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Journal articles on the topic 'Jane Austen'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Keener, Frederick M., and Tony Tanner. "Jane Austen." Yearbook of English Studies 19 (1989): 333. http://dx.doi.org/10.2307/3508083.

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2

Chesterton, G. K. "Jane Austen." Chesterton Review 40, no. 1 (2014): 25–31. http://dx.doi.org/10.5840/chesterton2014401/24.

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3

Barry, Herbert. "Inference of Personality Projected onto Fictional Characters Having an Author's First Name." Psychological Reports 89, no. 3 (2001): 705–6. http://dx.doi.org/10.2466/pr0.2001.89.3.705.

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Jane Austen projected some of her personality characteristics onto her fictional namesakes Jane Bennet in the novel Pride and Prejudice and Jane Fairfax in the novel Emma. Wishful fantasy seems satisfied by two attributes of both Janes. They are very beautiful, and they marry rich men they love. A feeling of inferiority was expressed by two attributes of both Janes, depicted as deficient in social communication and subordinate to the heroine of the novel.

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4

Priydarshi, Ashok Kumar. "Jane Austen as a Moralist." Journal of Advanced Research in English and Education 05, no. 01 (2021): 12–15. http://dx.doi.org/10.24321/2456.4370.202002.

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5

Suganthi, B., and K. Swarnamuki. "Division of Jane Austen Novels." International Journal of Trend in Scientific Research and Development Volume-2, Issue-3 (2018): 373–75. http://dx.doi.org/10.31142/ijtsrd11010.

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6

Praminatih, Gusti Ayu, and Homsatun Nafiah. "[Woman]’s World Portrayed in Literary Works of Jane Austen." Lingua Cultura 12, no. 1 (2018): 77. http://dx.doi.org/10.21512/lc.v12i1.4040.

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The researchers conducted research on Jane Austen literary works since she was a prominent female novelist with mostly discussed novels. The aim of this research was investigating how Jane Austen portrayed [woman] in the18th century through literary works. Six major novels were used as data. Hence qualitative method was employed. The novels were converted using AntConc. Then, the researchers identified the 50 highest collocations of [woman] based on three main categories in part of speech namely adjective, noun, and verb. The results reveal that Jane Austen portrays [woman] in the 18th century

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7

Kunkli, Emese. ""Bármit érzett is, a józan értelem határozottságával cselekedett” : Jane Austen Brandon ezredese, aki legnagyobb félelmei ellenére is igyekszik józanul cselekedni." Erdélyi Múzeum 86, no. 4 (2024): 176–88. https://doi.org/10.36373/em-2024-4-13.

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A tanulmányomban Jane Austen Értelem és érzelem című regényét elemzem morálfilozófiai megközelítésből. A vizsgálódásom középpontjába Brandon ezredes karakterét állítom, és számos alkalommal támaszkodom MacIntyre Jane Austen-olvasatára Az erény nyomában című monográfiájából. Többek között amellett érvelek, hogy Brandon ezredesre tekinthetünk azon karakterként, aki az erények próbaköve a regényben. A címben szereplő „értelem” szót interpretálhatjuk úgy, mint ami magára az ítélőképességünkre utal, az ezredes pedig olykor túlságosan is próbál józanul cselekedni. Brandon az egyik legönzetlenebb aus

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8

Cointre, Annie. "Jane Austen, Emma." XVII-XVIII, no. 73 (December 31, 2016): 315–16. http://dx.doi.org/10.4000/1718.793.

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9

Lutz, Alfred. "Recreating Jane Austen." English Language Notes 40, no. 3 (2003): 86–91. http://dx.doi.org/10.1215/00138282-40.3.86.

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10

MODERT, JO. "JANE AUSTEN LETTERS." Notes and Queries 32, no. 2 (1985): 250—d—250. http://dx.doi.org/10.1093/nq/32-2-250d.

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11

Simons, Judy. "Persuasion [Jane Austen]." Women's Writing 7, no. 2 (2000): 00. http://dx.doi.org/10.1080/09699080000200137.

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12

Simons, Judy. "Persuasion [Jane Austen]." Women's Writing 7, no. 2 (2000): 327–46. http://dx.doi.org/10.1080/09699080000200384.

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13

Gaull, M. "Jane Austen: Afterlives." Eighteenth-Century Life 28, no. 2 (2004): 113–19. http://dx.doi.org/10.1215/00982601-28-2-113.

