Relevant bibliographies by topics / Jane (1949-....)

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Jane (1949-....)'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Jane (1949-....).'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Jane (1949-....)"

1

Khalidi, Omar. "Imperial Istanbul: A Traveller's Guide: Jane Taylor." Digest of Middle East Studies 8, no. 1 (July 1999): 89–90. http://dx.doi.org/10.1111/j.1949-3606.1999.tb00797.x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Redman, James. "Emirati Women: Generations of Change - By Jane Bristol-Rhys." Digest of Middle East Studies 21, no. 1 (March 2012): 211–13. http://dx.doi.org/10.1111/j.1949-3606.2012.00135.x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Boullata, Issa J. "The Cambridge Companion to the Qur'an: Ed. Jane Dammen McAuliffe." Digest of Middle East Studies 16, no. 2 (October 2007): 97–100. http://dx.doi.org/10.1111/j.1949-3606.2007.tb00128.x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Dunstan, Sarah Claire. "“Une Nègre de drame”: Jane Vialle and the Politics of Representation in Colonial Reform, 1945–1953." Journal of Contemporary History 55, no. 3 (February 3, 2020): 645–65. http://dx.doi.org/10.1177/0022009419873038.

Full text
Abstract:
The French-Congolese Senator, Jane Vialle, was appointed as a French delegate to the United Nations in 1949. During her term she served on the Ad-Hoc Anti-Slavery committee as an expert on African colonial conditions and the status of African Women. Vialle's work on the international stage was an extension of her efforts towards reforming the political, social and economic rights of women at national and local levels, within the French Fourth Republic and the Oubangui-Chari region she represented in French West Africa. Despite her efforts, Vialle was frustrated with the glacial pace of reform in all three arenas, declaring to her friend and colleague, the African American historian and Pan-Africanist Rayford W. Logan, that she often felt she was being used as ‘une nègre de drame’. Logan believed the expression was the French equivalent of the American phrase ‘a showpiece or token negro’. Through the framework of Jane Vialle’s political career, this articles explores how the notion of representation and what it meant to be ‘une nègre de drame’ or, indeed, to be an authentic representative of one’s nation, race or gender intersected with Vialle’s reformist efforts in Oubangui-Chari, the French Fourth Republic and on the international stage.
APA, Harvard, Vancouver, ISO, and other styles
5

Egger, Vernon. "Muslim Communities in North America, Yvonne Yazbeck Haddad and Jane Idleman Smith, editors." Digest of Middle East Studies 4, no. 4 (October 1995): 29–31. http://dx.doi.org/10.1111/j.1949-3606.1995.tb00591.x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Cuno, Kenneth M. "Ottoman Egypt:The Politics of Households in Ottoman Egypt: The Rise of the Qazdağlis; Jane Hathaway." Digest of Middle East Studies 7, no. 2 (April 1998): 49–53. http://dx.doi.org/10.1111/j.1949-3606.1998.tb00309.x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Kusumawardhani, Myta, and Endang Yuliani Rahayu. "WOMEN INDEPENDENCE IN JANE AUSTEN’S SENSE AND SENSIBILITY AS A FEMINISM STUDY." Dinamika Bahasa dan Budaya 15, no. 1 (June 19, 2020): 40–51. http://dx.doi.org/10.35315/bb.v15i1.7894.

Full text
Abstract:
This research paper entitled Women Independence in Jane Austen’s Sense and Sensibility as a Feminism Study. This research paper aimed to show the form of women independence of Elinor Dashwood and Marianne Dashwood as the main characters in Sense and Sensibility novel. This research is using feminist critical approach and applies Simone de Beauvoir’s theory with her book The Second Sex that was published in 1949. This research used qualitative research methods from which the data are taken from books and online sources. Data is classified into main data which is taken from the book itself and supporting data which is taken from online sources that related to this paper. Beside analyzing the forms of women independence, the researcher also analyzed the causes of women independence and the effects of women independence towards the main characters. The novel presents the independence of thought and behavior of women in the 19th century. After all data have been collected and analyzed, it concludes that the causes of the independence of the main characters is their parents, the forms of their independence is Elinor and Marianne Dashwood can prove that they have a good attitude, good knowledge and ability in the world of art although they are just from the middle social class and the effects is they have a positive and negative effect of their independence and get some obstacles of it. However, after overcoming all their conflicts they finally found what they really wants in life and they can live happily.
APA, Harvard, Vancouver, ISO, and other styles
8

Nader, Luiza. "Polscy obserwatorzy Zagłady. Studium przypadków z zakresu sztuk wizualnych – uwagi wstępne." Zagłada Żydów. Studia i Materiały, no. 14 (December 20, 2018): 165–211. http://dx.doi.org/10.32927/zzsim.64.

Full text
Abstract:
Tekst jest poświęcony wybranym wizualnym zapisom tworzonym wobec Zagłady, autorstwa artystów: Felicjana Szczęsnego Kowarskiego, Krzysztofa Henisza, Aleksandra Świdwińskiego i Mieczysława Wejmana. Zdecydowana większość omawianych dzieł pochodzi z okresu wojny (1940–1944), kilka powstało tuż po wojnie (1946–1948). Autorka rozpatruje przede wszystkim ich warstwę referencyjną, a także zastosowane w nich modusy reprezentacji, datowanie konkretnych obiektów oraz odniesienia do towarzyszącej im ramy historycznej. Zastanawia się również nad tożsamością, motywacjami, stopniem zaangażowania egzystencjalnego, etycznego i artystycznego twórców w obliczu postępującej na ich oczach, tuż obok, Zagłady. Centralnym pytaniem, które autorka zadaje nie tylko artystom, ich pracom, lecz także dyscyplinie historii sztuki, jest pytanie postawione przez Jana Tomasza Grossa: „co zrobiłeś/zrobiłaś/zostało zrobione, aby Żydom pomóc?”, pamiętając o tym, że „nicnierobienie” również było działaniem i miało swoje konsekwencje. Najistotniejszym pojęciem wypracowywanym w tekście jest kategoria artysty – bliskiego obserwatora Szoa. Pytanie o polskich obserwatorów Zagłady zmusza ponadto do postawienia pytań dotyczących fundamentów samej dyscypliny historii sztuki. Autorka postuluje zmianę epistemy w przestrzeni nowoczesnej i współczesnej historii sztuki w Polsce wobec wciąż niepodjętego wyzwania, jakie niosą w sobie prace powstałe wobec Zagłady i (z) Zagłady.
APA, Harvard, Vancouver, ISO, and other styles
9

Pinho, Davi. "O CONTO DE VIRGINIA WOOLF – OU FICÇÃO, UMA CASA ASSOMBRADA." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 23, no. 2 (December 4, 2019): 03–17. http://dx.doi.org/10.34019/1982-0836.2019.v23.29176.

