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Books on the topic 'Japanese poetry, translations into english'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Geoffrey, Bownas, and Thwaite Anthony, eds. The Penguin book of Japanese verse. Harmondsworth, Middlesex, England: Penguin Books, 1998.

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2

1942-, Sato Hiroaki, and Watson Burton 1925-, eds. From the country of eight islands: An anthology of Japanese poetry. New York: Columbia University Press, 1986.

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3

1942-, Sato Hiroaki, and Watson Burton 1925-, eds. From the country of eight islands: An anthology of Japanese poetry. New York: Columbia University Press, 1986.

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4

1942-, Sato Hiroaki, ed. Japanese women poets: An anthology. Armonk, N.Y: M.E. Sharpe, 2008.

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5

Akihito. Tomoshibi =: Light : collected poetry. New York: Weatherhill, 1991.

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6

Sara, Ryan Regina, and Lozowick Lee 1943-, eds. In praise of Japanese love poems. Prescott, Ariz: Hohm Press, 1994.

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7

Stryk, Lucien. Where we are: Selected poems and Zen translations. London: Skoob Books, 1997.

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8

Patricia, Donegan, and Ishibashi Yoshie, eds. Love haiku: Japanese poems of yearning, passion, and remembrance. Boston: Shambhala, 2010.

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9

1926-, Fitzsimmons Thomas, Yoshimasu Gōzō 1939-, Kinoshita Tetsuo, and Drake Christopher, eds. The New poetry of Japan--the 70s and 80s. Santa Fe: Katydid Books, 1993.

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10

1932-, Cranston Edwin A., ed. A Waka anthology. Stanford, Calif: Stanford University Press, 1993.

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11

Yosa, Buson. Night blooming plums: Haiku. Toronto: Aliquando Press, 1988.

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12

Peter, McMillan, ed. One hundred poets: one poem each: A translation of the Ogura hyakunin isshu. New York, N.Y: Columbia University Press, 2008.

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13

Rabson, Steve. Righteous cause or tragic folly: Changing views of war in modern Japanese poetry. Ann Arbor: Center for Japanese Studies, University of Michigan, 1998.

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14

1905-, Rexroth Kenneth, and Hamill Sam, eds. Love poems from the Japanese. Boston: Shambhala, 1994.

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15

Ito, Setsuko. An anthology of traditional Japanese poetry competitions: Uta-awase (913-1815). Bochum: Brockmeyer, 1991.

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16

Suga, Teruo. The Man'yo-shu: A complete English translation in 5-7 rhythm = [Man'yōshū]. [Tokyo]: Kanda Institute of Foreign Languages, 1991.

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17

Vovin, Alexander. Man'yōshū, book 20: A New English Translation Containing the Original Text, Kana Transliteration, Romanization, Glossing and Commentary. Leiden: Brill, 2013.

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18

Ryōkan. Between the floating mist: Poems of Ryokan. Buffalo, N.Y: Springhouse Editions, 1992.

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19

Harold, Stewart, ed. A net of fireflies: Japanese haiku and haiku paintings. Rutland, Vt: C.E. Tuttle Co., 1993.

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20

Ryōkan. Ryōkan no meishisen. Niigata-shi: Kōkodō Shoten, 1999.

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21

Ryōkan. Dewdrops on a lotus leaf: Zen poems of Ryōkan. Boston: Shambhala, 1993.

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22

Masters of Modern Japanese Poetry. Ralph H. Farabee, 1999.

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23

Carter, Steven. Traditional Japanese Poetry: An Anthology. Stanford University Press, 1991.

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24

(Editor), Jiro Nakano, and Brien Hallett (Editor), eds. Heiwa: Peace Poetry in English and Japanese. Spark M. Matsunaga Institute for Peace Univer, 1996.

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25

Chamberlain, Basil Hall. Classical Poetry of the Japanese. Taylor & Francis Group, 2013.

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26

Chamberlain, Basil Hall. Classical Poetry of the Japanese. Taylor & Francis Group, 2013.

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27

Chamberlain, Basil Hall. Classical Poetry of the Japanese. Taylor & Francis Group, 2013.

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28

Chamberlain, Basil Hall. Classical Poetry of the Japanese. Taylor & Francis Group, 2013.

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29

Chamberlain, Basil Hall. Classical Poetry of the Japanese. Taylor & Francis Group, 2013.

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30

Thwaite, Anthony, and Geoffrey Bownas. Penguin Book of Japanese Verse. Penguin Books, Limited, 2009.

