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Relevant bibliographies by topics / Japan cultural tradition / Dissertations / Theses

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Dissertations / Theses on the topic 'Japan cultural tradition'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Ogawa, Masashi, and 小川正志. "Revival of cultural tradition amongst two ethnic minorities: Ainu in Japan and aborigines in Taiwan." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31950851.

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Ogawa, Masashi. "Revival of cultural tradition amongst two ethnic minorities Ainu in Japan and aborigines in Taiwan /." Click to view the E-thesis via HKUTO, 1995. http://sunzi.lib.hku.hk/hkuto/record/B31950851.

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3

Lund, Frederik, and Milos Kenjic. "Internationell Internprissättning : En komparativ studie mellan Sverige, Japan & Ryssland." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-14373.

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Den ständigt ökande internationaliseringen leder till framkomsten av allt fler multinationella företag med verksamheter inom flera länder. En konsekvens av den ökade globaliseringen är att den internationella skatteflykten allt jämt ökat, då internationella koncerner väljer att flytta delar av vinsten till länder med mer förmånliga skattesatser. Ett sätt för de multinationella företagen att minimera den världsomfattande skatten är genom internprissättning. Internprissättning är det pris som koncernen sätter på sina interna transaktioner mellan koncernbolagen. Som en reaktion på den ökade skatt

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4

Goodman, R. "A study of the Kikokoshijo phenomenon : Returnee schoolchildren in contemporary Japan." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.384800.

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Sarashima, S. "Intangible cultural heritage in Japan : Bingata, a traditional dyed textile from Okinawa." Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1388906/.

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My thesis is an ethnographic investigation of the social impact of Japan’s Intangible Cultural Heritage (ICH) policy, a government scheme that supports practitioners of traditional crafts and performing arts and defines their skills accordingly. This concept of heritage was developed in Japan immediately following the Second World War, when the country, then under the USA’s control, was attempting to establish a social value of ‘tradition’ while also pursuing the economic and social development that has facilitated the nation’s Americanisation. People in contemporary Japan continue to engage i

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Bennett, Alexander Campbell. "The Cultural Politics of Proprietorship: The Socio-historical Evolution of Japanese Swordsmanship and its Correlation with Cultural Nationalism." Thesis, University of Canterbury. School of Languages, Cultures and Linguistics, 2012. http://hdl.handle.net/10092/6869.

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This thesis provides a detailed socio-historical analysis of the evolutionary process of traditional Japanese swordsmanship (kenjutsu) from the inception of distinct martial schools (bugei-ryuha) in the fourteenth century, to its gradual progression into a modern competitive sport (kendo), and a subject of study in the current Japanese education system. The following questions with regards to the development of Japanese swordsmanship were analysed: 1) How did schools dedicated to the study of martial arts (bugei-ryuha) evolve, and why was the sword so important to the early traditions? 2) Wha

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Sakai, Naoki. "Die Verortung des Westens und die Tradition des japanischen Denkens." Universitätsbibliothek Leipzig, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-161094.

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The study of Japan has too often been premised upon a crude presupposition that any intellectual or artistic production is predetermined by the structure of Japanese language or culture. This rather culturalist assumption can be sustained only by a refusal to entertain theoretical critiques. This article shows that the typical culturalist argument about Japanese literature is based upon a misconception of translation and the accompanying essentialist view of language.

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Sakai, Naoki. "Die Verortung des Westens und die Tradition des japanischen Denkens." Dialektik, 1998,1, S. 11 - 28 ISSN 0939-5512, 1998. https://ul.qucosa.de/id/qucosa%3A13162.

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The study of Japan has too often been premised upon a crude presupposition that any intellectual or artistic production is predetermined by the structure of Japanese language or culture. This rather culturalist assumption can be sustained only by a refusal to entertain theoretical critiques. This article shows that the typical culturalist argument about Japanese literature is based upon a misconception of translation and the accompanying essentialist view of language.

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9

Nuez, Pérez Maria Eugenia de la. "La création de l'identité nationale en Grèce et au Japon aux XVIIIème et XIXème siècles." Thesis, Bordeaux 3, 2013. http://www.theses.fr/2013BOR30050/document.

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Depuis toujours, les peuples ont éprouvé le besoin de se différencier les uns des autres et, en même temps de trouver ce qui leur était propre, c’est-à-dire leur identité (culturelle d’abord et puis nationale). Une première définition d’identité est faite grâce aux réflexions des savants du XVIIIe siècle même si cette définition répond essentiellement aux besoins des élites au sein desquelles elle est néé. Cette utilisation de la part des élites sera plus évidente au siècle suivant lors de la formation des Etats-nations. Dans ce contexte, ce qui auparavant était « identité culturelle » deviend

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Petty, John E. "Stage and Scream: The Influence of Traditional Japanese Theater, Culture, and Aesthetics on Japan's Cinema of the Fantastic." Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc68031/.

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Although widely viewed in the West, Japanese films are often misunderstood, as they are built on cultural, theatrical, and aesthetic traditions entirely foreign to Western audiences. Particularly in regards to Japan's "fantastic" cinema - including giant monster pictures, ghost stories, and "J-Horror" films - what is often perceived as "cheap" or "cheesy" is merely an expression of these unique cultural roots. By observing and exploring such cultural artifacts as kabuki, noh, and bunraku - the traditional theatrical forms of Japan - long-standing literary traditions, deeply embedded philosophi

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11

Távora, Maria Teresa Caldeira Rodrigues de Mendonça Falcão e. "(In) Visibilidades da tradição japonesa no olhar de Távora." Master's thesis, Universidade de Évora, 2015. http://hdl.handle.net/10174/18211.

