Relevant bibliographies by topics / Japanese Art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Japanese Art'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Japanese Art"

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Peremislov, I. A., and L. G. Peremislov. "JAPANESE AESTHETICS IN AMERICAN SILVER MASTERPIECES." Arts education and science 1, no. 2 (2021): 79–88. http://dx.doi.org/10.36871/hon.202102010.

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Japanese culture with its unique monuments of architecture, sculpture, painting, small forms, decorative and applied arts, occupies a special place in the development of world art. Influenced by China, Japanese masters created their own unique style based on the aesthetics of contemplation and spiritual harmony of man and nature. In the context of "Japan's inspiration" the work refers to the influence of the art of the Land of the Rising Sun on American decorative arts and, in particular, on the silver jewelry industry in trends of a new aesthetic direction of the last third of the XIXth century, the "Aesthetic movement". The article provides a brief overview of the history of the emergence and development of decorative silver art in the United States. The important centers of silversmithing in the USA and the most important American manufacturers of the XIXth century are described in more detail. The article also touches on the influence of Japanese aesthetic ideas on European creative groups and on the formation of innovative ideas in European decorative arts. At the same time, an attempt is made to trace the origin, development trends, evolution and variations of "Japanesque" style in American decorative and applied art, in particular, in the works of Edward Moore and Charles Osborne (Tiffany & Co jewelry multinational company).
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Hiraki, Takato, Akitoshi Ito, Darius A. Spieth, and Naoya Takezawa. "How Did Japanese Investments Influence International Art Prices?" Journal of Financial and Quantitative Analysis 44, no. 6 (October 8, 2009): 1489–514. http://dx.doi.org/10.1017/s0022109009990366.

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AbstractWe test the luxury consumption hypothesis of Ait-Sahalia, Parker, and Yogo (2004), using a unique international art price, import/export flow, and stock market data set. We find that the demand for art by Japanese collectors is positively correlated with art prices and Japanese stock prices. This correlation is magnified during the “bubble period” of the Japanese economy (the mid-1980s to the early 1990s) and gains even further strength for works of art typically favored by Japanese collectors. Our results suggest that Japanese investors (or Japanese asset markets) indeed affect international art prices—especially during the bubble period and its aftermath.
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Peremyslov, I. A., and L. G. Peremyslova. "JAPANESE AESTHETICS IN MASTERPIECES OF AMERICAN SILVER." Arts education and science 1, no. 1 (2021): 89–96. http://dx.doi.org/10.36871/hon.202101010.

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Japanese culture with its unique monuments of architecture, sculpture, painting, small forms, decorative and applied arts, occupies a special place in the development of world art. Influenced by China, Japanese masters created their own unique style based on the aesthetics of contemplation and spiritual harmony of man and nature. In the context of "Japan's inspiration" the work refers to the influence of the art of the Land of the Rising Sun on American decorative arts and, in particular, on the silver jewelry industry in trends of a new aesthetic direction of the last third of the XIXth century, the "Aesthetic movement". The article provides a brief overview of the history of the emergence and development of decorative silver art in the United States. The important centers of silversmithing in the USA and the most important American manufacturers of the XIXth century are described in more detail. The article also touches on the influence of Japanese aesthetic ideas on European creative groups and on the formation of innovative ideas in European decorative arts. At the same time, an attempt is made to trace the origin, development trends, evolution and variations of "Japanesque" style in American decorative and applied art, in particular, in the works of Edward Moore and Charles Osborne (Tiffany jewelry multinational company).
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Fischer, Felice. "Japanese Buddhist Art." Philadelphia Museum of Art Bulletin 87, no. 369 (1991): 1. http://dx.doi.org/10.2307/3795444.

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Sandler, Mark H., and Penelope Mason. "History of Japanese Art." Journal of Japanese Studies 21, no. 1 (1995): 239. http://dx.doi.org/10.2307/133113.

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Hickey, Gary James. "Storytelling in Japanese Art." Asian Studies Review 36, no. 4 (December 2012): 559–60. http://dx.doi.org/10.1080/10357823.2012.740914.

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Bincsik, Monika. "European collectors and Japanese merchants of lacquer in ‘Old Japan’." Journal of the History of Collections 20, no. 2 (August 5, 2008): 217–36. http://dx.doi.org/10.1093/jhc/fhn013.

