Academic literature on the topic 'Japan in fiction'

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Journal articles on the topic "Japan in fiction"

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Shindo, Reiko. "Resistance beyond sovereign politics: Petty sovereigns’ disappearance into the world of fiction in post-Fukushima Japan." Security Dialogue 49, no. 3 (2018): 183–99. http://dx.doi.org/10.1177/0967010617751994.

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What happens to sovereign power when petty sovereigns refuse to exploit discretionary power to suspend the rule of law, the very power that is delegated to them and makes them who they are? How might such a refusal contribute to a better understanding of the relationship between resistance and sovereign power? This article revisits Judith Butler’s notion of petty sovereigns to explore the possibility that petty sovereigns establish a distinctive relationship with law. This article draws on a case involving one nameless petty sovereign and his published writings. He writes novels to expose how
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Wilkins, Thomas S. "Japan in Decline: Fact or Fiction?" Japanese Studies 33, no. 3 (2013): 334–36. http://dx.doi.org/10.1080/10371397.2013.860885.

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Rhee, Jooyeon. "Making Sense of Fiction: Social and Political Functions of Serialized Fiction in the Daily News (Maeil sinbo) in 1910s Korea." Journal of Korean Studies 22, no. 1 (2017): 227–55. http://dx.doi.org/10.1215/21581665-4153385.

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Abstract Modern Korean newspapers played a decisive role in transforming the Korean fiction genre in the early twentieth century―a transformation that was carried out in two distinctively different cultural and political environments. In the 1900s, reform-minded Korean intellectuals translated and authored fictional works in newspapers primarily as a way to instigate Koreans to participate in the nation-building process during the Patriotic Enlightenment movement (Aeguk kyemong undong) period. When Japan annexed Korea in 1910, the Daily News (Maeil sinbo) continually used fiction as a vehicle
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Cornyetz, Nina, Stephen Snyder, and Philip Gabriel. "Oe and beyond: Fiction in Contemporary Japan." Journal of Japanese Studies 26, no. 2 (2000): 427. http://dx.doi.org/10.2307/133282.

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Afanasov, Nikolai B. "Cyberfeminism as Science Fiction. Drawn in Japan." Galactica Media: Journal of Media Studies 4, no. 1 (2022): 71–95. http://dx.doi.org/10.46539/gmd.v4i1.248.

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In the 80’s representatives of the second wave feminist theory nurtured hopes that new technologies would become an effective instrument of liberating from binary oppositions of patriarchal culture. Donna Haraway saw the potential of social transformations in cybernetic technologies. The fusion of biological, mechanical and cybernetic was to have led to the emergence of new cyborg subjectivity. It should be capable of creating its own culture as well as a new world. Later this narrative would be widely criticized, but in this optimistic form it greatly affected science fiction of the period. T
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Lofgren, Erik R., Stephan Snyder, and Philip Gabriel. "Ōe and Beyond: Fiction in Contemporary Japan." World Literature Today 74, no. 2 (2000): 359. http://dx.doi.org/10.2307/40155622.

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Walker, Janet A., and Peter F. Kornicki. "The Reform of Fiction in Meiji Japan." Monumenta Nipponica 40, no. 4 (1985): 433. http://dx.doi.org/10.2307/2384828.

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Lippit, Seiji, Stephen Snyder, and Philip Gabriel. "Oe and Beyond: Fiction in Contemporary Japan." Monumenta Nipponica 55, no. 2 (2000): 305. http://dx.doi.org/10.2307/2668440.

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Heinrich, Amy Vladeck, and Yukiko Tanaka. "Unmapped Territories: New Women's Fiction from Japan." World Literature Today 66, no. 4 (1992): 784. http://dx.doi.org/10.2307/40148818.

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Idone Cassone, Vincenzo. "Gotta face ‘em all: Pokémon, Japanese animated characters, and the emergence of playful visual animism." Sign Systems Studies 49, no. 3-4 (2021): 543–65. http://dx.doi.org/10.12697/sss.2021.49.3-4.15.

