Relevant bibliographies by topics / Jan Andrzej

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Jan Andrzej'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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Journal articles on the topic "Jan Andrzej"

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Clayton, Colin. "Obituary: Professor Dr Habil. eng. Jan Andrzej Czubek." Applied Radiation and Isotopes 47, no. 4 (1996): iii—iv. http://dx.doi.org/10.1016/0969-8043(96)82297-4.

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Nowicka, Daria. "Art-biografie Andrzeja Wróblewskiego." Poznańskie Studia Polonistyczne. Seria Literacka, no. 35 (November 5, 2019): 55–78. http://dx.doi.org/10.14746/pspsl.2019.35.4.

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The essay concerns the ways of reading and understanding the biographies of Andrzej Wróblewski, one of the prominent representatives of modernist and post-war painters. One special case is the art-biography projectshowing the need to reinterpret the author’s current biographical facts. The reading of texts by Jan Michalski, Magdalena Ziółkowska, Wojciech Grzybała and Andy Rottenberg shows this mechanism – expanding theconstellations of Andrzej Wróblewski.
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Małecki, Jan, and Andrzej Tomczak. "Discussion Following the Lecture by Jan Małecki and Andrzej Tomczak." Dialogue and Universalism 18, no. 9 (2008): 162–66. http://dx.doi.org/10.5840/du2008189/1039.

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Oracki, Tadeusz. "On the Origin of the Königsberg Professor of Medicine, Andrzej Jan Orlovius (Orłowski)." Masuro-⁠Warmian Bulletin 297, no. 3 (2017): 499–503. http://dx.doi.org/10.51974/kmw-134945.

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This article concerns Andrzej Jan Orlovius (Orłowski), living in the years 1735–1788, professor of med�icine in Königsberg, and is an important supplement to the research to date, in which he was mentioned as a Lithuanian, whilst in fact he derived from a Masurian family in Prussia
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Zbiorowa, Praca. "Język w refleksji teoretycznej. Przekroje historyczne. Dyskusja nad dziełem." Investigationes Linguisticae 38 (December 18, 2018): 1–56. http://dx.doi.org/10.14746/il.2018.38.1.

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Tom 38 (2018) Investigationes Linguisticae prezentuje dyskusję, która wywiązała się podczas sympozjum poświęconemu dziełu Język w refleksji teoretycznej. Przekroje historyczne (Warszawa 2016) autorstwa Andrzeja Bogusławskiego i Ewy Drzazgowskiej.Sympozjum odbyło się w Poznaniu w dniu 30.11.2016 r., jego organizatorami były dwie instytucje: Instytut Językoznawstwa UAM oraz Poznańskie Towarzystwo Przyjaciół Nauk. Program sympozjum przewidywał udzielenie odpowiedzi na pytania skierowane do autorów na piśmie kilka dni przed sympozjum.Autorzy dzieła Język w refleksji teoretycznej. Przekroje historyczne: Andrzej Bogusławski, Ewa Drzazgowska.Głosy w dyskusji:Bolesław Andrzejewski, Jerzy Bańczerowski, Robert Bielecki, Wojciech Chlebda, Magdalena Danielewiczowa, Elżbieta Górska, Szymon Grzelak, Romuald Huszcza, Krystyna Kleszczowa, Norbert Kordek, Paweł Kornatowski, Michał Lipnicki, Tomasz Lisowski, Jamila Oueslati, Jarmila Panevová, Piotr Stalmaszczyk, Aleksander Szwedek, Jan Wawrzyńczyk, Piotr Wierzchoń, Zofia Zaron, Władysław Zabrocki, Tadeusz Zgółka.
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Kiedroń, Stefan. "“Getrouwste hofstijl der Sarmaeten…”. Joost van den Vondel en Jan Andrzej Morsztyn over poëzie en politiek." Neerlandica Wratislaviensia 30 (March 30, 2021): 61–76. http://dx.doi.org/10.19195/0860-0716.30.5.

