Relevant bibliographies by topics / Japanese Martial Arts History

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Academic literature on the topic 'Japanese Martial Arts History'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Japanese Martial Arts History"

Rouse, Wendy. "Jiu-Jitsuing Uncle Sam." Pacific Historical Review 84, no. 4 (November 1, 2015): 448–77. http://dx.doi.org/10.1525/phr.2015.84.4.448.

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The emergence of Japan as a major world power in the early twentieth century generated anxiety over America’s place in the world. Fears of race suicide combined with a fear of the feminizing effects of over-civilization further exacerbated these tensions. Japanese jiu-jitsu came to symbolize these debates. As a physical example of the yellow peril, Japanese martial arts posed a threat to western martial arts of boxing and wrestling. The efficiency and effectiveness of Japanese jiu-jitsu, as introduced to Americans in the early twentieth century, challenged preconceived notions of the superiority of western martial arts and therefore American constructions of race and masculinity. As Theodore Roosevelt and the U.S. nation wrestled with the Japanese and jiu-jitsu, they responded in various ways to this new menace. The jiu-jitsu threat was ultimately subjugated by simultaneously exoticizing, feminizing, and appropriating aspects of it in order to reassert the dominance of western martial arts, the white race and American masculinity.

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NAGY, Stephen Robert. "Japanese Martial Arts as Popular Culture: Teaching Opportunity and Challenge." Asian Studies 3, no. 1 (July 24, 2015): 83–102. http://dx.doi.org/10.4312/as.2015.3.1.83-102.

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Japanese martial arts, here after Japanese budō, are popular cultural icons that are found in films, comics, video games and books. Teaching Japanese budō at university offers a novel way to teach about East Asian and in particular Japanese culture, history, and philosophy while including ideas about the globalization and the localization of culture. Question though remains as to how and what should we teach about the popular culture of Japanese budō at the university level? This paper found that a comprehensive approach to teaching about budō was effective. By using many kinds of materials and the incorporation of opportunities to experience budō and to try budō, students were better able to grasp the historical, cultural and religious characteristics of budō.

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Pérez Gutiérrez, Mikel, and Carlos Gutiérrez García. "Estudio bibliométrico sobre las monografías de artes marciales publicadas en España (1906-2006)." Revista de Artes Marciales Asiáticas 3, no. 4 (July 19, 2012): 22. http://dx.doi.org/10.18002/rama.v3i4.387.

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This paper examines the martial arts monographs published in Spain between 1906 and 2006 from a bibliometric point of view. Starting from Pérez and Gutiérrez’s previous bibliography (2008), the total number of published monographs following the criteria of subject, decade and the combination of both was analyzed. The results showed a total of 2.036 books (1.285 original editions) with a prevalence of Japanese and Chinese martial arts. A group of eight subjects exceeded a hundred volumes (karate, judo/jujutsu, taijiquan, wu-shu/kung fu, classics, qigong, philosophy, history and education, and aikido), with two patterns of bibliographic evolution appearing. The first, represented by Japanese martial arts considered as a group and martial arts focused on the utilitarian and/or sporting performance aspects (judo/jujutsu, karate and wu-shu/kung fu), developed increasingly until the 80’s when it followed a steady-state and/or drop. The second model, which characterises the Chinese martial arts group and martial arts mainly focused on healthy and/or spiritual aspects of training (taijiquan, qigong, aikido), has increased significantly from the 90’s until the present moment. The interpretation of these patterns and the evolution of the martial arts bibliographic production in Spain highlights some aspects such as the development of the Spanish society and sports practice, bibliographic production, reading habits, or the cultural influences of eastern countries on Spain.

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Benesch, Oleg. "Olympic samurai: Japanese martial arts between sports and self-cultivation." Sport in History 40, no. 3 (March 10, 2020): 328–55. http://dx.doi.org/10.1080/17460263.2020.1739739.

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LUKMINAITĖ, Simona. "Women’s Education at Meiji Jogakkō and Martial Arts." Asian Studies 6, no. 2 (June 29, 2018): 173–88. http://dx.doi.org/10.4312/as.2018.6.2.173-188.

