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Journal articles on the topic 'Japanese literature Literature'

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Published: 4 June 2021
Last updated: 15 February 2022

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1

Hakdong Kim. "Korean Japanese Literature as National Literature." Journal of Japanese Culture ll, no. 34 (2007): 363–86. http://dx.doi.org/10.21481/jbunka..34.200708.363.

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2

Treat, John Whittier, and Ivar Ivask. "Contemporary Japanese Literature." Monumenta Nipponica 44, no. 1 (1989): 109. http://dx.doi.org/10.2307/2384704.

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3

Yeonhee Choi and 오노 유지. "Japanese Immigration Literature." Journal of North-east Asian Cultures 1, no. 38 (2014): 425–36. http://dx.doi.org/10.17949/jneac.1.38.201403.022.

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4

Motwani, Prem. "Contemporary Japanese Literature." China Report 29, no. 4 (1993): 415–26. http://dx.doi.org/10.1177/000944559302900407.

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5

Gi-Jae, Seo. "1960-70's Japanese Juvenile Literature and Japanese War Juvenile Literature." Korean Journal of Japanese Language and Literature 62 (September 30, 2014): 345. http://dx.doi.org/10.18704/kjjll.2014.09.62.345.

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6

Chiu, Kuei-fen. "“From Postcolonial Literature to World Literature”." Journal of World Literature 4, no. 4 (2019): 467–87. http://dx.doi.org/10.1163/24056480-00404002.

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Abstract Starting with an analysis of the award-winning literary documentary Le Moulin, this paper argues that the film’s reconstruction of Le Moulin Poetry Society in colonial Taiwan suggests world literature as an alternative framework for studying Taiwan literature within cross-cultural contexts. Taiwan literature has been predominantly studied as “postcolonial literature” vis-à-vis Japanese literature and, more recently, “Sinophone literature” in relation to mainland Chinese literature. Instead of deliberating on the subjugated position of Taiwan literature in relation to dominant literatures, the documentary film celebrates the avant-garde experimentation by Le Moulin Poetry Society and underscores the connection of Taiwan literature to world literature through the mediation of Japanese writers. Its employment of what can be called “performative historiography” to fulfill this task raises significant questions about the reinvention of literature, literary canonization, and literary historiography in a new age.
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7

Fukushima, Yoshiko. "Japanese Literature, or "J-Literature," in the 1990s." World Literature Today 77, no. 1 (2003): 40. http://dx.doi.org/10.2307/40157782.

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8

Konaka, Yōtarō, and Winifred Olsen. "Japanese Atomic-Bomb Literature." World Literature Today 62, no. 3 (1988): 420. http://dx.doi.org/10.2307/40144292.

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9

Andassova, M. "Classical Japanese Literature in the Global Context (on Genji monogatari )." Bulletin of L.N. Gumilyov Eurasian National University. Philology Series 131, no. 2 (2020): 16–21. http://dx.doi.org/10.32523/2616-678x-2020-131-2-16-21.

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10

정병호. ""Japanese Literature" of Korea and Japanese Translation of Joseon's Literature in 1910's." Japanese Modern Association of Korea ll, no. 34 (2011): 137–54. http://dx.doi.org/10.16979/jmak..34.201111.137.

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11

Qosimova, Gulnorakhon Bakhtiyorjon Qizi. "The Prose Of “Kanazoshi” In Japanese Urban Literature Of 17th Century." American Journal of Social Science and Education Innovations 02, no. 09 (2020): 238–49. http://dx.doi.org/10.37547/tajssei/volume02issue09-37.

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12

Jung, Lee Han. "Multicultural Society and 'Japanese Literature'." Korean Journal of Japanology 107 (May 30, 2016): 123–43. http://dx.doi.org/10.15532/kaja.2016.05.107.123.

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13

O'Brien, James, Karatani Kōjin, and Karatani Kojin. "Origins of Modern Japanese Literature." Journal of the American Oriental Society 116, no. 2 (1996): 371. http://dx.doi.org/10.2307/605778.

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14

Moore, Jean, and Earl Miner. "Principles of Classical Japanese Literature." Journal of the Association of Teachers of Japanese 20, no. 1 (1986): 97. http://dx.doi.org/10.2307/489530.

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15

Lippit, Seiji, Kojin Karatani, and Brett de Bary. "Origins of Modern Japanese Literature." MLN 107, no. 5 (1992): 1058. http://dx.doi.org/10.2307/2904838.

