Journal articles: 'Jan III of Dražice'

1

Muscarella, Oscar White, and John Curtis. "Nush-i Jan III: The Small Finds." Journal of the American Oriental Society 105, no. 4 (October 1985): 729. http://dx.doi.org/10.2307/602734.

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Wereda, Dorota. "Jan III Sobieski wobec Cerkwi prawosławnej i unickiej." Prace Historyczne 146, no. 2 (2019): 399–415. http://dx.doi.org/10.4467/20844069ph.19.020.9916.

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Czamańska, Ilona. "Jan III Sobieski wobec księstw rumuńskich i powstania węgierskiego." Prace Historyczne 146, no. 2 (2019): 347–62. http://dx.doi.org/10.4467/20844069ph.19.017.9913.

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Szpaczyński, Przemysław. "Habsburgowie i Jan Zamoyski wobec ambicji mocarstwowych Zygmunta III." Kwartalnik Historyczny 124, no. 3 (March 10, 2018): 533. http://dx.doi.org/10.12775/kh.2017.124.3.05.

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Decock, Paul B. "Understanding What One Reads I–III by Jan Lambrecht." Neotestamentica 52, no. 1 (2018): 237–39. http://dx.doi.org/10.1353/neo.2018.0012.

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Karyś, Jerzy Witold. "The Sons of Jan III Sobieski in Silesia of Habsburgs." Prace Naukowe Uniwersytetu Humanistyczno-Przyrodniczego im. Jana Długosza w Częstochowie. Zeszyty Historyczne 17 (2018): 21–36. http://dx.doi.org/10.16926/zh.2018.17.02.

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Borek, Piotr. "Jan III Sobieski pod Wiedniem w literackim świadectwie epoki (rekonesans)." Prace Historyczne 146, no. 2 (2019): 449–59. http://dx.doi.org/10.4467/20844069ph.19.023.9919.

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Bar, Wiesław. "Jan Paweł II jako promotor świętości." Studia Prawnicze KUL, no. 4 (December 31, 2017): 19–36. http://dx.doi.org/10.31743/sp.292.

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Po przywołaniu badań ks. prof. Henryka Misztala nad świętością kanonizowaną według Jana Pawła II, Autor ukazuje najpierw znaczenie odnowienia procedury kanonizacyjnej dla promocji świętości (I). Następnie przybliża efektywność stosowania Konstytucji i Norm z 1983 r., nadal aktualnych, tylko doposażonych przez Instrukcję Sanctorum Mater wydaną za pontyfikatu Benedykta XVI oraz normy o administrowaniu funduszami procesów i regulamin konsulty medycznej za papieża Franciszka. Promocja świętości przez praktykę publicznego jej uznawania (p. II) – odzwierciedla statystykę beatyfikacji i kanonizacji przeprowadzonych przez Jana Pawła II w ciągu 27 lat pontyfikatu. Ich znaczenie w dziele nowej ewangelizacji i wychowaniu do świętości (III) doceniają i rozwijają również późniejsi papieże.

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9

Ujma, Magdalena. "Jan Sobieski’s latifundium and the soldiers (1652-1696)." Open Military Studies 1, no. 1 (January 1, 2020): 62–69. http://dx.doi.org/10.1515/openms-2020-0105.

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Abstract An analysis of the relationship between Jan III Sobieski and the people he distinguished shows that there were many mutual benefits. Social promotion was more difficult if the candidate for the office did not come from a senatorial family34. It can be assumed that, especially in the case of Atanazy Walenty Miączyński, the economic activity in the Sobieski family was conducive to career development. However, the function of the plenipotentiary was not a necessary condition for this. Not all the people distinguished by Jan III Sobieski achieved the same. More important offices were entrusted primarily to Marek Matczyński. Stanisław Zygmunt Druszkiewicz’s career was definitely less brilliant. Druszkiewicz joined the group of senators thanks to Jan III, and Matczyński and Szczuka received ministerial offices only during the reign of Sobieski. Jan III certainly counted on the ability to manage a team of people acquired by his comrades-in-arms in the course of his military service. However, their other advantage was also important - good orientation in political matters and exerting an appropriate influence on the nobility. The economic basis of the magnate’s power is an issue that requires more extensive research. This issue was primarily of interest to historians dealing with latifundia in the 18th century. This was mainly due to the source material. Latifundial documentation was kept much more regularly in the 18th century than before and is well-organized. The economic activity of the magnate was related not only to the internal organization of landed estates. It cannot be separated from the military, because the goal of the magnate’s life was politics and, very often, also war. Despite its autonomy, the latifundium wasn’t isolated. Despite the existence of the decentralization process of the state, the magnate families remained in contact with the weakening center of the state and influenced changes in its social structure. The actual strength of the magnate family was determined not only by the area of land goods, but above all by their profitability, which depended on several factors: geographic location and natural conditions, the current situation on the economic market, and the management method adopted by the magnate. In the 17th century, crisis phenomena, visible in demography, agricultural and crafts production, money and trade, intensified. In these realities, attempts by Jan III Sobieski to reconstruct the lands destroyed by the war and to introduce military rigor in the management center did not bring the expected results. Sobieski, however, introduced “new people” to the group of senators, who implemented his policy at the sejmiks and the Parliament, participated in military expeditions and managed his property.

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10

MOMMAERS, Paul. "Opgaen en nedergaenin het werk van Jan van Ruusbroec (aflevering III)." Ons Geestelijk Erf 70, no. 3 (September 1, 1996): 216–39. http://dx.doi.org/10.2143/oge.70.3.2003405.

