Relevant bibliographies by topics / Japanese garden

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Japanese garden'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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Journal articles on the topic "Japanese garden"

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Golosova, Elena. "JAPANESE GARDEN AS ECOLOGY AND MYSTICISM SYNTHESIS." LIFE OF THE EARTH 42, no. 4 (November 25, 2020): 443–50. http://dx.doi.org/10.29003/m1773.0514-7468.2020_42_4/443-450.

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The article examines a number of causal relationships, historical events and traditional beliefs directly influenced on the Japanese garden structure and layout. The data on the adaptation of the Chinese theory of Feng Shui by the Japanese ethnic group are presented. Based on the survey of 27 landscape architecture objects in Kyoto, created over 1000 years from the Heian period to the end of the Meiji period, the author concludes that one of the most important Japanise garden planning concept is the mountain and water polarity on the North-South axis in gardens.
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Mulyadi, Budi. "Perbandingan Taman Jepang Dan Taman Jawa." KIRYOKU 3, no. 1 (June 14, 2019): 8. http://dx.doi.org/10.14710/kiryoku.v3i1.8-16.

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(Title: Comparison Of Japanese Garden And Java Garden). The purpose of this paper is to find out the similarities and differences between Japanese garden and Java garden This research is research model that use literary review research model to collect the data. The paper shows that there are the similarities and differences between Japanese garden and Java garden. Seen from the concept Japanese Gardens do not recognize straight or symmetrical lines. Japanese gardens are deliberately designed asymmetric so that none of the elements become dominant while the Java garden concept is more concerned with beauty by planting many types of flowers that contain elements of philosophy seen from its elements, Japanese garden has 7 elements, namely water, stone, plants, water containers, bridges, sand and lanterns while the Java park has water elements, plants, buildings and organisms
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Goto, Seiko, Yuki Morota, Congcong Liu, Minkai Sun, Bertram Emil Shi, and Karl Herrup. "The Mechanism of Relaxation by Viewing a Japanese Garden: A Pilot Study." HERD: Health Environments Research & Design Journal 13, no. 4 (June 5, 2020): 31–43. http://dx.doi.org/10.1177/1937586720924729.

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Aim: To explore people’s visual attention and psychological and physiological responses to viewing a Japanese garden (an asymmetrically designed garden) and an herb garden (a symmetrically designed garden). Background: There are few studies of eye movements when observing different style gardens, and how they are connected to the interpretation of the space, and physiological and psychological responses. Method: Thirty subjects were recruited and their physiological and psychological responses to viewing the garden types were assessed using a heart-rate monitor and questionnaire. Eye movements while viewing projected slide images of the gardens were tracking using an eye-tracking monitor. Results: A significant decrease in heart rate was observed when subjects were viewing the Japanese garden as opposed to viewing the herb garden. Mood was significantly improved in both gardens, but eye-gaze patterns differed. The Japanese garden elicited far more comments about expectations for the coming season; unlike the herb garden, it also induced memories of viewing other landscapes. Conclusion: The physiological and psychological responses to viewing gardens differs based on the quality of landscape design and the prior experience of viewers.
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Han, Hae-Young, Eui-Je Lim, and Jae-Hyun Rho. "Formative Characteristics of the Soudang (素宇堂) Historic House <italic>Byeoldang</italic> Garden in Uiseong." Journal of People, Plants, and Environment 25, no. 1 (February 28, 2022): 49–65. http://dx.doi.org/10.11628/ksppe.2022.25.1.49.