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31

(Translator), Geoffrey Bownas, and Anthony Thwaite (Translator), eds. The Penguin Book of Japanese Verse (UNESCO Collection of Representative Works: Japanese Series). Penguin UK, 1998.

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32

Chamberlain, Basil Hall. The Classical Poetry of the Japanese. Adamant Media Corporation, 2005.

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33

From the Country of Eight Islands: An Anthology of Japanese Poetry. Columbia University Press, 1986.

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34

One Hundred Poets, One Poem Each: A Translation of the Ogura Hyakunin Isshu (Translations from the Asian Classics). Columbia University Press, 2007.

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35

Yasuda, Kenneth. Japanese Haiku. Tuttle Publishing, 2011.

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36

(Editor), Edward G. Lueders, and Naoshi Koriyama (Editor Translator), eds. Like Underground Water: Poetry of Mid-Twentieth Century Japan. Copper Canyon Press, 1997.

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37

Mehl, Scott. The Ends of Meter in Modern Japanese Poetry. Cornell University Press, 2022. http://dx.doi.org/10.7591/cornell/9781501761171.001.0001.

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This book analyzes the complex response of Meiji-era Japanese poets and readers to the challenge introduced by European verse and the resulting crisis in Japanese poetry. Amidst fierce competition for literary prestige on the national and international stage, poets and critics at the time recognized that the character of Japanese poetic culture was undergoing a fundamental transformation, and the stakes were high: the future of modern Japanese verse. The book documents the creation of new Japanese poetic forms, tracing the first invention of Japanese free verse and its subsequent disappearance. The book examines the impact of the acclaimed and reviled shintaishi, a new poetic form invented for translating European-language verse and eventually supplanted by the reintroduction of free verse as a Western import. The book draws on materials written in German, Spanish, English, and French, recreating the global poetry culture within which the most ambitious Meiji-era Japanese poets vied for position.

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38

Poetry of Ryuichi Tamura =: [Tamura Ryūichi shishū]. Palo Alto, Calif: CCC Books, 1998.

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39

Sano, Hiroko. Translating Milton’s Poetry into Japanese with a Case Study of Samson Agonistes. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198754824.003.0027.

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This chapter examines translation theory and practice in the context of the specific linguistic and cultural challenges that arise when translating Milton’s poetry into accessible Japanese. Milton has been known in Japan as being as important as Shakespeare, but his works have a limited readership while Shakespeare has had a strong presence. Elements that account for Milton’s reception are Milton scholarship in Japan, characteristics of the Japanese language, the archaic sound of Milton’s grand English style especially given Japanese translational choices, and a Christianity articulated too immediately and profoundly for a culture in which Christian training and history are almost absent. This chapter then provides a personal account and the theoretical underpinnings of Sano’s recent Japanese translation of Samson Agonistes and her participation in a well-received production in 2012 of poet Takahashi’s adaptation of Milton’s tragedy in the Noh style.

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40

Yasuda, Kenneth. The Japanese Haiku. Tuttle Publishing, 2002.

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41

Something nice: Songs for children. Tōkyō: JULA Shuppankyoku, 1999.

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42

(Translator), Sawako Nakayasu, ed. Four from Japan: Contemporary Poetry & Essays by Women. Litmus Press, 2006.

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43

Like underground water: Poetry of mid-twentieth century Japan. Port Townsend, USA: Copper Canyon Press, 1995.

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44

Walsh, Clara A. The Master-Singers Of Japan: Being Verse Translations From The Japanese Poets. Kessinger Publishing, LLC, 2006.

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45

Walsh, Clara A. The Master-Singers Of Japan: Being Verse Translations From The Japanese Poets. Kessinger Publishing, LLC, 2007.

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46

Donegan, Patricia, and Yoshie Ishibashi. Love Haiku: Japanese Poems of Yearning, Passion, and Remembrance. Shambhala Publications, Incorporated, 2015.

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47

Love haiku: Japanese poems of yearning, passion, and remembrance. Boston: Shambhala, 2010.

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48

The map is not the territory: Poems and selected translations, 1972-1989. Greensboro, N.C: Unicorn Press, 1990.

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49

McMillan, Peter. One Hundred Poets, One Poem Each. Columbia University Press, 2008.

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50

Carter, Steven D. Waiting for the Wind: Thirty-Six Poets of Japan's Late Medieval Age. Columbia University Press, 1989.

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