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This article presents two 17th-century poets, Joost van den Vondel and Jan Andrzej Morsztyn, against the backgrounds of the Dutch and the Polish Golden Age. They were ‘connected’ in their times: both through poetry and politics. Vondel’s Parnaes aen de Belt (1657) included a poem for Tobiasz, the brother of the Polish poet, in which he was praised as the “Getrouwste hofstijl der Sarmaeten” (Most fidel court pillar of the Sarmatians); and also Jan Andrzej received praise here. In his other poems, Vondel had written about the greatness of the Polish-Lithuanian Commonwealth, among other things about the city of Danzig (Polish: Gdańsk), which he, in his ode “Bestand tusschen Polen en Zweden. Aen Dantzik”; (Truce between Poland and Sweden. For Danzig”; 1635), called the “Parrel aen de Kroon van Polen” (Pearl at the Crown of Poland).On the other hand, the Morsztyn brothers were interested in the developments of the Republic of the United Provinces. Like many other foreigners, they undertook a Peregrinatio Academica to Leiden where they could see the prosperity of the Republic at first hand, together with other Poles (including the poet-preacher Samuel Przypkowski, the poet-preacher Andrzej Węgierski or the later secretary of the Polish King Andrzej Rej). This Polish circle in the Republic is also shown here.However, there is a double meaning to be discovered in the connection ‘Morsztyn-Vondel’: there was more politics in it than poetry. Morsztyn’s perspective was mainly directed to France (even against the Polish king) — and Vondel’s perspective not to Poland as a political power, but to the Dutch ‘Moedernegotie’ (Mother of all trades) in the Baltic Sea, between the Danish Sound and Danzig. This double meaning is also shown here.
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Janas, Janina. "Il ritratto di Jan Grotkowski nei componimenti di Jan Andrzej Morsztyn e la questione delle “somme napoletane” [Literacki portret Jana Grotkowskiego w utworach Jana Andrzeja Morsztyna i kwestia „sum neapolitańskich”]." Fabrica Litterarum Polono-Italica, no. 2 (June 30, 2020): 65–73. http://dx.doi.org/10.31261/flpi.2020.02.05.

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Autorka artykułu kreśli literacki portret Jana Grotkowskiego (zapomnianego poety doby baroku) na podstawie czterech utworów poetyckich Jana Andrzeja Morsztyna. Tym sposobem z mroku niepamięci wyłania się ciekawa postać literata, dyplomaty, wpływowego uczestnika ówczesnej polityki międzynarodowej. Z postacią królowej Bony łączy go dopiero tajemnicza śmierć. Poeta wpisuje się tym samym na listę osób, które jak stwierdza Kantecki, „padły ofiarą sprawy, nad którą jak gdyby ciążyła klątwa królowej Bony”. Próbując rozwikłać kwestię „sum neapolitańskich”, Grotkowski, podobnie jak Reszka, Mąkowski i inni, zmarł w niewyjaśnionych okolicznościach.
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Pawłowska, Maja. "L’absolutisme et la démocratie nobiliaire : la traduction du Cid par Jan Andrzej Morsztyn (1662)." Romanica Wratislaviensia 67 (July 23, 2020): 187–202. http://dx.doi.org/10.19195/0557-2665.67.14.

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The study discusses the means used in the translation process by Jan Andrzej Morsztyn to transform Pierre Corneille’s Le Cid, so as to fit the cultural context of Polish Sarmatism and become an instrument of propaganda of the French presence on the Polish throne and reinforcement of the king’s power.
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Pleśniak, W. "Bibliography of Zdzisław Opial compiled by Jan Malczak and Andrzej Pelczar." Annales Polonici Mathematici 51, no. 1 (1990): 13–20. http://dx.doi.org/10.4064/ap-51-1-13-20.

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Koschmal, Walter. "Jan Andrzej Morsztyn und das Ende des Barock: Zyklizität und poetische Verdichtung." Russian Literature 27, no. 2 (1990): 273–88. http://dx.doi.org/10.1016/0304-3479(90)90019-d.

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Dissertations / Theses on the topic "Jan Andrzej"

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Germer, Jan Verfasser], Wolfgang F. L. [Akademischer Betreuer] Hollik, and Andrzej [Akademischer Betreuer] [Buras. "Electroweak contributions to squark-pair production processes at the LHC / Jan Germer. Gutachter: Wolfgang F. L. Hollik ; Andrzej Jerzy Buras. Betreuer: Wolfgang F. L. Hollik." München : Universitätsbibliothek der TU München, 2011. http://d-nb.info/1012187357/34.

