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Books on the topic 'Jane Austen's novels'

Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

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1

Dhatwalia, H. R. Familial relationships in Jane Austen's novels. New Delhi: National Book Organisation, 1988.

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2

Koppel, Gene. The religious dimension of Jane Austen's novels. Ann Arbor: UMI Research Press, 1988.

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3

Jane Austen's novels: The art of clarity. New Haven: Yale University Press, 1992.

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4

Jane, Austen. Jane Austen's Northanger Abbey. New York: Pearson Longman, 2005.

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5

Jane, Austen. Jane Austen's Northanger Abbey. New York, NY: Pearson/Longman, 2006.

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6

Jane Austen's life and novels: A documentary volume. Detroit: Gale Cengage Learning, 2011.

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7

Romance, language and education in Jane Austen's novels. Basingstoke: Macmillan, 1988.

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8

White, Laura Mooneyham. Romance, language, and education in Jane Austen's novels. New York: St. Martin's Press, 1988.

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9

J, Paris Bernard. Character and conflict in Jane Austen's novels: A psychological approach. New Brunswick: Transaction Publishers, 2012.

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10

Jane Austen's town and country style. New York: Rizzoli, 1990.

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11

Jane Austen's town and country style. London: Thames and Hudson, 1990.

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12

Jane, Austen. Jane Austen's Pride and prejudice. New York: Longman, 2002.

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13

M, Duckworth Alistair. The improvement of the estate: A study of Jane Austen's novels. Baltimore: Johns Hopkins University Press, 1994.

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14

Domestic realities and imperial fictions: Jane Austen's novels in eighteenth-century contexts. Athens: University of Georgia Press, 1993.

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15

Corpus linguistics and the study of literature: Stylistics in Jane Austen's novels. London: Continuum, 2010.

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16

Fereydouni, Fatemeh Gholipour. Moving between literature and cinema: Adaptation and appropriation of Jane Austen's major novels. Champaign, Illinois: Common Ground, 2013.

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17

Castellanos, Gabriela. Laughter, war, and feminism: Elements of carnival in three of Jane Austen's novels. New York: P. Lang, 1994.

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18

Computation into criticism: A study of Jane Austen's novels and an experiment in method. Oxford [Oxfordshire]: Clarendon Press, 1987.

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19

Dobosiewicz, Ilona. Female relationships in Jane Austen's novels: A critique of the female ideal propagated in 18th century conduct literature. Opole [Poland]: Wydawn. Uniwersytetu Opolskiego, 1997.

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20

Jane Austen's first love: A novel : the missing manuscripts of Jane Austen. Thorndike, Maine: Center Point Large Print, 2015.

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21

Just Jane: A Novel of Jane Austen's Life. Minneapolis, MN: Bethany House, 2007.

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22

Austen, Jane. Jane Austen: Four novels. San Diego, Calif: Canterbuty Classics, 2011.

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23

Marsh, Nicholas. Jane Austen: The novels. New York: St. Martin's Press, 1998.

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24

Jane, Austen. Seven Novels. New York, USA: Barnes & Noble, 2007.

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25

Marsh, Nicholas. Jane Austen: The novels. New York: St. Martin's Press, 1998.

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26

Marsh, Nicholas. Jane Austen: The Novels. London: Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-26318-9.

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27

Doon, Mackichan, and Austen Jane 1775-1817, eds. Emma: Adapted from Jane Austen's novel. London: Nick Hern Books, 2001.

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28

Jane, Austen. Complete novels of Jane Austen. London: HarperCollins, 1993.

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29

Hall, Lynda A. Women and ‘Value’ in Jane Austen’s Novels. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50736-1.

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30

Dearest cousin Jane: A Jane Austen novel. Waterville, Me: Kennebec Large Print, 2010.

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31

Jane, Austen. The complete novels of Jane Austen. New York: Modern Library, 1992.

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32

Jane Austen's Novels. Yale Univ Pr, 1992.

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33

Brown, Julia P. Jane Austen's Novels. Books on Demand, 1998.

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34

Dadlez, E. M., ed. Jane Austen's Emma. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190689414.001.0001.