Full text
Abstract:
O presente artigo se debruça sobre o conto “Casa Assombrada”, coletado no único volume de contos que Virginia Woolf publicou em vida, Monday or Tuesday (1921), para investigar de que maneira seus contos intensificam a crise dos gêneros literários que seus romances encenam, por um lado; e para entender como tal crise é análoga à questão política que assombra toda sua obra, por outro lado: o gênero enquanto questão identitária. Em diálogo com a filosofia e com a crítica woolfiana, este estudo articula essa “crise dos gêneros” (gender x genre) e, ao mesmo tempo, produz uma contextualização histórico-cultural dos contos de Virginia Woolf. Palavras-chave: Virginia Woolf. Conto. Gênero literário. Questões de gênero. Referências AGAMBEN, Giorgio. Elogio da profanação. In: AGAMBEN, Giorgio. Profanações. Tradução Selvino Assman. São Paulo: Boitempo, 2007. p. 65-81 BENJAMIN, Walter. Sobre a linguagem em geral e sobre a linguagem humana. In: Linguagem, tradução, literatura. Tradução João Barrento. Belo Horizonte: Autêntica, 2018 [1916]. p. 9-27. BENZEL, Kathryn N.; HOBERMAN, Ruth. Trespassing boundaries: Virginia Woolf’s Short Fiction. New York: Palgrave MacMillan, 2004. BRAIDOTTI, Rosi. Nomadic theory: The portable Rosi Braidotti. New York: Columbia University, 2011. BRIGGS, Julia. Virginia Woolf, an Inner Life. Londres: Harcourt Brace, 2005. CIXOUS, Hélène. First names of no one. In: SELLERS, Susan (org.). The Hélène Cixous Reader. Londres: Routledge, 1994 [1974]. p. 25-35. DELEUZE, Gilles; GUATTARI, Félix. 28 de novembro de 1947 – Como criar para si um corpo sem órgãos?. Tradução Aurélio Guerra Neto. In: DELEUZE, Gilles; GUATTARI, Félix. Mil Platôs. São Paulo: 34, 1996 [1980]. v. 3. p. 11-34. FOUCAULT, Michel. Docile bodies. In: FOUCAULT, Michel; RABINOW, Paul (ed.). The Foucault reader. Toronto: Penguin, 1984a. p. 179-187. FOUCAULT, Michel. The body of the condemned. In: FOUCAULT, Michel; RABINOW, Paul (ed.). The Foucault reader. Toronto: Penguin, 1984b. p. 170-178. GOLDMAN, Jane. Modernism, 1910-1945, Image to apocalypse. Basingstoke: Palgrave Macmillan, 2004. GOLDMAN, Jane. The Cambridge introduction to Virginia Woolf. Cambridge: Cambridge University, 2006. HARRIS, Wendell. Vision and form: the English novel and the emergence of the story. In: MAY, Charles (ed.). The new short story theories. Athens, Ohio: Ohio University, 1994. p. 181-191. KRISTEVA, Julia. Stabat mater. Tradução A. Goldhammer. In: MOI, Toril (ed.). The Kristeva reader. Oxford: Blackwell, 1986 [1977]. p. 160-187. MATTHEWS, Brander. The philosophy of the short-story. Londres: Forgotten, 2015. [1901]. PEREIRA, Lucia Miguel. Dualidade de Virginia Woolf. In: ______. Escritos da maturidade. Rio de Janeiro: Graphia, 2005. [1944] p. 106-110. SELLERS, Susan (ed.). The Cambridge Companion to Virginia Woolf. 2. ed. Cambridge: Cambridge University, 2010. WOOLF, Leonard. Beginning again: an autobiography of the years 1911 to 1918. New York: Harvest, 1975. [1964] WOOLF, Leonard. Editorial Preface. In: WOOLF, Virginia; WOOLF, Leonard (eds.). Granite and rainbow. Londres: Harcourt, 1958. p. 7-8. WOOLF, Leonard. Foreword. In: WOOLF, Virginia; WOOLF, Leonard (eds.). A haunted house and other stories. Londres: Harcourt, 1944. p. v-vi. WOOLF, Virginia. A haunted house. In: WOOLF, Virginia; WOOLF, Leonard (eds.). A haunted house and other stories. Londres: Harcourt, 1944 [1921]. p. 3-5. WOOLF, Virginia. A room of one’s own & Three guineas. Londres: Oxford University, 1992 [1929] [1938]. WOOLF, Virginia. A sketch of the past. In: WOOLF, Virginia; SCHULKIND, Jeanne (eds.). Moments of being. London: Harcourt Brace, 1985 [1976]. p. 64-159. WOOLF, Virginia. Casa assombrada. In: WOOLF, Virginia. Contos completos. Tradução Leonardo Fróes. São Paulo: Cosac Naify, 2005 [1921]. p. 162-165. WOOLF, Virginia. Granite and rainbow, ed. Leonard Woolf. Londres: Harcourt, 1958. WOOLF, Virginia. Jacob’s room. Oxford: Oxford University, 2008 [1922]. WOOLF, Virginia. Kew gardens. In: WOOLF, Virginia; WOOLF, Leonard (eds.). A haunted house and other stories. Londres: Harcourt, 1944 [1919]. p. 28-36. WOOLF, Virginia. Men and women. In: WOOLF, Virginia; BARRETT, Michele (eds.). Women and writing. Londres: Harcourt, 1979 [1920]. p. 64-68. WOOLF, Virginia. Modern fiction. In: WOOLF, Virginia. The common reader: first series. Londres: Vintage, 2003 [1925]. p. 146-154. WOOLF, Virginia. Monday or Tuesday. Londres: The Hogarth, 1921. WOOLF, Virginia. Night and day. ed. Michael Whitworth. Cambridge: Cambridge University, 2018. WOOLF, Virginia. Professions for women. In: WOOLF, Virginia; WOOLF, Leonard (eds.). The death of the moth and other essays. Londres: Harcourt, 1942 [1931]. WOOLF, Virginia. The complete shorter fiction of Virginia Woolf. ed. Susan Dick. Orlando: Harcourt, 2006 [1985]. WOOLF, Virginia. The diary of Virginia Woolf, ed. Anne Olivier Bell, 5 vols. New York: Penguin, 1979-1985 [1977-1984]. WOOLF, Virginia. The letters of Virginia Woolf, ed. Nigel Nicolson, 6 vols. Londres: The Hogarth, 1975-1980. WOOLF, Virginia. The mark on the wall. In: WOOLF, Virginia; WOOLF, Leonard (eds.). A haunted house and other stories. Londres: Harcourt, 1944 [1921]. p. 37-47. WOOLF, Virginia. Thoughts on peace in an air raid. In: ______. The death of the moth and other essays, ed. Leonard Woolf. Londres: Harcourt Brace Jovanovich, 1942. [1940] WOOLF, Virginia. The voyage out. Oxford: Oxford University, 2009 [1915]. WOOLF, Virginia. The waves. Oxford: Oxford University, 1992 [1931].
APA, Harvard, Vancouver, ISO, and other styles
10