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Abstract During the Meiji period, following the opening of Japan's borders to foreign trade, not only did the Japanese lacquer trading system and the market undergo a marked change but so too did almost all the factors affecting collecting activities: the European reception of the aesthetics and history of Japanese lacquer art, the taste of the collectors, the structure of private collections, the systematization of museum collections, along with changes in the art canon in the second half of the nineteenth century. The patterns of collecting Japanese lacquer art in the second half of the nineteenth century cannot be understood in depth without discussing shortly its preliminaries in the seventeenth and eighteenth centuries, focusing also on the art historical reception of Japanese lacquer in Europe. Supplementary material relating to this article in the form of a list of dealers and distributors of lacquer in Japan during the Meiji period (1868–1912) is available online.
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Jiyoung, Kim. "Japanese Artists in Daegu Modern Art World and Korean Japanese Art Exchange." Journal of Korean Modern & Contemporary Art History 44 (December 31, 2022): 121–54. http://dx.doi.org/10.46834/jkmcah.2022.12.44.121.

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Bru, Ricard. "Marià Fortuny and Japanese Art." Journal of Japonisme 1, no. 2 (August 22, 2016): 155–85. http://dx.doi.org/10.1163/24054992-00012p01.

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Marià Fortuny, a painter in the forefront of the European avant-garde of the early 1870s, is also considered a key figure in the introduction of Japonisme in Spain and Italy. This study aims to offer a comprehensive analysis of Marià Fortuny’s links to Japanese art and the phenomenon of Japonisme. To this end, the article provides new information about Fortuny’s collection of Japanese art and considers the influence that these pieces had on the Catalan painter’s own work.
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Ozhoha-Maslovska, Alla. "Collections of Japanese Art in Ukraine." Intercultural Relations 3, no. 2(6) (February 16, 2020): 109–23. http://dx.doi.org/10.12797/rm.02.2019.06.06.

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The stages of the formation of Japanese art collections on the territory of Ukraine from the beginning of the 19th century to the present are highlighted on the basis of archival materials, periodicals and professional literature. Information about Japanese collections of the pre-war and post-war periods are systematized, while their composition and sources of formation are determined. The influence of the socio-political system on the development of the process of collecting Japanese art in Ukraine is also analysed. The sources of the formation of collections of Japanese art in the collections of The Bohdan and Varvara Khanenko National Museum of Arts in Kyiv, Odessa Museum of Western and Oriental Arts, the Chinese Palace of “Zolochiv Castle” Museum-Reserve, as well as Kharkiv Art Museum are explored. Finally, modern tendencies in the collection of Japanese art in Ukraine are determined.
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Dissertations / Theses on the topic "Japanese Art"

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Igarashi, Yoko. "Japanese Poetry in Western Art Song." Thesis, Boston University, 2012. https://hdl.handle.net/2144/12426.

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Thesis (D.M.A.)--Boston University
Western art songs written on Japanese poems, Tanka, appeared in the early twentieth century as a late manifestation of Japonisme, the Japanese influence on Western art and music. The songs discussed in this dissertation include Japanisches Regenlied (1909) by Joseph Marx, Three Japanese Lyrics (1912-13) by Igor Stravinsky, Petits Poi!mes Japonais (1919) by Francesco Santoliquido, and Romances on Texts by Japanese Poets (1928-32) by Dmitri Shostakovich. Japonisme emerged as a significant movement in late-nineteenth-century Western art when Japanese artworks were first exported to Europe. Under the influence of these works, Western painters soon adopted Japanese techniques especially from traditional wood-block prints (Ukiyo-e). The appreciation of Japanese art and culture eventually emerged in Western music as a part of Orientalism and exoticism, first in opera, then in Debussy's music, and lastly in art songs. The Japanese poems used in Western art songs examined here are most commonly referred to as Tanka (a short poem), a genre that flourished between the third and tenth centuries. Because of the unique characteristics of the Japanese language, translating Japanese poems into European languages requires a certain imagination. The purpose of this dissertation is to explore the relationship between the original Japanese poems and their translations into European languages, and to discuss their transformation. The introduction provides a brief overview of Japonisme in Western art in the late nineteenth century. Chapter One focuses on the basic elements of Japanese poetry in order to outline the characteristics unique to the Japanese language. Considering Japanese influence within the category of "Orientalism" and "Exoticism" in music, Chapter Two explores the evidence for Oriental and exotic influences on Western music. Chapter Three focuses more specifically on Japanese influences in Western music. A detailed study of poems and translations, and their relationship to music is the core focus of Chapter Four. Chapter Five concludes that Tanka vanished from Western art songs soon after the songs under consideration were composed.
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Ito, Hikoko. "The Japanese Consulate and the Japanese Cultural Centre." Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25951610.