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Legend has it that, when asked whether he still read novels, the philosopher Gilbert Ryle responded “Yes, all six, every year,” referring to Jane Austen’s six completed works. Her novels have invited an unusual degree of explicitly philosophical attention from scholars, none more so than Emma. That is unsurprising, given that Austen’s writing invariably addresses questions about virtue and vice, human interaction and rivalry, motivation and commitment, presenting readers with ethical and other dilemmas set in a variety of naturalistic contexts. Questions about social and economic class and social obligations are raised. Austen reflects on self-knowledge and self-awareness, considers how it is that people justify their convictions, and investigates both the nature and the effects of imagination and emotion on human conduct and choices. She dwells on the ways in which evidence is taken note of or disregarded, and the effects of biases on decision and action. Accordingly, many philosophers have a decided soft spot for Austen, and reading Austen is often held to promote philosophical reflection. Emma offers particular opportunities for such reflection, evident when style as well as content is considered. Emma’s radically experimental presentation of events through the distorting lens of the protagonist’s mind, what is now referred to as free indirect style, foregrounds Austen’s then-unique blending of third- and first-person points of vantage. Such narratival perspective-shifting presents unique opportunities for insight and reflection. Among Emma’s manifold stylistic innovations are also the hilariously Joycean stream-of-consciousness monologues, capturing in an instant a portrait of character, state of mind, and motivations.

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35

Gard, Roger. Jane Austen's Novels: The Art of Clarity. Yale University Press, 1994.

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36

Brown, Julia Prewitt. Jane Austen's Novels: Social Change and Literary Form. Harvard University Press, 2013.

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37

Mooneyham, Laura G. Romance, Language and Education in Jane Austen's Novels. Palgrave Macmillan, 1988.

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38

Watkins, Susan. Jane Austen's Town & Country Style. Rizzoli, 1993.

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39

Jones, Vivien. Jane Austen’s Domestic Realism. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199574803.003.0015.

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This chapter studies the nature and quality of Jane Austen's originality. Beyond parody, but wittily in touch with contemporary fiction's excesses, beyond partisanship, but harnessing the language of polemical debates to illuminate ordinary experience, Austen set a rigorous standard for domestic realism. Key to Austen's originality is the way in which her novels transcend any attempt to reduce them to versions of the contemporary fictional subgenres in which she was nonetheless immersed. Though the fictional and political context in which she drafted her 1790s novels ( Sense and Sensibility, Pride and Prejudice, Northanger Abbey) is very different from that in which she wrote and published Mansfield Park (1814), Emma (1816), and Persuasion (1818), this strategy is evident across all her fiction.

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40

J, Paris Bernard. Character and Conflict in Jane Austen's Novels: A Psychological Approach. Taylor & Francis Group, 2017.

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41

Duckworth, Alistair M. Improvement of the Estate: A Study of Jane Austen's Novels. Johns Hopkins University Press, 2020.

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42

Duckworth, Alistair M. Improvement of the Estate: A Study of Jane Austen's Novels. Johns Hopkins University Press, 2020.

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43

Jane Austen's Card Games - 11 Classic Card Games And 3 Supper Menus From The Novels And Letters Of Jane Austen. Austen At Home, 2018.

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44

Sutherland, Kathryn. Jane Austen's Fiction Manuscripts: The Watsons; Persuasion; Susan; Opinions of Mansfield Park and Opinions of Emma; Plan of a Novel; Profits of My Novels. Oxford University Press, 2017.

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45

Pride and Prejudice: A new and revised edition of Jane Austen's masterpiece. Bristol, England: Bishopston Publications, 2015.

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46

Laughter, War and Feminism: Elements of Carnival in Three of Jane Austen's Novels (Writing About Women Feminist Literary Studies, Vol 11). Peter Lang Publishing, 1995.

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47

Austen's Pride and Prejudice. London, England: FGI Publishing, 2016.

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48

Fergus, Jan. ‘Pictures of Domestic Life in Country Villages’. Edited by Alan Downie. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199566747.013.025.

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Though less popular and esteemed in her own time than better known novelists like Maria Edgeworth and Walter Scott, Jane Austen now occupies an exalted place in literary history, in part for inventing nineteenth-century British ‘realist’ fiction. Such fictions seem to represent ‘real life’; she found narrative techniques to give the effect of the real. One of the most important of these techniques has been called ‘free indirect speech’: loosely, a narrator’s third-person, supposedly detached voice ventriloquizes the language and thus the perspective of one of the characters. Austen’s experiments with this device, particularly in Emma, have a history; she had foremothers. Analysis of examples from Austen’s and Edgeworth’s works demonstrate that the use of free indirect speech came to Austen in part through Edgeworth’s experiments in Tales of Fashionable Life. Elaborated and extended by Austen in her novels, the device constitutes Austen’s lasting formal contribution to the realist novel.

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49

Jane, Austen. 8 Books in 1, Jane Austen's Complete Novels: Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma, Northanger Abbey, Persuasion, Lady Susan, and Love and Friendship. Shoes and Ships and Sealing Wax Ltd, 2006.

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50

Jane, Austen. 8 Books in 1: Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma, Northanger Abbey, Persuasion, Lady Susan, and the early work Love and Friendship. Shoes and Ships and Sealing Wax Ltd, 2005.

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