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Robak, Kazimierz. "Cultural response to totalitarianism in select movies produced in Czechoslovakia, Hungary and Poland between 1956 and 1989." [Tampa, Fla.] : University of South Florida, 2009. http://digital.lib.usf.edu/?e14.2857.

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Vries, Andries-Jan de [Verfasser]. "Tropical-extratropical interactions and extreme precipitation events in the Middle East / Andries-Jan de Vries." Mainz : Universitätsbibliothek Mainz, 2018. http://d-nb.info/1156951216/34.

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Hurk, Jan van den [Verfasser], Rainer [Akademischer Betreuer] Waser, and Andrei [Akademischer Betreuer] Vescan. "Germanium sulphide based resistive switching devices / Jan van den Hurk ; Rainer Waser, Andrei Vescan." Aachen : Universitätsbibliothek der RWTH Aachen, 2016. http://d-nb.info/113059002X/34.

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Schulze, Jan-Andres [Verfasser]. "Der Irak-Krieg 2003 im Lichte der Wiederkehr des gerechten Krieges. / Jan-Andres Schulze." Berlin : Duncker & Humblot, 2011. http://d-nb.info/1238350887/34.

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Geipel, Andrea [Verfasser], Jan-Hendrik [Akademischer Betreuer] Passoth, Massimiano [Gutachter] Bucchi, Jan-Hendrik [Gutachter] Passoth, Sabine [Gutachter], and Maasen [Gutachter]. ""Don't Act Like a Teacher" - How Science YouTubers become Experts / Andrea Geipel ; Gutachter: Massimiano Bucchi, Jan-Hendrik Passoth, Sabine, Maasen ; Betreuer: Jan-Hendrik Passoth." München : Universitätsbibliothek der TU München, 2021. http://d-nb.info/1230552812/34.

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Nimczik, Jan Sebastian [Verfasser], and Andrea [Akademischer Betreuer] Weber. "Essays in Applied Microeconomics: Job Mobility and Social Networks / Jan Sebastian Nimczik ; Betreuer: Andrea Weber." Mannheim : Universitätsbibliothek Mannheim, 2017. http://d-nb.info/1142787818/34.

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Miotk, Andrej Peter [Verfasser], and Jan [Akademischer Betreuer] Lohmann. "Das WUSCHEL abhängige transkriptionelle Netzwerk und der molekulare Regulationsmechanismus in der pflanzlichen Stammzellkontrolle / Andrej Peter Miotk ; Betreuer: Jan Lohmann." Heidelberg : Universitätsbibliothek Heidelberg, 2015. http://d-nb.info/1180608380/34.

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Miotk, Andrej [Verfasser], and Jan [Akademischer Betreuer] Lohmann. "Das WUSCHEL abhängige transkriptionelle Netzwerk und der molekulare Regulationsmechanismus in der pflanzlichen Stammzellkontrolle / Andrej Peter Miotk ; Betreuer: Jan Lohmann." Heidelberg : Universitätsbibliothek Heidelberg, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:16-heidok-197881.

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Kavka, Mareike Jana [Verfasser], Andrea [Akademischer Betreuer] [Gutachter] Polle, and Elvira [Gutachter] Hörandl. "Phosphorus nutrition of poplar / Mareike Jana Kavka ; Gutachter: Andrea Polle, Elvira Hörandl ; Betreuer: Andrea Polle." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2017. http://d-nb.info/1133495680/34.

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Books on the topic "Jan Andrzej"

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Krassowski, Maciej. Poeci polskiego baroku: Jan Andrzej Morsztyn, Daniel Naborowski, Wacław Potocki. Dom Wydawniczy "Jota", 1991.

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Nowicka-Jeżowa, Alina. Jan Andrzej Morsztyn i Giambattista Marino: Dialog poetów europejskiego baroku. Uniwersytet Warszawski, Wydział Polonistyki, 2000.

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Stępień, Paweł. Poeta barokowy wobec przemijania i śmierci: Hieronim Morsztyn, Szymon Zimorowic, Jan Andrzej Morsztyn. Wydawn. DiG, 1996.

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Skorupski, Jan Stanisław. --um die Polen zu verstehen: Die längste Ballade der Welt : meine Gespräche mit Andrzej Szczypiorski, Andrzej Wajda, Izabella Cywińska, Lech Wałesa, Waldemar Fydrych, Wojciech Jaruzelski, Jan Twardowski, Jerzy Urban. Aufbau Taschenbuch Verlag, 1991.