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Thesis (M. Arch.)--University of Hong Kong, 1996.
Added title page title: Japanese cultural centre in Hong Kong. Includes special report study entitled: Semiotic meaning of Mezirushi in architecture. Includes bibliographical references.
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Clevenger, Kathleen. "The art of Japanese sagemono ensembles in metals." Virtual Press, 1995. http://liblink.bsu.edu/uhtbin/catkey/935917.

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The primary objective of this creative project was the exploration of Japanese sagemono ensembles and the metal working techniques needed for their creation. Sagemono ensembles are hanging accessories worn by the Japanese men of the 16th through the early 20th centuries. The secondary objective was to design and construct four sagemono ensembles using both traditional Japanese themes and patterns along with more contemporary motifs which emerged from the artist's explorations of the original Japanese ensembles. This body of work required a variety of traditional metalsmithing techniques including: complex sheet constructions, photoetching, copper-plating and forming, inlay, and casting.
Department of Art
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Stanbury, N. "Japanese shakudo and shibuichi alloys." Thesis, Middlesex University, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.373433.

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Amano, Fumi. "Re-exploring my identity as a Japanese woman." VCU Scholars Compass, 2017. http://scholarscompass.vcu.edu/etd/4846.

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This document contains reflections on my motivations and the personal decisions made in the realization of selected works leading up to and including my thesis exhibition "Voice". The following text shares the many and varied connections between my life and art-making. My issues in my personal relationships with others has spilled out from my heart and turned into these works. I'm continuously expressing the unsuccessful attempts we make at developing true bonds that bridge the gaps between people.
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Little, Lalaine Bangilan. "Made in Japan? questioning the collaborations underlying namban art /." Diss., Online access via UMI:, 2008.

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Shen, Lien Fan. "The pleasure and politics of viewing Japanese anime." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1196179343.

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Davis, Walter B. "Wang Yiting and the Art of Sino-Japanese Exchange." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1213111969.

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이윤영 and Yoon Yung Lee. "The Joseon Fine Art Exhibition under Japanese colonial rule." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/196493.

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At the turn of the twentieth century, as Japan expanded its territory by colonizing other Asian nations, the Japan-Korea Annexation Treaty was signed in 1910 and Korea lost its sovereignty. In political turmoil, the formation of national and cultural identity was constantly challenged, and the struggle was not argued in words alone. It was also embedded in various types of visual cultures, with narratives changing under the shifting political climate. This thesis focuses on paintings exhibited in the Joseon Mijeon (조선미술전람회 The Joseon Fine Art Exhibition) (1922-1944), which was supervised by the Japanese colonial government and dominated, in the beginning, by Japanese artists and jurors. By closely examining paintings of ‘local color (향토색)’ and ‘provincial color (지방색),’ which emphasized the essence of a “Korean” culture that accentuated its Otherness based on cultural stereotypes, the thesis explores how representations of Korea both differentiated it from Japan and characterized its relationship with the West. In order to legitimize its colonial rule, politically driven ideologies of pan-Asianism (the pursuit of a unified Asia) and Japanese Orientalism (the imperialistic perception of the rest of Asia) were evident in the state-approved arts. The thesis explores how the tension of modern Japan as both promoting an egalitarian Asia and asserting its superiority within Asia was shown in the popular images that circulated in the form of postcards, manga, magazine illustrations, and more importantly in paintings. Moreover, this project examines both the artists who actively submitted works to the Joseon Mijeon and the group of artists who opposed the Joseon Mijeon and worked outside of the state-approved system to consider the complexity of responses by artists who sought to be both modern and Korean under Japanese colonial rule.
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Fine Arts
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Master of Philosophy
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Yoshida, Hisayo. "A Cross Cultural Analysis of Japanese Art Critical Writings and American Art Critical Writings." The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1408539349.

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Books on the topic "Japanese Art"

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Gallery, Mika. Japanese religious art. New York: Mika Gallery, 2011.

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Gallery, Mika. Early Japanese art. New York: Mika Gallery, 2010.

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Segawa, Setsuko. Japanese quilt art. Kyoto: Mitsumura Suiko Shoin, 1989.

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Hajek, Lubor. Japanese graphic art. Leicester: Galley Press, 1989.

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Joe, Earle, Thomas Ian 1951-, and Victoria and Albert Museum, eds. Japanese art and design. London: V & A Publications, 2009.