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11

Kaczorowski, Włodzimierz. "Primate Jan Wężyk in the Role of Interrex and Senator of the Polish-Lithuanian Commonwealth in the Period of Interregnum Following the Death of Sigismund III Vasa in 1632." Kościół i Prawo 10, no. 1 (July 21, 2021): 175–93. http://dx.doi.org/10.18290/kip21101-10.

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Prymas Jan Wężyk w roli interreksa oraz senatora Rzeczypospolitej w okresie bezkrólewia po śmierci Zygmunta III Wazy w 1632 roku W Rzeczypospolitej Obojga Narodów prymas, a zarazem arcybiskup gnieźnieński po śmierci monarchy przejmował obowiązki w zakresie reprezentowania państwa na zewnątrz, przygotowywał wybór nowego króla i w tym celu zwoływał sejmiki orz sejm konwokacyjny. Prymas wreszcie ogłaszał wybór elekta, czyli dokonywał nominacji. Po śmierci Zygmunta III Wazy w 1632 r. funkcję interreksa w okresie bezkrólewia pełnił prymas Jan Wężyk (1575-1638). Z funkcji tej wywiązał się znakomicie. Sprawowane prze niego urzędy postawiły go w rzędzie osób, które wpływały na kształt Rzeczypospolitej i Kościoła. Za prymasostwa Jana Wężyka częściowo rozwiązano sprawę compositio inter status, od kilkudziesięciu lat ciążącą na stosunkach szlachty z duchowieństwem. Prymas Jan Wężyk był również mecenasem kultury i sztuki.

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12

Sharma, Sanjiv. "Guest Editorial Vol.2(1)." Nepalese Journal of Radiology 2, no. 1 (October 22, 2012): II—III. http://dx.doi.org/10.3126/njr.v2i1.6971.

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13

Vinkler, Jonatan. "Češki bratje – 560 let. III: Na intelektualnem odru Češkega kraljestva: Jan Blahoslav." Stati inu obstati, revija za vprašanja protestantizma 15, no. 30 (December 20, 2019): 75–103. http://dx.doi.org/10.26493/2590-9754.15(30)75-103.

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14

Faries, Molly, and Matthias Ubl. "A New Attribution to Jan van Scorel." Rijksmuseum Bulletin 65, no. 4 (December 15, 2017): 354–71. http://dx.doi.org/10.52476/trb.9768.

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This article posits a new attribution to Jan van Scorel of the imposing, frontal portrait of Joost Aemsz van der Burch (c. 1490-1570), Antwerp, The Phoebus Foundation, especially as compared with Scorel’s portrayal of Reinoud III van Brederode (1492-1556), Lord of Vianen, Amsterdam, Rijksmuseum. Other portraits by Jan van Scorel that are related in terms of patronage are also discussed, including Portrait of Janus Secundus (1511-1536), The Hague, Haags Historisch Museum; Portrait of a Man in a private collection in England; Portrait of Jean II de Carondelet (1469-1545), Brussels, Musées royaux des Beaux-Arts de Belgique; Portrait of Joris van Egmond (1504-1559), Amsterdam, Rijksmuseum; and Portrait of a Man, Antwerp, The Phoebus Foundation. These provide insights into Scorel’s development of portraiture on amore monumental scale, his distinction as a portraitist from his contemporary, Jan Cornelisz Vermeyen, and his clientele at courts in Breda, Mechelen and Brussels.

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15

ADACHI, Takuro. "TENTATIVE CHRONOLOGICAL SEQUENCE OF BOW-TIE DESIGNS IN BABA JAN III PAINTED WARE." Orient 39 (2004): 79–95. http://dx.doi.org/10.5356/orient1960.39.79.

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16

Santos-Bueso, E., J. M. Vinuesa-Silva, and J. García-Sánchez. "Gafas y San Jerónimo en el Museo Nacional del Prado (III). Jan Massys." Archivos de la Sociedad Española de Oftalmología 90, no. 12 (December 2015): e93-e94. http://dx.doi.org/10.1016/j.oftal.2014.02.028.

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17

Bogatyrev, Arseniy. "Report on the Salute in Honor of Jan III Sobieski in Besançon (1674)." Slavic World: Commonality and Diversity, no. 2019 (2019): 30–33. http://dx.doi.org/10.31168/2619-0869.2019.1.8.

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18

Gałuszka, Justyna. "Uwięziona ambicja. Starania Jana Szczęsnego Herburta o uwolnienie z krakowskiego więzienia po rokoszu Zebrzydowskiego." Studia Historyczne 60, no. 3 (239) (December 29, 2018): 5–23. http://dx.doi.org/10.12797/sh.60.2017.03.01.

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Ambition Imprisoned: Jan Szczesny Herburt's Attempts to Be Released from Prison in Krakow Following the Zebrzydowski Rokosz The article presents the endeavors of Jan Szczęsny Herburt (1567-1616) to leave the Kraków prison where he was placed after the Battle of Guzów in 1607. These were closely connected with contemporary domestic policy, which was dominated by a conflict between the monarch Zygmunt III Wasa and the Polish-Lithuanian nobility. Herburt was one of the few rokosz leaders to be imprisoned, and the monarch’s actions indicated that he wanted to punish the insubordinate noble firebrand.

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19

Ingersgaard, Marianne Vie, Morten Tulstrup, Kjeld Schmiegelow, and Hanne Baekgaard Larsen. "A qualitative study of decision-making on Phase III randomized clinical trial participation in paediatric oncology: Adolescents’ and parents’ perspectives and preferences." Journal of Advanced Nursing 74, no. 1 (September 10, 2017): 110–18. http://dx.doi.org/10.1111/jan.13407.