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16

Mills, D. E., and Donald Keene. "The Pleasures of Japanese Literature." Monumenta Nipponica 44, no. 4 (1989): 495. http://dx.doi.org/10.2307/2384540.

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17

Rohlich, Thomas H., and Earl Miner. "Principles of Classical Japanese Literature." Monumenta Nipponica 42, no. 1 (1987): 89. http://dx.doi.org/10.2307/2385040.

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18

Inouye, Charles Shiro, Kojin Karatani, and Brett de Bary. "Origins of Modern Japanese Literature." Monumenta Nipponica 48, no. 4 (1993): 489. http://dx.doi.org/10.2307/2385294.

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19

MACK, Edward. "Thoughts on "Japanese-Language Literature"." Border Crossings: The Journal of Japanese-Language Literature Studies 5, no. 1 (2017): 37–44. http://dx.doi.org/10.22628/bcjjl.2017.5.1.37.

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20

Treat, John Whittier, and Karatani Kojin. "Origins of Modern Japanese Literature." Journal of Japanese Studies 21, no. 2 (1995): 440. http://dx.doi.org/10.2307/133018.

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21

Jackson, Earl, and Earl Miner. "Principles of Classical Japanese Literature." Journal of the American Oriental Society 109, no. 3 (1989): 477. http://dx.doi.org/10.2307/604174.

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22

Aoyama, Tomoko. "What can Japanese literature do?" Japanese Studies 17, no. 2-3 (1997): 14–21. http://dx.doi.org/10.1080/10371399708727627.

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23

May, Ekkehard, and Donald Keene. "A History of Japanese Literature." Oriens 36 (2001): 364. http://dx.doi.org/10.2307/1580499.

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24

Iwamoto, Yoshio, and Earl Miner. "Principles of Classical Japanese Literature." World Literature Today 60, no. 1 (1986): 179. http://dx.doi.org/10.2307/40141423.

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25

WANG, Zhisong. "A Report on Japanese Modern and Contemporary Literature Studies in China : Chinese Translation of Japanese Literature and the Internationalization of Japanese Literature Studies." Border Crossings: The Journal of Japanese-Language Literature Studies 5, no. 1 (2017): 45–57. http://dx.doi.org/10.22628/bcjjl.2017.5.1.45.

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26

Kim, Hakdong. "The Forming Conditions of Pro󰠏Japanese Literature and National Literature." Journal of Japanology 47 (November 30, 2018): 73–93. http://dx.doi.org/10.21442/djs.2018.47.05.

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27

손지연. "A Study on the Aspects of Anti-Japanese and Pro-Japanese Literature Shown in Japanese Korean Literature History." Cross-Cultural Studies 52, no. ll (2018): 133–64. http://dx.doi.org/10.21049/ccs.2018.52..133.

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28

WANG, Zhisong. "The Translation of Japanese Literature in 1980s China ：Focusing on the Quarterly Magazine Japanese Literature." Border Crossings: The Journal of Japanese-Language Literature Studies 11, no. 1 (2020): 57–71. http://dx.doi.org/10.22628/bcjjl.2020.11.1.57.

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29

WANG, Zhisong. "The Translation of Japanese Literature in 1980s China ：Focusing on the Quarterly Magazine Japanese Literature." Border Crossings: The Journal of Japanese-Language Literature Studies 11, no. 1 (2020): 57–71. http://dx.doi.org/10.22628/bcjjl.2021.11.1.57.

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30

Young, Victoria. "Beyond “Transborder”: Tawada Yōko’s Vision of Another World Literature." Japanese Language and Literature 55, no. 1 (2021): 1–33. http://dx.doi.org/10.5195/jll.2021.181.

