Relevant bibliographies by topics / Japanese pop culture

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Academic literature on the topic 'Japanese pop culture'

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Published: 4 June 2021

Last updated: 25 July 2025

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Journal articles on the topic "Japanese pop culture"

Chen, Yixin. "Analyzing the Spiritual Connotation of Japanese Pop Culture from the Course of Modernization Based on Contemporary Japanese Writers." Journal of Education, Humanities and Social Sciences 31 (April 27, 2024): 125–29. http://dx.doi.org/10.54097/2m55m879.

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The development of pop culture in Japan has long historical roots. Since its post-war modernization, Japan has successfully transformed itself from an old culture-importing country to a culture-exporting country. The article focuses on a number of epochal points since Japan's post-war renaissance, analyzing a number of representative Japanese authors and their works from 1945 to the present, and understanding the birth and spread of Japanese popular culture. Studies have shown that the development of Japanese popular culture has been heavily influenced by European and American culture, but has

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Fairuzzahra, Nabila Vina. "Mediascapes of Japanese Culture in Chinese Drama Series: Adaptations of Zhao Qianqian works." JAPANEDU: Jurnal Pendidikan dan Pengajaran Bahasa Jepang 5, no. 2 (2020): 96–110. http://dx.doi.org/10.17509/japanedu.v5i2.23730.

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Globalization has encouraged the enhancement of media, so that various kinds of information are accessible. Hence, Japan is utilizing media to promote their pop culture globally. One of the countries whose media is influenced by Japanese pop culture is China. This study aims to determine the mediascapes of Japanese pop culture in Chinese drama series, specifically the ones that are adapted from Zhao Qianqian’s works; A Love So Beautiful (2017) and Put Your Head on Your Shoulder (2019). Theory used in this study is mediascapes–one of the five dimensions in Arjun Appadurai’s disjuncture globaliz

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Wu, Yuqing. "Can Pop Culture Allay Resentment? Japan’s Influence in China Today." Media and Communication 9, no. 3 (2021): 112–22. http://dx.doi.org/10.17645/mac.v9i3.4117.

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In China, despite the traumatic collective memory relating to militaristic Japan during World War II, an increasing number of Chinese young adults have developed an obsession with Japanese culture, due to its export of anime, movies, pop music, and other popular culture. Based on interviews with 40 Chinese and Japanese young adults, this work examines how contemporary pop culture and historical war memories related to Japan influenced Chinese young adults, who had to reconcile their contradictory sentiments toward the Japanese government, people, and culture. The success of Japanese pop cultur

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Slaymaker, Doug, and Mark Schilling. "The Encyclopedia of Japanese Pop Culture." Monumenta Nipponica 53, no. 1 (1998): 147. http://dx.doi.org/10.2307/2385671.

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Sadid Rizqillah Turrahman, RR Roosita Cindrakasih, and Rizky Hidayat. "Peran Media Sosial Dalam Membentuk : Popularitas Budaya Pop Jepang Pada Komunitas Cosplay Yagaro Japanese Club." Tamilis Synex: Multidimensional Collaboration 3, no. 1 (2025): 49–55. https://doi.org/10.70610/tls.v3i1.749.

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This study aims to analyze how social media contributes to building the popularity of Japanese pop culture among the younger generation, particularly within the cosplay community of Yagaro Japanese Club. Using a qualitative research method with a descriptive approach, this research explores strategies for utilizing social media, its impact on community identity, and its contribution to the popularity of Japanese pop culture. The findings reveal that social media platforms, especially Instagram, TikTok, and YouTube, play a significant role as promotional and interaction tools for the cosplay co

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Kumalaningsih, Ratna Dewi, and Anna Yulia Hartati. "Diplomasi Publik Jepang (Studi Kasus : Budaya Pop Jepang Di Indonesia)." Kajian Hubungan Internasional 1, no. 2 (2022): 431. http://dx.doi.org/10.31942/khi.2022.1.2.6473.