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14

Carroll, Joseph, John A. Johnson, Jonathan Gottschall, and Daniel Kruger. "Graphing Jane Austen." Scientific Study of Literature 2, no. 1 (2012): 1–24. http://dx.doi.org/10.1075/ssol.2.1.01car.

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Building on findings in evolutionary psychology, we constructed a model of human nature and used it to illuminate the evolved psychology that shapes the organization of characters in nineteenth-century British novels. Characters were rated on the web by 519 scholars and students of Victorian literature. Rated categories include motives, criteria for selecting marital partners, personality traits, and the emotional responses of readers. Respondents assigned characters to roles as protagonists, antagonists, or associates of protagonists or antagonists. We conclude that protagonists and their ass

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15

Benis, Toby R. "Jane Austen: The Secret Radical / The Making of Jane Austen." European Romantic Review 29, no. 4 (2018): 509–13. http://dx.doi.org/10.1080/10509585.2018.1487515.

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16

Sutherland, K. "JANE AUSTEN. Juvenilia. PETER SABOR (ed.). * JANE AUSTEN. Sense and Sensibility. EDWARD COPELAND (ed.). * JANE AUSTEN. Pride and Prejudice. PAT ROGERS (ed.). * JANE AUSTEN. Northanger Abbey. BARBARA M. BENEDICT and DEIRDRE LE FAYE (eds). * JANE AUSTEN. Persuasion. JANET TODD and ANTJE BLANK (eds). * JANE AUSTEN. Later Manuscripts. JANET TODD and LINDA BREE (eds)." Review of English Studies 63, no. 259 (2012): 333–37. http://dx.doi.org/10.1093/res/hgr104.

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17

Wells, Juliette. "Satire, Celebrity, and Politics in Jane Austen / Jane Austen and Masculinity / Jane Austen and Sciences of the Mind." European Romantic Review 30, no. 4 (2019): 441–49. http://dx.doi.org/10.1080/10509585.2019.1638092.

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18

Sevinj, Aziz. "THE IMAGE OF WOMEN IN JANE AUSTEN'S NOVELS." Annali d'Italia 50 (December 26, 2023): 32–34. https://doi.org/10.5281/zenodo.10432538.

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The article studies the work of Jane Austen as a pioneer of realism in Britain. The image of women created by the writer had an enormous influence on the works of novelist’s future ages of 18-19. It also deals with the profound impact Jane Austen had on the evolution of British literature, particularly her major role in ushering in the era of realism. Austen’s remarkable ability to intricately weave together with tapestry of human emotions, and nuances of everyday life forms the cornerstone of her legacy.Furthermore, the article explores how Austen’s influ

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19

ÖVGÜ TÜZÜN, Hatice. "JANE AUSTEN OKUMAK: JANE AUSTEN KİTAP KULÜBÜ ROMANINDA KENDİNİ KEŞİF YOLCULUKLARI." Trakya Üniversitesi Edebiyat Fakültesi Dergisi 8, no. 16 (2018): 137–49. http://dx.doi.org/10.33207/trkede.493548.

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20

Wu, D. "JANE AUSTEN, The Cambridge Edition of the Works of Jane Austen." Notes and Queries 57, no. 4 (2010): 600–601. http://dx.doi.org/10.1093/notesj/gjq131.

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21

Ferreira, Carla Alexandra, and Raquel Terezinha Rodrigues. "Jane Austen: uma leitura de Becoming Jane (2007)." Anuário de Literatura 23, no. 1 (2018): 11–30. http://dx.doi.org/10.5007/2175-7917.2018v23n1p11.

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Becoming Jane (2007), dirigida por Julian Jarrold, é uma releitura da biografia de Jane Austen que se propõe a apresentar os fatos que explicam sua incursão no mundo das letras bem como os elementos que contribuíram para a escrita de um de seus mais famosos romances – Orgulho e Preconceito (1813). Partindo do pressuposto da transcriação, como posta por Haroldo de Campos, e da proposta de leitura das narrativas em três horizontes, como apresentado por Fredric Jameson (1992), o objetivo deste artigo é o de apontar como a biografia fílmica Becoming Jane (2007) transcria ambas a vida e a obra de J

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22

K., Santhana Lakshmi. "Familial Relationships as Portrayed by Jane Austen in Mansfield Park." RESEARCH REVIEW International Journal of Multidisciplinary 4, no. 1 (2019): 38–41. https://doi.org/10.5281/zenodo.2536438.

