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Books on the topic 'Japanese art history][Zen art'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

The one taste of truth: Zen and the art of drinking tea. Boston: Shambhala, 2013.

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2

1883-1971, Shiga Naoya, ed. An artless art: The Zen aesthetic of Shiga Naoya : a critical study with selected translations. Richmond: Curzon, 1998.

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3

Sengai. Sengai: Idemitsu Bijutsukan zōhin zuroku = Sengai in the Idemitsu Collection. Tōkyō: Idemitsu Bijutsukan, 1988.

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4

Ōyama, Heishirō. Ryōanji sekitei: Nanatsu no nazo o toku. Tōkyō: Tankōsha, 1995.

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5

John, Stevens. Zenga, brushstrokes of enlightenment. New Orleans, La: New Orleans Museum of Art, 1990.

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6

Muromachi suibokuga to Gozan bungaku. Kyōto-shi: Shibunkaku Shuppan, 2012.

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7

Japanese art. New York: Thames and Hudson, 2000.

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8

Daruma: The founder of Zen in Japanese art and popular culture. Tokyo: Kodansha International, 1987.

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9

Lo zen e il manga: Arte contemporanea giapponese. [Milan, Italy]: B. Mondadori, 2009.

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10

Brinker, Helmut. Zen in the art of painting. London: ARKANA, 1987.

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11

Hammitzsch, Horst. Zen in the art of the tea ceremony. New York,NY: Arkana, 1993.

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12

Addiss, Stephen. On Zen art: Two essays. Boston: Shambhala, 2007.

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13

History of Japanese art. New York: Abrams, 1993.

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14

Mason, Penelope E. History of Japanese art. Englewood Cliffs, N.J: Prentice-Hall, 1993.

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15

1965-, Dinwiddie Donald, ed. History of Japanese art. 2nd ed. Upper Saddle River, NJ: Prentice Hall, 2004.

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16

Mason, Penelope E. History of Japanese art. 2nd ed. New York: H.N. Abrams, 2005.

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17

1934-, Kurasawa Yukihiro, ed. Geijutsu to cha no tetsugaku. Kyōto-shi: Tōeisha, 2003.

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18

Daitokuji: The visual cultures of a Zen monastery. Seattle: University of Washington Press, 2005.

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19

Zen in the art of the tea ceremony. New York: E.P. Dutton, 1988.

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20

Zen in the art of the tea ceremony. New York, N.Y., U.S.A: Arkana, 1993.

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21

Nihon bijutsushi: Japanese art history. Tōkyō-to Chiyoda-ku: Kabushiki Kaisha Bijutsu Shuppansha, 2014.

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22

1935-, Addiss Stephen, Welch Matthew 1958-, and Los Angeles County Museum of Art., eds. The art of twentieth-century Zen: Paintings and calligraphy by Japanese masters. Boston: Shambhala, 1998.

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23

The religious art of Zen Master Hakuin. Berkeley, Calif: Counterpoint, 2009.

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24

Chan xue ying xiang xia de Riben gu dian zao xing yi shu: Chanxue yingxiangxia de Riben gudian zaoxing yishu. Wuhan Shi: Hua zhong shi fan da xue chu ban she, 2011.

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25

Epprecht, Katharina. Hasegawa Tôhaku (1539-1610): Untersuchungen zu Biographie, Frühwerk und Tuschmalerei der Reifezeit. Bern: P. Lang, 2000.

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26

(Uji-shi, Japan) Manpukuji. Tokubetsuten Ōbaku: Kyōto Uuji Manpukuji no meihō to Zen no shinpū = Special exhibition Obaku : masterpieces from Mampuku-ji and the new wave of Zen Buddhism. Fukuoka-shi: Nishi Nihon Shinbunsha, 2011.

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27

Addiss, Stephen. The art of Zen: Paintings and calligraphy by Japanese monks, 1600-1925. New York: H.N. Abrams, 1989.

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28

Herrigel, Gustie L. Zen in the art of flower arrangement: An introduction to the spirit of the Japanese art of flower arrangement. London: Arkana, 1987.

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29

The art of Zen gardens: A guide to their creation and enjoyment. New York, NY: J.P. Tarcher/Perigee, 1992.

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30

A history of Japanese art: From prehistory to the Taisho period. North Clarendon, Vt: Tuttle Pub., 2009.