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This thesis aims to discuss the importance of using Japanese pop culture in this case, Manga, Anime and Cosplay as part of Japanese public diplomacy in Indonesia. This discussion is divided into the MOFA (Japan Ministry of Foreign Affairs) program and the Japan Foundation as one of the actors who also carry out public diplomacy. The research in this thesis uses qualitative research methods with descriptive elaboration through the description of programs implemented such as the International Manga Award, World Cosplay Summit or even the appointment of anime or manga characters as Ambassadors (a

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U., M. "Mangajin: Japanese Pop Culture & Language Learning." Journal of the Association of Teachers of Japanese 26, no. 1 (1992): 78. http://dx.doi.org/10.2307/489455.

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Finan, Dorothy. "Interrogating the global success of J-pop and K-pop idols." East Asian Journal of Popular Culture 6, no. 2 (2020): 159–75. http://dx.doi.org/10.1386/eapc_00023_1.

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Why is it that we think of K-pop idols as more globally successful than J-pop idols? In this article, I examine the production, distribution and media reception of the South Korean and Japanese idol pop music under the labels of J-pop and K-pop. I show how although structural and economic reasons go some way towards explaining the differing international reaches of J-pop and K-pop idols, we must also take into account the impact of imagined versions of national popular cultures within the paradigm of the global. Specifically, I argue that we cannot consider J-pop and K-pop’s global successes w

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Kim, Moonsun, and Sungkyoo Hong. "An Examination of the Characteristics of 1980s Japanese City Pop." Korean Society of Culture and Convergence 45, no. 11 (2023): 1239–52. http://dx.doi.org/10.33645/cnc.2023.11.45.11.1239.

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This research examines the characteristics of Japanese City pop music from the 1980s, which encapsulates the urban sensibility of the era. In essence, it aims to elucidate the significance and implications of 1980s City pop as a popular music genre. The 1970s, which is closely associated with the emergence of City pop, marked a turning point from counterculture to commercial culture, representing a period where the existing musical identity evolved into a new form of music. This transformation can be observed in the music of ‘Happy end’, which captured the fading image of old Tokyo due to Japa

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Effendi, Tonny Dian. "K-pop and J-pop Influences to University Students in Malang, East Java – Indonesia : A Comparative Public Diplomacy Studies." Andalas Journal of International Studies (AJIS) 1, no. 2 (2015): 182. http://dx.doi.org/10.25077/ajis.1.2.182-198.2012.

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This paper discussing the comparison of Korean Pop Culture and Japan Pop Culture to the youth in Malang.One of the important of this research is about public diplomacy using pop culture which creating many fans and lovers. The main purpose of the research is to show how the globalization in culture has influencing the youth in developing country like Indonesia. Malang is one of the city that have many K-Pop lovers and J-Pop lovers. This research is qualitative and using depth interview to get information from the participant as the member of the pop lovers. The result shows that both Korea and

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Dissertations / Theses on the topic "Japanese pop culture"

Katekawa, Henrique Eidin. "Fenômeno otaku: de problema social à solução política." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8157/tde-13032017-110556/.

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No Japão, o fenômeno otaku se popularizou no final dos anos 1980 por causa do assassino em série Tsutomu Miyazaki. A mídia japonesa rapidamente o identificou como um otaku, uma pessoa obcecada pela indústria do entretenimento, e nos anos 1990 o indivíduo otaku ficou conhecido como um grande problema social. Contudo, nos anos 2000, o governo japonês colocou em prática seu plano político Cool Japan, que promovia a divulgação da cultura pop japonesa ao mundo. O indivíduo otaku, sendo um grande consumidor de cultura pop japonesa, deixou de ser considerado um problema para se tornar parte de uma so

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Armstrong, Andrew Barton. "Japanese hip hop in Kyoto, 2000-2002: localizing a global pop culture idiom." Thesis, University of Hawaii at Manoa, 2003. http://hdl.handle.net/10125/7093.

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Nearly thirty years since its inception in New York City in 1974, hip hop culture and style have become worldwide phenomena with local scenes appearing somewhere on nearly every continent. In the case of hip hop in Japan, the local scene has a relatively long history and has already developed into a "subculture" (Hebdige 1979) with an extensive infrastructure that is widespread across the archipelago. I chose Kyoto, Japan as the site for this study of the localization of hip hop outside of the U.S. The basic problem is to understand how a transnational pop culture form, which originated as an

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Teixeira, Marcos Caetano. "O mangá como tradição e contemporaneidade: o caso de Mushishi." Universidade Federal de Juiz de Fora (UFJF), 2017. https://repositorio.ufjf.br/jspui/handle/ufjf/6101.