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20

Jagodzinski, Sabine. "EUROPEAN AND EXOTIC – JAN III SOBIESKI’S COMMEMORATIVE AND REPRESENTATIVE STRATEGIES TOWARDS POLISH-OTTOMAN RELATIONS." Art of the Orient 6 (December 31, 2017): 144–55. http://dx.doi.org/10.15804/aoto201712.

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21

Matera, Frank J. "Understanding What One Reads III: Essays on the Gospels and Paul by Jan Lambrecht." Catholic Biblical Quarterly 79, no. 2 (2017): 365–67. http://dx.doi.org/10.1353/cbq.2017.0074.

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22

Silva Neto, João Cândido André da. "NOTA EDITORIAL: REVISTA GEONORTE VOLUME 9, NÚMERO.32, JAN-JUN. 2018." REVISTA GEONORTE 9, no. 32 (June 30, 2018): iii. http://dx.doi.org/10.21170/geonorte.2018.v.9.n.32.iii.

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23

Bar-Itzhak, Haya. "Folklore as an Expression of Intercultural Communication Between Jews and Poles – King Jan III Sobieski in Jewish LegendsFolklora kot izraz medkulturne komunikacije med Judi in Poljaki – kralj Jan III Sobieski in judovske legende." Studia mythologica Slavica 7 (May 5, 2015): 91. http://dx.doi.org/10.3986/sms.v7i0.1767.

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24

FUJITA, Yutaka. "MECHANISM OF EMERGENCE AND DEVELOPMENT OF SYNCHRONY PATTERN IN ^|^ldquo;JAN-KEN^|^rdquo; MOVEMENT (III)." Japanese Journal of Educational Psychology 38, no. 3 (1990): 336–44. http://dx.doi.org/10.5926/jjep1953.38.3_336.

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25

Dylewska, Maria Magdalena. "Św. Jan Damasceński, III Mowa obronna przeciw tym, którzy odrzucają święte obrazy (Contra imaginum calumniatores)." Vox Patrum 53 (December 15, 2009): 637–51. http://dx.doi.org/10.31743/vp.4384.

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26

Sowa, Jan Jerzy. "Najtrudniejsze lata wielkiego wodza? Jan III Sobieski a wysiłek wojenny Rzeczypospolitej w latach 1690–1696." Prace Historyczne 146, no. 2 (2019): 495–508. http://dx.doi.org/10.4467/20844069ph.19.026.9922.

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27

Costello, Diarmuid. "III“But IAmKilling Them!” Reply to Charles Palermo and Jan Baetens on Agency and Automatism." Critical Inquiry 41, no. 1 (September 2014): 178–210. http://dx.doi.org/10.1086/678166.

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28

Burczak, Ks Krzysztof. "Papież a promulgacja zbiorów powszechnego prawa kanonicznego." Studia Prawnicze KUL, no. 2 (December 30, 2020): 59–83. http://dx.doi.org/10.31743/sp.12312.

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Do początków XIII w. zbiory prawa kanonicznego były gromadzone przez osoby prywatne. W 1210 r. papież Innocenty III dokonał pierwszej w dziejach Kościoła promulgacji zbioru prawa kanonicznego, przesyłając go wraz z bullą do uniwersytetu w Bolonii. W 1226 r. zbiór własnych dekretałów z dołączoną do niego konstytucją cesarza Fryderyka II promulgował papież Honoriusz III, przesyłając go wraz z bullą do uniwersytetu w Bolonii. Tak też uczynili: w 1234 r. papież Grzegorz IX, Bonifacy VIII w 1298 r. i Jan XXII w 1317 r. Papież Benedykt XIV w 1744 r. przesłał zbiór swoich konstytucji wraz z bullą promulgacyjną do uniwersytetu w Bolonii. W 1917 r. papież Benedykt XV promulgował Konstytucją apostolską Codex Iuris Canonici. Również Jan Paweł II promulgował konstytucją apostolską Kodeks Prawa Kanonicznego w 1983 r. Papież ten promulgował konstytucją apostolską Kodeks Kanonów Kościołów Wschodnich w 1990 r. Do przebiegu procesu wprowadzenia prawa w życie należy obowiązek ustawodawcy publicznego ogłoszenia zbioru prawa, aby adresaci mogli zapoznać się z normami prawa w zbiorze zawartymi i by mogły one stać się obowiązującym prawem.

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29

Kiliańczyk-Zięba, Justyna. "On the Diploma of Nobility of Jan Januszowski and a Portrait of a Renaissance Printer." Terminus 21, Special Issue 1 (2019): 81–105. http://dx.doi.org/10.4467/20843844te.19.027.11288.

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Jan Januszowski, best known as Jan Kochanowski’ friend, was the most distinguished printer of the Polish Renaissance. Januszowski, a lawyer educated in Cracow and Padua, was an extremely versatile man: an outstanding printer, as well as a prolific writer and translator. For all his achievements, he was ennobled by Sigismund III Vasa, and—happily—the diploma of nobility of Jan Januszowski, penned on parchment and splendidly illuminated, survived to the present day. The illumination of the document is rich and sumptuous. It shows the coats-of-arms representing the provinces of the Polish Kingdom and Grand Duchy of Lithuania and small portraits: three of them depict Polish kings, the fourth is of Januszowski himself—it is one of the very few known portraits of Polish Renaissance intellectuals and the oldest portrait of a Polish printer. The document’s decoration is not only beautiful, but also meaningful, as its content and composition reflects the nature of the state—the Polish-Lithuanian Commonwealth—and suggests Januszowski’s important place in its structure and strong links between the printer and the most important dignitaries of the country.