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Resumo introdutório: Nesta tese, procuramos explorar diversos momentos de uma constelação de sentidos que não é senão o reverso teórico da multiplicidade de pontos pelos quais se constituiu, em tempos idos, a viagem do mestre Fernando Távora pelo Japão - o zénite de todos os locais que percorreu, por isso tão amplamente abordado - e procura tornar visível não somente aquilo que já seria um trabalho de monta, a saber, as fortes influências arquitectónicas - i.e., as componentes especificamente técnicas e visuais assaz tratadas ao longo do texto - que Távora recebeu ao longo do seu percurso pelo

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12

Sylvester, Katherine. "Negotiating kendo capital and gendered identity in a Japanese sports university kendo club." Thesis, 2015. https://vuir.vu.edu.au/32319/.

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This thesis explores how female Japanese sports university kendo practitioners negotiate their identity to accumulate kendo capital and personal meaning in the processes of club membership. To make sense of Japanese women’s sports university kendo, an ethnographic research project was conducted over an 18-month period starting in 2012. In culturally protected social fields such as kendo, ethnography is invaluable as a method as it provides new and exciting ways to understand and theorise the relationship between sport, culture and gendered identity. Evolving from warrior culture, kendo is cons

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13

Weng, Li-Shan, and 翁儷珊. "An Analysis of Experiential Marketing in Cultural and Creative Industries-Using Traditional Cultural Industries of Taiwan and Japan as Examples." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/68777745437458795616.

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碩士<br>銘傳大學<br>國際事務研究所碩士班<br>101<br>Under the trend of globalization, competition between industries is deteriorated into a bitter quarrel. What enterprises in Taiwan have to face is the double pressure of competition, and this situation is also become a test for traditional cultural industries in Taiwan. They have to understand its features and combine their features with economic and art, and use the creation in life to develop into culture and creative industries. Culture and creative industries can make their products and even the whole country more competitive. On the other hand, a success

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14

Peters, Micah David James. "Consuming identities : contemporary Japanese foodways in a global locale." Thesis, 2012. http://hdl.handle.net/2440/72861.

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This thesis is the outcome of 12 months of fieldwork undertaken in a semi-rural community in Osaka, a major city in Western Japan, and examines how food and foodways are central to the articulation and maintenance of Japanese identity. My objective is to show how my informants understand and represent themselves and where they are in the world with food. A predominant theme is how local and regional foodways contribute to a sense of distinctive local identity. At the same time, I also seek to demonstrate the place of imported foods and international cuisines in everyday life. In this thesis I

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15

Croft, Adam. "Tatsukawa: Orality, Ethics, & Regional Renaissance in Industrial Japan." Phd thesis, 2015. http://hdl.handle.net/1885/104303.

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Drawing on various aspects of media history, oral tradition, and pedagogical studies, my PhD research thesis — 'Tatsukawa: Orality, Ethics, & Regional Renaissance in Industrial Japan' (2015) — examines the effects of oral tradition on ethics in Japanese mass media. The Tatsukawa bunko (c.1910-25) published by Bunmeidô makes liberal use of gokiroku mono (feudal annals), stock characters like kyôkaku mono (‘men of honour’), sewa mono (poignant episodes of daily life), and shinkôki (stories of saints), all of which were integrated with kôdan (classical narratives) some time around the Muromachi e

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16

Feldman, Ross Christopher. "Enchanting modernity : religion and the supernatural in contemporary Japanese popular culture." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-08-3903.

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This thesis examines the ways in which popular culture reveals, and shapes, religious thinking in contemporary Japan. Through an investigation of popular culture including animated films (anime) and graphic novels (manga), and the cultural processes related to their production and consumption, it explores how and why popular culture in Japan is acting as a repository for ideas and images relating to religion, the supernatural, and the human and non-human agents who mediate them. Popular culture is important not only for the ways it discloses contemporaneous cultural trends, but because it ac

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17

Wu, I.-Te, and 吳怡德. "Research on the Traditional Family Value of Confucian Culture Circle in East Asia - The Case Of Mainland China, Taiwan, Japan, Korea, Vietnam." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/832vws.

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碩士<br>國立臺灣大學<br>國家發展研究所<br>107<br>The scope of this thesis is East Asian Confucian cultural circle, which mainly refers to the People''s Republic of China, Taiwan, Japan, South Korea and Vietnam. These five countries used to follow the order of Huayi under the tributary system in modern times, that is, the surrounding countries to China. Tribute, thus maintaining an international order with Huaxia as the main axis. In the middle of the 16th century, the Chinese dominated by the Han people died in Yidi Manqing and were ruled by them. In Japan, there is therefore a so-called "Hua Yi&ap

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18

Sosna, Petr. "Geopolitická imaginace a percepce bezpečnosti v Japonsku." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-338159.

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This thesis deals with Japanese foreign and security policy through the optics of critical geopolitics, specifically the "geopolitics as culture" notion developed by Gearóid Ó Tuathail. Using this notion as an analytical framework, the development of Japan's foreign and security policy from the establishment of a modern Japanese state till present days is analyzed, with three main concepts being addressed: (1) foreign policy traditions; (2) geopolitical and geostrategic discourses; (3) and strategic and geopolitical culture. For reasons of narrowing the topic down and applying the concept more

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