Jacikevičius, A. "PSICHOLOGIJOS RAIDA TARYBŲ LIETUVOJE." Psichologija 9, no. 1 (January 6, 2016): 5–18. http://dx.doi.org/10.15388/psichol.1968.9.8915.

Full text
Abstract:
Straipsnis skirtas tarybų valdžios atstatymo Lietuvoje dvidešimtmečiui. Jame atskleidžiami kai kurie reakcingi idealistinės psichologijos buržuazinėje Lietuvoje bruožai ir apžvelgiama materialistinės psichologijos raida pirmaisiais tarybų valdžios metais (1940 – 1941 m.). Pokarinis psichologijos raidos periodas dalijamas į du etapus:1) psichologijos dėstymo tobulinimo ir psichologinių kadrų rengimo tobulinimo etapas (1945 – 1955 m.); 2) psichologijos mokslo tyrimų raidos etapas (1956 – 1965 m.). Greitas psichologinių tyrimų augimas Tarybų Lietuvoje tapo įmanomas todėl, kad, pirma, atkūrus tarybų valdžią, psichologija išsilaisvino nuo įvairių idealistinių klaidžiojimų, antra, ji vystėsi kaip kokybiškai naujos tarybinės psichologijos sudėtinė dalis, trečia, jai padėjo daugelis žinomų Tarybų Sąjungos psichologų ir ketvirta, ji išsaugojo jai būdingas eksperimentinės psichologijos tradicijas, susiformavusias dar XX amžiaus pradžioje ir tarybiniais metais įtvirtintas žymiausių lietuvių psichologų J. Vabalo – Gudaičio ir A. Gučo moksliniais darbais ir organizacinėmis pastangomis.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Jane (1949-....)"

1

Letessier, Anne-Sophie. "Paysage(s) : l'écriture et l'image dans l'oeuvre romanesque de Jane Urquhart." Thesis, Montpellier 3, 2016. http://www.theses.fr/2016MON30064.

Full text
Abstract:
Cette étude se propose d’analyser les relations entre le paysage, l’écriture et l’image dans les romans de Jane Urquhart afin de rendre compte des enjeux politiques et esthétiques des interrogations qui sous-tendent l’écriture paysagère dans son œuvre. En mettant en scène différentes manières de voir, de regarder et d’appréhender l’environnement, la romancière fait perdre son caractère d’évidence au paysage, défini comme une vue que le regard du spectateur embrasse. En effet, chez Urquhart, il n’y a pas du paysage, mais des paysages, le texte travaillant les cadres intertextuels et interpicturaux pour faire jouer les écarts entre les différentes formes que peut prendre le paysage. Il ne convoque pas l’image pour dire le paysage, mais pour mettre en lumière les limites de sa définition visuelle et esthétique. Ceci nous invite donc à repenser le lien entre visibilité et paysage. Refuser de dire le paysage par le biais de l’effet-tableau et de l’ekphrasis paysagère pour mieux le dissocier de sa définition picturale permet à Urquhart de réfléchir au rapport analogique entre le faire de l’image et l’épreuve paysagère. L’effacement du visible, par lequel le texte cherche à détacher le paysage et l’image de leur définition aspectuelle, est ainsi une problématique d’écriture. Si, dans tous les romans d’Urquhart, la langue s’affronte à un espace, ce qu’elle cherche à en dire et à mettre en œuvre varie. On peut rendre compte de cet infléchissement en faisant jouer l’ambivalence de l’expression « l’épreuve de l’écriture », expression dans laquelle l’écriture est à la fois matière et sujet
This dissertation proposes to analyze the relations between landscape, images and text in the novels by Jane Urquhart in order to shed light on the political and aesthetic interrogations underlying her landscape writing. As Urquhart dramatizes different ways of seeing, representing and experiencing landscape, the very term no longer appears self-evident, which may prompt the reader to prefer the plural form: landscapes. Indeed, the interplay between the intertextual and interpictorial frames the novelist draws upon and displaces becomes a field of investigation. She does not conjure up the pictorial image to better describe landscape, but rather to probe the limits of its visual and aesthetic definition as “a view or prospect of natural scenery.” By doing so, she reconsiders the relation between visibility and landscape. Refusing to write about the latter through “painting-effects” or ekphrasis, she reflects upon the analogy between the efficacy of images and landscape as an event in the course of which the beholder is affected by his/her surroundings. The erasure of the visible provides her with a device to dissociate both the pictorial images and landscape from aspectual apprehension. While in each of her novels language is confronted with the challenge of representing space, one may read them as a series of reconfigurations which can be accounted for by considering what the text does in relation to landscape
APA, Harvard, Vancouver, ISO, and other styles
2

Verhagen, Erik. "Représentation et transformation : l'oeuvre photographique de Jan Dibbets (1969-1989)." Paris 4, 2000. http://www.theses.fr/2000PA040056.