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1965-, Dinwiddie Donald, ed. History of Japanese art. 2nd ed. Upper Saddle River, NJ: Prentice Hall, 2004.

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Joe, Earle, Thomas Ian 1951-, and Victoria and Albert Museum, eds. Japanese art and design. London: V & A Publications, 2009.

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Mason, Penelope E. History of Japanese art. Englewood Cliffs, N.J: Prentice-Hall, 1993.

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Joe, Earle, ed. Japanese art and design. London: Victoria and Albert Museum, 1986.

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Mason, Penelope E. History of Japanese art. 2nd ed. New York: H.N. Abrams, 2005.

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Book chapters on the topic "Japanese Art"

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Kobayashi, Nobuyuki. "Nishida’s Philosophy and Art." In Tetsugaku Companions to Japanese Philosophy, 183–94. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-41784-4_13.

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Kikuchi, Yuko, and Toshio Watanabe. "The British Discovery of Japanese Art." In The History of Anglo-Japanese Relations 1600–2000, 146–70. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230373600_8.

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Tsugami, Motomi. "The rise of Japanese art song." In The Art Song in East Asia and Australia, 1900 to 1950, 16–26. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003313151-2.

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Kajiya, Kenji. "Diverse Voices of Japanese Modern and Contemporary Art: The Oral History Archives of Japanese Art." In The (Im)possibility of Art Archives, 3–15. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-5898-6_1.

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Jack, James. "The Art of Upcycling in the Seto Inland Sea." In Introducing Japanese Popular Culture, 463–74. 2nd ed. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003302155-54.

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Winston, Leslie. "8. Seeing Double: The Feminism of Ambiguity in the Art of Takabatake Kashō." In Rethinking Japanese Feminisms, edited by Julia C. Bullock, Ayako Kano, and James Welker, 133–53. Honolulu: University of Hawaii Press, 2017. http://dx.doi.org/10.1515/9780824866730-010.

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Rosenstock, Gabriel, Michael Hartnett, and Paul Muldoon. "The Gentle Art of Disappearing." In The Japanese Effect in Contemporary Irish Poetry, 81–113. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230355194_5.

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Yamamoto, Joe, and John Spiegel. "Suicide Among Chinese and Japanese in America." In Psychiatry The State of the Art, 425–31. Boston, MA: Springer US, 1985. http://dx.doi.org/10.1007/978-1-4757-1853-9_68.

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Atsushi, Miura. "The Triangle of Modern Japanese Yōga." In East Asian Art History in a Transnational Context, 65–82. New York: Routledge, 2019. | Series: Routledge research in art history: Routledge, 2019. http://dx.doi.org/10.4324/9781351061902-5.

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"Collecting Japanese art." In Japan and Britain after 1859, 139–53. Routledge, 2003. http://dx.doi.org/10.4324/9780203221839-16.

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Conference papers on the topic "Japanese Art"

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Wu, Yufei. "Analysis of Mask Art in Japanese Noh." In Proceedings of the 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icadce-19.2019.23.

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Li, Yaling. "Research on Rhetoric Art of Japanese Waka." In 2016 International Conference on Economy, Management and Education Technology. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icemet-16.2016.331.

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Schachat, Sandra R. "Insects in Japanese and French art, ca. 1900." In 2016 International Congress of Entomology. Entomological Society of America, 2016. http://dx.doi.org/10.1603/ice.2016.93124.

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Takatsuji, Toshiyuki, Nobuaki Ueki, Kenichi Hibino, Sonko Osawa, and Tomizo Kurosawa. "Japanese ultimate flatness interferometer (FUJI) and its preliminary experiment." In Lasers in Metrology and Art Conservation, edited by Jennifer E. Decker and Nicholas Brown. SPIE, 2001. http://dx.doi.org/10.1117/12.445643.

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Machín, H., and J. Almazán. "Study on Japanese Art Museums since the Second World War." In The 10th EAAE/ARCC International Conference. Taylor & Francis Group, 6000 Broken Sound Parkway NW, Suite 300, Boca Raton, FL 33487-2742: CRC Press, 2017. http://dx.doi.org/10.1201/9781315226255-127.

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Chen, Huixian. "Death Aesthetics in Japanese Love Movies." In 8th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220306.064.

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Li, Yemeng. "Discussion on Culture Introduction In Japanese Language Learning." In International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-14). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/icelaic-14.2014.95.