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Background and objective This study aimed to estimate the creation period and creators of Soudang historic house Byeoldang (Annexe) Garden (素宇堂古宅 別堂庭園, Unification as ‘SB Garden’ from now on) located in Uiseong-gun, Gyeongsangbuk-do through a literature research and field survey, and establish the construction style and value of the garden through research and analysis of its spatial and visual characteristics and garden design. The findings are as follows. Methods The research method was a combination of literature study, field survey, and comparative review. The architectural history of SB Garden were analyzed through a literature survey, and the spatial configuration of Soudanggotaek and the visual and planting design characteristics of SB Garden were derived through field survey. Also the form and style of SB Garden were identified through comparative studies between Japanese garden style cases, and Japanese gardens created in Korea during the late Joseon and Japanese colonial period. Results It is estimated that SB Garden was built between 1890 and 1920, during the late Joseon Dynasty and the early days of Japanese colonial rule, by Lee Jang-seop (1854–1907) and Lee Hong (1887–1972). Comprehensively considering the form of its small hills, the shape of the pond and the introduction of yarimizu, the presentation of oddly-shaped stones and stone structures (stone settings), the introduction of stone bridges and stone lanterns, the strolling route and stepping stones, and the tree species introduced and their planting methods, the hills of SB Garden are different in form and technique from seokgasan created in Korean traditional gardens. Through the hills, the intention of making a garden is detected, with the motif of “garden of cranes and turtles.” Conclusion The foundation from which SB Garden can be considered a Korean traditional garden is very weak, and this garden is evaluated as a modern garden completed by introducing a Japanese garden style in modern times. Specifically, SB Garden is considered to be a stroll-style garden that enables users to appreciate it by connecting the three gardens with stepping stones and stone bridges, including the garden of cranes and turtles (a sort of pond garden), the tea garden centered on the Byeoldang (Annexe), and the stone garden.
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Stauskis, Gintaras. "JAPANESE GARDENS OUTSIDE OF JAPAN: FROM THE EXPORT OF ART TO THE ART OF EXPORT." JOURNAL OF ARCHITECTURE AND URBANISM 35, no. 3 (September 30, 2011): 212–21. http://dx.doi.org/10.3846/tpa.2011.22.

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Since the 19th century, a Japanese garden as a cultural phenomenon with a millennium-old history of religion and philosophy-based landscaping art has been exported to different regions of the globe and built in countries far from the land of its origin. The article focuses on two aspects of Japanese gardens: the basic and more specific principles of planning and design of a traditional Japanese garden, and the related discourse of a tradition of exporting its planning and design cultural tradition outside of Japan. Based on analysed international examples of Japanese-style gardens, the specific traits of planning the landscape of these gardens were identified. The narrative of multiple psycho-emotional effects that these gardens have on their users and visitors is disclosed in correlation with the specific aspects of their planning and design. The culture of exporting a Japanese garden tradition overseas is discussed and the important principles for introducing a Japanese garden to a remote cultural context are spotlighted. The concluding remarks on the user-oriented culture of exporting a Japanese garden as a complete planning and design system of landscape architecture, reflect author’s aspiration to open a wider cross-professional discussion and research on the topic. Santrauka Japonijos sodai – tai tūkstantmetes tradicijas turintis filosofija ir religija grįstas kraštovaizdžio architektūros kultūrinis reiškinys, kurio pavyzdžiai nuo XIX a. yra eksportuojami ir įrengiami skirtinguose pasaulio regionuose. Kraštovaizdžio architektūros požiūriu straipsnyje nagrinėjami du Japonijos sodų aspektai: esminiai šių sodų suplanavimo ir įrengimo principai bei specifiniai bruožai, taip pat Japonijos sodų meninės tradicijos eksporto ir sklaidos užsienyje klausimai. Visame pasaulyje garsių Japonijos sodų pavyzdžių apžvalga ir pasirinktų Baltijos jūros regiono pavyzdžių tyrimas atskleidžia esminius šių sodų suplanavimo principus, kurie sietini su lankytojams formuojamu psichologiniu emociniu poveikiu. Aptariant Japonijos sodų eksporto į kitus etninius ir geografinius regionus klausimus iškeliama jų integravimo į skirtingą kultūrinį kontekstą problema. Straipsnis apibendrinamas baigiamosiomis nuostatomis, kurios apibrėžia tolesnio Japonijos sodų meno diskurso lauką nuo vartotojo poreikių iki vientisos kraštovaizdžio sistemos eksporto galimybių, išreiškia autoriaus siekį atverti šia tema platesnį tyrimų ir diskusijų lauką.
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Michener, David C. "JAPANESE GARDEN DESIGN." Landscape Journal 17, no. 1 (1998): 94–95. http://dx.doi.org/10.3368/lj.17.1.94.