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This article presents a critical examination of “transborder” literary approaches that seek to renegotiate the position of Japanese fiction within the world. The concept of transborder fiction has emerged in recent decades as a means of breaking down the boundaries of Japanese literature that assume agreement between the nationality of a writer and the language of her text. However, as it takes its cues from David Damrosch’s influential study of 2003, What is World Literature?, which suggests that literature gains in value in translation, transborder literature betrays its desires to promote Japan’s national literature in a globalising literary context. This more critical view reveals that despite their calls for greater literary diversity, transborder approaches exhibit problematic tendencies that threaten to erase the multiple flows of language and intertextuality already extant within modern Japanese fiction and turn its eye away from history. This critique is focalised through the writing of Tawada Yōko, whose prolific output of literary works and essays in Japanese and German appear to epitomise the image of transborder writing, and yet which frequently challenge these assumptions. Both the book-length essay Exophony (2003) and the Japanese novel Tabi o suru hadaka no me (2004) offer prescient critiques rooted in history that expose moments of rupture, asymmetry and untranslatability, which an emphasis on border crossings threatens to overlook. However, by choosing to peer through those gaps, guided by the latter’s Vietnamese narrator, these texts also incite hitherto unseen connections between Tawada’s Japanese fiction and the world.
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31

Noviana, Fajria. "MORAL VALUES IN HAYAO MIYAZAKI’S SPIRITED AWAY: A SOCIOLOGY OF LITERATURE APPROACH." HUMANIKA 27, no. 1 (2020): 23–32. http://dx.doi.org/10.14710/humanika.v27i1.30548.

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Moral is what guides human to act humanly. That is why moral education should be taught as early as possible in order to make a society that upholds moral values. This paper focused on moral values of the Japanese that can be seen in Miyazaki’s anime entitled Spirited Away. The moral values discussed in this paper are based on Japanese moral education for elementary school level, which divided into four groups of desirable habits. They are matters belonging to oneself, relationship of self to other persons, matters related chiefly to nature and sublime things, and matters concerning the group and society. The determination of this level is due to the behavior of the main character named Chihiro who was an elementary school student, which is used as a guide to discussing moral values consisted in the anime. The conclusion is that the Japanese government has succeeded in giving moral education in elementary school, at least in this anime. Chihiro's actions are proof that she acts and reacts as what she taught in Japanese elementary school. She did exactly the same with recommended traits in the four groups of desirable habits, although she sometimes broke the rules which was natural for human being, especially for kids. Therefore, we can say that well-structured Japanese moral education can be used in much wider place; not only in Japan but also in other countries.
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32

Scheiner, Betsey. "Approaches to Postwar Japanese Literature: Introduction." Journal of Asian Studies 48, no. 1 (1989): 27–28. http://dx.doi.org/10.2307/2057662.

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For many japanese the events of August 1945 placed their country in a special position. The bombing of Hiroshima and Nagasaki gave Japan the dubious distinction of being the only country to have sustained atomic bomb attacks. Acceptance of the Potsdam Declaration meant that the military government was eradicated overnight, along with the extraordinary status of the emperor who had presided over it. Although the emperor himself remained on the throne, democracy came to Japan, and with it an entree into the international economic community.
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33

Childs, Margaret H., and J. Thomas Rimer. "A Reader's Guide to Japanese Literature." Monumenta Nipponica 44, no. 4 (1989): 497. http://dx.doi.org/10.2307/2384541.

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34

Robert N. Huey. "Traditional Japanese Literature (review)." Monumenta Nipponica 63, no. 1 (2008): 181–84. http://dx.doi.org/10.1353/mni.0.0010.

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35

De Donno, Fabrizio. "Translingual Affairs of World Literature." Journal of World Literature 6, no. 1 (2020): 103–22. http://dx.doi.org/10.1163/24056480-20201005.

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Abstract This essay explores a number of texts of the exophonic, or non-native literary production, respectively in Italian and German, of translingual authors Jhumpa Lahiri and Yoko Tawada. While the paper looks at how their dominant languages, respectively English and Japanese, continue to play a role in these writers’ non-native production, it focuses on the different approaches the two authors adopt to translingualism and the “linguistic family romance” metaphor, which they equally employ in highly imaginative ways in order to address both their condition of rootlessness and their attitudes to the notion of “mother tongue.” The essay argues that while Lahiri seems to remain a writer that does not contaminate languages (she is a writer in English, a writer in Italian, and a translator of Italian literature into English), Tawada brings German and Japanese together and dwells on the space of contamination between them in her production in German (and Japanese).
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36

Kasza, Justyna Weronika. "Sekai wa bungaku de dekite iru: Teaching Japanese Literature as World Literature." Silva Iaponicarum, no. 56-59 (February 5, 2021): 161. http://dx.doi.org/10.12775/sijp.2020.56-59.9.