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Submitted by Geandra Rodrigues (geandrar@gmail.com) on 2018-01-17T18:25:46Z No. of bitstreams: 1 marcoscaetanoteixeira.pdf: 6702751 bytes, checksum: 0e32e195643676e30b4b3b8a183ba0ff (MD5) Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2018-01-23T14:16:33Z (GMT) No. of bitstreams: 1 marcoscaetanoteixeira.pdf: 6702751 bytes, checksum: 0e32e195643676e30b4b3b8a183ba0ff (MD5) Made available in DSpace on 2018-01-23T14:16:33Z (GMT). No. of bitstreams: 1 marcoscaetanoteixeira.pdf: 6702751 bytes, checksum: 0e32e195643676e30b4b3b8a183ba0ff (MD5) Previous is

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Hirata, Tatiane. "Mangá : do Japão ao mundo pela prática midiática do scanlation." Universidade Federal de Mato Grosso, 2012. http://ri.ufmt.br/handle/1/550.

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Submitted by Valquíria Barbieri (kikibarbi@hotmail.com) on 2017-11-08T20:56:59Z No. of bitstreams: 1 DISS_2012_Tatiane Hirata.pdf: 4994391 bytes, checksum: e488576c3f57263ac5e4845b7091553c (MD5) Approved for entry into archive by Jordan (jordanbiblio@gmail.com) on 2017-12-15T13:44:11Z (GMT) No. of bitstreams: 1 DISS_2012_Tatiane Hirata.pdf: 4994391 bytes, checksum: e488576c3f57263ac5e4845b7091553c (MD5) Made available in DSpace on 2017-12-15T13:44:11Z (GMT). No. of bitstreams: 1 DISS_2012_Tatiane Hirata.pdf: 4994391 bytes, checksum: e488576c3f57263ac5e4845b7091553c (MD5) Previous issu

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Visockis, Edvinas. "Otaku Kultūros Tapatumo Formavimas: Šiaulių Klubo "Yorokonde" Atvejo Analizė." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2013~D_20140717_083851-87360.

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Bakalauro baigiamajame darbe nagrinėjamas otaku kultūros tapatumo formavimas Šiaulių Japonijos kultūros entuziastų klube „Yorokonde“. Darbą sudaro dvi dalys: teorinė ir praktinė. Teorinėje dalyje analizuojamos įvairių autorių tapatumo teorijos, kalbančios apie savikonstrukciją ar socialiai sukonstruojamą asmenį. Taip pat nagrinėjami skirtingi požiūriai į popkultūrą. Empirinėje dalyje rekonstruojama Japonijos kultūros plitimo chronologija, aiškinamasi otaku sąvokos problematika ir reikšmė. Analizuojamas otaku tapatumas ir jo formavimas per otaku veiklą. Išskiriama anime ir mangos svarba susidom

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Perry, Robyn Paige. ""Ersatz as the Day is Long": Japanese Popular Music, the Struggle for Authenticity, and Cold War Orientalism." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1617205969493365.

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Lin, Fu-Mei, and 林富美. "Performing Lolita Identity in Japanese Pop Culture." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/70261813815240829027.

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碩士 中國文化大學 英國語文學系 103 This thesis researches transcultural influences between Vladimir Nabokov’s Lolita and Lolita fashion in Japan. There are five parts of the thesis. The first part is about to interpret the differences between Humbert Humbert’s Lolita in Vladimir Nabokov’s Lolita and the world-famous Lolita. Then mass media and the Japanese government actively promote kawaii cultures to the world by kawaii ambassadors. Through hard work of these kawaii (cute) ambassadors, Lolita fashion successfully becomes one of the Japanese subcultures. The relationship between Nabokov’s L

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Hsu, Bi-Shan, and 許碧珊. "The acceptance to Japanese pop-culture in Taiwan during the 90’s-In the case of J-POP." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/51976509994435542017.