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As a result of technological innovations and new cultural practices, the contemporary mediasphere is increasingly populated by digital(ized) faces. The phenomenon is not limited to human faces, but includes a vast universe of fictional animated faces, variously called ‘characters’, ‘mascots’ or ‘kyara’. In Japan, while certainly not new, kyara have been spreading thanks to globalization, digitalization and media-mix strategies. Through the connection between visual design, fictional narratives and socio-cultural consumption, kyara can be considered semiotic figures of in-betweenness, key symbo
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Dissertations / Theses on the topic "Japan in fiction"

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Hayter, Irena Eneva. "Words fall apart : the politics of form in 1930s Japanese fiction." Thesis, SOAS, University of London, 2008. http://eprints.soas.ac.uk/29296/.

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This thesis presents an analysis of Japanese modernist texts from the 1930s, with an emphasis on the writings of Takami Jun (1907-1965), Ishikawa Jun (1899-1987) and Dazai Osamu (1909-1948). Rather than discuss these experiments within the problematic of influence and see them as secondary gestures imitating the techniques of Gide or Joyce, I attempt to show that Japanese modernist fiction is deeply implicated in its cultural, political and technological moment. 1 begin with a mapping of the historical and discursive forces behind the so-called cultural revival (bungei fukko) and the revolt ag
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Dil, Jonathan. "Murakami Haruki and the search for self-therapy." Thesis, University of Canterbury. Languages and Cultures, 2008. http://hdl.handle.net/10092/1004.

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This thesis offers a reading of the first eleven novels of popular Japanese novelist Murakami Haruki, as well as a selected number of his short-stories and non-fictional works, as an evolving therapeutic discourse. In short, it is a response to Murakami's own claim to have started writing fiction as a means of self-therapy. Murakami, I will argue, is primarily responding to existential anxieties that have been magnified by conditions of cultural decline in late-capitalist Japan. His resulting therapeutic discourse shares interesting parallels with certain psychoanalytic theories of the twentie
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Garza, James Michael. "Disenchanting Japan: Japanese Futurity in Neuromancer and the Science Fiction of Masaki Goro." Thesis, The University of Arizona, 2010. http://hdl.handle.net/10150/193331.

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I apply enchantment theory to William Gibson's Neuromancer and several works by the Japanese SF author Masaki Goro to reveal shared assumptions about Japan as the locus of an emergent techno-social hybridity. Both Gibson and Masaki register signs of widespread disenchantment stemming from an increasingly technologically advanced society with a ruthlessly efficient take on capitalism. However, they mobilize their portrayals to different ends. I demonstrate that the authors diverge in their assessments of a technologically-mediated reenchantment. I also argue that the authors' use of conventions
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Murnion, Stephen. "The Limits of Existential Therapy in the Fiction of Nakamura Fuminori." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/19674.

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Written within an existentialist mode, Nakamura Fuminori’s early fictional works lend themselves to be read as therapeutic technologies reaching out to Japanese youth whose lives are marked by anxiety, isolation, and precariousness. Because English-language scholarship on Nakamura is lacking, this thesis analyzes two of his novels – Child of Dirt and Evil and the Mask – in order to introduce how Nakamura understands the human, how his texts function formally as therapeutic technologies, and how, in the final analysis, they exhibit a nascent sexism that borders on misogyny.
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Hedberg, William. "Locating China in Time and Space: Engagement with Chinese Vernacular Fiction in Eighteenth-Century Japan." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10197.