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30

Napiórkowski, Celestyn S. "Jan Paweł II a 1550. rocznica soboru efeskiego." Vox Patrum 50 (June 15, 2007): 123–28. http://dx.doi.org/10.31743/vp.6723.

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Si potrebbe pensare che sulla teologia dell'Efeso non sia piu possibile dire ąualcosa di nuovo, eppure e possibile. E’ giusto affermare infatti che la Lettera del Santo Padre Giovanni Paolo II all’Episcopato delta Chiesa Cattolica per il 1600 anniversario del Primo Concilio di Costantinopoli I e per il 1550 anniversario del Concilio di Efeso (25 III 1981) offre una visione in ąualche modo rinnovata dell'Efeso riconsiderandolo nell'ottica del Concilio di Costantinopoli e del Vaticano II.1. Nel contesto del Concilio di Costantinopoli: alla tradizionale interpretazione cristologica e mariologica dell'Efeso, Giovanni Paolo II aggiunge l'interpretazione soteriologica (l’Efeso canto „un’inno all'onore dell'opera di salvezza compiuta nel mondo attraverso Pazione dello Spirito Santo”), quella pneumatologica (l’incarnazione si fece per l'azione dello Spirito Santo ) e quella ecumenica (i due Concili appartengono alla stessa eredita della fede ). Egli sottolinea ugualmente la permanenza della fertilita spirituale di quei misteri. II Papa non si esprime sul problema di Nestorio ; non lo accusa di eresia ; il nestorianismo e l’insegnamento sbagliato sulla maternita divina rimangono legati, ma il movimento non ne e ritenuto il principale responsabile. 2. Nel contesto del Vaticano II: rifenrendosi alPinsegnamento del Vaticano II relativo alla presenza della Vergine Maria nel Mistero della Chiesa, Giovanni Paolo II da rilievo alla prospettiva ecclesiologica dell'Efeso: lo Spirito Santo santifica in continuazione la Chiesa, le da la vita, abita nei cuori dei fedeli, conduce la Chiesa alla pienezza della verita, la unifica nelle sue communita e attivita pastorali, la dirige, la decora, la mantiene sempre giovane, la rinnova e la conduce alPunione totale eon il Cristo. Maria Santissima, unita allo Spirito Santo, sta realizzando la sua maternita nella Chiesa.

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31

Silva Neto, João Cândido André da. "NOTA EDITORIAL: REVISTA GEONORTE, V.10, N.34, JAN-JUN, 2019." REVISTA GEONORTE 10, no. 34 (July 7, 2019): iii. http://dx.doi.org/10.21170/geonorte.2019.v.10.n.34.iii.

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32

Broos, B. P. J. "'Notitie der Teekeningen van Sybrand Feitama', III*: de verzameling van Sybrand I Feitama (1620-1701) en van Isaac Feitama (1666-1709)." Oud Holland - Quarterly for Dutch Art History 101, no. 3 (1987): 171–217. http://dx.doi.org/10.1163/187501787x00439.

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AbstractSince the earliest sale catalogue of drawings known in which mention is made of artists and titles is that of Philips de Flines of 1701 (Notes I,2), the 'Notes' (see Appendix I) on the drawings of Sybrand I Feitama (1620-1701) can be regarded as unique. This manuscript, compiled in its definitive from by Sybrand II Feitama (1694-1755) between 1746 and 1758, enables us to reconstruct the nucleus of the collection. The earliest notes date from 1685 and 1690 and will have been made by Sybrand I Feitama (Note 3). They in fact constitute a precise and businesslike price list, reminding us that Feitama was a druggist by profession. His collection of 320 drawings was amassed in the 17th century in the house called 'The Golden Spectacles' on Damrak in Amsterdam. As the collection of a connoisseur who was not himself an artist, it was a relatively new phenomenon and it is also striking for its lack of Italian and French drawings (Note 4), especially as non-Dutch art formed the principal component of the holdings of known contemporary collectors like Dirk van Beeresteyn, Philips de Flines, Abraham van Lennep and Jan Six (Note 5). The Feitamas did not even follow the model of collections they knew at first hand, e.g. those of Jan Pietersz. Zomer, who supplied them with drawings for over thirty years (Note 6), and Lambert ten Kate, both of which showed a strong emphasis on art from the south. Sybrand II did not share this predilection, only coming into possession of a Jan Weenix from Ten Kate' estate in 1742 by a roundabout route. Nor do the Feitamas appear to have shared the preference, common among artist collectors, for the art of the past (Notes 8, 9), or that current around 1700 for curiosities such as first states and proofs (Notes 11, 12). Their taste was, then, rather unique. However, in connectio n with a portrait of Sybrand I Feitama the poet Jan Norel did praise his interest in 'Prints after Art' and 'wondrous Rarities' (Note 13). If this is taken literally, it can only be concluded that after that date Feitama abandoned prints and curiosities in favour of a fanatical concentration on mainly contemporary Dutch drawings. He collected almost encyclopedically, artists from A-Z, mostly reasonably priced works that were good value for the money, i.e. watercolours by Adriaen van Ostade rather than scribbles by Rembrandt. All three, generations of Feitamas had a special affection for Ludolf Bakhuizen, Nicolaes Berchem, Allaert van Everdingen, Jacob van Ruisdael and Adriaen van de Velde.