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Dong, Ran, Shaowen Ni, Bo Wu, Shingo Hayano, Dongsheng Cai, and Soichiro Ikuno. "Analyzing Jo-Ha-Kyu Mechanism in Japanese Traditional Performing Art Ningyo Joruri." In 2022 IEEE Intl Conf on Dependable, Autonomic and Secure Computing, Intl Conf on Pervasive Intelligence and Computing, Intl Conf on Cloud and Big Data Computing, Intl Conf on Cyber Science and Technology Congress (DASC/PiCom/CBDCom/CyberSciTech). IEEE, 2022. http://dx.doi.org/10.1109/dasc/picom/cbdcom/cy55231.2022.9927889.

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Piao, Chunhua. "The Way to Cultivate Intercultural Communicative Competence in Japanese Teaching." In 4th International Conference on Education, Language, Art and Intercultural Communication (ICELAIC 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-17.2017.69.

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Adriati, Ira, and Almira Zainsjah. "Analysis of the Japanese Culture Influence in the Visualization of Djawa Hokokai Batik." In International Conference on Aesthetics and the Sciences of Art. Bandung, Indonesia: Bandung Institute of Technology, 2020. http://dx.doi.org/10.51555/338616.

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Reports on the topic "Japanese Art"

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Yonemura, Ann. Art in Context: Aesthetics, Environment and Function in the Arts of Japan. Inter-American Development Bank, March 1995. http://dx.doi.org/10.18235/0007915.

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Will, Jonathan E. Japanese Operational Art in the Battle of Coral Sea. Fort Belvoir, VA: Defense Technical Information Center, May 1995. http://dx.doi.org/10.21236/ada299812.

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Hammac, William A. The Russo-Japanese War of 1904-1905 and the Evolution of Operational Art. Fort Belvoir, VA: Defense Technical Information Center, December 2013. http://dx.doi.org/10.21236/ada606698.

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Takeda, Masahiko. Japan’s economic balancing act around trends that are unsustainable. East Asia Forum, December 2023. http://dx.doi.org/10.59425/eabc.1704060032.

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Horioka, Charles Yuji. Are the Japanese Selfish, Altruistic, or Dynastic? Cambridge, MA: National Bureau of Economic Research, November 2001. http://dx.doi.org/10.3386/w8577.

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Takao, Yasuo. Are young voters poised to upend Japanese politics? East Asia Forum, May 2024. http://dx.doi.org/10.59425/eabc.1714816800.

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Hutchison, Michael, and Kathleen McDill. Are All Banking Crises Alike? The Japanese Experience in International Comparison. Cambridge, MA: National Bureau of Economic Research, July 1999. http://dx.doi.org/10.3386/w7253.

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Trembeczki, Zsolt. Japanese FDI in India Part II : Drivers and Obstacles from the Viewpoint of Japanese Investors. Külügyi és Külgazdasági Intézet, 2022. http://dx.doi.org/10.47683/kkielemzesek.ke-2022.69.

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This policy brief is part of a two-part series analysing the history and current situation of Japanese foreign direct investment (FDI), and its potential role in India’s economy. The previous part found that while Japan has become a major investor in India over the recent decades, top-level political relations in the past had limited impact on India’s actual ability to attract Japanese foreign direct investment. This policy brief examines the factors that determine Japanese companies’ willingness to establish or increase their presence in India. It finds that India’s dynamically growing market, relatively cheap talent pool, infrastructure ‘spending spree’, and recent policies promoting the industry are highly attractive to Japanese companies. That being said, Japanese investors are deeply concerned about India’s poor infrastructure and still relatively restrictive regulatory environment. For these reasons, the realisation of the 2022 March announcement by Japanese Prime Minister Kishida, which would add an up to 136% increase in Japanese FDI stock in India, would first and foremost depend on India’s own ability to implement reforms and improve its infrastructure, rather than on the political will of top Indian and Japanese leaders.
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Chiaravalle, Susan M. Operational Art: Lessons from Japan's Malaya Campaign and Capture of Singapore. Fort Belvoir, VA: Defense Technical Information Center, June 1995. http://dx.doi.org/10.21236/ada298126.

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Macchiavello, Luis J. Peruvian Migration to Japan. Inter-American Development Bank, April 2004. http://dx.doi.org/10.18235/0006556.

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This document is about Peruvian Japanese migration. Peru was the first country in Latin America to establish diplomatic relations with Japan, and the tenth in the world. At that time just 14 countries had this kind of links with Japan. The Japanese migration started in 1899. Peru was also the first country in Latin America to receive those migrant Japanese citizens. The first Japanese foreign investment venture took place in Peru in 1889.
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