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Books on the topic 'Janáček'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 February 2023

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1

Janáček. Boston: Northeastern University Press, 2002.

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2

Leoš Janáček. Arles: Actes sud, 2005.

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3

Wingfield, Paul, ed. Janáček Studies. Cambridge: Cambridge University Press, 2006. http://dx.doi.org/10.1017/cbo9780511482052.

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4

Můj Janáček. Brno: Atlantis, 2004.

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5

Leoš Janáček. 2nd ed. Praha: Academia, 1997.

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6

Janáček, Leoš. Janáček - Newmarch correspondence. Rockville, Md: Kabel Publishers, 1986.

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7

Janáček beyond the borders. Rochester, NY: University of Rochester Press, 2009.

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8

Pulcini, Franco. Janáček: Vita, opere, scritti. Firenze: Passigli Editori, 1993.

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9

Katz, Derek. Janáček beyond the borders. Rochester, NY: University of Rochester Press, 2009.

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10

Vogel, Jaroslav. Leoš Janáček: A biography. 3rd ed. Praha: Academia, 1997.

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11

1951-, Beckerman Michael Brim, ed. Janáček and his world. Princeton, N.J: Princeton University Press, 2003.

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12

John, Tyrrell. Janáček: Years of a life. London: Faber and Faber, 2006.

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13

Walter, Wiese. Tschechische Kammermusik: Smetana, Dvořák, Janáček. Winterthur: Amadeus, 2004.

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14

Leoš Janáček in Zeugnissen und Erinnerungen. Chemnitz: Gudrun Schröder, 2000.

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15

Jenense, Collegium Europaeum, ed. Europäisches Ereignis "Kreutzersonate": Beethoven-Tolstoj-Janáček. Jena: Collegium Europaeum Jenense, 2004.

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16

Janáček, ou, La passion de la vérité. Paris: Seuil, 2007.

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17

Bohumír, Štědroň, ed. Leoš Janáček: Vzpomínky, dokumenty, korespondence a studie. Praha: Editio Supraphon, 1986.

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18

International Musical Festival. (23rd 1988 Brno, Czechoslovakia). Leoš Janáček a dnešek: 2. bienále soudobé hudby = Leoš Janáček and our time : 2nd Biennal Festival of Contemporary Music. Brno: Mezinárodní hudební festival Brno, 1988.

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19

Janáčková, Zdenka. My life with Janáček: The memoirs of Zdenka Janáčková. London: Faber and Faber, 1998.

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20

1967-, Macek Petr, and International Musical Festival (1988 : Brno, Czechoslovakia), eds. Colloquium Probleme der Modalität: Leoš Janáček heute und morge, Brno 1988. Brno: Masarykova univerzita, 1994.

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21

The symphonic works of Leoš Janáček: From folk concepts to original style. Frankfurt am Main: Peter Lang, 2016.

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22

Leoš Janáček, der späte Wilde: Liebe und Leben in Opern und Briefen. Kassel: Bärenreiter, 2005.

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23

John, Tyrell, ed. The New Grove turn of the century masters: Janáček, Mahler, Strauss, Sibelius. London: Macmillan, 1985.

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24

1935-, Krellmann Hanspeter, and Schläder Jürgen, eds. "Theater ist ein Traumort": Opern des 20. Jahrhunderts von Janáček bis Widmann. Berlin: Henschel, 2005.

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25

Zahrádka, Jiří. "Divadlo nesmí býti lidu komedií": Leoš Janáček a Národní divadlo v Brně = "Theatre must not be comedy for the people" : Leoš Janáček and the National Theatre in Brno. Brno: Moravské zemské muzeum, 2012.

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26

Pamela, Zurkirch, Knaus Jakob, Přibáňová Svatava, and Leoš-Janáček-Gesellschaft, eds. Leoš Janáček : thema con variazioni: Briefwechsel mit seiner Frau Zdenka und seiner Tochter Olga. Kassel: Bärenreiter, 2009.

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27

Leoš Janáček: Život a dílo v datech a obrazech = chronology of his life and work. Brno: Opus Musicum, 2004.

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28

Česko) Janáčkiana (29. 2008 Ostrava. Leoš Janáček světový a regionální: Sborník z 29. ročníku muzikologické konference Janáčkiana 2008 : (webová konference, květen - červen 2008). Ostrava: Ostravská univerzita v Ostravě, Pedagogická fakulta, 2008.

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29

Emanuel, Poche. Prahou krok za krokem: Uměleckohistorický průvodce městem /$cEmanuel Poche; doplňky z dějin Prahy napsal Josef Janáček; ilustroval Cyril Bouda. 3rd ed. Praha: Paseka, 2001.