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The topic of bushidō in education has recently been explored by Gainty (2013), Benesch (2014), and several Japanese historians in Japan, such as Sōgawa (2017). However, martial arts and bushidō, as found in the education for women, remains a largely untreated issue, despite the great attention women and their physical education received in the discourses regarding the creation of a healthy modern nation that took place during and after the Meiji period (1868–1912). By looking at numerous primary sources, this paper, building upon Lukminaitė (2018), focuses on Meiji Jogakkō’s instruction of budō as a modern means of physical education (PE). It aims to provide new insights into how budō was perceived, treated in writing, and functionally put into practice.

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Cynarski, Wojciech J. "Panorámica sobre las artes marciales polacas." Revista de Artes Marciales Asiáticas 3, no. 3 (July 19, 2012): 8. http://dx.doi.org/10.18002/rama.v3i3.373.

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The purpose of this study is to explain the revival of Polish martial arts from the perspectives of cultural sociology, the sciences of physical culture, and the humanistic theory of martial arts. The Polish Martial Arts (Polskie Sztuki Walki) are a subject still requiring serious scientific examination, even in Poland. There are few works concerning the history of Polish weapons, and most only describe techniques for wielding specific types of edged weapons. Nevertheless, there is a large group of enthusiasts trying to restore and cultivate the old Polish tradition, a tradition with heavy emphasis on the art of fencing. The author knows many of the people and facts presented here, from personal observation and from direct participation in these arts. As a disciple of the late Master Yoshio Sugino (10th-dan Kobudo Katori Shinto-ryu), he fought against the Polish saber champion, and he has taken part in joint exhibitions of Polish and Japanese fencing.

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Moenig, Udo, and Minho Kim. "The Japanese and Korean Martial Arts: In Search of a Philosophical Framework Compatible to History." International Journal of the History of Sport 35, no. 15-16 (November 2, 2018): 1531–54. http://dx.doi.org/10.1080/09523367.2019.1618277.

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Wile, Douglas. "Taijiquan y Taoísmo. De religión a arte marcial, de arte marcial a religión." Revista de Artes Marciales Asiáticas 3, no. 1 (July 19, 2012): 8. http://dx.doi.org/10.18002/rama.v3i1.345.

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This study explores the ways in which the construction and deconstruction of a martial arts-Daoism connection has figured in political ideology, national iden-tity, and commercial interest during the past 400 years of Chinese history. Focusing on the taijiquan-Daoism-Zhang Sanfeng nexus, it traces the wrapping of a martial art in indigenous religious garb during the periods of Manchu rule, Japanese occupation, and post-Mao 21st century. It concludes by reporting on a contemporary movement in China to revive the cult of Zhang Sanfeng and to cast taijiquan as a form of religious practice. In this light, taijiquan emerges as an important site of constructing “Chinese-ness” in the face of state appropriation and Western cultural imperialism.

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CHRISTIANSON, G. Björn, Mikko VILENIUS, and Humitake SEKI. "Role of the Sword Futsunomitama-no-tsurugi in the Origin of the Japanese Bushidō Tradition." Asian Studies 6, no. 2 (June 29, 2018): 211–27. http://dx.doi.org/10.4312/as.2018.6.2.211-227.

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One of the formative narratives in Japanese martial arts is the bestowal of the mystical sword “Futsunomitama-no-tsurugi” upon Emperor Jinmu, the legendary founder of Japan. Within the Kashima Shinden Bujutsu lineage, this bestowal is attested as a critical event in the initiation of the principles of Bushidō martiality. However, the practical reasons for its significance has been unclear. Drawing on historical and archaeological records, in this paper we hypothesise that the physical conformation of the legendary sword Futsunomitama-no-tsurugi represented a comparatively incremental progression from the one-handed short swords imported from mainland Asia. These modifications, however, allowed for a new, two-handed style of swordsmanship, and therefore it was the combination of the physical conformation of Futsunomitama-no-tsurugi and the development of appropriate techniques for wielding it that formed the basis of the martial significance of the “Law of Futsu-no-mitama”. Drawing on various traditions and records linking Futsunomitama-no-tsurugi to the Kashima Grand Shrine, we also argue that this new tradition of swordsmanship was the nucleus around which the Kashima Shinden Bujutsu lineage would develop, and therefore represented a critical first step towards the later concepts of Bushidō. Based on the kabala of the Kashima Shinryū, we also present a working model of what the techniques for usage of Futsunomitama-no-tsurugi might have been, and provide an account of an experiment testing its application.

