of civilization, often led by a charismatic leader, with beliefs that are ‘other’ to societal ‘norms’. Cults are often perceived as deviant, regularly incorporating elements of crime, especially physical and sexual violence. The adoption by some cults of a special uniform or dress code has been readily picked up by popular culture and has become a key ‘defining’ characteristic of the nature of a cult. In this article, we use the semiotic
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14

Howley, Kevin. "Always Famous." M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2452.

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Introduction A snapshot, not unlike countless photographs likely to be found in any number of family albums, shows two figures sitting on a park bench: an elderly and amiable looking man grins beneath the rim of a golf cap; a young boy of twelve smiles wide for the camera — a rather banal scene, captured on film. And yet, this seemingly innocent and unexceptional photograph was the site of a remarkable and wide ranging discourse — encompassing American conservatism, celebrity politics, and the end of the Cold War — as the image circulated around the globe during the weeklong state funeral of R
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15

Rushkoff, Douglas. "Coercion." M/C Journal 6, no. 3 (2003). http://dx.doi.org/10.5204/mcj.2193.

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The brand began, quite literally, as a method for ranchers to identify their cattle. By burning a distinct symbol into the hide of a baby calf, the owner could insure that if it one day wandered off his property or was stolen by a competitor, he’d be able to point to that logo and claim the animal as his rightful property. When the manufacturers of products adopted the brand as a way of guaranteeing the quality of their goods, its function remained pretty much the same. Buying a package of oats with the Quaker label meant the customer could trace back these otherwise generic oats to their sour
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16

Tofts, Darren, and Lisa Gye. "Cool Beats and Timely Accents." M/C Journal 16, no. 4 (2013). http://dx.doi.org/10.5204/mcj.632.

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Ever since I tripped over Tiddles while I was carrying a pile of discs into the studio, I’ve known it was possible to get a laugh out of gramophone records!Max Bygraves In 1978 the music critic Lester Bangs published a typically pugnacious essay with the fighting title, “The Ten Most Ridiculous Albums of the Seventies.” Before deliciously launching into his execution of Uri Geller’s self-titled album or Rick Dees’ The Original Disco Duck, Bangs asserts that because that decade was history’s silliest, it stands to reason “that ridiculous records should become the norm instead of anomalies,” tha
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17

Franks, Rachel. "A Taste for Murder: The Curious Case of Crime Fiction." M/C Journal 17, no. 1 (2014). http://dx.doi.org/10.5204/mcj.770.

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Introduction Crime fiction is one of the world’s most popular genres. Indeed, it has been estimated that as many as one in every three new novels, published in English, is classified within the crime fiction category (Knight xi). These new entrants to the market are forced to jostle for space on bookstore and library shelves with reprints of classic crime novels; such works placed in, often fierce, competition against their contemporaries as well as many of their predecessors. Raymond Chandler, in his well-known essay The Simple Art of Murder, noted Ernest Hemingway’s observation that “the goo
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18

Meikle, Graham, Jason A. Wilson, and Barry Saunders. "Vote / Citizen." M/C Journal 10, no. 6 (2008). http://dx.doi.org/10.5204/mcj.2713.

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 This issue of M/C Journal asks what’s your vote worth? And what does citizenship mean now? These questions are pressing, not only for the authors and editors of this special issue, but for anyone who contends with the challenges and opportunities presented by the relationship of the individual to the modern state, the difficulty and necessity of effecting change in our polities, and the needs of individuals and communities within frameworks of unequally representative democracies. And we think that’s pretty well all of us. Talk of voting and citizenship also raise further
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19

Stevenson, Kylie Justine, Emma Jayakumar, and Harrison See. "The Toy Brick as a Communicative Device for Amplifying Children’s Voices in Research." M/C Journal 26, no. 3 (2023). http://dx.doi.org/10.5204/mcj.2957.

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Introduction This article arises from recent industry-partner research between the ARC Centre of Excellence for the Digital Child, the LEGO Group, and Edith Cowan University (ECU), examining new ways of communicating children’s perspectives of digital citizenship to policy makers and industry in a project called Digital Safety and Citizenship Roundtables: Using Consultation and Creativity to Engage Stakeholders (Children, Policy Influencers, Industry) in Best Practice in India, South Korea, and Australia. We posed the research question: What are children’s everyday experiences of digital citiz
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20

Tofts, Darren John. "Why Writers Hate the Second Law of Thermodynamics: Lists, Entropy and the Sense of Unending." M/C Journal 15, no. 5 (2012). http://dx.doi.org/10.5204/mcj.549.

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If you cannot understand my argument, and declare “It’s Greek to me,” you are quoting Shakespeare.Bernard LevinPsoriatic arthritis, in its acute or “generalised” stage, is unbearably painful. Exacerbating the crippling of the joints, the entire surface of the skin is covered with lesions only moderately salved by anti-inflammatory ointment, the application of which is as painful as the ailment it seeks to relieve: NURSE MILLS: I’ll be as gentle as I can.Marlow’s face again fills the screen, intense concentration, comical strain, and a whispered urgency in the voice over—MARLOW: (Voice over) Th
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21

Horrigan, Matthew. "A Flattering Robopocalypse." M/C Journal 23, no. 6 (2020). http://dx.doi.org/10.5204/mcj.2726.

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RACHAEL. It seems you feel our work is not a benefit to the public.DECKARD. Replicants are like any other machine. They're either a benefit or a hazard. If they're a benefit it's not my problem.RACHAEL. May I ask you a personal question?DECKARD. Yes.RACHAEL. Have you every retired a human by mistake? (Scott 17:30) CAPTCHAs (henceforth "captchas") are commonplace on today's Internet. Their purpose seems clear: block malicious software, allow human users to pass. But as much as they exclude spambots, captchas often exclude humans with visual and other disabilities (Dzieza; W3C Working Group). Wo
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22

Al-Rawi, Ahmed, Carmen Celestini, Nicole Stewart, and Nathan Worku. "How Google Autocomplete Algorithms about Conspiracy Theorists Mislead the Public." M/C Journal 25, no. 1 (2022). http://dx.doi.org/10.5204/mcj.2852.

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Introduction: Google Autocomplete Algorithms Despite recent attention to the impact of social media platforms on political discourse and public opinion, most people locate their news on search engines (Robertson et al.). When a user conducts a search, millions of outputs, in the form of videos, images, articles, and Websites are sorted to present the most relevant search predictions. Google, the most dominant search engine in the world, expanded its search index in 2009 to include the autocomplete function, which provides suggestions for query inputs (Dörr and Stephan). Google’s autocomplete f
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