Relevant bibliographies by topics / Japanese Erotic prints

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Japanese Erotic prints'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Japanese Erotic prints"

1

Săpunaru Tămaș, Carmen. "Prince(ss) Charming of the Japanese Popular Theatre." M/C Journal 25, no. 4 (2022). http://dx.doi.org/10.5204/mcj.2920.

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Taishū engeki—Entertainment for the Masses? What do a highway robber, a samurai, and a geisha have in common? They are all played by the same actor, often at the same time, in an incredible flurry of costume change, in a contemporary form of Japanese theatre called taishū engeki. Taishū engeki, translated as vaudeville, literally, “theatre for the masses”, would be better described as a parallel world of fantasy, glitter, and manga-esque beautiful men wearing elaborate wigs and even more elaborate kimonos, who dance and gracefully sway their hips to portray women, and simultaneously do their b
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Ensor, Jason, and Carolyn Hughes. "Mix." M/C Journal 4, no. 2 (2001). http://dx.doi.org/10.5204/mcj.1898.

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It would be fair to say that in our day to day negotiation between the personal and the public, we encounter and process cultural, material and symbolic products in all strata and sections of society. In our homes and in our workplaces, we appear to manage multiple senses of timekeeping and contrasting time-frames with fluid unconscious dexterity. In our forms of entertainment and relaxation, from print to television to cinema or from html to Mp3s to DivX, we juxtapose like and unlike metaphors/images/products/ text in a post-Frankensteinian assemblage of innovated cultural meaning – for examp
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Dissertations / Theses on the topic "Japanese Erotic prints"

1

Preston, Jennifer Louise. "Nishikawa Sukenobu : the engagement of popular art in socio-political discourse." Thesis, SOAS, University of London, 2012. http://eprints.soas.ac.uk/25578/.

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Nishikawa Sukenobu was a popular artist working in Kyoto in the first half of the eighteenth century. He was principally known as the author of popular 'ehon', or illustrated books. Between 1710 and 1722, he published some fifty erotic works, including a work detailing sexual mores at court which Baba Bunkô, amongst others, believed responsible for prompting the ban on erotica that came with the Kyôhô reform package of 1722. Thereafter, he produced works generally categorized as 'fûzoku ehon': versions of canonical texts, poems and riddles, executed in a contemporary idiom. This thesis foc
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Books on the topic "Japanese Erotic prints"

1

1725?-1770, Suzuki Harunobu, and Isoda Koryūsai fl 1764-1788, eds. Japanese erotic prints: Shunga by Harunobu & Koryūsai. Hotei Pub., 2001.

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Dorit, Marhenke, and May Ekkehard, eds. Shunga: Erotic art in Japan : erotische Holzschnitte des 16. bis 19. Jahrhunderts. Edition Braus, 1995.

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Hayakawa, Monta. The shunga of Suzuki Harunobu: Mitate-e and sexuality in Edo. International Research Center for Japanese Studies, 2001.

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Hayakawa, Monta. The shunga of Suzuki Harunobu: Mitate-e and sexuality in Edo. International Research Center for Japanese Studies, 2001.

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Akiko, Yano, and Shirakura Yoshihiko 1940-, eds. Shunga: Erotic art in Japan : Daiei Hakubutsukan shozō. Heibonsha, 2010.

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Hayakawa, Monta. Harunobu no haru, Edo no haru. Bungei Shunjū, 2002.

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7

1926-2002, Lane Richard, ed. Sode no maki: Hoka : nishikie hashirae yokoban higamaki. Kawade Shobō Shinsha, 1999.

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1949-, Hayakawa Monta, ed. Nihon no zuzō: Shunga = Shunga : Japanese erotic art. Pie Bukkusu, 2009.

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9

Rodríguez, Amaury A. García. El control de la estampa erótica japonesa shunga. Colegio de México, 2011.

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Hayakawa, Monta. Shunga: Ten questions and answers. International Research Center for Japanese Studies, 2013.

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Book chapters on the topic "Japanese Erotic prints"

1

Colligan, Colette. "Japanese Erotic Prints and Late Nineteenth-Century Obscenity." In The Traffic in Obscenity from Byron to Beardsley. Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230595859_5.

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2

Peiró, Eva Woods. "The Colour of Kisses: Eroticism and Exoticism in Spanish Film Culture of the 1920s and ’30s." In Spanish Erotic Cinema. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474400473.003.0002.

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This chapter explores the erotic allure of the kiss in 1920s Spanish films, paying special attention to discussions about the cinematic kiss in the Spanish specialised press at the time. It reveals an obsessive fascination with the technological mediation of the Hollywood kiss on the one hand, and, on the other, a highly racialised discourse about Japan’s prohibition on kissing, used by the Spanish printed media to present a comparatively modern image of 1920s Spain.
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