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Relevant bibliographies by topics / Japanese Pottery

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Journal articles

Academic literature on the topic 'Japanese Pottery'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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Journal articles on the topic "Japanese Pottery"

1

Tsoumas, Johannis. "Traditional Japanese pottery and its influence on the American mid 20th century ceramic art." Matèria. Revista internacional d'Art, no. 18-19 (September 16, 2021): 139–53. http://dx.doi.org/10.1344/materia2021.18-19.6.

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The Japanese ceramic tradition that was to emerge along with other forms of traditional crafts through the Mingei Movement during the interwar period, as a form of reaction to the barbaric and expansive industrialization that swept Japan from the late nineteenth century, brought to light the traditional, moral, philosophical, functional, technical and aesthetic values that had begun to eliminate. Great Japanese artists, art critics and ceramists, such as Soetsu Yanagi and Shōji Hamada, as well as the emblematic personality of the English potter Bernard Leach, after caring for the revival of Ja

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2

ÖNEY, Dicle. "IMJIN SAVAŞI SONRASI KORELİ ÇÖMLEKÇİLERİN JAPON SERAMİK KÜLTÜRÜNE ETKİLERİ." SOCIAL SCIENCE DEVELOPMENT JOURNAL 7, no. 33 (2022): 43–56. http://dx.doi.org/10.31567/ssd.734.

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The Imjin War was fought between Japan and Korea between 1592 and 1598. The process that started with Japan's invasion of Korea resulted in the capture of skilled Korean craftsmen and about 800 Korean potters, among them, after the war. Captive Korean potters were settled in areas of western and southern Japan ruled by the Lords of the time. Korean potters, who have a deep-rooted ceramic tradition, developed ceramic production techniques in the Japanese regions where they were placed and became the creators of products such as Satsuma-yaki, Hagi and Karatsu ceramics, and Arita porcelain, which

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3

VINCENT, STEPHANIE. "“A Bull in Our China Shop:” Japanese Imports and the American Pottery Industry." Enterprise & Society 19, no. 2 (2018): 430–68. http://dx.doi.org/10.1017/eso.2017.66.

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From its beginning, the American pottery industry had to contend with the presence of imports. At first, manufacturers coped by promoting their own products and striving to improve design and quality. However, when Japan began importing china in greater quantities, American potters faced a challenge unlike any before. Initial attempts to attack imports outright through boycotts met with limited success through World War II. Following the peace, Cold War economic policy designed to reintroduce Japan to the global market led to another round of increasing importation. U.S. potters decried the po

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4

Zhushchikhovskaya, Irina. "Jomon pottery: cord-imitating decoration." Documenta Praehistorica 34 (December 31, 2007): 21–29. http://dx.doi.org/10.4312/dp.34.3.

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The paper discusses the decoration of pottery of the Neolithic Jomon culture (Japanese Archipelago, 13600–900 BC). The comb-impressed pattern produced by various kinds of cord or rope stamps is considered as the ‘calling card’ of Jomon pottery from the earliest cultural periods to the latest. Another kind of decoration recognized recently uses the cord not as a patterning tool, but as an essential motif of decorative composition. High relief elements imitate cordage forms and structures – knots, loops, hanging cord, net, etc. This kind of decoration corresponds to the pottery of Mid-dle Jomon

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5

Kuzmin, Yaroslav V., and Charles T. Keally. "Radiocarbon Chronology of the Earliest Neolithic Sites in East Asia." Radiocarbon 43, no. 2B (2001): 1121–28. http://dx.doi.org/10.1017/s0033822200041771.

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The radiocarbon age of the earliest pottery from Russian Far East—Gromatukha and Osipovka cultures—is between around 13,300 BP and around 10,400 BP. This shows that the Amur River basin was one of the centers of origin of pottery in East Asia, at the end of the Pleistocene. Today, there are three areas within East Asia with pottery-associated 14C dates between around 14,000 BP and 13,000 BP—southern China, the Japanese Isles, and Russian Far East.