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碩士 淡江大學 日本語文學系碩士班 98 Japanese music industry had risen to the peak in the period of 90’s. Meanwhile, J-POP word began to be known all over the world since Japanese industry became big enough to influence Japanese pop culture and young people. Taiwan had been also influenced by the J-POP boom as well within the entire consumers’ society. The main frame of the thesis refers to the political and economical background in Taiwan where J-POP has emerged. Also, discovering the critical point of time which J-POP developed in Taiwanese market. Furthermore, will discuss the reason why J-POP

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DeLassus, Dana. "Silence of the schoolgirls : death and the Japanese schoolgirl in contemporary US pop culture." 2013. http://hdl.handle.net/2152/21422.

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This thesis explores images of the Japanese schoolgirl as accessory to the Occidental Self in contemporary Orientalist pop culture in the US. In an analysis of a series of images by four different Western pop culture artists, each artist expresses an appreciation for Japan that is based primarily on their encounter with Japanese pop culture. Furthermore, they express identification with the Japanese Other and a desire to introject into Japanese subjectivities. However, lacking the material body needed for full immersion or identification with the Other, they produce the Japanese schoolgirl

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Lee, Jamie Shinhee. "Discourses of fusion and crossing pop culture in Korea and Japan /." 2005. http://catalog.hathitrust.org/api/volumes/oclc/73174853.html.

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Books on the topic "Japanese pop culture"

Schilling, Mark. The encyclopedia of Japanese pop culture. Weatherhill, 2004.

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Schilling, Mark. The encyclopedia of Japanese pop culture. Weatherhill, 2004.

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Schilling, Mark. The Encyclopedia of Japanese pop culture. Weatherhill, 1997.

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Hirano, Shoko. Japanese pop culture through animation and films. LCP, 1999.

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Nobuhide, Hamada, ed. Fresh pulp: Dispatches from Japanese pop culture front (1997-1999). Cadence Books, 1999.

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Weisser, Thomas. Japanese cinema: The essential handbook : featuring Japanese cult cinema since 1955. 5th ed. Vital Books, 2003.

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Weisser, Thomas. Japanese cinema: The essential handbook. 2nd ed. Vital Groups, Inc., 1996.

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Testa, Valentina. Kawaii art: Fiori, colori, palloncini (e manga) nel neo pop giapponese. Tunué, 2011.

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Testa, Valentina. Kawaii art: Fiori, colori, palloncini (e manga) nel neo pop giapponese. Tunué, 2011.

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(Firm), Ballantine Books, ed. Faust: [fiction and manga from the cutting edge of Japanese pop culture]. Ballantine Books, 2008.

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Book chapters on the topic "Japanese pop culture"

Chun, Jayson Makoto. "The “Pop Pacific”." In Introducing Japanese Popular Culture, 2nd ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003302155-21.

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Leheny, David. "Pop Go the Games." In Introducing Japanese Popular Culture, 2nd ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003302155-43.

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Jung, Eun-Young. "Korean Pop Music in Japan." In Introducing Japanese Popular Culture, 2nd ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003302155-24.

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Tajima, Norio, Keiko Kawamata, Shoetsuro Nakagawa, and Toshihiko Miura. "Cultural Events and Japanese Pop Culture in Europe." In Managing Cultural Festivals. Routledge, 2022. http://dx.doi.org/10.4324/9781003127185-16.

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Ernult, José Rodolfo Avilés, and Astha Chadha. "Decoding Holocaust Narratives in Japanese Pop Culture." In Holocaust vs. Popular Culture. Routledge, 2023. http://dx.doi.org/10.4324/9781003251224-9.

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Yamamura, Takayoshi. "4. Travelling Heidi: International Contents Tourism Induced by Japanese Anime." In Contents Tourism and Pop Culture Fandom, edited by Takayoshi Yamamura and Philip Seaton. Multilingual Matters, 2020. http://dx.doi.org/10.21832/9781845417239-008.

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Butler, Catherine. "5. The Cotswolds and Children’s Literature in Japanese Fantasy: The Case of Castle Combe." In Contents Tourism and Pop Culture Fandom, edited by Takayoshi Yamamura and Philip Seaton. Multilingual Matters, 2020. http://dx.doi.org/10.21832/9781845417239-009.