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Stefania, Ochmann-Staniszewska, ed. Listy Jana Andrzeja Morstina. Wydawn. Uniwersytetu Wrocławskiego, 2002.

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Ostaszewska, Danuta. Język poetycki Jana Andrzeja Morsztyna: Z zagadnień semantyki. Zakł. Narodowy im. Ossolińskich, 1993.

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Ostaszewska, Danuta. Język poetycki Jana Andrzeja Morsztyna: Z zagadnień semantyki. Zakł. Narodowy im. Ossolińskich, 1993.

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Jak z Pierwszej Brygady: Opowieść o Andrzeju Ostoi-Owsianym. Agencja Wydawnicza i Reklamowa "Akces", 2011.

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Głowacki, Janusz. Przyszłem, czyli, Jak pisałem scenariusz o Lechu Wałęsie dla Andrzeja Wajdy. Świat Książki, 2013.

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Clarke, Conor. Oranje & green: Holland-Ireland design connections, 1951-2002 : Jan de Fouw, Guus Ros, Andrew Fallon ... BIS Publishers, 2002.

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Book chapters on the topic "Jan Andrzej"

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Rigler, Sibille. "Morsztyn, Jan Andrzej." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13911-1.

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Łuczak-Wild, Jeannine, and Matthias Freise. "Morsztyn, Jan Andrzej: Kanikuła albo Psia gwiazda." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13912-1.

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Badolato, Nicola. "Armidoro, Oristeo e altri principi giardinieri sulle scene dell’opera veneziana nel Seicento." In Studi e saggi. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-150-1.19.

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The subject of aprince dressing as a gardener to approach his beloved is dear to the European theatrical tradition: the model of Don Duardos by Gil Vicente (1562), reprinted in El rincipe viñador by Luis Vélez de Guevara (1668), is also used in French theatre, which proposes a variation in Le Prince déguisé by Georges de Scudery (1636), partly based on the novel Grisel y Mirabella by Juan de Flores (1524). This subject was later integrated into 17th century Italian theatre, starting with Venetian opera. This essay analyses in particular some works produced in Venice in the middle of the century, starting with Il prencipe giardiniero by Benedetto Ferrari (1644), whose subject anticipates first L’Oristeo (1651) by Giovanni Faustini and Francesco Cavalli, and Laurindo by Gio. Andrea Moniglia, written in 1657 and printed as Il principe giardiniere under the name of Giacinto Andrea Cicognini starting from 1664.
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Boos, Florence S. "The Annals of the Poor—Rural and Conversion Narratives: Elizabeth Campbell, Christian Watt, Elizabeth Oakley, Mrs. Collier, Jane Andrew, and Barbara Farquhar." In Memoirs of Victorian Working-Class Women. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64215-4_5.

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Paulsen, Jan, and Andrew Wareing. "An overview of the construction of the Core-loc armoured breakwater at Newbiggin-by-the-Sea, Northumberland Jan Paulsen, Royal Boskalis Westminster n.v., Papendrecht, The Netherlands Andrew Wareing, Atkins Ltd, Epsom, UK." In Coasts, marine structures and breakwaters: Adapting to change. Thomas Telford Ltd, 2010. http://dx.doi.org/10.1680/cmsb.41301.0036.

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Janicka, Anna, and Jarosław Ławski. "Szekspirofobia? Mowa krótka w Jana Śniadeckiego obronie." In Szekspiromania. Księga dedykowana pamięci Andrzeja Żurowskiego. Warsaw University Press, 2013. http://dx.doi.org/10.31338/uw.9788323512554.pp.287-304.

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"Introduction: Jane Collins and Andrew Nisbet." In Theatre and Performance Design. Routledge, 2012. http://dx.doi.org/10.4324/9780203124291-8.

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Bell, Duncan. "Race, utopia, perpetual peace: Andrew Carnegie’s dreamworld." In American Foreign Policy. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781526116505.003.0003.