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31

Michiko, Warkentyne, and Till Barry, eds. Haiku: Japanese art and poetry. San Francisco, Calif: Pomegranate Communications, 2010.

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32

A history of Japanese body-suit tattooing. Leiden: Hotei, 2006.

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33

Levine, Gregory P. A. Jukōin: Art, architecture, and mortuary culture at a Japanese Zen Buddhist temple. Ann Arbor, Mich: UMI, 1997.

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34

Bin, Takahashi, ed. The arts of Japan. Tokyo: Kondansha International, 2003.

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35

Kakuzō, Okakura. Ideals of the East: The spirit of Japanese art. Mineola, N.Y: Dover, 2004.

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36

Stephanie, Wada, ed. Discovering the arts of Japan: A historical overview. New York: Abbeville Press Publishers, 2010.

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37

Vadime, Elisseeff, ed. Art of Japan. New York: H.N. Abrams, 1985.

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38

Iinkai, Nittenshi Hensan. Bunten, Teiten, Shin Bunten, Nitten zen shuppin mokuroku: Meiji 40-nen--Shōwa 32-nen : Nitten shi shiryō. Tōkyō: Nitten, 1990.

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39

Takaiwa, Setsuko. The art of Japanese sword polishing. New York: Kodansha USA, 2013.

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40

Susan, Porterfield, and Stryk Lucien, eds. Zen, poetry, the art of Lucien Stryk. Athens: Swallow Press, 1993.

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41

Awakenings: Zen figure painting in medieval Japan. New York, NY: Japan Society, 2007.

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42

Levine, Gregory, and Yukio Lippit. Awakenings: Zen Figure Painting in Medieval Japan. Japan Society, 2007.

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43

1947-, Stevens John, Yelen Alice Rae, and New Orleans Museum of Art., eds. Zenga, brushstrokes of enlightenment. New Orleans, LA: New Orleans Museum of Art, 1990.

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44

Stevens, John, and Alice Rae Yelen. Zenga: Brushstrokes of Enlightenment. New Orleans Museum of Art, 1991.

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45

1947-, Stevens John, Yelen Alice Rae, and New Orleans Museum of Art., eds. Zenga, brushstrokes of enlightenment. New Orleans, LA: New Orleans Museum of Art, 1990.

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46

Zen Paintings in Edo Japan: Playfulness and Freedom in the Artwork of Hakuin Ekaku and Sengai Gibon. Taylor & Francis Group, 2014.

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47

Jikun, Kasanoin, Barbara Ruch, Sadako Ohki, and Herchel Miller. Seasons of Sacred Celebration: Flowers and Poetry from an Imperial Convent (Institute Medvl Japan Studies). Weatherhill, 1999.

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48

Vladeck, Heinrich Amy, and Kasanoin Jikun, eds. Seasons of sacred celebration. New York: Weatherhill, 1998.

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49

Winfield, Pamela, and Steven Heine, eds. Zen and Material Culture. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469290.001.0001.

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Abstract:

The stereotype of Zen Buddhism as a primarily minimalistic or even immaterial meditative tradition persists in the Euro-American cultural imagination. By contrast, this volume calls attention to the vast range of “stuff” in Zen by highlighting the material abundance and iconic range of the Sōtō, Rinzai, and Ōbaku sects in Japan. Chapters on beads, bowls, buildings, staffs, statues, rags, robes, and even retail commodities in America all shed new light on overlooked items of lay and monastic practice in both historical and contemporary perspectives. Nine authors from the cognate fields of art history and religious studies as well as the history of material culture analyze these “Zen matters” in all four senses of the phrase: the interdisciplinary study of Zen matters (objects and images) ultimately speaks to larger Zen matters (ideas, ideals) that matter (in the predicate sense) to both male and female practitioners, often because such matters (economic considerations) help to ensure the cultural and institutional survival of the tradition. Zen and Material Culture expands the study of Zen Buddhism, art history, and Japanese material/visual culture by examining the objects and images of everyday Zen practice, not just its texts, institutions, or elite masterpieces. As a result, this volume is aimed at multiple audiences whose interests lie at the intersection of Zen art, architecture, history, ritual, tea ceremony, women’s studies, and the fine line between Buddhist materiality and materialism.

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50

Munsterberg, Hugo. Zen & Oriental Art. Tuttle Publishing, 1993.

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