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37

Kim, Jae-yong. "From Eurocentric World Literature to Global World Literature." Journal of World Literature 1, no. 1 (2016): 63–67. http://dx.doi.org/10.1163/24056480-00101007.

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Editors’ Note: Among the liveliest and most ambitious journals in world literary studies today is the biennial Korean journal Chigujŏk segye munhak (Global World Literature), edited by Kim Jae-yong. Professor of modern Korean literature and world literature at Wonkwang University in Iksan, South Korea. Kim is the author and editor or co-editor of numerous books on Korean and world literature, including Hyŏmnyŏk kwa chŏhang (Collaboration and Resistance, 2004), Segye munhak ŭrosŏ ŭi asia munhak (Asian Literature as World Literature, 2012), and Rat Fire: Korean Stories from the Japanese Empire (2013). The following essay, translated for JWL by John Kim, is an expanded version of Kim Jae-young’s programmatic essay for his journal’s first issue (Spring 2013), in which he sets out the rationale for the journal as a counter to the persistent Euro-American-centrism of much world literary study, both in the West and in Asia itself. Genuinely global in its presentation of world literature, the journal is published in Korean and is designed for a broad scholarly and general readership in South Korea, providing a notable example of the contemporary development of world literary studies within a distinct national context.
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38

남경희. "Thyama Katai and Traditional literature of Japanese." Japanese Modern Association of Korea ll, no. 22 (2008): 125–41. http://dx.doi.org/10.16979/jmak..22.200811.125.

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39

Rimer, J. Thomas. "Pilgrimages: Aspects of Japanese Literature and Culture." Journal of Aesthetics and Art Criticism 47, no. 3 (1989): 301. http://dx.doi.org/10.2307/431022.

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40

Fahy, David, and J. Thomas Rimer. "Pilgrimages: Aspects of Japanese Literature and Culture." Journal of the Association of Teachers of Japanese 25, no. 1 (1991): 147. http://dx.doi.org/10.2307/488915.

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41

Terasaki, Etsuko, Earl Miner, Hiroko Odagiri, and Robert E. Morrell. "The Princeton Companion to Classical Japanese Literature." Journal of the Association of Teachers of Japanese 20, no. 2 (1986): 269. http://dx.doi.org/10.2307/488997.

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42

Cho Sung-Myeon. "Ideological Conflict & Conciliation inKorean-Japanese Literature." Journal of Korean Modern Literature ll, no. 52 (2014): 471–502. http://dx.doi.org/10.35419/kmlit.2014..52.013.

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43

Cranston, Edwin A., Earl Miner, Hiroko Odagiri, and Robert E. Morrell. "The Princeton Companion to Classical Japanese Literature." Harvard Journal of Asiatic Studies 53, no. 1 (1993): 188. http://dx.doi.org/10.2307/2719474.

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44

Ariga, Chieko. "The Playful Gloss. Rubi in Japanese Literature." Monumenta Nipponica 44, no. 3 (1989): 309. http://dx.doi.org/10.2307/2384611.

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45

Kerkham, Eleanor, Earl Miner, Hiroko Odagiri, and Robert E. Morrell. "The Princeton Companion to Classical Japanese Literature." Monumenta Nipponica 42, no. 2 (1987): 232. http://dx.doi.org/10.2307/2384955.

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46

Rodd, Laurel Rasplica, and J. Thomas Rimer. "Pilgrimages: Aspects of Japanese Literature and Culture." Monumenta Nipponica 44, no. 2 (1989): 223. http://dx.doi.org/10.2307/2384970.

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47

Torrance, Richard, and Fuminobu Murakami. "Ideology and Narrative in Modern Japanese Literature." Monumenta Nipponica 52, no. 1 (1997): 117. http://dx.doi.org/10.2307/2385490.

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48

HyeYoung Yun. "‘Power to live’ in the Japanese literature." Japanese Language and Literature Association of Daehan ll, no. 65 (2015): 221–36. http://dx.doi.org/10.18631/jalali.2015..65.012.

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49

Heine, Steven, Shuichi Kato, and David Chibbett. "A History of Japanese Literature (Nihon bungakushi)." Philosophy East and West 35, no. 1 (1985): 101. http://dx.doi.org/10.2307/1398686.

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50

hanada, fujio. "Medical Influence in Early Modern Japanese Literature." Journal of Japanese Studies 52 (August 31, 2017): 9–25. http://dx.doi.org/10.18841/2017.52.01.

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