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Relevant bibliographies by topics / Japanese americans, fiction

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Journal articles

Academic literature on the topic 'Japanese americans, fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Journal articles on the topic "Japanese americans, fiction"

1

Bhattacharyya, Nitusmita. "Existential Crisis of the Japanese American Woman: A Study of Post War Japanese American Fiction." ENSEMBLE 2, no. 2 (2021): 51–56. http://dx.doi.org/10.37948/ensemble-2020-0202-a006.

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The Japanese American women, during the Second World War, suffered from subjugation at different levels of their existence. They had been subjected to marginalization based on their sexual identity within their native community. They were further made to experience discrimination on the basis of their racial status while living as a member of the Japanese diaspora in the United States during the War. The objectification and marginalization of the women had led them to the realization of their existence as a non -entity within and outside their community. However, the internment of Japanese Ame

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2

Roces, Mina. "Filipino Identity in Fiction, 1945–1972." Modern Asian Studies 28, no. 2 (1994): 279–315. http://dx.doi.org/10.1017/s0026749x00012415.

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The Philippines in the immediate post-war years may be described as a nation in search of an identity. This preoccupation with what one journalist has dubbed ‘the question of identity’ spurred a sudden interest in the research and discussion of things Filipino: Filipino dance, theater, literature, language, music, art and cultural traditions. After four hundred and fifty years of colonial rule the Filipino intelligentsia began to wonder if indeed the western legacy of colonial rule was the annihilation of the very essence of Filipino culture. Under the aegis of American rule Filipinos were ada

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3

Moorehead, Sanae Kawaguchi, and Greg Robinson. "On the Brink of Evacuation: The Diary of an Issei Woman, by Fuki Endow Kawaguchi." Prospects 28 (October 2004): 359–82. http://dx.doi.org/10.1017/s036123330000154x.

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One of the most significant gaps in our historical understanding of the expulsion and incarceration of West Coast Japanese Americans during World War II is a knowledge of how Japanese Americans themselves perceived events as they occurred. Former camp inmates have produced an enormous corpus of literature, particularly in the last thirty years, dealing with their wartime experience, including oral histories, memoirs, essays, plays, poetry, and fiction. These have provided valuable insight as to how the government's policy played out in the lives of its victims, and have included a store of inf

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4

Prylipko, Iryna. "Image of the Other in O. Honchar’s Fictional and Journalistic Discourse." Академічний журнал "Слово і Час", no. 1 (January 20, 2019): 38–51. http://dx.doi.org/10.33608/0236-1477.2019.01.38-51.

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The paper deals with the representation of other nations in fiction and journalism by O. Honchar. The specificity of reception and representation of the ethnic characters and other-culture realities is considered in the context of the paradigms “Me – Other”, “Own – Alien”. The paper surveys creative transformation of O. Honchar’s impressions from his trips in different countries, resulted in literary embodiment of perceptive peculiarities noticed by the writer in Hungarians, Slovaks, Czechs, Japanese, Chinese, Indians, Portuguese, Americans, Germans, Gypsies and others. The representation of t

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5

Khronopulo, L. Yu. "The influence of Fredric W. Brown’s micro fiction on Hoshi Shin’ichi’s and Akagawa Jirō’s short-short stories." Japanese Studies in Russia, no. 2 (July 4, 2022): 95–107. http://dx.doi.org/10.55105/2500-2872-2022-2-95-107.

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The short-short story was first introduced by Japanese writer Tsuzuki Michio, who in the late 1950s – the early 1960s familiarized the Japanese reader with extra-short stories of American author Fredric W. Brown (1906–1972); his traditions were followed by Japanese writer Hoshi Shin’ichi (1926–1997), Akagawa Jirō (b. 1948), and other authors experimenting in the new genre of social and psychological science fiction, as well as in the genre of fantasy and detective stories. In American literature, three major specific features of a short-short story were formulated: 1) a fresh idea, 2) an unexp

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6

Schneider, Michael A. "Mr. Moto: Improbable International Man of Mystery." Journal of American-East Asian Relations 22, no. 1 (2015): 7–16. http://dx.doi.org/10.1163/18765610-02201002.

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Mr. Moto, a fictional Japanese detective, achieved mass popularity through a series of 1930s films starring Peter Lorre. Moto was the creation of successful writer John P. Marquand (1893–1960), whose novels depicted a Japanese international spy quite different from the genial Mr. Moto of film. Revisiting the original Mr. Moto novels illuminates a Japanese character who rationalized Japan’s 1930s continental expansionism in ways that might have been acceptable to many Americans. Although Marquand intended to present Mr. Moto as a “moderate” and reasonable Japanese agent and generally present Ea

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7

Rodriguez-Cunill, Inmaculada, Joseph Cabeza-Lainez, and Maria del Mar Lopez-Cabrales. "Art and the City Fiction in Japanese American Internment Camps: Sequels for Resiliency." Arts 12, no. 5 (2023): 195. http://dx.doi.org/10.3390/arts12050195.

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This article delves into the creation a fictional city solely for the development of Japanese American internment camps and the way in which sustainable arts and crafts played a significant role in ensuring survival in such a hostile environment. To this aim, we searched the literature and reviewed archives, primarily from the American West Coast. We demonstrate that beyond adaptation to the circumstances, the visual representation of the new city’s settlement, founding, and daily activities, instead of adding to the typical panoptic or sombre prison imagery, remains inscribed in the images se

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8

Wang, Jijia. "Analysis of Historical Views in The Man Who Ended History: A Documentary." Frontiers in Humanities and Social Sciences 3, no. 11 (2023): 110–16. http://dx.doi.org/10.54691/fhss.v3i11.5752.

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As a highly regarded Chinese-American science fiction writer, Liu Yukun’s science fiction The Man Who Ended History: A Documentary published in 2012 combines science fiction elements with historical event against the background of Unit 731 of the Japanese Imperial Army’s violent behavior in Harbin, showcasing the views of the East and West on Chinese traumatic history. This article combines new historicism to examine the relationship between history and individuals within the text, as well as the historical views upheld by all parties.

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9

Milner, Andrew, and James Burgann Milner. "Anthropocene Fiction and World-Systems Analysis." Journal of World-Systems Research 26, no. 2 (2020): 350–71. http://dx.doi.org/10.5195/jwsr.2020.988.

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As developed by Immanuel Wallerstein and various co-thinkers, world-systems analysis is essentially an approach to economic history and historical sociology that has been largely indifferent to literary studies. This indifference is perhaps surprising given that the Annales school, which clearly influenced Wallerstein’s work, produced a foundational account of the emergence of modern western literature in Lucien Febvre and Henri-Jean Martin’s L’apparition du livre (1958). More recently, literary scholars have attempted to apply this kind of analysis directly to their own field. The best-known

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10

Okuhata, Yutaka. "Angela Carter and Modern Japanese Fiction: Her Reencounter with Western Literary Legacies." Contemporary Women's Writing 16, no. 2 (2022): 208–26. http://dx.doi.org/10.1093/cww/vpac019.

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Abstract This paper discusses the echo of modern Japanese literature in Angela Carter’s The Infernal Desire Machines of Doctor Hoffman (1972), which was written in Tokyo and Chiba, paying particular attention to four of the most influential authors in this intertextual novel: Junichiro Tanizaki, Ryunosuke Akutagawa, Yasunari Kawabata, and Yukio Mishima. Significantly, as well as being innovators of Japanese fiction, these writers were also great reinterpreters of Western literary legacies, who constructed their own original styles by absorbing both Japanese and non-Japanese literary traditions

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