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Sato, Shohei. "The sportification of judo: global convergence and evolution." Journal of Global History 8, no. 2 (June 6, 2013): 299–317. http://dx.doi.org/10.1017/s1740022813000235.

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AbstractThis article re-examines our understanding of modern sport. Today, various physical cultures across the world are practised under the name of sport. Almost all of these sports originated in the West and expanded to the rest of the world. However, the history of judo confounds the diffusionist model. Towards the end of the nineteenth century, a Japanese educationalist amalgamated different martial arts and established judo not as a sport but as ‘a way of life’. Today it is practised globally as an Olympic sport. Focusing on the changes in its rules during this period, this article demonstrates that the globalization of judo was accompanied by a constant evolution of its character. The overall ‘sportification’ of judo took place not as a diffusion but as a convergence – a point that is pertinent to the understanding of the global sportification of physical cultures, and also the standardization of cultures in modern times.

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Dissertations / Theses on the topic "Japanese Martial Arts History"

Gohara, Kazutoshi, Koji Kadota, Akifumi Kijima, Motoki Okumura, Keiko Yokoyama, and Yuji Yamamoto. "Joint Action Syntax in Japanese Martial Arts." PLOS ONE, 2013. http://hdl.handle.net/2237/18463.

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Chapman, Kristopher Paul. "Inside the Dojo : participation and performance in the Japanese martial arts." Thesis, SOAS, University of London, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.417012.

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Price, Brian R. "The Martial Arts of Medieval Europe." Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc103377/.

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During the late Middle Ages and into the Renaissance, fighting books—Fechtbücher—were produced in northern Italy, among the German states, in Burgundy, and on the Iberian peninsula. Long dismissed by fencing historians as “rough and untutored,” and largely unknown to military historians, these enigmatic treatises offer important insights into the cultural realities for all three orders in medieval society: those who fought, those who prayed, and those who labored. The intent of this dissertation is to demonstrate, contrary to the view of fencing historians, that the medieval works were systematic and logical approaches to personal defense rooted in optimizing available technology and regulating the appropriate use of the skills and technology through the lens of chivalric conduct. I argue further that these approaches were principle-based, that they built on Aristotelian conceptions of arte, and that by both contemporary and modern usage, they were martial arts. Finally, I argue that the existence of these martial arts lends important insights into the world-view across the spectrum of Medieval and early Renaissance society, but particularly with the tactical understanding held by professional combatants, the knights and men-at-arms. Three treatises are analyzed in detail. These include the anonymous RA I.33 Latin manuscript in the Royal Armouries at Leeds; the early German treatise attributed to Hanko Döbringer that glosses the great Johannes Liechtenauer; and the collection of surviving treatises by the Friulian master, Fiore dei Liberi. Each is compared in order to highlight common elements of usage that form the principles of the combat arts.

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Joern, Albert. "The repositioning of traditional martial arts in Republican China." Thesis, McGill University, 2013. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=114301.