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Duncan Bell considers the extraordinary vision of an “Anglo-world” developed in the last decades of the 19<sup>th</sup> century by the Scots-American magnate Andrew Carnegie. Bell situates Carnegie’s writings of the 1880s and 1890s in the context of what he describes as “social dreaming on both sides of the Atlantic”, both in terms of Utopian literature and in those of more politicised theses current in elite intellectual circles: “democratic war” (HG Wells and William James); “empire peace” (JA Hobson and DG Ritchie), and “racial peace”.
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"The First Printers to the City of Leiden, Jan Moyt Jacobsz and Andries Verschout, 1574 to 1578." In Dutch Typography in the Sixteenth Century. BRILL, 2013. http://dx.doi.org/10.1163/9789004256552_015.

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Perkins, Claire. "My Effortless Brilliance: Women’s Mumblecore." In Indie Reframed. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474403924.003.0009.

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This chapter investigates women’s infiltration of mumblecore, an indie subgenre associated with auteurs such as Andrew Bujalski, Mark and Jay Duplass and Joe Swanberg, for feminist ends. In representing relationships among twenty-something millennials, mumblecore’s cheap, lo-fi digital aesthetic and anti-mainstream values of ‘authenticity’ are congenial to indie female practitioners such as Lynn Shelton, So Yong Kim and Desiree Akhavan. Rather than simple appropriations of a ‘male’ genre, their work represents a ‘reframing’ not only of mumblecore but indie cinema generally, which mumblecore has recently epitomised. In films with a feminist focus on female aspirations and insecurities but that also accommodate queer and racial perspectives, these practitioners transpose the mumblecore ‘ethos’ to accommodate otherwise marginalised subjectivities and experiences.
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Conference papers on the topic "Jan Andrzej"

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Legaz, Alfonso. "Wunderblock. De la representación sin poder: una cinematografía del documento dislocado." In IV Congreso Internacional Estética y Política: Poéticas del desacuerdo para una democracia plural. Editorial Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/cep4.2019.10489.

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Wunderblock es una cinematografía videográfica documental creada por Alfonso Legaz, memoria y parte del trabajo en-común que realizan los artistas Andrea Garay y Alfonso Legaz desde 2015 en 20 espejos suceden, proyecto de arte de mecánica procesual-multidisciplinar instalado en el campo de la desocultación, que investiga en torno al acto de comunicación, la experiencia de comunidad y la exposición del individuo ante los otros. Produce y desarrolla de manera performativa sus objetos e instancias a partir del concepto de “exposición” (del individuo ante los otros), desarrollado por Jean-Luc Nancy en La comunidad desobrada (1986), concepto imprescindible para vincular lo particular con la ontología del ser-con, modo propio de ser de la existencia en la estética de Nancy. La actividad multidisciplinar que opera con fotografía, pintura, videografía no-ficción o testimonio oral, adopta esta “exposición” (de representación imposible) como sentido de la fuerza motriz y no como matriz de trabajo; implementa elementos tradicionales del pensamiento occidental —cuerpo, representación o mímesis— que, deconstruidos por Nancy en sus “figuras de lo común”, sirven a la hipótesis central del proyecto: el poder sancionador de técnicas documentales hoy —visuales, orales y escriturales— pretende aportar la “exposición” como documentación de una singularidad corporal “expuesta”, ocultando el ser y la verdad (Aletheia) e inhibiendo la experiencia de comunidad. Este texto colocará el foco en una forma representacional de la tradición cinematográfica documental, singularizada y problematizada en Wunderblock desde la “exposición”: la presentación documental del artista trabajando su obra en su espacio de trabajo. El caso real, una artista, una mujer que realiza un largo proceso pictórico. El objeto de crítica —fraude documental en la presentación visual del artista produciendo la obra— es consumido socialmente sin oposición. Explotada industrial e institucionalmente esta técnica de vaciado, naturalezas fílmica o digital y régimen escópico son afectados por un “régimen de creencia”, “una fe inexplicada”, señala Derrida, que co-participa de la ocultación del ser, omitiendo vida psíquica, silenciando la profunda oscuridad que acompaña nuestro cuerpo y existencia en forma de reducción behaviorista, afectando todos los campos de conocimiento y la posición política. Wunderblock construye dislocando (Rancière) la construcción del poder; piensa la necesidad de transformación del sentido político del cuerpo y del en-común hacia nuevas posiciones que posibiliten pensamiento crítico y acción social. Se describirá el dispositivo cinematográfico, contexto político-conceptual, tradición cinematográfica y el pensamiento puesto en valor.
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