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This dissertation discusses the Edo-period Japanese translation, adaptation, and theoretical analysis of Chinese popular fiction and drama between 1680 and 1815. I focus on the ways in which Japanese encounters with fiction and drama written in the unfamiliar “vernacular” engendered reinterpretations of Japan’s cultural relationship to China. Whereas this relationship had previously centered largely on the Confucian classics and their ongoing interpretation in Japan, I argue that the introduction of vernacular texts enabled new modes of visualizing China’s position as a locus of textual and cu
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Kato, Megumi Humanities &amp Social Sciences Australian Defence Force Academy UNSW. "Representations of Japan and Japanese people in Australian literature." Awarded by:University of New South Wales - Australian Defence Force Academy. School of Humanities and Social Sciences, 2005. http://handle.unsw.edu.au/1959.4/38718.

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This thesis is a broadly chronological study of representations of Japan and the Japanese in Australian novels, stories and memoirs from the late nineteenth century to the twenty-first century. Adopting Edward Said???s Orientalist notion of the `Other???, it attempts to elaborate patterns in which Australian authors describe and evaluate the Japanese. As well as examining these patterns of representation, this thesis outlines the course of their development and change over the years, how they relate to the context in which they occur, and how they contribute to the formation of wider Austral
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Emanuel, Elizabeth Frances. "Writing the oriental woman : an examination of the representation of Japanese women in contemporary Australian crime fiction." Thesis, Queensland University of Technology, 2009. https://eprints.qut.edu.au/64475/1/Elizabeth_Emanuel_Exegesis.pdf.

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This study considers the challenges in representing women from other cultures in the crime fiction genre. The study is presented in two parts; an exegesis and a creative practice component consisting of a full length crime fiction novel, Batafurai. The exegesis examines the historical period of a section of the novel—post-war Japan—and how the area of research known as Occupation Studies provides an insight into the conditions of women during this period. The exegesis also examines selected postcolonial theory and its exposition of representations of the 'other' as a western construct designed
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McArthur, Maxine Elisabeth. "In the gaps left unfilled : historical fantasy and the past." Thesis, Queensland University of Technology, 2008. https://eprints.qut.edu.au/20297/1/Maxine_McArthur_Exegesis.pdf.

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The thesis consists of the novel The Fox and the Mirror and an accompanying exegesis. The novel is an historical fantasy set in a world based on early medieval (12-13th century) Japan. The main characters are a young female shaman, Hatsu, and a young warrior’s assistant, Sada, who is a Buddhist believer. When Hatsu’s village and shrine are destroyed by warriors and her summoning mirror is stolen, she is abandoned by her kami . To experience the kami’s presence again, she must follow the thief and retrieve the mirror before it can be used to resurrect an ancient evil. Sada must capture Hatsu an
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McArthur, Maxine Elisabeth. "In the gaps left unfilled : historical fantasy and the past." Queensland University of Technology, 2008. http://eprints.qut.edu.au/20297/.

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The thesis consists of the novel The Fox and the Mirror and an accompanying exegesis. The novel is an historical fantasy set in a world based on early medieval (12-13th century) Japan. The main characters are a young female shaman, Hatsu, and a young warrior’s assistant, Sada, who is a Buddhist believer. When Hatsu’s village and shrine are destroyed by warriors and her summoning mirror is stolen, she is abandoned by her kami . To experience the kami’s presence again, she must follow the thief and retrieve the mirror before it can be used to resurrect an ancient evil. Sada must capture Hatsu an
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Gonzalez, Stephanie. "A Thousand Words: Responses to Photographs." Honors in the Major Thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1168.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Humanities<br>English; Creative Writing
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Books on the topic "Japan in fiction"

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Jefferson, Tyler William, ed. Modanizumu: Modernist fiction from Japan, 1913-1938. University of Hawai'i Press, 2008.

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1940-, Tanaka Yukiko, ed. Unmapped territories: New womens's fiction from Japan. Women in Translation, 1991.

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1957-, Snyder Stephen, and Gabriel J. Philip, eds. Ōe and beyond: Fiction in contemporary Japan. University of Hawai'i Press, 1999.

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Coyle, Jennifer. Big in Japan. Sitric Books, 2005.

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Ganeri, Anita. Japan. Raintree, 2015.