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In this thesis, I discuss how practitioners of martial arts in the Republican era of China were engaged in a process of reinventing what embodied the field of martial arts during a time when physical culture was treated as an instrument of nation-building in response to colonial discourses and the process of modernization. Martial arts were repositioned from being a loosely associated field of practice for people who engaged with a set of combative skills that focused on weapons training that championed archery and spear fighting, towards being a recreational activity with a formalized body of knowledge, skills and practices imbued with a Chinese sense of identity suitable for the modern class of urban and educated Chinese citizens. It is my belief that these efforts were a very important factor in why the practice of martial arts today is so closely associated with concepts of self-cultivation. This repositioning of Chinese martial arts was driven by a schism between the traditionalists who defended the beliefs and practices from the imperial age of China, and the modernists who saw the complete adoption of Western technologies and concepts as the only course for the modernization of China. Due to the shifting politics around education, understandings of the body and its representation in society, the efforts to preserve traditional practices were complicated through the dynamics related to identity and state power. The field of martial arts was criticized by reformists and modernists such as those involved with the New Culture Movement, who argued that China needed to embrace scientific notions of the Western nations and abandon "feudal superstitions." Within this context, the field of traditional Chinese martial arts was stigmatized by associations with the failed Boxer Rebellion, the diversity of practices and the secrecy that existed between different schools of practice. In response to the modernity movements that criticized the traditional systems of belief that martial artists drew upon to substantiate their systems of practice as a recreational pursuit, associations such as the Jingwu Tiyu Hui and the Zhongyang Guoshuguan were formed according to Western institutional models as part of the effort to unify and "modernize" Chinese martial arts. The teachers and administrators involved with these institutions wanted to preserve the practice of martial arts, and to accomplish this they had to develop new ways to systemize the training methods, essentially reinventing them by promoting them to a new generation of students in a format that had never existed before.
À travers cet essai, j'examine la façon dont les pratiquants d'arts martiaux dans l'ère républicaine de la Chine étaient impliqués dans le but de réinventer ce qu'incarnait le domaine des arts martiaux à une époque où la culture physique était traitée comme un instrument de construction de la nation en réponse au discours colonial et au processus de modernisation. Les arts martiaux ont été repositionnés à partir d'un ensemble de personnes indirectement associés qui se livraient à un ensemble de combats et qui concentraient leurs compétences sur des entraînements aux armes encourageant le tir à l'arc et le combat à la lance, afin de devenir une activité de loisir avec un corps formalisé de connaissances, de compétences et de pratiques imprégnées avec une identité chinoise adapté à la classe moderne urbaine et de citoyens chinois éduquée. Ceci est ma conviction que ces efforts ont été un facteur très important dans la raison pour laquelle la pratique des arts martiaux aujourd'hui est si étroitement associée aux concepts de la culture de soi.Ce repositionnement des arts martiaux chinois fut motivé par le schisme entre les traditionalistes qui défendaient leurs croyances et leurs pratiques de l'époque impériale de la Chine, et les modernistes qui, eux, ont vu l'adoption complète de technologies et de concepts occidentaux comme le seul mouvement bénéfique à la modernisation de la Chine. En raison de la politique à travers l'éducation, la compréhension du corps et de sa représentation dans la société, les efforts visant à préserver les pratiques traditionnelles ont été compliquées par la dynamique liée à l'identité et le pouvoir de l'état. Le domaine des arts martiaux a été critiqué par les réformistes et les modernistes incluant ceux qui furent impliqués dans le « New Culture movement», qui a fait valoir que la Chine devait embrasser des notions scientifiques des pays occidentaux et abandonner leurs «superstitions féodales. » Dans ce contexte, le domaine des arts martiaux traditionnels a été stigmatisé par des liens avec la révolte des Boxers, la diversité des pratiques et la discrétion qui existait entre les différentes écoles de pratique.En réponse aux mouvements de modernité qui ont critiqué les systèmes de croyances traditionnels dont les pratiquants d'arts martiaux ont fait appel à l'appui de leurs systèmes pour justifier leur pratique comme une forme de loisir, des associations telles que les Jingwu Tiyu Hui et le Zhongyang Guoshuguan ont été formés selon les modèles occidentaux institutionnels dans le but d'unifier et de , en quelque sorte , moderniser les arts martiaux chinois. Les enseignants et les administrateurs concernés par ces institutions voulaient préserver la pratique des arts martiaux, et pour ce faire ils ont dû développer des nouvelles façons de systématiser les méthodes de formation, les réinventer en les promouvant à une nouvelle génération d'étudiants sous une forme qui n'avaient jamais existé auparavant.

