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Relevant bibliographies by topics / Japan, Cinema

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Dissertations / Theses

Academic literature on the topic 'Japan, Cinema'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

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Dissertations / Theses on the topic "Japan, Cinema"

1

Ramlochand, John. "Japanese cinema : time space nation." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102159.

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This work utilizes a spatial theory approach to meditate on postwar Japanese society and cinema. It is not a history of Japanese postwar cinema, or a survey of notable directors and genres. Rather, the focus is specifically on film and its relation to the deeper tropes of Japanese society; in particular, on how the sense of nation is affirmed and/or challenged within a postwar period of remarkable change. Understanding such a structure greatly aids in analyzing the forms and meanings within the films. The question of National Cinema, then, is approached by exploring how the interaction of spat

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2

Cazdyn, Eric M. "Problem cinema : culture, capital and form in Japan /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9908497.

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3

McAulay, Alexander. "The western screenwriter in Japan : screenwriting considerations in transnational cinema." Thesis, Bournemouth University, 2018. http://eprints.bournemouth.ac.uk/30896/.

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This PhD investigates the writing of a feature film screenplay for mainstream Japanese-language cinema by a British screenwriter. As a long-term resident of Japan with production credits in Japanese cinema, I have for many years been interested in how to write stories set in Japan that will appeal to domestic and international audiences. The study examines the challenges I face as a Western screenwriter writing a screenplay for Japanese cinema, and how those challenges inform my creative practice, bringing into being a screenplay that is intended to enhance screenwriting craft in mainstream Ja

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4

Ishii, Regiane Akemi 1986. "Tóquio no cinema contemporâneo : aproximações." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285307.

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Orientador: Gilberto Alexandre Sobrinho<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-27T22:55:13Z (GMT). No. of bitstreams: 1 Ishii_RegianeAkemi_M.pdf: 6759325 bytes, checksum: 58e1d65d408f67ebcc4a99ad2a50af31 (MD5) Previous issue date: 2015<br>Resumo: Este trabalho propõe a análise de investimentos espaciais e processos de significação em filmes realizados em Tóquio por diretores não japoneses, na década de 2000. Nosso interesse recai sobre a relação entre cinema e cidade, tomando como principal aporte teórico as id

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5

Ross, Julian A. "Beyond the frame : intermedia and expanded cinema in 1960-70s Japan." Thesis, University of Leeds, 2014. http://etheses.whiterose.ac.uk/7608/.

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This thesis examines what intermedia meant for artists and critics in 1960s-70s Japan in order to investigate the intermediality of Japanese expanded cinema. While demonstrating the ability for mediums to interact, intermedia highlights the particularities of a medium through the process of juxtaposition. The historical theorisation of medium interactions are outlined in Part I, which addresses the distinctiveness of intermedia from others and provides an overview on the ways Japanese artists and critics responded to intermedia in the 1960s. While proposing a discourse on medium interactions p

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6

Wu, I.-Fen. "Taiwanese new wave cinema : historical representation and cultural landscape." Thesis, University of Essex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369363.

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7

Alencar, Jorge Couto de. "Chanbara: a atmosfera nos filmes de samurai do sÃculo XXI." Universidade Federal do CearÃ, 2017. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=20018.

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CoordenaÃÃo de AperfeiÃoamento de NÃvel Superior<br>A Chanbara, gÃnero cinematogrÃfico japonÃs, popularmente conhecido no ocidente como cinema de samurai, tem como uma de suas principais caracterÃsticas a atmosfera cinematogrÃfica, preocupaÃÃo recorrente do cinema do JapÃo. O presente trabalho procura aprofundar os estudos sobre o tema no cinema japonÃs do sÃculo XXI, atravÃs da pesquisa histÃrica e anÃlise fÃlmica. O primeiro foco da pesquisa Ã entender as caracterÃsticas que tornam o cinema produzido no JapÃo Ãnico e quais as particularidades do samurai, um personagem importante para a ident

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8

O'Reilly, Sean D. "Re-Viewing the Past: The Uses of History in the Cinema of Japan, 1925-1945." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467187.

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In this thesis I use historical films to construct a social history of Japan's tumultuous interwar and wartime periods. I analyze filmic depictions of the Bakumatsu period (1853-1868), Japan's rocky transition to modernity, from the perspective of the audiences of 1925-1945, an era in which societal interest in representations of the Bakumatsu period soared. Methodologically, I use close visual analysis but move beyond an aesthetically-minded film studies approach to raise issues of audience reception, war and society, empire, sexuality and gender, censorship, urban spaces and popular culture

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9

Terry, Patrick Alan 1984. "Space In-Between: Masumura Yasuzo, Japanese New Wave, and Mass Culture Cinema." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11477.

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viii, 111 p. : ill. (some col.)<br>During the early stage of Japan's High Economic Growth Period (1955-1970), a group of directors and films, labeled the Japanese New Wave, emerged to strong critical acclaim and scholarly pursuit. Over time, Japanese New Wave Cinema has come to occupy a central position within the narrative history of Japanese film studies. This position has helped introduce many significant films while inadvertently ostracizing or ignoring the much broader landscape of film at this time. This thesis seeks to complexify the New Wave's central position through the career of Dai

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10

Fedorova, Anastasia. "Japan's Quest for Cinematic Realism from the Perspective of Cultural Dialogue between Japan and Soviet Russia, 1925-1955." Kyoto University, 2014. http://hdl.handle.net/2433/188789.

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Kyoto University (京都大学)<br>0048<br>新制・課程博士<br>博士(人間・環境学)<br>甲第18351号<br>人博第664号<br>新制||人||160(附属図書館)<br>25||人博||664(吉田南総合図書館)<br>31209<br>京都大学大学院人間・環境学研究科共生人間学専攻<br>(主査)教授加藤幹郎, 教授服部文昭, 教授松田英男<br>学位規則第4条第1項該当

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