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Relevant bibliographies by topics / Japanese – China – Yanji shih

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Academic literature on the topic 'Japanese – China – Yanji shih'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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Journal articles on the topic "Japanese – China – Yanji shih"

1

Lian, Songxin, та Ji-Won Yu. "Criticism of the Korean Academic on the “Man Xian's View of History(满鲜史观)” and “Manchurian View of History(满洲史观)” during the Japanese Occupation Period: Focused on Research of Early 21st Century". Institute for Historical Studies at Chung-Ang University 57 (30 грудня 2022): 111–42. http://dx.doi.org/10.46823/cahs.2022.57.111.

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The Korean academic call the study of Korean history and “Manchurian history” during the Japanese Emperor period “colonialist history”, which is usually characterized by the theory of heteronomy, stagnancy, the theory of Japan's common ancestor, and the “Manchurian view of history”. The Korean academic began to criticize colonial historiography in the 1960s. After the Northeast Frontier Research Fever appeared in China in the early 21st century, the “Man Xian’s View of History” became the focus of the Korean academic. A series of critical studies focused on the “Man Xian’s View of History” of

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2

Luo, Zhitian. "National Humiliation and National Assertion: The Chines Response to the Twenty-one Demands." Modern Asian Studies 27, no. 2 (1993): 297–319. http://dx.doi.org/10.1017/s0026749x00011501.

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The Japanese Twenty-one Demands toward the Chinese government headed by Yuan Shih-k'ai in 1915 marked a milestone in Sino-Japanese relations as well as in the Chinese response to imperialism. Yet studies on the event, particularly on its consequence and influence in China, are still insufficient. Studies by Chinese scholars have not gone far beyond Wang Yun-sheng's publication of collected materials more than fifty years ago. The only book-length study on the event is the first volume of Li Yu-shu's study, published in Taiwan. This last does not even cover the whole period of Sino-Japanese neg

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3

Zurndorfer, Harriet. "China and “Modernity”: the Uses of the Study of Chinese History in the Past and the Present." Journal of the Economic and Social History of the Orient 40, no. 4 (1997): 461–85. http://dx.doi.org/10.1163/1568520972601530.

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AbstractThe central focus of this paper is the lack of impact Euro-centric theories of development have made on twentieth century historical writing by leading Chinese and Japanese scholars. The author reviews publications by three important historians, Naitō Konan, Liang Ch'i-ch'ao, and Yü Ying-shih, all of whom attempt to locate China's first experience with “modernity” prior to nineteenth or twentieth century encounters with the West. Although all three historians differ in their interpretation of the concept “modernity,” they find Chinese culture a central feature in the identification of

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4

Sun, Yu, and Longhai Zhang. "Shakespeare across the Taiwan Strait: A Developmental Perspective." Multicultural Shakespeare: Translation, Appropriation and Performance 20, no. 35 (2019): 115–31. http://dx.doi.org/10.18778/2083-8530.20.09.

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Shakespeare studies in Mainland China and Taiwan evolved from the same origin during the two centuries after Shakespeare being introduced into China in the early nineteenth century. Although Shakespeare was first seen on the Taiwan stage in the Japanese language during the colonial period, it was after Kuomintang moved to Taiwan in 1949 that Shakespeare studies began to flourish when scholars and theatrical experts from mainland China, such as Liang Shih-Chiu, Yu Er-Chang, Wang Sheng-shan and others brought Chinese Shakespeare to Taiwan. Since the 1980s, mainland Shakespeareans began to commun

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5

Nataliia, Sun. "The genesis of Taiwanese piano art: historical and cultural context." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 63, no. 63 (2023): 52–74. http://dx.doi.org/10.34064/khnum1-63.03.

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Introduction. The article examines the origins of Taiwanese piano art, its evolution, the influence of national and numerous non-national musical traditions. Until today, no special study devoted to the general panorama of these important processes has been created. The general picture of the formation and development of Taiwanese musical culture in the context of the political, economic and social situation is considered. The purpose of the article is to highlight the origins of Taiwanese piano art, which influenced its evolution, the process of introducing national and numerous non-national

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6

Fogel, Joshua A. "Chin-tai Jih-pen tsai-Hua wen-hua chi she-hui shih-yeh chih yen-chiu [A Study of Modern Japanese Cultural and Social Enterprises in China]. By Huang Fu-ch'ing. Taipei: Institute of Modern History, Academia Sinica (Monograph Series, no. 45), 1982. v, 324 pp. Bibliography, Index. $7.60 (cloth); $5.80 (paper)." Journal of Asian Studies 44, no. 2 (1985): 371–73. http://dx.doi.org/10.2307/2055938.