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Megan, Bates, and Minami Noritaka, eds. Yakitate!! Japan. Viz Media, 2009.

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Tieryas, Peter. Yunaiteddo suteitsu obu japan = United States of Japan. Hayakawashobō, 2016.

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Noritaka, Minami, and Forbes Jake, eds. Yakitate!! Japan. Viz Media, 2009.

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Pipe, Jim. Japan. Franklin Watts, 2012.

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Noritaka, Minami, and Dutro Steve, eds. Yakitate!! Japan. VIZ Media, 2010.

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Book chapters on the topic "Japan in fiction"

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Tanaka, Motoko. "Apocalypse in Japan." In Apocalypse in Contemporary Japanese Science Fiction. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137373557_3.

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Tanaka, Motoko. "Apocalyptic Science Fiction in 1980s Japan." In Apocalypse in Contemporary Japanese Science Fiction. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137373557_5.

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Blouin, Michael J. "Ghostly Maidens in Sidney McCall’s Fiction." In Japan and the Cosmopolitan Gothic. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137305220_3.

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Woronoff, Jon. "Japanese-Style Management (Fact or Fiction?)." In Japan as-anything but-Number One. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21353-5_2.

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Woronoff, Jon. "Japanese-Style Management (Fact or Fiction?)." In Japan as –anything but– Number One. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1057/9780230371293_2.

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van der Linden, Martin. "Shadowing the Brutality and Cruelty of Nature: On History and Human Nature in Princess Mononoke." In History and Speculative Fiction. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-42235-5_12.

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AbstractIn the Japanese animated movie Princess Mononoke (1997), humanity’s relationship with nature is commented upon historically by the movie’s director Miyazaki Hayao. Against the backdrop of Japan in the Muromachi period covered with ancient forests and inhabited by marginalized societies in conflict, the movie functions as a speculative fictional tool for Miyazaki to communicate and demonstrate an important historical and historiographic idea to the audience. Going against the romantic and nativist notion that humanity has lost its historical connection and harmony with nature, a major narrative theme in Princess Mononoke is the idea that the relationship between humanity and nature has throughout history always been cruel and brutal, and humans have never been able to fully live in harmony with nature.
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Yamada, Marc. "Visualizing a post-bubble Japan in the films of Kurosawa Kiyoshi." In Locating Heisei in Japanese Fiction and Film. Routledge, 2019. http://dx.doi.org/10.4324/9780429327834-4.

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Yokota-Murakami, Takayuki. "Romantic prose fiction in modern Japan: Finding an expression against the grain." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2008. http://dx.doi.org/10.1075/chlel.xxiii.41tak.

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King, Edward. "Ekphrastic Anxiety in Virtual Brazil: Photographing Japan in the Fiction of Alberto Renault." In Virtual Orientalism in Brazilian Culture. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137462190_4.

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Morris, Mark. "Japan." In The Oxford Guide to Contemporary Writing. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198182627.003.0017.

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Abstract The most respected writer at work in Japan today is Oe Kenzaburo* (b. 1935), who in 1994 received the Nobel Prize for literature. Since the late 1950s, as part of a generation of talented writer-intellectuals, he has produced millions of words in the form of fiction, criticism, political essays, journalism, and several genres yet to be classified. Still this side of 60, Oe has hinted strongly all the same that he will one day probably stop writing fiction altogether..
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Conference papers on the topic "Japan in fiction"

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Trucchia, Federico, Hemal Ranawaka Arachchige Dias, Takaharu Suzuki, and Georgia Mackenzie. "Beyond 5G: Envisioning the Future of Mobility in Japan Through Design Fiction." In DIS '23: Designing Interactive Systems Conference. ACM, 2023. http://dx.doi.org/10.1145/3563657.3596115.

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Takahashi, Kohei. "Value, Genre, Possibility: Contingency and Literature in Modern Japan." In Impossible fictions / Fictions impossibles. Fabula, 2023. http://dx.doi.org/10.58282/colloques.11151.

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