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McNally, Ian. "Internal Cultivation or External Strength?: Claiming Martial Arts in the Qing Period." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1557155402412377.

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Castillo, Gilbert Gerard. "Gender, Identity, and Influence: Hong Kong Martial Arts Films." Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3354/.

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This project is an examination of the Hong Kong film industry, focusing on the years leading up to the handover of Hong Kong to communist China. The influence of classical Chinese culture on gender representation in martial arts films is examined in order to formulate an understanding of how these films use gender issues to negotiate a sense of cultural identity in the face of unprecedented political change. In particular, the films of Hong Kong action stars Michelle Yeoh and Brigitte Lin are studied within a feminist and cultural studies framework for indications of identity formation through the highlighting of gender issues.

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Ng, Pei-San. "Strength From Within| the Chinese Internal Martial Arts as Discourse, Aesthetics, and Cultural Trope (1850-1940)." Thesis, University of California, Berkeley, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10251445.

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My dissertation explores a cultural history of the body as reflected in meditative and therapeutic forms of the Chinese martial arts in nineteenth and early twentieth-century China. Precursors of the more familiar present-day taijiquan [special characters omitted] and qigong [special characters omitted], these forms of martial arts techniques focus on the inward cultivation of qi [special characters omitted] and other apparently ineffable energies of the body. They revolve around the harnessing of “internal strength” or neigong [special characters omitted]. These notions of a strength derived from an invisible, intangible, yet embodied qi came to represent a significant counterweight to sports, exercise science, the Physical Culture movement, physiology, and other Western ideas of muscularity and the body that were being imported into China at the time.

What role would such competing discourses of the body play in shaping contemporary ideas of embodiment? How would it raise the stakes in an era already ideologically charged with the intertwined issues of nationalism and imperialism, and so-called scientific modernity and indigenous tradition? This study is an inquiry into the epistemological and ontological ramifications of the idea of neigong internal strength, tracing the popular spread of the idea and its impact in late Qing and Republican China vernacular discourse. I pay particular attention to how the notion of “internal strength” might shed light on thinking about the body in the period. Using the notion of neigong as a lens, this project examines the claims of the internal forms of Chinese martial arts, and the cultural work that these claims perform in the context of late Qing and Republican China. I locate the nineteenth and early twentieth centuries as the key formative period when the idea first found popular conceptual purchase, and explore how the notion of neigong internal strength became increasingly steeped in the cultural politics of the time.

Considering the Chinese internal martial arts not only as a form of bodily practice but also as a mode of cultural production, in which a particular way of regarding 'the body' came to be established in Chinese vernacular culture, may additionally yield rich theoretical fodder. How might such claims about a different kind of “internal strength” revisit or disrupt modernist assumptions about the body? The project highlights the neglected significance of the internal martial arts as a narrative of the Chinese body. More broadly, it suggests fresh avenues for scholarship on the body, in showing how these other-bodily "ways of knowing" took on meaning in the period and beyond.

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Yu, King-hei, and 余境熹. "Study of the places in "A dealy secret"." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B46089044.

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Wong, King-tung, and 黃競東. "Reinventing the real: transfigurations of cinematic kung fu in the 21st century." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B47849885.

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Kung fu is a cinematic genre investing on the discourse of the “real”. From Kwan Tak Hing, Bruce Lee, Jacky Chan, Jet Li to Donnie Yen, cinematic representations of kung fu are inextricably intertwined with realism – real techniques, real fighting and real body. This paper is a theoretical reflection of “real kung fu” as a cultural imaginary and its transfiguration since the 1950s. The discussion will focus on recent developments of the genre in two major industries – digitalization of kung fu in Hollywood and recent return of kung fu masters in Hong Kong through coproduction. Through a parallel analysis of kung fu productions in a global context, this project outlines and predicts possible reinventions of the genre in the first decade of the 21st century. On the one hand, the notion of “real kung fu” is reinvented by digital technology. By applying Jean Baudrillard’s idea of “simulacra and simulation” to the context of kung fu cinema, Leon Hunt’s tripartite scheme of authenticity and Edward Said’s Orientalist discourse are (de/re)constructed in an age of digital production. Through a scrutiny of The Matrix (1999) and Kung Fu Panda (2008), I will demonstrate that the convergence of digital cinema and digital gaming creates a new spectatorship that redefines kung fu with an alternative understanding of body, time and space. On the other hand, the Ip Man trilogy (2008-2010) and Legend of the Fist: The Return of Chen Zhen (2010) show that there is a possible return of kung fu masters in local martial arts co-productions. Instead of a nostalgic return to the established genre in the 1970s, these realist kung fu films reinvent the genre by synthesizing different paradigms of realist styles and renegotiating the longstanding difficult relationship between nationalism and modernity.
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Morris, Andrew D. "Cultivating the national body : a history of physical culture in republican China /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9907604.