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6

Sugiyama, Toyohiko, Hiroshi Kakiuchida, and Masayoshi Ohashi. "Visible and Infra-Red Reflectance of Several Typical Japanese Glazes for Roof Tiles and Wall Tiles." Advances in Science and Technology 68 (October 2010): 96–101. http://dx.doi.org/10.4028/www.scientific.net/ast.68.96.

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. Tile coating with a higher reflectance of sun light are effective in mitigating heat-island phenomenon. Covering the surface of the ground or the exterior of buildings with such high reflectance coatings has attracted attention because of its high cost effectiveness. Recently, companies producing Japanese roofing tiles or wall tiles have been trying to develop high reflectance glaze for their products. However, while we have enormous amounts of data on visible reflectance measured through the study of glaze coloration, there are comparatively less data pertaining to infrared reflectance on p

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7

Garcia, Gloria. "Internationalization of Culture through Traditional Arts: A Case of Japanese SMEs." Copenhagen Journal of Asian Studies 30, no. 1 (2013): 80–95. http://dx.doi.org/10.22439/cjas.v30i1.4166.

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There are two important subjects concerning internationalization strategies that are of interest to academia, the business community and society in general. The first one is internationalization of small and medium-sized enterprises (SMEs); the other one is internationalization of local cultures. This article provides insights into the specific internationalization strategies used by Japanese SMEs to export traditional arts to foreign markets, focusing on Japanese pottery for the tea ceremony. SMEs encounter difficulties concerning limited resources in their internationalization process, but w

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8

Kuzmin, Yaroslav V. "The Origin of Pottery in East Asia and Its Relationship to Environmental Changes in the Late Glacial." Radiocarbon 52, no. 2 (2010): 415–20. http://dx.doi.org/10.1017/s003382220004546x.

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The chronometry of the origin of pottery in East Asia can give some insights to the question: did environmental changes trigger and/or accelerate innovations such as pottery-making, maritime adaptation, and agriculture? Recent results show that pottery emerged in 3 regions of East Asia: south China (up to ∼14,800 BP), the Japanese Islands (about 13,800–13,500 BP), and the Russian Far East (∼13,300 BP). The earliest pottery in the Old World preceded the Bølling-Allerød warm period (about 13,000–11,500 BP). Thus, the relationship between climate and pottery origin was not “linear.” It seems that

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9

Lucquin, Alexandre, Kevin Gibbs, Junzo Uchiyama, et al. "Ancient lipids document continuity in the use of early hunter–gatherer pottery through 9,000 years of Japanese prehistory." Proceedings of the National Academy of Sciences 113, no. 15 (2016): 3991–96. http://dx.doi.org/10.1073/pnas.1522908113.

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The earliest pots in the world are from East Asia and date to the Late Pleistocene. However, ceramic vessels were only produced in large numbers during the warmer and more stable climatic conditions of the Holocene. It has long been assumed that the expansion of pottery was linked with increased sedentism and exploitation of new resources that became available with the ameliorated climate, but this hypothesis has never been tested. Through chemical analysis of their contents, we herein investigate the use of pottery across an exceptionally long 9,000-y sequence from the Jōmon site of Torihama

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10

Tanabe, Koichi, Honoka Hayashi, Natsuki Murakami, Yoko Yoshiyama, Jun Shima, and Shinya Shoda. "Glazing Affects the Fermentation Process of Sake Brewed in Pottery." Foods 13, no. 1 (2023): 121. http://dx.doi.org/10.3390/foods13010121.

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Sake (Japanese rice wine) was fermented in pottery for more than a millennium before wooden barrels were adopted to obtain a greater brewing capacity. Although a recently conducted analysis of sake brewed in pottery indicated that sake brewed in unglazed pottery contains more ethanol than that brewed in glazed pottery, little is known about the characteristics of sake brewed in pottery. In this study, we used two types of ceramic containers of identical size, one glazed and one unglazed, for small-scale sake brewing to evaluate the effects of glazing on fermentation properties. The following p

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