Full text
Abstract:
Cette recherche a pour ambition d'analyser et d'interpréter l'œuvre photographique de l'artiste néerlandais Jan Dibbets, né à Weert (Pays-Bas) en 1941. La première partie de notre travail consiste à redéfinir les racines d'une œuvre pour le moins en décalage avec le contexte (art conceptuel et minimal) qui l'a vue naitre et évoluer, et à proposer de nouvelles voies interprétatives qui s'articulent principalement autour d'une reconsidération du medium photographique. Cette réévaluation nous permet d'affirmer que l'image photographique véhicule tout autant l'idée de « trans-formation » que celle d' « in-formation » et qu'elle s'ouvre ainsi à de possibles procédures de représentation, au sens le plus pictural du terme. Sont analysées, suite aux corrections de perspective, dont les dernières datent de 1969, les œuvres qui mettent l'accent sur la représentation et la transformation de la dimension temporelle (1969-1971), de la ligne d'horizon (1970-1974), des structures (19731976) et de l'architecture (1977-1989).
APA, Harvard, Vancouver, ISO, and other styles
3

Déry, Maude. "Requiem (roman) : suivi de Poïétique et vulnérabilité sous tension dans le roman du peintre contemporain (essai)." Doctoral thesis, Université Laval, 2019. http://hdl.handle.net/20.500.11794/33907.

Full text
Abstract:
Tableau d'honneur de la FÉSP
Requiem déploie un univers intimiste où deux narrateurs, l’un modèle nu, l’autre peintre ecclésiastique, vivent en huis clos dans le couvent du village qui les ont vus naître. Christophe et Frédérique, alias Sœur Hortense, n’entretiennent aucun lien de parenté. Leur rencontre, issue de circonstances troublantes, bouleverse leurs univers en même temps qu’elle leur donne l’occasion de réfléchir sur leur passé. Chacun d’eux est aux prises avec ses propres démons, comme des plaies impossibles à cicatriser. Pourtant, c’est cette fragilité qui les réunira et permettra à la toile de Frédérique de prendre chair. L’œuvre s’élaborera patiemment, dans le silence de l’atelier, là où les masques pourront enfin tomber. L’art devient, par le fait même, le reflet de leur fragilité, en même temps qu’une façon d’évoluer vers une certaine sérénité. L’essai critique de la seconde partie porte sur le roman du peintre contemporain, un sujet qui permet de prolonger la réflexion autour de la relation entre le personnage du peintre et du modèle. Comme dans Requiem, les récits de Monique Proulx, de Jane Urquhart et d’Henry Bauchau s’éloignent d’une dynamique axée sur l’érotisme et la nudité parfaite de la muse en la plaçant plutôt au cœur d’une poïétique fictionnelle qui la mobilise tout entière. La séduction ne se joue plus sur le mode de la passion charnelle, mais tire plutôt son origine des manques et des failles du modèle, qui, ultimement, seront transformés, transfigurés par la création. Cette analyse, inspirée des réflexions philosophiques sur la vulnérabilité (Ricœur, Levinas), nous a permis de mieux comprendre en quoi cette dernière est le gage de l’universalité des œuvres inscrites au cœur des récits étudiés. Elle a également légitimé un discours moins pessimiste autour du mythe de l’artiste, l’échec n’étant plus considéré comme une fin en soi, mais bien comme le tremplin vers une création résolument authentique.
Requiem sets in motion an intimate world where two narrators, one a nude model, the other an ecclesiastical painter, live in seclusion in the village convent, near where both characters were born. Christophe and Frédérique (Sister Hortense), do not have a relationship; their encounter, the product of troubling circumstances, turns their world upside down even as it gives them the opportunity to reflect upon their past. Both struggle with their own demons, like wounds that refuse to heal. However, it is this fragility that unites them and allows Frédérique’s canvas to become flesh and blood. In the silence of the workshop, where masks can finally crumble, the painting patiently takes shape. Consequently, art becomes a reflection of the narrators’ fragility as well as a way to evolve towards a certain serenity. The critical essay portion concerns contemporary artist’s novel, which is a subject that allows for a prolonged reflection on the relationship between the character of the painter and the model. As in Requiem, the stories of Monique Proulx, Jane Urquhart, and Henry Bauchau distance themselves from a dynamic centered on eroticism and the nude perfection of the painter’s muse by placing this one at the heart of a fictional poïétique that completely mobilises her. Seduction no longer plays out through physical passions, but rather originates from the shortcomings and flaws of the model, which will be transformed and transfigured by the act of creation. This analysis, inspired by philosophical reflections on vulnerability (Ricœur, Levinas), will allow us to better understand how the latter is the proof of the universality of the artwork inscribed at the heart of the stories studied here. This analysis also legitimates a less pessimistic discourse around the myth of the artist, in which failure is no longer considered as an end in and of itself, but as a springboard towards a resolutely authentic creation.
APA, Harvard, Vancouver, ISO, and other styles
4

Joosten, Jos. "Feit en tussenkomst geschiedenis en opvattingen van Tijd en Mens (1949-1955) /." Nijmegen : Vantilt, 1996. http://catalog.hathitrust.org/api/volumes/oclc/79874209.html.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Mrázová, Martina. "Animátor loutkových filmů jeho existence a uplatnění ve 20. a 21. století." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-202923.

Full text
Abstract:
This master thesis deals with the problematic position of the Czech puppet animator. Based on interviews with two puppet animators, representing the current puppet animation and the last century Golden era, I am trying to figure out how the puppet animator worked in the last century and how he works today. For the current generation I draw from the experience of puppet animator Jan Štencl. For the past generation I draw from the experience of Mr. Jan Klos. I'm trying to clarify what puppet animator has had to know and if these kind of skills varies according to the period in which the animator works/worked. Furthermore, this theoretical work deals with the problems that animators are facing today and how to puppet animators respond to the expansion of 3D technology. In conclusion, I outline the various solutions to the current situation.
APA, Harvard, Vancouver, ISO, and other styles
6

Katz, David Brock. "Sidi Rezegh and Tobruk : two South African military disasters revisited 1941-1942." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/96040.