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Books on the topic "Japanese Martial Arts History"

Hamada, Hiroyuki Teshin. Quintessence of Japanese classical martial arts: Historical and philosophical perspectives. 3rd ed. Dubuque, Iowa: Kendall/Hunt Pub., 2003.

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Hamada, Hiroyuki Teshin. Quintessence of Japanese classical martial arts: Historical and philosophical perspectives. 2nd ed. Dubuque, Iowa: Kendall/Hunt Pub. Co., 2000.

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Armed martial arts of Japan: Swordsmanship and archery. New Haven: Yale University Press, 1998.

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F, Cleary Thomas. Secrets of the Japanese art of warfare: From the school of certain victory. North Clarendon, VT: Tuttle Pub., 2012.

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Antis, Andrew Joseph. An English translation of the texts of the Takenouchi school of Japanese classical martial arts: An historical, pedagogical, and philosophical study. Lewiston, NY: Edwin Mellen Press, 2012.

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1940-, Okuizumi Eizaburō, ed. Hokubei kendō taikan: Cyclopedia of the Japanese kendo societies in North America, pre-1939. Tokyō: Bunsei Shoin, 2001.

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Bušić, Boris. Tradicionalne japanske Đu Đucu škole. Beograd: Dynamic Aiki Ju Jutsu Sportska organizacija, 2008.

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Horton, Neil. Japanese martial arts. Chichester: Summersdale, 2005.

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Budō no kyōikuryoku: Manshūkoku Kenkoku Daigaku ni okeru budō kyōiku = The educational strength of Japanese Budo : the Budo training at Kenkoku University, Manchukuo. Tōkyō: Nihon Tosho Sentā, 2005.

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D, Keene Raymond, ed. Samurai chess: Mastering strategic thinking through the martial art of the mind. New York: Walker & Co., 1998.

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Book chapters on the topic "Japanese Martial Arts History"

Moenig, Udo, and Minho Kim. "The Japanese and Korean Martial Arts: In Search of a Philosophical Framework Compatible to History." In Indigenous Sports History and Culture in Asia, 25–48. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003142126-3.

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An, Lu, and Fan Hong. "Body Experience Imagination: The Collective Memory of Chinese Martial Arts." In Indigenous Sports History and Culture in Asia, 81–95. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003142126-6.

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Panzer, Sarah. "8. Importing a German Kampfsport: The Reception and Practice of Japanese Martial Arts in Interwar Germany." In The Allure of Sports in Western Culture, edited by John Zilcosky and Marlo A. Burks, 202–24. Toronto: University of Toronto Press, 2019. http://dx.doi.org/10.3138/9781487519605-010.

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Keilbart, Patrick. "How to Be a Good Disciple (to a Martial Arts Master): Critical Reflections on Participation and Apprenticeship in Indonesian Pencak Silat Schools." In Theory and History in the Human and Social Sciences, 233–49. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-20831-8_21.

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Fernández Mata, Rafael. "Análisis histórico y primeras documentaciones de los japonesismos marcial-deportivos y culinarios utilizados en español actual." In Lexicalización, léxico y lexicografía en la historia del español. Venice: Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-381-6/008.