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Jane Austen (1775–1817) a well known English novelist was born in the period of prolific literary productivity. Jane Austen"s novels realistically portray middle class life in England in the eighteenth and the early nineteenth century. Jane Austen presents the English society of her period in all its essence. She deals with all the familial and social concerns of both men and women of her days. She brings out all the aspects of her society which begins at home and stretches out to cover society, politics, education, gender, marriage, religion, profession and economy in her works. With a

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23

Yinglan, Lv. "A pragmatical analysis of politeness and face problems in 'Pride and Prejudice'." SDCA Asia-Pacific Multidisciplinary Research Journal 3 (December 27, 2021): 68–70. https://doi.org/10.5281/zenodo.8022274.

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Pragmatics, closely related to literature, has been considered a powerful tool to study the language of literary works. Pride and Prejudice is famous British writer Jane Austen’s masterpiece. Jane Austin is apt at depicting people by conversations. She subtlety use conversations to highlight themes, push forward the plot. The characters created by her are full of dramatic stretching force, reproducing the people’s characteristics, emotions and conflicts vividly. Conversation is the main tool to achieve humorous effects as well. Therefore, conversation plays a very important role in

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24

Mooneyham, Laura, and Deborah Kaplan. "Jane Austen among Women." South Atlantic Review 58, no. 3 (1993): 130. http://dx.doi.org/10.2307/3200929.

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25

Stetz, Margaret D., and Deborah Kaplan. "Jane Austen among Women." Tulsa Studies in Women's Literature 13, no. 1 (1994): 182. http://dx.doi.org/10.2307/463870.

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26

Ritter, Kelly, Linda Troost, and Sayre Greenfield. "Jane Austen in Hollywood." Journal of the Midwest Modern Language Association 33, no. 2 (2000): 97. http://dx.doi.org/10.2307/1315205.

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27

Dussinger, John A., Janet Todd, and Barry Roth. "Jane Austen: New Perspectives." Modern Language Review 82, no. 4 (1987): 923. http://dx.doi.org/10.2307/3729070.

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28

Abromaitis, Carol Nevin. "Jane Austen Among Women." Nineteenth Century Studies 8, no. 1 (1994): 130–31. http://dx.doi.org/10.2307/45196744.

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29

STABLER, JANE. "Jane Austen and Caricature." Nineteenth Century Studies 21, no. 1 (2007): 1–18. http://dx.doi.org/10.2307/45196983.

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30

Mercier, Christophe. "Jane Austen en Pléiade." Commentaire Numéro 144, no. 4 (2013): 917–18. http://dx.doi.org/10.3917/comm.144.0917.

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31

Abromaitis, Carol Nevin. "Jane Austen Among Women." Nineteenth Century Studies 8, no. 1 (1994): 130–31. http://dx.doi.org/10.2307/ninecentstud.8.1994.0130.

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32

STABLER, JANE. "Jane Austen and Caricature." Nineteenth Century Studies 21, no. 1 (2007): 1–18. http://dx.doi.org/10.2307/ninecentstud.21.2007.0001.

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33

Kaplan, Deborah, and Park Honan. "Jane Austen: Her Life." Modern Language Studies 19, no. 2 (1989): 90. http://dx.doi.org/10.2307/3195197.

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34

Markovits, Stefanie. "Jane Austen, by Half." Eighteenth-Century Fiction 32, no. 2 (2019): 297–315. http://dx.doi.org/10.3138/ecf.32.2.297.

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35

Burgess, Miranda. "Jane Austen on Paper." European Romantic Review 29, no. 3 (2018): 365–75. http://dx.doi.org/10.1080/10509585.2018.1465696.

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36

Hume, R. D. "Money in Jane Austen." Review of English Studies 64, no. 264 (2012): 289–310. http://dx.doi.org/10.1093/res/hgs054.

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37

Hopkins, Lisa. "Jane Austen and Money." Wordsworth Circle 25, no. 2 (1994): 76–78. http://dx.doi.org/10.1086/twc24043082.

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38

Stephens, John. "A jane austen encyclopedia." Women's Writing 7, no. 1 (2000): 119–44. http://dx.doi.org/10.1080/09699080000200377.

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39

Southam, Brian. "“Manoeuvring” in jane austen." Women's Writing 11, no. 3 (2004): 463–76. http://dx.doi.org/10.1080/09699080400200322.