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Nemoto, Aiko. "Japanese Pop Culture as a Motivating Factor for Japanese Language Learners in Qatar." In Japanese Language and Soft Power in Asia. Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5086-2_8.

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Chin, Chun-wah. "The Political Uses of Japanese Pop Culture in Hong Kong." In Japan and Asia. Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-7989-6_7.

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Lusiana, Yusida, Wisnu Widjanarko, Anggita Stovia, Eko Kurniawan, and Tri Asiati. "Food Print, Sustainable Tourism, and Japanese Pop Food Culture in Manga Series." In Proceedings of the International Conference on Academia-Based Tourism Revival 2022 (ABTR 2022). Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-028-2_9.

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Conference papers on the topic "Japanese pop culture"

Park, Johanes. "Japanese Pop Culture’s Influence on the Process of Transnational Children’s Identity Identification in “Monstrous” Graphic Novel." In The Kyoto Conference on Arts, Media & Culture 2024. The International Academic Forum(IAFOR), 2024. https://doi.org/10.22492/issn.2436-0503.2024.7.

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Ryu, Sangjin. "Using Japanese Animation for Fluid Mechanics Education: Examples From “One Punch Man”." In ASME 2024 Fluids Engineering Division Summer Meeting collocated with the ASME 2024 Heat Transfer Summer Conference and the ASME 2024 18th International Conference on Energy Sustainability. American Society of Mechanical Engineers, 2024. http://dx.doi.org/10.1115/fedsm2024-131035.

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Abstract Visual popular culture provides various engaging examples for teaching STEM (science, technology, engineering, and mathematics). As one genre of visual pop culture, Japanese animation, or anime, has steadily gained popularity in the United States. Since anime is not constrained by reality, this separation from reality offers unique opportunities to use anime to teach the key principles of fluid mechanics. I have been using fluid-mechanics-related examples found in anime not only for formal fluid mechanics education but also for informal STEM outreach activities. In this paper, I prese

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ZAHARIA, Viorica. "Murakami’s eclectic style." In Ştiință și educație: noi abordări și perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.v3.24-25-03-2023.p71-75.

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This article analyzes some of the features of Murakami’s writing that are characterized by an eclectic style. One of the most read contemporary prose writer is Haruki Murakami who managed to suspend the border between „high” and „pure” by his works that characterized Japanese literature by tradition and, from „common” and „ordinary”, it made possible thematic „pretexts” for Romanian text. And the international success of the books is due to the specific rhythm of his prose that have broken the barriers between East and West. The fiction word of Murakami’s work is an eclectic and postmodern one

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Темралеева, П. А., and А. Н. Огарков. "ARTISTIC LANGUAGE OF DIRECTOR SHINICHIRO WATANABE (CASE STUDY OF ANIMATION WORKS “COWBOY BEBOP” AND “SAMURAI CHAMPLOO”)." In Мультимедиа: современные тенденции. Crossref, 2025. https://doi.org/10.54874/9785605245759.2024.10.35.

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«Ковбой Бибоп» и «Самурай Чамплу» — культовые произведения японской мультипликации, снискавшие множество поклонников по всему миру. Причины повышенного интереса со стороны западной аудитории кроются в универсальном языке названных произведений. Экспериментальный подход режиссера Синъитиро Ватанабэ не только обеспечил аниме статус своеобразного «пропуска» в мир современной японской поп-культуры, но и продемонстрировал гибкость анимационного медиума в пору активной его трансформации. Настоящее исследование представляет собой первую попытку выявления специфических художественных решений, характер

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Hasegawa, Sho, and Masashi Yamada. "A Statistical Analysis of History of Japanese Light Novels." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1002996.

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In recent years, cool Japan anime, video games and manga have been recognized as important export-oriented merchandise in Japan. Another recent Japanese genre is light novels. Light novels are one of the genres of novels and construct a part of recent Japanese pop culture. In Japan recently, the anime, manga and live-action films have been adapted from the original light novels. Light novels were chiefly read by high and junior-high school student previously, but the range of the readers has been expanding widely in recent years. However, light novels have not been statistically studied yet. I

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