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33

Bernatowicz, Tadeusz. "Jan Reisner w Akademii św. Łukasza. Artysta a polityka króla Jana III i papieża Innocentego XI." Roczniki Humanistyczne 68, no. 4 Zeszyt specjalny (2020): 159–91. http://dx.doi.org/10.18290/rh20684-10s.

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Jan Reisner (ca. 1655-1713) was a painter and architect. He was sent by King Jan III together with Jerzy Siemiginowski to study art at St. Luke Academy in Rome. He traveled to the Eternal City (where he arrived on February 24, 1678) with Prince Michał Radziwiłł’s retinue. Cardinal Carlo Barberini, who later became the protector of Regni Poloniae, was the guardian and protector of the artist during his studies in 1678-1682. In the architectural competition announced by the Academy in 1681 Reisner was awarded the fi prize in the fi class, and a little later he was accepted as a member of this prestigious university. He was awarded the Order of the Golden Spur (Aureatae Militiae Eques) and the title Aulae Lateranensis Comes, which was equivalent to becoming a nobleman. The architectural award was conferred by the jury of Concorso Academico, composed of the Academy’s principe painter Giuseppe Garzi, its secretary Giuseppe Gezzi, and the architects Gregorio Tommassini and Giovanni B. Menicucci. In the Archivio storico dell’Accademia di San Luca, preserved are three design drawings of a church made by Jan Reisner in pen and watercolor, showing the front elevation, longitudinal section, and a projection. Although they were made for the 1681 competition, they were labelled with the date 1682, when the prizes were already being awarded. Reisner’s design reflected the complicated trends in the architecture of the 1660s and 1670s, especially in the architectural education of St. Luke’s Academy. There, attempts were made to reconcile the classicistic tendencies promoted by the French court with the reference to the forms of mature Roman Baroque. As a result of this attempt to combine the features of the two traditions, an eclectic work was created, as well as other competition projects created by students of the St. Luke’s Academy. The architect designed the Barberini temple-mausoleum, on a circular plan with eight lower chapels opening inwards and a rectangular chancel. The inside of the rotund is divided into three parts: the main body with opening chapels, a tambour, and a dome with sketches of the Fall of Angels. Inside, there is an altar with a pillar-and-column canopy. The architectural origin of the building was determined by ancient buildings: the Pantheon (AD 125) and the Mausoleum of Constance (4th century AD). A modern school based of this model was opened by Andrea Palladio, who designed the Tempietto Barbaro in Maser from 1580. In the near future, the Santa Maria della Assunzione in Ariccia (1662-1664) by Bernini and Notre-Dame-de-l’Assomption (1670-1676) in Paris by Charles Errard could provide inspiration. In particular, the unrealized project of Carlo Fontana to adapt the Colosseum to the place of worship of the Holy Martyrs was undertaken by Clement X in connection with the celebration of the Holy Year in 1675. In the middle of the Flavius amphitheatre, he designed the elevation of a church in the form of an antique-styled rotunda, with a dome on a high tambour and a wreath of chapels encircling it. Equally important was the design of the fountain of the central church in Basque Loyola (Santuario di S. Ignazio a Loyola). In the Baroque realizations of the then Rome we find patterns for the architectural decoration of the Reisnerian church. In the layout and the artwork of the facades we notice the influence of the columnar Baroque facades, so common in different variants in the works of da Cortona, Borromini and Rainaldi. The monumental columnar facades built according to Carlo Rainaldi’s designs were newly completed: S. Andrea della Valle (1656 / 1662-1665 / 1666) and S. Maria in Campitelli (designed in 1658-1662 and executed in 1663-1667), and Borromini San Carlo alle Quatro Fontane (1667-1677). The angels supporting the garlands on the plinths of the tambour attic are modelled on the decoration of two churches of Bernini: S. Maria della Assunzione in Ariccia (1662-1664) and S. Andrea al Quirinale (1658-1670). The repertoire of mature Baroque also includes the window frames of the front facade of the floor in the form of interrupted beams and, with the header made in the form of sections capped with volutes. The design indicates that the chancel was to be laid out on a slightly elongated rectangle with rounded corners and covered with a ceiling with facets, with a cross-section similar to a heavily flattened dome. It is close to the solutions used by Borromini in the Collegio di Propaganda Fide and the Oratorio dei Filippini. The three oval windows decorated with C-shaped arches and with ribs coming out of the volute of the base of the dome, which were among the characteristic motifs of da Cortona, taken over from Michelangelo, are visible. The crowning lantern was given an original shape: a pear-shaped outline with three windows of the same shape, embraced by S-shaped elongated volutes, which belonged to the canonical motifs used behind da Cortona by the crowds of architects of late Baroque eclecticism. Along with learning architecture, which was typical at the Academy, Reisner learned painting and geodesy, thanks to which, after his return to Poland, he gained prestige and importance at the court of Jan III, then with the Płock Voivode Jan Krasiński. His promising architectural talent did gain prominence as an architect in Poland, although – like few students of St. Luke’s Academy – he received all the honors as a student and graduate.

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Hundert, Zbigniew. "Jacek (Hiacynt) Boratyński- podczaszy żydaczowski i porucznik husarski w dobie wojen polsko-tureckich w drugiej połowie XVII wieku. Studium z zawodu żołnierskiego." Saeculum Christianum 24 (September 10, 2018): 170–83. http://dx.doi.org/10.21697/sc.2017.24.17.