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40

Ballinger, Gill. "The Hidden Jane Austen." Women's Writing 23, no. 4 (2016): 549–50. http://dx.doi.org/10.1080/09699082.2016.1157296.

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41

Sales, Roger, and David Selwyn. "Jane Austen and Leisure." Albion: A Quarterly Journal Concerned with British Studies 33, no. 1 (2001): 128. http://dx.doi.org/10.2307/4053082.

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42

Sutherland, Kathryn. "Jane Austen: Fragment Artist." Essays in Criticism 68, no. 2 (2018): 190–210. http://dx.doi.org/10.1093/escrit/cgy004.

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43

Charles, Aurelie. "Jane Austen, Game Theorist." Eastern Economic Journal 40, no. 4 (2014): 611–12. http://dx.doi.org/10.1057/eej.2014.16.

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44

Benditt, Theodore. "Jane Austen and Pride." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 29, no. 2 (2016): 62–66. http://dx.doi.org/10.1080/0895769x.2016.1207500.

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45

Banerjee, Jacqueline. "Jane Austen in Context." English Studies 88, no. 2 (2007): 235–36. http://dx.doi.org/10.1080/00138380601154843.

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46

Faria, Marcella. "As mães de Jane Austen." Palimpsesto - Revista do Programa de Pós-Graduação em Letras da UERJ 24, no. 47 (2025): 376–95. https://doi.org/10.12957/palimpsesto.2025.80692.

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Este artigo tem como finalidade identificar a figura materna presente nos romances escritos por Jane Austen, visando relacioná-la à mãe da autora, Cassandra Austen. Para tanto, descreveu-se brevemente a biografia de Cassandra, bem como possíveis especulações sobre o relacionamento entre ela e a filha. Ademais, levantou-se características desse relacionamento na obra de Austen a fim de verificar o que essas figuras maternas têm a oferecer para suas filhas como um modelo a ser seguido. Adotou-se, como linha de pensamento teórico, os pressupostos da crítica biográfica, relacionando obras literári

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47

Colipcă-Ciobanu, Gabriela Iuliana, and Ioana Mohor-Ivan. "The mere habit of learning to love is the thing: Janeitism and/in Karen Joy Fowler's The Jane Austen Book Club." Cultural Intertexts 7/2017 (December 22, 2017): 67–92. https://doi.org/10.5281/zenodo.7854851.

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To the present day, Jane Austen has remained a subject of almost religious adoration for her numerous fans, the Janeites, who keep returning to her writings, take interest in the films and the popular works derived from them, and even seek to surround themselves with objects that remind them of their "beloved‘. Determined by the desire to engage in social practices that emulate Austenian sociability (O‘Farrell 2009: 478-80), many of Jane Austen‘s ―everyday enthusiasts (Wells 2011: 11) have joined reading groups/ book clubs in order to discuss her fiction and to bett

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48

Stafford, F. "Jane Austen in Context. Edited by JANET TODD." Review of English Studies 57, no. 232 (2005): 829–31. http://dx.doi.org/10.1093/res/hgl098.

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49

Heaverly, Aralia, and Elisabeth Ngestirosa EWK. "Jane Austen's View on the Industrial Revolution in Pride and Prejudice." Linguistics and Literature Journal 1, no. 1 (2020): 1–6. http://dx.doi.org/10.33365/llj.v1i1.216.

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This study dismantles Jane Austen’s view in Pride and Prejudice novel triggered by the social systems in British society. The society influenced by the phenomena of the industrial revolution in England in the late eighteenth century revealed the social system. This study aims to find out how Jane Austen views the revolution of the industry in British society. By having the focus on the sociology of literature, this study applies Lucien Goldman’s genetic structuralism. By the dialectical method, the study found that in Austen’s view the landed gentry system and inheritance system was adopted to

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50

Wilson, Cheryl A. "Jane Austen in Mid-Victorian Periodicals." Humanities 11, no. 4 (2022): 76. http://dx.doi.org/10.3390/h11040076.

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Victorian periodicals were an important part of the literary marketplace that shaped Jane Austen’s critical reception during the nineteenth century. Moreover, throughout the century, periodical authors used the critical conversation around Austen to create a space for themselves and their work in the press by beginning to shape a critical canon, as well as by raising and responding to questions about the nature of Victorian women’s authorship. Focusing on articles published during the mid-Victorian period (1852–1868), prior to the publication of James Edward Austen-Leigh’s 1870 A Memoir of Jan

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