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Relevant bibliographies by topics / Japanese film

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Dissertations / Theses

Academic literature on the topic 'Japanese film'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 June 2025

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Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Japanese film.'

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Dissertations / Theses on the topic "Japanese film"

1

Pinar, Garcia Alex. "Western Literature in Japanese Film (1910-1938)." Doctoral thesis, Universitat Autònoma de Barcelona, 2019. http://hdl.handle.net/10803/667250.

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Des del inicis del cinema s’han realitzat un innumerable nombre de pel·lícules basades en obres literàries. L'adaptació cinematogràfica es pot considerar un procés interpretatiu en què el cineasta crea un nou treball artístic mitjançant la transformació de l'estructura, el contingut, l'estètica i el discurs narratiu de l’obra literària. És freqüent veure pel·lícules en les que els directors han adaptat obres literàries del seu propi àmbit cultural, però és menys comú trobar exemples de directors que han creat pel·lícules basades en obres d'una esfera cultural i tradició literària diferent. A

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2

Richmond, Aimee. "Transnational UK reception of contemporary Japanese horror film." Thesis, University of Sheffield, 2014. http://etheses.whiterose.ac.uk/8006/.

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This thesis examines the understanding of the contemporary Japanese horror film genre in the UK, taking into account the effects that the specificities of the UK cross-cultural context have upon audiences’ meaning-making. Analysis mainly revolves around six films selected based upon frequency of mention by participants: Ring (Nakata, 1998), Audition (Miike, 1999), Ju-on: The Grudge (Shimizu, 2004), Dark Water¬ (Nakata, 2002), Battle Royale (Fukusaku, 2000) and Ichi the Killer (Miike, 2001). Four focus groups and twenty individual interviews were conducted with individuals aged between eighteen

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3

Yoshida, Junji. "Origins of Japanese film comedy and questions of colonial modernity /." view abstract or download file of text, 2006. http://proquest.umi.com/pqdweb?did=1192198571&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2006.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 281-290). Also available for download via the World Wide Web; free to University of Oregon users.

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4

Kimura, Keisuke. "Identity in the Shell: Hollywood Film Representations of Japanese Identity." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu152302397851392.

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5

Murphy, Kayleigh F. "(Un)dead Japan: A genre analysis of the Japanese zombie film." Thesis, Queensland University of Technology, 2015. https://eprints.qut.edu.au/89741/4/Kayleigh_Murphy_Thesis.pdf.

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This study is an in-depth examination of the stylistic and generic characteristics of the Japanese zombie film and its relations to Japanese horror cinema and the conventions and tropes of Western zombie movies more generally. Through generic analysis of key Japanese zombie films released over the last 15 years, this study establishes the sub-genre's ties to transnational production practices and cult cinema. The first monograph length study of this kind, this study provides insight into the growing sub-genre of Japanese zombie films while concurrently broadening current scholarship and unders

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6

Ward, Michael. "The Noose Among the Cherries: Landscape and the Representation of Resident Koreans in Japanese Film." Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/13641.

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Chapter one of this thesis contains a short introduction to pre-colonial and colonial Korean history and prewar and postwar Resident Korean history. Chapter two, after giving a brief description of Japanese victim consciousness and how it was spread throughout Japan through melodrama films, delves into the history of late 1950s and early 1960s films created by leftist humanist Japanese directors. These films depict diluted Resident Korean characters whose primary purpose is to reflect the positive qualities of the Japanese characters who appear in the films while more serious aspects of Resid

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7

NAKAHAMA, YUKO. "Development of Referent Management in L2 Japanese : A Film Retelling Task." 名古屋大学大学院国際言語文化研究科, 2003. http://hdl.handle.net/2237/7872.

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8

Villot, Janine Marie. "Refiguring Indexicality: Remediation, Film, & Memory in Contemporary Japanese Visual Media." Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4603.

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Through an analog between film and memory, I argue contemporary Japanese visual media constantly remediates this relationship in order to develop a more inclusive, plastic indexicality that allows media without direct material contiguity access to an indexicality not typically attributed to it. Amidst the early twenty-first century shift from old, mechanical media to new, electronic media, each Japanese text engages the West through intercultural discourses and intracultural responses, just as Japan has continually encountered the West since its forced opening by Commodore Perry in 1853. The

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9

Stey, George Andrew. "Elements of Realism in Japanese Animation." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1250700496.

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10

Umphrey, Olivia. "From screen to page : Japanese film as a historical document, 1931-1959 /." [Boise, Idaho] : Boise State University, 2009. http://scholarworks.boisestate.edu/td/26/.

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