Full text
Abstract:
Thesis (MMil)--Stellenbosch University, 2014.
ENGLISH ABSTRACT: Sidi Rezegh and Tobruk are the largest disasters suffered by South Africa in its military history. Yet, despite their enormity, Sidi Rezegh and Tobruk are little understood and hardly remembered. South Africa declared war on Germany on the 6 September 1939, after a bitter internal debate, amounting to a conflict between Afrikaner nationalists and those who supported the British Empire. South Africa’s political ambivalence and disunity ran parallel to her unpreparedness for war in every important department from the lack of vital coastal defences to the miniscule size of her army and air force and complete lack of a navy. The first six months of 1941 saw the South Africans play a significant part in completely defeating the Italian colonial forces in East Africa. However, the campaign was poor preparation for what the South Africans were to encounter in the North African Desert months later. South African troops spent their time rebuilding fortifications in Egypt rather than in essential training to acclimatise this “bush war” army to harsh desert conditions. In a reluctant political decision, the unprepared South Africans were committed to Operation Crusader. The inexperienced South Africans met up with the battle hardened Afrika Korps at Sidi Rezegh on 23 November 1941 and were annihilated in the face of overwhelming odds. In revisiting this forgotten battle, it has been found, using primary and secondary sources, that the South Africans extracted an enormous price on the German armour in what may have been the true turning point of Operation Crusader. In May 1942, Rommel’s Afrika Korps sallied forth in a series of lightning moves that demonstrated the Axis grip on combined operations and managed to isolate the vital port of Tobruk commanded by an inexperienced South African, Major General H. B. Klopper. His surrender in one day is often compared to the previous siege endured under similar circumstances, where the Australians managed to hold Rommel at bay for 244 days until the siege was lifted. Klopper’s surrender of Tobruk resulted in a political crisis for Winston Churchill and for Jan Smuts, as the fiasco caused considerable tension within the Allied camp and within South Africa. On re-examination, interesting facts have emerged from the primary source material, as to the state of the Tobruk defences and of its unfortunate commander and how the United Kingdom, acting in concert with South Africa, sought to suppress the true facts. Immediate post-war memory has been shaped and distorted by sensitive political considerations that affected relations between South Africa and the United Kingdom. Thereafter, the memory of Sidi Rezegh and Tobruk was relegated first by a nationalistic Afrikaner government and then since by a democratically elected government, both of which have seen very little use in incorporating these two milestones into the national memory.
AFRIKAANSE OPSOMMING: Sidi Rezegh en Tobruk is die grootste nederlae wat Suid-Afrika in sy militêre geskiedenis ervaar het. Ten spyte van hul omvang, word daar min van Sidi Rezegh en Tobruk verstaan of onthou. Na ‘n hewige interne debat wat tot konflik tussen Afrikanernasionaliste en pro-Britse Suid-Afrikaners gelei het, het Suid-Afrika op 6 September 1939 oorlog teen Duitsland verklaar. Suid-Afrika se politieke verdeeldheid het saamgeval met die Unie se totale onvoorbereidheid vir oorlog, wat gestrek het van kritieke tekortkominge in kusverdediging, tot die ontoereikende grootte van die leër en lugmag en die totale afwesigheid van ‘n vloot. Gedurende die eerste ses maande van 1941 het Suid-Afrika ‘n beduidende rol gespeel om die Italiaanse koloniale magte in Oos-Afrika te verslaan. Dié veldtog was egter nie effektiewe voorbereiding vir die uitdagings waarteen die Suid-Afrikaners kort daarna in Noord-Afrika te staan sou kom nie. Die Suid-Afrikaanse troepe het daarby hul tyd daaraan bestee om vestings in Egipte te herbou in plaas daarvan om noodsaaklike opleiding te ondergaan om hul “bosoorlog”-leër vir ruwe woestynoorlogvoering voor te berei. ‘n Huiwerige, teensinnige politieke besluit het die onvoorbereide Suid-Afrikaners tot Operasie Crusader verbind. Die onervare Suid-Afrikaners het op 23 November 1941 by Sidi Rezegh teen die geharde Afrika Korps te staan gekom, waar oorweldigende magte hulle verpletter het. ‘n Heroorweging van hierdie vergete veldslag aan die hand van primêre en sekondêre bronne het aan die lig gebring dat die Suid-Afrikaners ‘n hoë tol van die Duitse pantser geëis het, wat besmoontlik die ware keerpunt in Operasie Crusader gebring het. In Mei 1942 het Rommel se Afrika Korps deur ‘n reeks blitsige bewegings wat die greep van die Spilmagte op gekombineerde operasies gedemonstreer het, daarin geslaag om die kritiese hawe van Tobruk, waar die onervare Suid Afrikaanse generaal-majoor H.B. Klopper in bevel was, te isoleer. Sy oorgawe binne ‘n enkele dag word dikwels vergelyk met die vorige beleg van Tobruk toe die Australianers Rommel onder vergelykbare omstandighede vir 244 dae teruggehou het totdat die beleg opgehef is. Klopper se oorgawe het ‘n politieke krisis vir Winston Churchill en Jan Smuts geskep, deurdat dit aansienlike spanning binne sowel die Gealieerde kamp as Suid-Afrika veroorsaak het. Die herevaluering van die gebeure het interessante feite uit die primêre bronne na vore gebring ten opsigte van die toestand van Tobruk se verdedigingstellings, die ongelukkige bevelvoerder, en hoe die Verenigde Koninkryk in samewerking met Suid-Afrika die ware feite wou toesmeer. Die onmiddellike naoorlogse geheuebeeld van die gebeure by Sidi Rezegh en Tobruk is geskep en verwring deur sensitiewe politieke oorwegings wat die verhouding tussen Suid-Afrika en die Verenigde Koninkryk beïnvloed het. Sedertdien het ‘n nasionalistiese Afrikaner-regering en daarna ook die demokraties-verkose, post-apartheid-regering die herinneringe aan Sidi Rezegh en Tobruk tot die vergetelheid verdoem; nie een van die twee het die nut daarvan gesien om dié twee mylpale in die nasionale geheue te verewig nie. Stellenbosch University http://scholar.sun.ac.za
APA, Harvard, Vancouver, ISO, and other styles
7

Hýča, Martin. "MONOLOG JAKO AUTENTICKÁ VÝPOVĚD V KONTEXTU MODERNÍHO DRAMATU." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2016. http://www.nusl.cz/ntk/nusl-263148.