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Through the whole of his military career, Jacek Boratyński served with one formation – winged hussars (husaria). Between 1666 and 1676 he was a companion (towarzysz) in two hussars’ banners (companies): initially in one of Aleksander Michał Lubomirski, voivode of Cracow, then after 1668 in the one of Jan Sobieski, grand marshal and grand Crown (Polish) hetman (and since 1674 king as Jan III). Then in 1676 he became lieutenant in the hussars’ banner of Jan Gniński, voivode of Chełmno (since 1682 Crown vice-chancellor). In such capacity, as officer of Polish lancers, he took part in Gniński’s embassy to Istanbul (1677–1678) and in relief of Vienna in 1683. He was part of the group of soldiers that were under patronage of grand Crown hetman Stanisław Jabłonowski. Between 1676 and 1696 (exact date unknown) Boratyński was one of the commanders in charge of hetman’s regiment (pułk) of cavalry. Thanks to military service and patronage, especially from Gniński’s side, he received land office ranks – first cup-bearer (cześnik) of Sanok, then deputy cup-bearer (podczaszy) of Żydaczów. His military service is very good benchmark for biographical studies of other Crown officers of the same rank.

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Simari, Alessandro. "Performing silence as political resistance: Audience interaction and spatial politics in Thomas Ostermeier’s Richard III." Cahiers Élisabéthains: A Journal of English Renaissance Studies 99, no. 1 (April 17, 2019): 125–36. http://dx.doi.org/10.1177/0184767819837720.

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According to Jan Pappelbaum, what fascinated him and Thomas Ostermeier about ‘reconstructed’ Globe Theatres is that ‘[i]t becomes impossible to ignore the presence of the audience; actors are particularly exposed and entirely at the mercy of the spectators’. This article investigates the spatial politics that emerge from/within the ‘quasi-reconstructed’ Globe for Ostermeier’s production of Richard III. Examining a 2017 performance of the play at London’s Barbican Theatre, I consider how audience interaction (and the potential for theatrical failure in that interaction, specifically through performative silence) becomes the site of political resistance in the context of theatrical performance.

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Mahbub, Muntasir, and Md Mahbubur Rahman. "Correlation of Adenoid Hypertrophy on Nasoendoscopy and Audiological Parameters in Children." KYAMC Journal 12, no. 1 (May 8, 2021): 18–21. http://dx.doi.org/10.3329/kyamcj.v12i1.53362.

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Background: Hypertrophy of the adenoid is a common finding in children under 12 years of age, which commonly leads to impairment of hearing.Nasoendoscopyand audiological tests are frequently included in the workup of these patients. Objectives:Aim for this study was to find out whether any correlation exists between the size of adenoids on nasoendoscopy and the audiological parameters. Materials & Methods: This is cross-sectional study conducted from Jan 2019 to Jan 2020 in Khwaja Yunus Ali Medical College Hospital, Enayetpur, Shirajganj. Total 50 patients were included in this study. In all patients, Flexible nasoendoscopy, Pure tone audiometry and Tympanometry was done. Findings were evaluated to assess the correlation of degree of adenoid hypertrophy to the severity of hearing impairment. Results: In this study, mean age of participants was 7.46 (3.62) years. Findings of hypertrophy were – Grade I 7(13%), Grade II 24(47%), Grade III 14(28%), Grade IV 6(12%).Findings of hearing status were – upto 25 dB 14(28%), Between 26–40 dB 32(64%), Above 40 dB 4(8%). Mean hearing loss according to adenoid hypertrophy were – Grade I –19.42dB, Grade II –30.41dB, Grade III – 35.64dB, Grade IV – 38.60dB. Type B curve percentage on adenoid groups were – Grade I – 3(43%), Grade II – 16(67%), Grade III – 11(79%), Grade IV – 6(100%). Conclusion: Adenoid hypertrophy as seen on nasoendoscopy correlates well with the expected audiological parameters in children. KYAMC Journal.2021;12(01): 18-21

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Frieders, David C., and Jackie Daries. "637 Implementing Government Mandates for Pest Management without Pesticides." HortScience 34, no. 3 (June 1999): 557D—557. http://dx.doi.org/10.21273/hortsci.34.3.557d.

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In Oct. 1996, the San Francisco Board of Supervisors passed an ordinance that became Chapter 39 of the Administrative Code, mandating that City departments adopt integrated pest management (IPM) policies that promote nonchemical approaches to pest management and reduce or eliminate the use of pesticides. Eliminated on 1 Jan. 1997 were 1) category I chemicals (listed by EPA—most toxic; these are products marked “DANGER”); 2) cancer- or reproductive-toxicity chemicals (per State of California Safe Drinking Water and Toxic Enforcement Act of 1986); and 3) possible, probable, or definite human carcinogens (per EPA). Eliminated on 1 Jan. 1998 were category II chemicals (listed by EPA—next most toxic; these are products marked “WARNING”). Eliminated on 1 Jan. 2000 will be category III chemicals (listed by EP— relatively less toxic; these are chemicals marked “CAUTION”), except for a list to be developed by 1 Mar. 1999 of low-toxicity chemicals commonly used in IPM programs. To date, 10 exceptions have been approved. Several pesticide-free research projects have been embarked on and on-going IPM training is underway for all city employees, both technical and nontechnical. Challenges remain for pesticide regulators and pest managers in implementing policy and encouraging change.

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De Wever, Bruno. "Recensie van: Leopold III: de Koning, het Land, de Oorlog / Jan Velaers en Herman Van Goethem (1994)." WT. Tijdschrift over de geschiedenis van de Vlaamse beweging 54, no. 1 (January 1, 1995): 35–43. http://dx.doi.org/10.21825/wt.v54i1.13136.

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De Wever, Bruno. "Recensie van: Leopold III: de Koning, het Land, de Oorlog / Jan Velaers en Herman Van Goethem (1994)." WT. Tijdschrift over de geschiedenis van de Vlaamse beweging 54, no. 1 (January 1, 1995): 35–43. http://dx.doi.org/10.21825/wt.v54i1.13166.

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Gergen, Thomas. "Magistrinostri. Hg. von Andrzej Gulczyński. Wydawnictwo Poznańskie, Poznań 2004 III. Sandorski, Jan, Bohdan Winiarski. Prawo, polityka, sprawiedliwosc." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 124, no. 1 (August 1, 2007): 724. http://dx.doi.org/10.7767/zrgga.2007.124.1.724c.

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Gordeau, Era. "Boendale en de koning van Engeland." Tijdschrift voor Nederlandse Taal- en Letterkunde 136, no. 4 (January 1, 2020): 210–23. http://dx.doi.org/10.5117/tntl2020.4.002.gord.

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Abstract In his function of secretary of the city of Antwerp Jan van Boendale (also named Jan de Clerck) played his part in the international events of the first half of the fourteenth century. He describes these events in his books, and contemporary documents give additional information. In his works he shows a marked interest in king Edward iii of England, about whom he wrote two dedicated historiographical texts and whom he mentions at some length in two other texts, especially in relation to the Hundred Years War. The fact that he wrote so much about a foreign king is intriguing. This might be (partly) explained by the fact that he was in contact with the king at least eight times in the period from 1338 to 1342. British charters provide biographical information about the interaction of Boendale with the king on behalf of the Duke of Brabant.

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Kałamajska, Maria. "Kitowicz ilustrowany. Jan K. Ostrowski, "Portret w dawnej Polsce", Muzeum pałacu króla Jana III w Wilanowie, Warszawa 2019." Biuletyn Historii Sztuki 82, no. 2 (August 12, 2020): 327–30. http://dx.doi.org/10.36744/bhs.645.

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Cosma, Mirela-Lăcrimioara. "The Digital Divide, Editura Polity Press, Cambridge, Regatul Unit, 2020. Jan van Dijk." Sociologie Romaneasca 18, no. 2 (November 11, 2020): 244–48. http://dx.doi.org/10.33788/sr.18.2.25.

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The Digital Divide is the result of 25 years of research in the field of digital division. It summarizes the latest studies from access to digital devices (first level of the digital divide), to digital skills and use (level II) and the results/benefits of using or not using digital (level III). The aim of the paper is to clarify the latest concepts on digital inequality and its relationship with social division. Jan van Dijk presents the theories underlying the spread of technology in society and the main directions of approach in recent studies, according to which the use of media technologies reduces social inequality, increases social inequality or has no effect on it.

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Rusnak, Radosław. "O sposobach finalizowania przez Jana Kochanowskiego poszczególnych segmentów własnej twórczości – nowe spojrzenie na problem tzw. architektury Fraszek." Śląskie Studia Polonistyczne 14, no. 2 (December 28, 2019): 11–25. http://dx.doi.org/10.31261/ssp.2019.14.01.

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The article constitutes an attempt at elaborating upon a distinguishable type of text composition appearing in the parts that conclude individual books of Jan Kochanowski’s Fraszki. What is especially emphasized by the author of the article is a peculiar, in terms of convention, way of crowning the collection by two epigraphs whose character is obviously obscene: Marcinowa powieść (III 85) and O flisie (III 86). In the light of the argumentation presented, the sense of the poets’ concept implemented therein should be sought in a much dichotomous relationship between the two said fraszkas and the preceding poem Na słup kamienny (III 84), but also in the figure of achieving a defined aim, which appears in both the fraszkas. The author of the article also considers some correspondences occurring between the fraszka O flisie and the pieces Na most warszewski (II 106–108) and the elegy III 15.

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Pischke, Gudrun. "Die Regesten des Kaiserreiches unter Lothar III. und Konrad III., zweiter Teil Konrad III. 1138 (1093/94)-1152 (nach Johann Friedrich Böhmer neu) bearb. v. Niederkorn, Jan Paul/Hruza, Karel." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 128, no. 1 (August 1, 2011): 559–61. http://dx.doi.org/10.7767/zrgga.2011.128.1.559.

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Muhammad, Raza, Altaf Hussain, Akhtar Zaman, Fazal Rehman, and Zakir Khan. "NASOPHARYNGEAL ANGIOFIBROMA." Professional Medical Journal 22, no. 08 (August 10, 2015): 1053–57. http://dx.doi.org/10.29309/tpmj/2015.22.08.1155.

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Juvenile nasopharyngeal angiofibroma (JNA) is an uncommon tumor constitutingless than 1% of all head & neck tumors. Tumor has an aggressive local behavior if left untreated.Surgery is the mainstay of treatment with no common consensus on a single approach. Tumourstage and surgical approaches are the major determinants of tumour recurrence. Objectives:To evaluate the influence of stage of tumor in recurrence in nasopharyngeal angiofibroma.Study Design: Descriptive study. Setting: Department of ENT and Head and Neck Surgery,PIMS, Islamabad and Ayub medical institution, Abbottabad. Period: Jan 2010 to Jan 2014.Materials and Methods: Consisting of 34 diagnosed cases of nasopharyngeal angiofibroma.CT-scan was done in all patients and were treated surgically except one patient who wasirradiated. All patients were followed up for one year. Results: Among 34 patients, 24 patientswere classified as stage III, 4 were in stage II and 5 were in stage IVa and one in stage IVb. 17.6%(6/34) of patients had disease recurrence. Stage IVb was treated by radiotherapy while the restwere treated surgically. Patients were followed up for one year both by clinical examinationand imaging. Recurrence was found in 5 operated patients and residual disease in stage IVb. 1 (20%) patient of stage Iva disease and 4 (16%) patients of stage III disease had diseaserecurrence. Conclusion: Disease recurrence/ residual is directly related to the tumour stage innasopharyngeal angiofibroma.

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Rokita, Jan Gustaw. "Medal upamiętniający zawarcie związku małżeńskiego między Teresą Kunegudną Sobieską a Maksymilanem Emanuelem Wittelsbachem z 1694 roku, autorstwa Georga Haustscha. Próba interpretacji na przykładzie wybranych dzieł sztuki (medalierstwa i grafiki)." Studia Europaea Gnesnensia, no. 18 (July 9, 2020): 209–28. http://dx.doi.org/10.14746/seg.2018.18.13.

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In the article, the author describes in detail two selected pieces of art which bear considerable resemblance to the medal minted by Georg Hautsch. As the author observes, no representation in the entire painterly and graphic legacy of associated with Jan III Sobieski offers a direct prototype on which the medallist may have relied. It should therefore be suspected that the royal likeness on the obverse was based on several earlier representations in graphic arts or constituted an original project by Hautsch.

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Mohammed, Hasanain Fadhil, Sarah Hassan Jaber, and Ali Jabbar Al-Zubaidi. "Precollagen Type III N-terminal Propeptide (PIIINP) a Biomarker Onset in Hypertensive Patients." Medical Science Journal for Advance Research 1, no. 01 (December 4, 2020): 25–28. http://dx.doi.org/10.46966/msjar.v1i01.10.

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The aim of this study is to asses PIIINP, lipid profile and BMI serum levels in patients with hypertension. The current research The results were Get it from the Draw Blood unity in Al-Sadder infirmary Teaching , Al-Najaf, Iraq, And AL HAKEEM General infirmary in AL-Najaf, Iraq, in 10 Dec 2018 – 19 Jan 2019. Age of hypertensive patients from 40 to Age 70 Normal blood pressure 40 to 70 years. The score show, serious increase (p<0.05) in PIIINP compared with control groups in patients with hypertension. For female patients, the findings of the reported substantially increased (p<0.05) for PIIINP relative to male patient groups. The findings showed a substantial increase (p<0.05) in PIIINP in age (60-70) relative to age (50-59) and (40-49) and increased substantially (p<0.05) in PIIINP in age (50-59) relative to age (40-49); The results showed significant differences in BMI between the hypertensive and the normotensive

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BOGATYREV, ARSENIY. "THE KING WHO RISES AND REPENTS (TWO HYPOSTASES OF JAN III SOBIESKI IN THE REPORTS OF A RUSSIAN DIPLOMAT)." Культурный код, no. 4 (2020): 35–50. http://dx.doi.org/10.36945/2658-3852-2020-4-35-50.

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The Age of Louis XIV is characterized by the pomp and splendor of court ceremonial, which had the goal, among other things, to exalt the figure of the sovereign. But in different traditions, not everything was so clear. This paper examines two seemingly mutually exclusive characteristics of the king of the Polish- Lithuanian Commonwealth, Jan III Sobieski. In the Russian translation of records from the reports of the Moscow permanent embassy in Warsaw, the image of the monarch is combined with the exploits of the crusaders. The passage clarifies some aspects of the political propaganda of the epoch of Jan III, makes it possible to better imagine the folding of his image as a knight of the new crusades against the Muslim Turks. The reference to the crusaders also fills in some gaps in the awareness of some Russians-intellectuals, representatives of high society, about the history of the Crusader movement. Another case studied in the article is not the heroic side of the king, a penitent sinner who begs for forgiveness for a crime of the legendary past. Here a phrase is analyzed, which in the Russian translation of the novel by the popular Polish writer Andrzej Sapkowski "Narrenturm" was rendered as "pal krestom na pol". This is not the first appearance of the expression in Russian - we notice something similar in the notes of the Russian resident in the Polish-Lithuanian Commonwealth. The author of the article tries to reveal the "semantic levels" of an unusual phrase, to discover the relationship between the utterance and the cultural and political situation in Rzeczpospolita of the XVII century.

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Sawicki, Mariusz. "Sapieżyńska ochrona dóbr Potockich w starostwie owruckim w latach 80. i 90. XVII wieku Przyczynek do badań nad współpracą rodzin magnackich w czasach panowania Jana III Sobieskiego." Wieki Stare i Nowe 14, no. 19 (December 28, 2019): 109–18. http://dx.doi.org/10.31261/wns.2019.19.08.

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Sapiehowie i Potoccy byli jednymi z najbardziej wpływowych rodzin w dawnej Rzeczypospolitej. Druga z wymienionych familii posiadała liczne dobra na Ukrainie, które rujnowały częste przemarsze żołnierzy litewskich. Władzę nad nimi sprawował hetman wielki Kazimierz Jan Sapieha. Zasadniczym celem artykułu jest rozpatrzenie kwestii dotyczącej możliwej ochrony przez hetmana Sapiehę dóbr Potockich w zamian za ich głosy poparcia na sejmie i obronę w czasie ataków na litewskiego dowódcę wywołanych jego absencją pod Wiedniem.

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Journal articles on the topic 'Jan III of Dražice'

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