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7

吳嘉浤, 吳嘉浤. "「支那認識」與臺灣日本語系文學：以呂赫若《清秋》為例". 臺灣文學研究集刊 28, № 28 (2022): 033–62. http://dx.doi.org/10.53106/181856492022080028002.

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<p>從日治時期文學探討華語語系與日語語系在臺灣發生的複雜關係，有助於我們解決華語語系討論中的二元對立框架：在地化或重視中國根源。過去史書美與王德威對於華語語系／華夷風（Sinophone／Xenophone）的爭論，聚焦於如何擺置實體中國、與台灣文學之兩者關係，但本文則將近代日本帝國放入互動的角色，複雜化此一歷史情境。有鑑於近代日本知識分子生產出一套強調對象化、科學化中國的再現論述，本文嘗試以「支那認識」的概念，重新省視此一情境下臺灣漢人作家的日本語文學運動。面對中日戰爭情境，臺灣漢人日語作家視此為突顯臺灣之漢文化特色的機會。在呂赫若（1914-1950）此一個案中，對中國古典傳統的重新認識成為其重要的寫作資源，甚至具有使命感，然而其認識顯然也獲益於來自日本的「支那認識」。呂赫若於《清秋》（1943）完成諸多描繪臺灣漢人家族的文學成果，也因而不能被簡單地理解為在地文化的發揚或是漢文化的保存，而應同時重視「支那認識」等知識中介於其間發揮的作用。</p> <p>&nbsp;</p><p>Exploring the complex relationship between the Sinophone and the Japanophone in Taiwan is helpful in exploring the d

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8

"Book Reviews." Asian Studies Review 26, no. 3 (2002): 391–417. http://dx.doi.org/10.1111/1467-8403.00136.

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Books Reviewed:Melissa Schrift, Biography of a Chairman Mao Badge: the Creation and Mass Consumption of a Personality CultWm. Theodore De Bary and Tu Weiming (eds), Confucianism and Human RightsMichael B. McElroy, Chris P. Nielsen and Peter Lydon (eds), Energizing China: reconciling Environmental Protection and Economic GrowthShumei Shih, The Lure of the Modern: writing Modernism in Semicolonial China 1917–1937Susan Mann and Yu‐Yin Cheng (eds), Under Confucian Eyes: writings on Gender in Chinese HistoryArun Agrawal and K. Sivaramakrishnan (eds), Agrarian Environments: Resources, Representation

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Books on the topic "Japanese – China – Yanji shih"

1

Endō, Homare. Zoku Chāzu: Ushinawareta toki o motomete. Yomiuri Shinbunsha, 1985.

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2

Saitō, Chūjirō. Nankin Jiken bunseki. Saitō Chūjirō, 1992.

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3

Kasahara, Tokushi. Nankin jiken. Iwanami Shoten, 1997.

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4

Ōi, Mitsuru. Shikumareta "Nankin daigyakusatsu": Kōryaku sakusen no zenbō to masukomi hōdō no kowasa. Tentensha, 1995.

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5

Yoshimoto, Sakae. Nankin daigyakusatsu no kyokō o kudake. Shinpū Shobō, 1998.

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6

Unemoto, Masaki. Shijitsu no waikyoku: Tōkyō saiban ni miru Nankin gyakusatsu jiken : Nankin kōryakusen. Kakubunsha, 1992.

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7

Fuji, Nobuo. "Nankin daigyakusatsu" wa kō shite tsukurareta. Tendensha, 1995.

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8

1932-, Takemoto Tadao, and Nihon kaigi. Kokusai Kōhō Iinkai., eds. Saishin "Nankin daigyakusatsu": Sekai ni uttaeru Nihon no enzai : Nichi-Ei bairingaru. Meiseisha, 2000.

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9

Nishihara, Takeomi. Shūsen 50-nen to "Nihon": Waga jūgun, Tōkyō Saiban, Nankin Jiken. Zenbōsha, 1995.

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Chang, Iris. The rape of Nanking: The forgotten holocaust of World War II. Peguin, 2004.

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Book chapters on the topic "Japanese – China – Yanji shih"

1

"Japanese Periods Involved in the Japanese Shih-shuo Imitations." In Spirit and Self in Medieval China. University of Hawaii Press, 2017. http://dx.doi.org/10.1515/9780824864422-004.

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