Full text
Abstract:
The thesis deals with the notion of monologue and monologicity as a peculiar means of expression of the modern drama. The concept of monologue is defined within the frame of its relation towards dialogue, in the context of theoretical thinking about drama and theater, and in terms of the application of these concepts in everyday life.It is based on the theoretical works by Jan Mukařovský and Jiří Veltruský. The concept of monologue as a lack of dialogicity is being challenged with understanding monologue as a haven of authenticity, a space for authentic testimony. Through the general reflection, thoughts are put in connection with modern drama and illustrated on examples from particular drama works. The thesis leads into a reasoning about the dialogue between the stage and the auditorium as a way-out from the monological situation on the stage.
APA, Harvard, Vancouver, ISO, and other styles
8

Fanning, Sarah Elizabeth. "Changing fictions of masculinity : adaptations of Jane Eyre and Wuthering Heights, 1939-2009." Thesis, University of Exeter, 2012. http://hdl.handle.net/10871/8524.

Full text
Abstract:
The discursive and critical positions of the ‘classic’ nineteenth-century novel, particularly the woman’s novel, in the field of adaptation studies have been dominated by long-standing concerns about textual fidelity and the generic processes of the text-screen transfer. The sociocultural patterns of adaptation criticism have also been largely ensconced in representations of literary women on screen. Taking a decisive twist from tradition, this thesis traces the evolution of representations of masculinity in the malleable characters of Rochester and Heathcliff in film and television adaptations of Charlotte Brontë’s Jane Eyre and Emily Brontë’s Wuthering Heights between 1939 and 2009. Concepts of masculinity have been a neglected area of enquiry in studies of the ‘classic’ novel on screen. Adaptations of the Brontës’ novels, as well as the adapted novels of other ‘classic’ women authors such as Jane Austen, George Eliot and Elizabeth Gaskell, increasingly foreground male character in traditionally female-oriented narratives or narratives whose primary protagonist is female. This thesis brings together industrial histories, textual frames and sociocultural influences that form the wider contexts of the adaptations to demonstrate how male characterisation and different representations of masculinity are reformulated and foregrounded through three different adaptive histories of the narratives of Jane Eyre and Wuthering Heights. Through the contours of the film and television industries, the application of text and context analysis, and wider sociocultural considerations of each period an understanding of how Rochester and Heathcliff have been transmuted and centralised within the adaptive history of the Brontë novel.
APA, Harvard, Vancouver, ISO, and other styles
9

Akfidan, Filis. "Synen på barndom och uppfostran i skönlitterära barnböcker : - Specifikt, Janne, min vän(1985), Alla vi barn i Bullerbyn(1947) och Mera om oss barn i Bullerbyn(1949)." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-50899.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Luff, Tracy L. "Gender stereotypes in elementary reading textbooks: Dick and Jane revisited." Thesis, Virginia Tech, 1989. http://hdl.handle.net/10919/43097.

Full text
Abstract:

The objective of this study was to determine whether gender stereotypes are present in elementary reading, textbooks published during the 1980s, and how the extent of stereotyping compares with textbooks published during the last two decades. Both manifest and latent content analyses were performed on a random sample of stories drawn from 4th and 5th grade reading textbooks. Chi-square analyses were performed to determine whether significant changes have occurred with regard to gender stereotypes over the last three decades, controlling for publishing company and sex of author. Five different publishing companies, randomly selected from a list of thirteen publishers approved for use by the Virginia Board of Education in 1988, were represented in the sample. The manifest content, was analyzed by comparing the number of male and female characters, number of female and male main characters, types of occupations held by male and female characters, number of females and males in illustrations, and the race of characters. The latent content was analyzed by comparing the sex of characters most likely to exhibit each of seven different gender,stereotyped traits.. The latent content was further analyzed by looking for gender stereotyped themes and quotes, and non-traditional themes and quotes in stories.


Master of Science
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Jane (1949-....)"

1

Strong-Boag, Veronica Jane. "Janey Canuck": Women in Canada, 1919-1939. Ottawa: Canadian Historical Association, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Parkhouse, Jane. Jane Parkhouse: Paintings 1974-1989. London: Cadogan Contemporary, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Ahlberg, Allan. Janet's last book: Janet Ahlberg 1944-1994, a memento. [Leicestershire]: A. Ahlberg, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Aglan, Alya. Mémoires résistantes: Histoire du réseau Jade-Fitzroy, 1940-1944. Paris: Cerf, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Barnett, Raymond James. Jade and fire. New York, N.Y: Random House, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Mulfinger, Jane. Jane Mulfinger: Selected works 1988-1994. London: Dominic Berning Fine Art and Nick Silver, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Jane Austen and her readers, 1786-1945. New York: Anthem Press, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Duey, Kathleen. Janey G. Blue, Pearl Harbor, 1941. New York: Aladdin Paperbacks, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Duey, Kathleen. Janey G. Blue, Pearl Harbor, 1941. New York: Aladdin Paperbacks, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Duey, Kathleen. Janey G. Blue, Pearl Harbor, 1941. New York: Aladdin Paperbacks, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Jane (1949-....)"

1

Garrabé, Jean. "Pierre Janet (1857-1949)." In WPA Anthology of French Language Psychiatric Texts, 427–46. Chichester, UK: John Wiley & Sons, Ltd, 2009. http://dx.doi.org/10.1002/9780470986738.ch25.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Ribi, Alfred. "Pierre Janet (1859–1947)." In Neurose – an der Grenze zwischen krank und gesund, 139–48. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-16148-3_8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Sharman, Lydia Ferrabee. "Fashion and Refuge: The Jane Harris Salon, Montreal, 1941-1961." In Fashion, 270–88. Toronto: University of Toronto Press, 2004. http://dx.doi.org/10.3138/9781442674806-015.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Nenoff, Heidi. "„Da stelle ma uns mal janz dumm“." In Deutschsprachige Kinder- und Jugendliteratur im Medienverbund 1900-1945, 467–95. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05687-0_18.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Hashemi, Michaela. "Ke stereotypu zobrazování Turka ve starší české literatuře." In Filosofie jako životní cesta, 153–57. Brno: Masaryk University Press, 2019. http://dx.doi.org/10.5817/cz.muni.p210-9458-2019-10.