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30

Rousseau, Jérémie. Leos Janácek. [Arles]: Actes sud, 2005.

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31

Wingfield, Paul. Janácek: Glagolitic Mass. Cambridge: Cambridge University Press, 1992.

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32

Ilse, Kobán, ed. Das schlaue Füchslein von Leoš Janáček: "und doch ist in der Musik nur eine Wahrheit" : zu Walter Felsensteins Inszenierung an der Komischen Oper Berlin (1956). Anif: Müller-Speiser, 1997.

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33

Česko) Janáčkiana (30. 2010 Ostrava. Moravsko-slovenské folklorní inspirace v české a slovenské hudbě: (Janáček, Novák, Martinů a jejich následovníci) : sborník z 30. ročníku muzikologické konference Janáčkiana 2010, 3. a 4.6.2010, Ostrava. Ostrava: Ostravská univerzita - Pedagogická fakulta, 2010.

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34

Trkanová, Marie. U Janáčků. Brno: Šimon Ryšavý, 1998.

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35

Kulka, Jiří. Leoš Janáček's aesthetic thinking. Praha: Academia, nakladatelstvi Československé akademie věd, 1990.

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36

Janáček, Leoš. Hádanka života: Dopisy Leoše Janáčka Kamile Stösslové. [Brno]: Opus musicum, 1990.

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37

Ort, Jiři. Pozdní divoch: Láska a život Leoše Janáčka v operách a dopisech. Praha: Mladá fronta, 2005.

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38

Janáček, Leoš. Fejetony: Výbor z fejetonů Leoše Janáčka otiskovaných v Lidových novinách 1893-1928. Praha: Ars Bohemica, 1998.

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39

Hanousek, Jiří. Komorní orchestr Leoše Janáčka v letech 1964-2016, jeho historie a interpretační přínos. Ostrava: Mgr. Radim Polášek, Ph.D., Vydavatelství En Face, 2018.

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40

Janák, Pavel. Pavel Janák: Vybrané stati autorovy a příspěvky ze semináře ke stému výročí architektova narození. Praha: Uměleckoprůmyslové muzeum v Praze, 1985.

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41

Rothmayer, Janák, Fragner: Průvodce po architecture na Pražském hradě 30. az 60. léta XX. století. Praha: Foibos Books s.r.o, 2017.

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42

Csernyák, Mariann Natália, Katalin Janák, and Anikó Zalánné Olbrich. Az Élethosszig tartó tanulás: Lifelong learning / [compiled by Living Standards and Human Resources Statistics Department, Cultural Statistics Section of HCSO ; contribtions by, Csernyák Mariann Natália, Janák Katalin, Zalánné Olbrich Anikó]. Budapest: Központi Statisztikai Hivatal, 2004.

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43

Leoš Janáček: Chaque son, c'est un deferlement de passion. Prague: Fonds musical tcheque, 1988.

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44

Hough, Stephen. Reflection. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199351411.003.0023.

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Abstract:

Musicians are always talking about ‘shape’ in reference to phrasing, but mostly I think they merely mean that something has shape rather than being ‘shapeless’—always a derogatory term. Shape in this sense means direction, a start and a finish with something pleasing in the middle. Seldom are the visual patterns of a draughtsman or an artist relevant to a musician. Nevertheless, only today I was doing an interview and trying to describe to the journalist a CD I recently recorded of music by Scriabin and Janáček. Strange bedfellows, it would seem, despite some parallels in their Slavic origins and their eccentric visions. But what makes them so different from each other (and therefore fascinating in juxtaposition) is actually related to shape. Scriabin is all seductive curves (across the phrases and up through the exotic harmonies), whereas Janáček is angular and fragmented, motives repeated and insisted on like an army of elbows. Perfumed ...

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45

Jenufa: Translations and Pronunciation. Rowman & Littlefield Publishers, 2016.

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46

Wingfield, Paul. Janácek Studies. Cambridge University Press, 1999.

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47

Wingfield, Paul. Janácek Studies. Cambridge University Press, 2007.

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48

Wingfield, Paul. Janácek Studies. Cambridge University Press, 2009.

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49

Wingfield, Paul. Janácek Studies. Cambridge University Press, 2008.

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50

Colloquium Stadt und Region als Schauplätze des Musikgeschehens, Brno 4.-6.10.1993: Komponist und Literatur im Kulturambiente der Neuzeit : zum Andenken an Leoš Janáček, Brno 3.-5.10.1994. Brno: Masarykova univerzita, Filozofická fakulta, 1998.

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