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Ding, Yang, Olena Semykina, Andriy Mykhailenko, Olga Ushakova, and Oleksandr Khliupin. "Modern Chinese and Japanese garden as a symbol of national identity in the context of globalism." Landscape architecture and art 19, no. 19 (December 30, 2021): 98–106. http://dx.doi.org/10.22616/j.landarchart.2021.19.09.

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The article considers examples of modern gardens and parks with elements of Chinese and Japanese landscape design, analyzes the degree of their similarity with historic gardens. A comparative analysis of historic gardens and modern gardens and parks is carried out in order to prove which elements of traditional oriental landscape design are cited the most. A set of elements that embody national identity in modern Chinese and Japanese gardens is argued. It is shown how, over time, including under the direct influence of multiculturalism and in connection with the typification of pavilions for mass construction, the concentrated national features of eastern gardens were gradually smoothed out. As the most recognizable elements of modern Chinese gardens, pavilions, sculpture, compositions of stones, Japanese gardens – gates-torii, pagodas, compositions of boulders, "dry gardens", landscaping with sakura, coniferous trees, and Japanese maples were identified. Compared to Chinese gardens, in a modern Japanese garden outside of Japan there may be no buildings at all or their number is minimal, and the natural environment itself is more natural. On the contrary, the Chinese garden outside of China showcases the art of landscape design and the craftsmanship of man-made landscape paintings.
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Fowler, Michael. "Mapping sound-space: the Japanese garden as auditory model." Architectural Research Quarterly 14, no. 1 (March 2010): 63–70. http://dx.doi.org/10.1017/s1359135510000588.

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Japanese culture, through its art, language and religion, is a result of accumulated flows of knowledge from China and Korea. The traditions of garden design and garden construction, similarly, are ‘a space of flows’ from classical Chinese models though, after centuries of development and refinement, have become distinctly reflective of Japanese culture and aesthetics. The first recorded instance of this knowledge flow reaching Japan appears in the eleventh century. The first treatise on Japanese garden design, Sakuteiki (garden making), is attributed to Tachibana no Toshitsuna, a court official and designer of gardens. Though the treatise contains no illustrations, much of the text is precise, and its content reflective of the cultural and aesthetic predilections of the Confucianist Heien court. Other treatises may have been extant during the Heien period (794–1185), though they are now lost.
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Ivashko, Yuliia, and Peng Chang. "Modern trends in landscape design: the return to Eastern traditions?" Środowisko Mieszkaniowe, no. 32 (2020): 12–18. http://dx.doi.org/10.4467/25438700sm.20.022.12886.

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This paper discusses the analysis of modern landscaping trends. Today’s challenges and environmental issues that reduce landscaping area in large cities force us to search for new landscaping trends. Amid global environmental problems, the popularity of green areas attached to private homes is increasing. Despite avant-garde trends, there is a growing interest in traditional oriental gardens, both Chinese and Japanese, based on the principles of harmony between human and nature. At the same time, the arrangement of modern Chinese-style private gardens in Ukraine and other Post-Soviet territories, without a deep understanding of fundamental methods, including ‘one lake, three mountains’, ‘garden in a garden’, ‘mountains–water’, sets such gardens apart from true Chinese design. By comparing the historical Chinese pavilions and modern Chinese-style arbours, their non-conformity has been proven, and it recommended to arrange modern Chinese-style gardens based on the use of time-honoured traditions.
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Ding, Yang, Polina Zueva, Indre Grazuleviciute-Vileniske, Hanna Yablonska, and Marek Początko. "A traditional Japanese garden and its lessons for modern times." Landscape architecture and art 19, no. 19 (December 30, 2021): 85–97. http://dx.doi.org/10.22616/j.landarchart.2021.19.08.

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The study focuses on the origins and characteristics of traditional Japanese landscape design and its features. A comparative analysis of historical Chinese and Japanese horticultural traditions is carried out, as a result of which it is proved that in both cases the basis was religious syncretism with regional characteristics. A comparative analysis of Chinese and Japanese gardens has shown how, over time, they drifted further and further from each other, the Chinese garden continued to improve its hedonistic orientation, while the Japanese garden followed the path of maximum asceticism, the aesthetics of empty space, symbolism, that is, which helped maximize concentration and self-contemplation.
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Dissertations / Theses on the topic "Japanese garden"

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Sfakiotaki, D. (Despina). "Analysis of movement in sequential space:perceiving the traditional Japanese tea and stroll garden." Doctoral thesis, University of Oulu, 2005. http://urn.fi/urn:isbn:9514276531.

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Abstract The research aims to investigate the spatiality of the sequential Japanese tea (roji) and stroll garden (kaiyûshiki), whose appearance reached its peak during the Feudal period in Japan (1573–1868), in relation to the perceiver's locomotion. The desire of that era to go beyond sensual beauty and to make a philosophical statement, led to the development of a garden where the moving participant perceives a series of successive fragmentary views. Such a concept of space, with the principle of successive observation, is a distinct feature of Japan, and can also be observed in urban design, architecture, painting and literature. This research is about the necessity of incorporating movement in the design of gardens, as a prerequisite for fully perceiving space. It thereby shows how through analysing those two distinct types of sequential spaces, the Japanese tea and stroll gardens, one arrives at patterns of spatial configurations that encourage active participation on the subject's part. Emphasising the environment-person transaction, the research aims to study the structure and features of the Japanese tea and stroll gardens as sequential spaces, with reference to the affordance possibilities they provide for an individual, as developed by the late James J. Gibson. Although not confined solely to it, the analysis used at the core of this research, is based on Gibson's ecological approach and on Harry Heft's contribution to ecological psychology. The empirical part of the research uses a variety of gardens as examples, as well as the case studies of a model teagarden and the garden of Shisendô (situated in the city of Kyoto). The research aims to acquire accounts of knowledge of techniques and spatial formations that do not ignore or minimise the central importance of the subject's movement, but on the contrary, fortify and take advantage of it. This body of knowledge can be an initial approach to designing sequential spaces in domains that lack the specific socio-cultural practices by showing some opportunities and potential affordances that every perceiver can pick up using his own background and cultural context.
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Tschumi, Christian Andre. "Mirei Shigemori 1896-1975: Modernizing the Japanese garden /." Zürich, 2004. http://e-collection.ethbib.ethz.ch/show?type=diss&nr=15356.

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Raggett, Jill Yvonne. "The Japanese style Garden in the British Isles 1850-1950introduction application and significance." Thesis, University of York, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.507565.

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Tschumi, Christian. "Studies of Mirei Shigemori's Approach to the Renewal of the Japanese Garden Culture." Kyoto University, 2004. http://hdl.handle.net/2433/147728.

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Kyoto University (京都大学)
0048
新制・課程博士
博士(農学)
甲第10878号
農博第1384号
新制||農||887(附属図書館)
学位論文||H16||N3889(農学部図書室)
UT51-2004-G725
京都大学大学院農学研究科森林科学専攻
(主査)教授 森本 幸裕, 教授 増田 稔, 教授 樋口 忠彦
学位規則第4条第1項該当
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Carvalho, Guida Maria Gomes. "16th century images of Japanese garden art: analysis of the jesuit's texts published in Portugal." Master's thesis, ISA/UL, 2018. http://hdl.handle.net/10400.5/17814.

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Mestrado em Arquitetura Paisagista - Instituto Superior de Agronomia
The dissertation theme focus on how the Portuguese Jesuit manuscripts describe Japanese gardens for the first time in Europe. This research belongs to a larger project led by Cristina Castel-Branco since 2012 and applied to cities and landscapes that have been described during the 16th century by the Portuguese Jesuits. The first Missionary group arrived in Japan in 1549 led by Saint Francis Xavier (1506-1552). During their stay (1549-1643), they wrote numerous letters to the remaining members of the Company of Jesus and a few books reporting the progression of the Japanese Mission. In these documents they described the country they saw and gave their opinion on the local daily practices. The data obtained for the research project was supplied by paragraphs of texts containing information on Japanese garden, cities and landscapes, found within these texts, which are the most relevant 16th century documents published in Portugal on the subject. The findings of the present work confirms that the Jesuits writings contain significant information on Japanese garden art and make it possible the comparison between the images found and the images of the 16th century Japanese garden produced in Japan. Garden art and theory was analysed to provide a background of how the gardens observed by the Jesuits were and had evolved trough time. The selected passages describe the gardens of the powerful personalities and institutions of the time. Some of these places have survived until the present day, and were visited for the sake of this project. They suggest that the defined programs that label the Japanese gardens of the sixteen century nowadays were more vast and flexible than what is generally acknowledge and may be a contribution for Japanese Garden Art
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Brezovský, Jindřich. "Konverze objektu dormitory na hostel a jeho nové řešení v Tomioka Silk Mill, Japonsko." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2012. http://www.nusl.cz/ntk/nusl-215849.

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Diploma thesis called “CONVERSION OF DORMITORY TO HOSTEL AND NEW DESIGN OF HOTEL, TOMIOKA SILK MILL JAPAN“ was elaborated according to the regulations in the form of architectural study. The topics of this thesis were two variants of possible conversion of accommodation for workwomen (dormitory). The partial assignment comprised solution to the arrangement of greenery in the atrium of the dormitory, and revitalization of plateau. The building is located in the premise of a former silk mill in the city Tomioka in the Gunma prefecture on the Honshu island in Japan. The conversion of the building for the novel purpose required replenishment of necessary facilities, and some building interventions to assure operation of the hostel. In both variants, partial adjustment of the original building was needed. However, all changes had to maintain proportions and volume of the building not to compromise the original concept of whole premise as well as the skyline of the city. The adjustments of the original building of dormitory consisted of a completion of the entrance portal including a foyer, and a reception with the base of operation. Large glass areas in combination with exposed concrete were used as construction materials. These materials were selected so that the new structures (monolithic ferroconcrete) are clearly distinguishable from original ones (wood). The Internal atrium was designed in the style of modern japan garden with various types of surfaces (vegetation – moss; mineral – gravel and stones). Variant 1 – the new constructions of the two facility buildings. Building A is washroom building, and building B is catering building with toilets. The volumes of individual objects were formed by simple prisms rotated by 30° a 60° against axis of dormitory. These volumes complied with dimensions of the original building. The building A protruded on the edge of the slope, and it was paneled with glass plates. The building B was glassed-in from the south, while the northern side was constructed from exposed concrete in a compact way. The building A was divided to two symmetric parts by a central wall for both structural and functional purposes. At the end of the building, there was an ofuro (swimming pool) providing views of the surrounding mountains. Typological solution of the building B included separate toilets with a mixed washroom, which were located in the northern part of the building. In the southern part, the space for catering was divided to an operational space, and a space for visitors by a dispensing counter. The building A was from reinforced concrete and was founded on the base plate. The central wall represented the main load-bearing structural element that prevents transverse breakage. The central wall was anchored into the ground with piles. The building B was also from reinforced concrete and was based on the strip foundations. Variant 2 – the extension was formed as a simple prism that complied with the rectangular system of the premise and dimensions of the original dormitory building. Employed materials of the new constructions were concrete and glass similarly to the other new extensions. To ensure intimate environment, the glass part of a façade was enclosed by a bamboo fence. This space was also used as a viewable green garden. The building was typologically divided to the parts for women and men. Both parts were equipped with ofuro. The building was monolithic ferroconcrete skeleton based on the footings.
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Pinto, Francisca Lailsa Ribeiro. "Entre flores de cerejeiras e ipês: o florescer do entre-lugar e da identidade cultural em O Jardim Japonês, de Ana Suzuki." Universidade Federal da Paraíba, 2015. http://tede.biblioteca.ufpb.br:8080/handle/tede/8263.

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This research conducts a study of the novel The Japanese Garden, of Brazilian Ana Suzuki, published in 1986, in order to verify the in-between where they mix different histories crossed by cultural identities in conflict. Based on the hypothesis that the mixed garden in the narrative, enables cultural assimilation meetings and resistance from Japanese immigrants and their descendants Japanese-Brazilians, the dissertation focuses on the hybrid space resulting from the diaspora meetings and simultaneously, the construction of the Japanese Garden of Yoneda character. To reflect on the cultural exchange between cherry blossoms and yellow trumpet trees, Japanese and Brazilian, that move and bloom the third bank, involved in conflict cultural situations of integration, draws on the theoretical foundation and critical concepts as in-between (Silviano Santiago), cultural identity (Stuart Hall), hybrid (Homi Bhabha), transculturation (Fernando Ortiz, Ángel Rama), and several other studies of the Japanese immigration to Brazil in order to point out elements of this common place that is Latin America.
Esta pesquisa realiza um estudo do romance O Jardim Japonês, da brasileira Ana Suzuki, publicado em 1986, com a finalidade de verificar o entre-lugar onde se mesclam distintas histórias, atravessado por identidades culturais em confronto. Com base na hipótese de que o jardim misto, na narrativa, possibilita encontros culturais de assimilação e resistência por parte dos imigrantes japoneses e seus descendentes nipo-brasileiros, a dissertação focaliza o espaço híbrido decorrente dos encontros da diáspora e, em simultâneo, a construção do jardim japonês da personagem Yoneda. Para refletir sobre as trocas culturais entre flores de cerejeira e ipês amarelos, japoneses e brasileiros, que se movimentam e florescem na terceira margem, envolvidos em conflitivas situações culturais de integração, vale-se da fundamentação teórica e crítica de conceitos como entre-lugar (Silviano Santiago), identidade cultural (Stuart Hall), hibridismo (Homi Bhabha), transculturação (Fernando Ortiz; Ángel Rama), e diversos outros estudos sobre a imigração japonesa para o Brasil com o objetivo de apontar elementos desse lugar comum que é a América Latina.
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Baker, Hazel Elizabeth. "The translation of Japanese gardens from their origins to New Zealand." Thesis, University of Canterbury. Humanities, 2010. http://hdl.handle.net/10092/4255.

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This thesis examines the connections between Japanese gardens, Modernism and Japanese-inspired gardens in New Zealand. The link between traditional Japanese gardens and Modernism is a familiar theme for scholars of architecture, design and landscape architecture. A less considered route of scholarship is the relationship between historical Japanese garden designs, Modernist-inspired gardens in Japan, and New Zealand garden design. A historical foundation provides a base on which to analyse any later changes or transmissions. By analysing the history of Japanese gardens and Modernism, through select key figures, one can also grasp their complexities and outline wider trends. Connecting these somewhat divergent entities is important due to the fact that these gardens represent a myriad of global translations. They represent the modernisation and globalisation of Japan and New Zealand as well as trends in New Zealand‟s artistic and cultural community. The success of the translation of Japanese traditions into New Zealand was due to, in part, the production of a regional idiom. New Zealand‟s Japanese-inspired gardens represent the integration of Japanese and New Zealand traditions, materials and ideas. The result is a hybrid garden, a garden which forms its own specific regional peculiarities which symbolises the many connections between Japan and New Zealand.
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Tsutsumi, Setsuko. "Kawabata Yasunari : interweaving the "old song of the East" and avant-garde techniques /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/6657.

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Nakayama, Tomoko. "The post-war Japanese avant-garde movements : the distinct phase of anti-art 1954-1970 : Gutai, Neo-Dada, Hi Red Centre and Mono-Ha /." Title page, table of contents and abstract only, 2004. http://web4.library.adelaide.edu.au/theses/09ARAHM/09arahmn1637.pdf.

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Thesis (M.A.(St.Art.Hist.)) -- University of Adelaide, Master of Arts (Studies in Art History), School of History and Politics, Discipline of History, 2005.
Coursework. "November 2004" Bibliography: leaves 118-128.
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Books on the topic "Japanese garden"

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Newsom, Samuel. Japanese garden construction. Poughkeepsie, NY: Apollo, 1988.

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Japanese garden design. Rutland, Vt: C.E. Tuttle, 1996.

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Japanese garden design. Rutland, Vt: C.E. Tuttle, 2004.

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Akiko, Naomura, ed. In a Japanese garden. San Francisco: Council Oak, 1999.

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Elizabeth, Bibb, ed. In the Japanese garden. Washington, D.C: Starwood Pub., 1991.

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Creating a Japanese garden. New York: PRC/Sterling, 2003.

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The Japanese tea garden. Berkeley, CA: Stone Bridge Press, 2009.

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Keane, Marc P. The Japanese tea garden. Berkeley, Calif: Stone Bridge Press, 2014.

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1945-, Freeman Michael, ed. The modern Japanese garden. London: Mitchell Beazley, 2002.

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S, Yamashita Michael, ed. In the Japanese garden. London: Cassell, 1991.

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Book chapters on the topic "Japanese garden"

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Hopsch, Lena. "Reflecting the Sky Experience in a Japanese Garden." In From Sky and Earth to Metaphysics, 61–69. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-017-9063-5_7.

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Murungi, John. "A Phenomenological Visit to a Japanese Rock Garden." In Home - Lived Experiences, 57–67. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70392-9_5.

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Takayama, Daiki. "Ken’en zuihitsu 蘐園随筆 (“Jottings from the Miscanthus Garden”), Ken’en jippitsu 蘐園十筆 (“Ten Writings from the Miscanthus Garden”)." In Tetsugaku Companions to Japanese Philosophy, 19–21. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15475-2_4.

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Wang, Ching-chih. "Inscribing the Legacy of Japanese Imperialism in The Garden of Evening Mists." In Japanese Imperialism in Contemporary English Fiction, 55–78. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-15-0462-4_4.

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Ohno, Ryuzo, Tomohiro Hata, and Miki Kondo. "Experiencing Japanese Gardens." In Handbook of Japan-United States Environment-Behavior Research, 163–82. Boston, MA: Springer US, 1997. http://dx.doi.org/10.1007/978-1-4899-0286-3_12.

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Kahlon, Yuval, and Haruyuki Fujii. "Towards Modelling Interpretation of Structure as a Situated Activity: A Case Study of Japanese Rock Garden Designs." In Design Computing and Cognition’20, 473–89. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-90625-2_28.

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Meli, Mark. "Japanese Aesthetic Concepts and Phenomenological Inquiry." In Gardens and the Passion for the Infinite, 243–52. Dordrecht: Springer Netherlands, 2003. http://dx.doi.org/10.1007/978-94-017-1658-1_16.

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Pettey, Homer B. "Japanese Avant-garde and the Moga (“Modern Girl”)." In Adaptation in Visual Culture, 235–53. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58580-2_13.

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Beckwith, Ronald J. "Japanese-Style Ornamental Community Gardens at Manzanar Relocation Center." In Prisoners of War, 271–84. New York, NY: Springer New York, 2012. http://dx.doi.org/10.1007/978-1-4614-4166-3_15.

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Castel-Branco, Cristina, and Guida Carvalho. "Introduction: Japanese-Portuguese Sixteenth-Century Encounter." In Luis Frois: First Western Accounts of Japan's Gardens, Cities and Landscapes, 1–14. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-15-0018-3_1.

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Conference papers on the topic "Japanese garden"

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Yuzawa, Hideto, and Gloria Mark. "The japanese garden." In the 16th ACM international conference. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1880071.1880114.

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Sumi, Eiji. "Reimagining Japanese Zen Garden with wave simulation." In 2021 Nicograph International (NicoInt). IEEE, 2021. http://dx.doi.org/10.1109/nicoint52941.2021.00026.

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Zhang, Yawen, Congcong Liu, Karl Herrup, and Bertram E. Shi. "Physiological Responses of the Youth Viewing a Japanese Garden." In 2018 40th Annual International Conference of the IEEE Engineering in Medicine and Biology Society (EMBC). IEEE, 2018. http://dx.doi.org/10.1109/embc.2018.8512462.

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Konovalova, Nina. "Contemporary Japanese Garden: Modifications of Space and Concealed Meanings." In Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.95.

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Zhou, Peng. "The Comparative Study of Chinese-Japanese Temple Garden Stones." In 2016 2nd International Conference on Education Technology, Management and Humanities Science. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/etmhs-16.2016.66.

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Cheng, Ai, Yimei Feng, Xiaomin Chen, Miao Tan, Xinyue Liu, and Xiaofang Yu. "The World in the Pot for Pottery Fun. Analysis on Japanese Tea Garden." In 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-16.2017.104.

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Kahlon, Yuval, and Haruyuki Fujii. "A Framework for Concept Formation in CAD Systems: a Case Study of Japanese Rock Garden Design." In CAD'19. CAD Solutions LLC, 2019. http://dx.doi.org/10.14733/cadconfp.2019.34-38.

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Sinha Roy, Swagata, and Kavitha Subaramaniam. "READING TOURS INTO MALAYSIAN NARRATIVES: LOCALES IN THE GARDEN OF EVENING MISTS AND THE NIGHT TIGER." In GLOBAL TOURISM CONFERENCE 2021. PENERBIT UMT, 2021. http://dx.doi.org/10.46754/gtc.2021.11.051.

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If one has not read local English novels like The Garden of Evening Mists and The Night Tiger, one would never be able to imagine the wonders of locales depicted in these two books. One of the reasons the authors here want to visit a said destination is because of the way a certain place is pictured in narratives. Tan Twan Eng brings to life the beauty of Japanese gardens in Cameron Highlands, in the backdrop of postWorld War II while Yangsze Choo takes us into several small towns of Kinta Valley in the state of Perak in her beautifully woven tale of the superstitions and beliefs of the local people in Chinese folklore and myth in war torn Malaysia in the 1930s and after. Many of the places mentioned in these two novels should be considered places to visit by tourists local and international. Although these Malaysian novelists live away from Malaysia, they are clearly ambassadors of the Malaysian cultural and regional heritage. In this paper, a few of the places in the novel will be looked at as potential spots for the coming decade. The research questions considered here are i) what can be done to make written narratives the new trend to pave the way for Visit Malaysia destinations? ii) how could these narratives be promoted as guides to the history and culture of Malaysia? The significant destinations and the relevant cultural history of the regions will be discussed in-depth to come to a relevant conclusion.
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Suematsu, Shinsuke, and Teppei Matsui. "Pass a delicate and robust traffic line as pedestrian through a conflicting urban area." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.1512.

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<p>The development of urban infrastructure, especially the pedestrian network in Tokyo is listed up as the most priority measure which they have in one of the urban redevelopment step-up projects in the nationally strategic economic zone, Takeshiba. This is reported about the detailed design for the pedestrian deck which makes a connection between the train terminal station and the ship terminal station.</p><p>We have to create not only a new pedestrian network through an existing elevated traffic network that spreads in multiple layers in the center of Tokyo (it is so that threads pass through the eye of a needle), but also pile foundation through underground buried objects.</p><p>It must be made sure that there is little impact on the green called old Kyu Shiba Rikyu Japanese Garden which is rare in the center of Tokyo and is next to this pedestrian deck surrounded by skyscrapers.</p><p>Therefore we consider many design factors of the pedestrian bridge, for example, landscape deliberation, construction method through intersecting road, maintainability concerning usability, cost calculation, and so on. There are various contexts in the surrounding environment of this special situation. As a result, we completed this pedestrian deck that had some unique detail designs.</p><p>Then we designed not only sophisticated simple and also a well-balanced form for accomplishing a harmony between high-rise buildings and the Japanese garden.</p>
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Filho, Cid Alledi, Eliana Napolea˜o Cozendey Silva, Martius Vicente R. Rodriguez, and Osvaldo L. Gonc¸alves Quelhas. "Continuous Improvement Based on Learning Capacity of Petroleum Industry." In 2004 International Pipeline Conference. ASMEDC, 2004. http://dx.doi.org/10.1115/ipc2004-0513.

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Oil industry, as well as all organizations, is facing challenges of a new paradigm: the incessant endeavors of continuous improvement. It is calling attention of all organizations that seek business sustainability. Improvement programs proliferate and aim to qualify the organization to gain new victories. However, how to implement continuous improvement in oil industry? Where should it begin? How to proceed? How to guarantee that the accomplished efforts will lead to positive results for the organization? Knowledge Management has been one of the main issues in several publications, and many authors affirm that knowledge is the key for organizations’ success. According to Garvin, organizations see their improvement plans fail because most of them have not learnt the basic lesson: to improve continuously, organizations need first to know how to learn. There is no improvement without learning. And a company that learns is not quickly built. It is necessary planning, perseverance, commitment and processes which accumulate results. Occidental managers, according to Nonaka, have difficulty to understand the symbolism of Japanese slogans as tools to create a learning atmosphere. The authors of this paper have developed a visual methodology, based on symbolism and key words, which is intended to make easier the assimilation of the concepts of knowledge management, more specifically, the concepts of Garvin, Nonaka and Takeuchi, for use and improvement of the capacity of an organization “learn how to learn”, seeking the construction of the necessary learning atmosphere.
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