Full text
Abstract:
The text is a reflection of a well-researched professional publication by Tomáš Rataj České země ve stínu půlměsíce (Czech Lands in the Shadow of the Crescent, 2002). After a multilateral acknowledgement of the book, the author fills in relevant items written by some of the staff of the Faculty of Arts MU, some of which were published only after the publication of Rataj’s work. Additionally, she refines, with reference to the study of Jan Kumpera (1994), the existence of a translation of the Bible into Turkish initiated by Comenius, namely its printing in the 19th century. At the end, the author mentions her personal teaching activities on the topic in the context of the honoured person of Jan Zouhar’s personality as a pedagogical ideal.
APA, Harvard, Vancouver, ISO, and other styles
6

Holt, Geraldene. "Jane Grigson." In Food and Drink: the cultural context. Goodfellow Publishers, 2013. http://dx.doi.org/10.23912/978-1-908999-03-0-2335.

Full text
Abstract:
Cookery writing is “almost a form of autobiography,” Jane Grigson remarked on a BBC radio programme in 1987. “It’s been my way of finding out why I’m on this earth, and adding something to the sum of human happiness.” However, when Jane left university in 1949, her food writing career lay almost twenty years ahead of her. She first worked in art galleries and publishers’ offices. In 1953 she joined George Rainbird as a picture researcher and met the author and poet Geoffrey Grigson. A decade working as a translator led to the award of the John Florio Prize with Father Kenelm Foster for the translation of Beccaria’s Of Crimes and Punishment. Jane’s interest in food developed when she and Geoffrey with their daughter, Sophie, began to divide their time between a farmhouse in Broad Town in Wiltshire and a cave house in Trôo in the Loir-et-Cher region of France. Here, in the early sixties, Jane began to research a book on French charcuterie for an English friend, Adey Horton, who later suggested that she also take over the writing. By trawling through French textbooks on the subject in a scholarly exploration of the field and also compiling a comprehensive collection of recipes, Jane demonstrated her skill for research and her talent as a food writer. Charcuterie and French Pork Cookery was published in 1967, to wide- spread acclaim. The book is a well organised survey of a specialised field: highly informative yet with accessible recipes, an educational volume which retains its distinction more than four decades later, and described by Elizabeth David as a kitchen classic.
APA, Harvard, Vancouver, ISO, and other styles
7

Curtis, Cathy. "Jane Street." In Alive Still, 31–40. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190908812.003.0003.

Full text
Abstract:
In 1944, Nell joined the Jane Street Gallery. Together with painters Leland Bell and Al Kresch, she transformed the pioneering artist-run cooperative into a home for a small group of abstract painters who took their cues from Mondrian. In 1945, her painting Blue Pieces was included in The Women, an exhibition of abstract and surrealist work by thirty women at the Art of This Century gallery. Her first solo Jane Street show elicited a rave review in ARTnews. In 1947, Clement Greenberg lauded Nell’s work in a review in The Nation. The following year, an exhibition of paintings by Bonnard at the Museum of Modern Art began to sway her toward a more personal approach. During this period, she was intimate with many men and women, but the special woman in her life was a dancer, Midi Garth, who would prove a loyal friend throughout her life.
APA, Harvard, Vancouver, ISO, and other styles
8

Manning, Jane. "LIBBY LARSEN (b. 1950)Songs From Letters: Calamity Jane to Her Daughter Janey, 1880–1902 (1989)." In Vocal Repertoire for the Twenty-First Century, Volume 1, 157–60. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199391028.003.0045.

Full text
Abstract:
This chapter studies Libby Larsen’s work. It shows that her forthright, accessible style is flexible enough to allow for a sensitive response to words, and a close identification with the subject matter. Her wide musical tastes are reflected clearly here and she is notably responsive to the inherent rhythms of American pronunciation. Moreover, this chapter shows how ‘Jane’ in Larsen’s songs was caricatured and sentimentalized in popular culture, and how historical facts were distorted. The composer’s programme note informs us that ‘Martha Jane Canary Hickock’ (her real name) wrote these letters to her daughter Janey during the time when the child had been sent to live in a ‘normal’ environment. ‘Calamity’ raised the money to support her by taking on often humiliating and dangerous work in the brutal, uncompromising Wild West.
APA, Harvard, Vancouver, ISO, and other styles
9

LAIRD, SUSAN. "JANE ROLAND MARTIN 1929–." In Fifty Modern Thinkers on Education, 203–9. Routledge, 2002. http://dx.doi.org/10.4324/9780203464694-37.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Callahan, Dan. "Saboteur, Shadow of a Doubt, Lifeboat, Spellbound." In The Camera Lies, 120–35. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197515327.003.0010.

Full text
Abstract:
Saboteur (1942) was one of Hitchcock’s weakest films because of its substandard cast, but Shadow of a Doubt was one of his best due mainly to strong work from all of its actors, from Joseph Cotten’s villainous Uncle Charlie to the unforgettable Janet Shaw, who plays an avaricious waitress at a seedy bar called Til Two. Hitchcock allowed Tallulah Bankhead to dominate Lifeboat (1944) with the contrast of her campy, expressive basso voice and her poker face, and then he fell madly in love with Ingrid Bergman’s extravagantly expressive yet often mysterious face in Spellbound (1945).
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Jane (1949-....)"

1

Germinario, Mark P., Sherrie R. Cronin, and John R. Suydan. "Applications of 3‐D seismic on Morrow Channel sandstone, Second Wind and Jace Fields, Cheyenne and Kiowa Countries, Colorado." In SEG Technical Program Expanded Abstracts 1994. Society of Exploration Geophysicists, 1994. http://dx.doi.org/10.1190/1.1822860.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Koch, Renate. "Marcel Prawy und das erste Broadway-Musical im Österreich der Nachkriegszeit." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.57.