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This essay aims at exploring and contextualising a phenomenon of Spanish Lexicology, the study of which remains incomprehensive: japonesismos, or terms borrowed from the Japanese language. The scope of this text will limit itself to terminology related to Martial Arts & Sports and Culinary Arts & Food. First, a compilation of Japanese loanwords that can be found in current Spanish (approaching the language from a panhispanic perspective) will be elaborated. In addition, the specific methodology employed to identify and compile said inventory of loanwords will be presented. In continuation, the consideration of relevant historical data regarding the contextualisation of these loanwords will be realized in order to provide an exhaustive historical analysis of 34 lexical items, comprised of 18 words related to Martial Arts & Sports and 16 words related to Culinary Arts & Food. Finally, maintaining a wider perspective of the historical study of Japanese loanwords, the conclusions derived from each term will organized and divided into the previously elaborated categories.

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Bowman, Paul. "Martial Ads." In The Invention of Martial Arts, 177–92. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197540336.003.0009.

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Chapter 8 explores other important fragments of culture—TV adverts. Called ‘martial ads’, it argues that in a comparative analysis of British adverts, a clear distinction can be seen between those that feature Japanese and those that feature Chinese martial arts. Whereas the former are depicted as ‘normal’, the latter often continue to be exoticized. Some adverts also demonstrate cultural confusion or indifference about the specificities of Chinese and Japanese culture and martial arts. However, at the same time, still other adverts combine a nostalgia for 1970s Hong Kong aesthetics in adverts that thoroughly eroticize the Asian male lead—something that film critics have often criticized Hollywood for failing to do. The chapter also examines other adverts in which martial-artsy combat is eroticized, orientalized, and/or depicted as ludicrous.

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Bowman, Paul. "Making Martial Arts History Matter." In Martial Arts in Asia, 35–53. Routledge, 2019. http://dx.doi.org/10.4324/9781351167802-5.

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Bowman, Paul. "From Linear History to Discursive Constellation." In The Invention of Martial Arts, 99–128. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197540336.003.0006.

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This chapter argues that any attempt to construct a linear history of martial arts in media and popular culture as it exploded after the 1970s cannot but fail. The sheer proliferation of martial arts images, themes, texts, and practices precludes easy linear narrativization. Accordingly, Chapter 5 argues for the need to move ‘From Linear History to Discursive Constellation’ in our approach to martial arts in media and popular culture. The chapter attempts to establish the main discursive contours that appeared and developed through the 1980s—a decade in which ninjas and Shaolin monks explode onto the cultural landscape. This is followed by attention to the 1990s, in which three major events took place in the same year: the first Ultimate Fighting Championship (UFC), the Wu-Tang Clan’s release of their enormously popular album, Enter the Wu-Tang (36 Chambers), and the appearance on children’s television screens around the world of ‘The Power Rangers’—all of which took place in 1993. The chapter then attempts to track the major discursive tendencies and contours of martial arts aesthetics through the first decade of the twenty-first century, up to the mainstreaming of combat sports in more recent years.

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Benesch, Oleg. "Myths of masculinity in the martial arts." In The Routledge Companion to Gender and Japanese Culture, 261–69. Routledge, 2019. http://dx.doi.org/10.4324/9781315179582-26.

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Sánchez García, Raúl. "Reformulation, expansion, and hybridisation of Japanese martial arts." In The Historical Sociology of Japanese Martial Arts, 195–218. Routledge, 2018. http://dx.doi.org/10.4324/9780203702574-11.

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Conference papers on the topic "Japanese Martial Arts History"

Wu, Baozhan. "The Culture of Martial Arts Performance: History, Current Situation and Prospect." In 2017 International Conference on Culture, Education and Financial Development of Modern Society (ICCESE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/iccese-17.2017.131.

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Hernando, Eko, and Mr Siswantoyo. "Martial art of Dayak Central Kalimantan (a Study of history, philosophy, and Techniques of Traditional Martial Arts)." In Proceedings of the 2nd Yogyakarta International Seminar on Health, Physical Education, and Sport Science (YISHPESS 2018) and 1st Conference on Interdisciplinary Approach in Sports (CoIS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/yishpess-cois-18.2018.64.

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