Full text
Abstract:
Marcel Prawy, born in Vienna, graduated in law. In 1936, the couple Kiepura/Eggerth engaged him as private assistant. Two years later Jan Kiepura helped him to emigrate to New York. In 1943, after his employment ended, Prawy joined the US Army. Finally he returned as an elite soldier to Vienna and began his pioneering work for ‘Broadway Musicals’. In 1955, he was appointed dramaturge at the ‘Wiener Volksoper’. One year later in February, Kiss Me, Kate was performed in two Austrian theatres. The Viennese version was produced by Prawy himself and staged by Heinz Rosen. In Graz André Diehl directed the orchestration by conductor Rudolf Bibl on the basis of a piano score. Prawy relied on a mixture of Austrian theatre luminaries and American actors. In the Volksoper 183 performances took place – Graz had only 16. The reviews for the Viennese premiere reaffirmed the cheers. The criticism of the Graz production did not receive the same attention as Prawy’s production did.
APA, Harvard, Vancouver, ISO, and other styles
3

Schimpf, K. l., B. Kraus, W. Kreuz, H. H. Brackmann, F. Haschke, and W. Schramm. "NO ANTI-HIV SEROCONVERSION AFTER REPLACEMENT THERAPY WITH PASTEURIZED F VIII CONCENTRATE. A STUDY OF 151 PATIENTS WITH HEMOPHILIA A OR VON WILLEBRAND'S DISEASE." In XIth International Congress on Thrombosis and Haemostasis. Schattauer GmbH, 1987. http://dx.doi.org/10.1055/s-0038-1643973.

Full text
Abstract:
Transmission of hepatitis viruses and HIV has proven to be a risk of replacement therapy in hemophilia. As regards F VIII products a concentrate (Hemate HS or P) in which viruses are inactivated by heat-treatment over 10 hours at 60° C in aqueous solution is available since 1979. Our clinical studies have shown that this product does not transmit HBV and HNANBV. As the product was manufactured by 80% from US plasma it was necessary to prove that it also does not transmit HIV. As it is, for ethical reasons, not possible to treat a control group with non-virus-inactivated F VIII, non-transmission of HIV can only proven if anti-HIV seroconversion does not occur in larger groups of patients treated exclusively with this virus-inactivated product.We collected data from 151 patients treated with Hemate HS (P) who had never before received blood or blood products. Therapy was started between Feb. 1979 and Jan. 1986 (median July 7,1983). The median length of observation till the last anti-HIV testing was 24 (3 - 83) months. 112 patients were observed longer than 13 months. The median total dosage was 17,000 (500 -2,155,375) IU of F VIII, the median patient age was 6 (0,5 - 68) years. In none of these patients anti-HIV seroconversion (ELISA test) was observed. According to the rule of three, the upper 95% confidence limit for a random sample of 60 cases with zero events would be 3/60 or 5%. For greater numbers of n cases, as in our study, the range of confidence narrows increasingly. The period of observation of this study is hitherto the longest.
APA, Harvard, Vancouver, ISO, and other styles
4

Li, Yiguo, Dan Peng, Yongbao Zhang, Jin Lu, Xiaobo Wu, Jinhua Zhang, and Shuyun Zou. "JiNan MNSR Decommissioning." In 2013 21st International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/icone21-15941.

Full text
Abstract:
JiNan MNSR (Miniature Neutron Source Reactor) with thermal power 30kW is an undermoderated reactor of pool-tank type, and UAL4 alloy with 235U enrichment of 90% as fuel, light water as coolant and moderator, and metallic beryllium as reflector. The fission heat produced by the reactor is removed by the natural convection. JiNan MNSR went critical in May 1989, and shutdown in March 2008. The reactor operated 19 years safely with the accumulated power of 8.82×104 kWh. The main use was NAA (Neutron Activation Analysis) work. The spent fuel was removed from the JiNan MNSR site in Nov. 2009 already. The Jinan MNSR decommissioning documents were approved by Chinese competent authorities in Dec. 2010. The work on site was started in Jan. 2011, and completed in March 2011, the wastes were removed from the Jinan MNSR site. The decommissioning scope of JiNan MNSR includes decommissioning of its related systems, equipment and structures. The weight of intermediate level radioactive is 204.1kg, and the weight of low level radioactive waste is 2297 kg. They were all transported to West-north Waste disposal plant. The final measuring results are that α and β surface contamination in the reactor building are less than 0.06Bq/cm2 and 0.5Bq/cm2 respectively; the specified activities of the nuclides of 137Cs, 60Co and 90Sr in the soil are less than 1.4 Bq/kg,1.7 Bq/kg and 8.14 Bq/kg respectively; the specified activities of the nuclides of 137Cs, 60Co and 65Zn in the solid sample in the reactor building are less than 5.7 Bq/kg,7.8 Bq/kg and 1.7 Bq/kg respectively. The specified values for α and β surface contaminations in the reactor building are 0.08Bq/cm2 and 0.8Bq/cm2 respectively; they are 12 Bq/kg, 3 Bq/kg and 10 Bq/kg respectively for the limited values of the specified activities of the nuclides of 137Cs,60Co and 90Sr in the soil; the limited values of specified activities of the nuclides of 137Cs,60Co and 65Zn are 100Bq/kg respectively in the solid samples in the reactor building. The measuring results show that JiNan MNSR site meets the requirements of the unrestricted use.
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Jane (1949-....)"

1

Nowick, Arthur S. Protons and lattice defects in perovskite-related oxides [Final report, Jan. 1, 1991-June 30, 1999]. Office of Scientific and Technical Information (OSTI), September 1999. http://dx.doi.org/10.2172/758909.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Research Department - Balance of Payments - Committees and Conferences - Sterling Area Statistical Committee - Correspondence with Nimno - Aug.1948 - Jan. 1949. Reserve Bank of Australia, September 2021. http://dx.doi.org/10.47688/rba_archives_2006/14296.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Research Department - Banking Section - Savings Bank Returns - Forms D (S.B) - Monthly Statement of Assets and Liabilities in Australia - Jan - Dec 1959. Reserve Bank of Australia, September 2021. http://dx.doi.org/10.47688/rba_archives_2006/14797.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Jane (1949-....)' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography